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You are here: Home / Archives for Reviews / Mouthpiece Reviews

Mouthpiece Reviews

The Sax Mouthpiece Doesn’t Matter! Really??

November 21, 2016 by Steve 32 Comments

Today,  I am reviewing a garden hose. Ok, not really but I might as well be.  Every week, I get emails saying: The mouthpiece doesn’t matter, you will sound like you no matter what mouthpiece you play…… Charlie Parker could play anything…….. You sound the same on every mouthpiece. It’s you not the mouthpiece….. You […]

Filed Under: Mouthpiece Reviews Tagged With: bad, importance, lame, sax mouthpiece, saxophone, worthless piece of crap

Phil-tone JZ Series Tenor Saxophone Mouthpiece Review

November 5, 2016 by Steve 8 Comments

Today, I am reviewing another great mouthpiece by Phil Engleman at Phil-Tone mouthpieces.    Phil Engleman is the founder of Phil-Tone mouthpieces and I have reviewed a number of his excellent mouthpieces in the past.  The Equinox, the Eclipse, the Solstice, the Tribute, the Sapphire, the Mosaic, the Rift etc…………… Phil has even more models that […]

Filed Under: Tenor Low Baffle Reviews Tagged With: hard rubber, Phil Engleman, Phil-tone, review, saxophone mouthpiece, tenor sax

Johannes Gerber NY Alto Saxophone Mouthpiece Review

November 3, 2016 by Steve 7 Comments

Today, I am reviewing another great alto sax mouthpiece by Johannes Gerber in South Africa. Mr. Gerber has been making mouthpieces for many years and I have reviewed three of his mouthpieces in the past, the Gerber Slant model , the Gerber Solo LC soprano saxophone mouthpiece  and last week the Gerber Vintage alto sax mouthpiece.   […]

Filed Under: Alto Medium Baffle Reviews Tagged With: Alto Saxophone, Johannes Gerber, Ny model, review, sax mouthpiece

Johannes Gerber Vintage Alto Mouthpiece Review

October 28, 2016 by Steve 7 Comments

Today, I am reviewing another great mouthpiece by Johannes Gerber in South Africa. Mr. Gerber has been making mouthpieces for many years and I reviewed a great tenor saxophone mouthpiece of his a few years ago, the Gerber Slant model  as well as the Gerber Solo LC soprano saxophone mouthpiece  last year.   Johannes Gerber has […]

Filed Under: Alto Low Baffle Reviews, Alto Mouthpiece Reviews, Mouthpiece Reviews Tagged With: alto sax, Alto Saxophone, Johannes Gerber, mouthpiece, vintage model

Morgan Excalibur 7M Alto Saxophone Mouthpiece Review

October 20, 2016 by Steve 7 Comments

Today, I am reviewing a Morgan Excalibur 7M alto saxophone mouthpiece made by the Morgan Mouthpiece Company.  Dave and Teresa Hoskins run MorganMouthpieces.com as well as Junkdude.com and they were kind enough to send me a sample of the Morgan Excalibur 7M alto sax mouthpiece to review on my site. When I first started really getting into […]

Filed Under: Alto Medium Baffle Reviews Tagged With: alto sax, excalibur, hard rubber, Ralph Morgan, saxophone mouthpiece

Sax Mouthpiece Reviews and Morality

July 22, 2016 by Steve 80 Comments

Ok,  so this might seem like a strange title for a blog post but I have an issue that I need some insight and input on from my Neffmusic readers.  Here’s the issue and then I will pose some questions at the end. Mouthpiece Reviews and Morality:   Nine years ago I started what is […]

Filed Under: Mouthpiece Reviews Tagged With: ethics, morality, opinion, reviews, saxophone mouthpieces

Retro Revival New Yorker Alto Saxophone Mouthpiece Review

July 16, 2016 by Steve 22 Comments

Today, I am reviewing the new Retro Revival New Yorker alto saxophone mouthpiece made by Joel Peskin (iReedMan) and Bob Sheppard.  Joel  and Bob have started a company called Retro Revival in which he produces exact copies of great vintage mouthpieces from the past.   His first two mouthpiece releases were for this New Yorker alto […]

Filed Under: Alto Medium Baffle Reviews, Alto Mouthpiece Reviews Tagged With: alto sax, Brothers, Joel Peskin, New York Meyer, New Yorker, Retro Revival, review, saxophone mouthpiece

Bill Evans Signature Series Tenor Saxophone Mouthpiece Review

July 9, 2016 by Steve 58 Comments

Today, I am reviewing the new Bill Evans Signature Series Tenor Saxophone Mouthpiece.  Now, before I go further I must add a disclaimer: Warning: This is one the most expensive mouthpieces on the market that I know of right now. (1695.00 US) If you do not want to be tempted by a mouthpiece that you can’t […]

Filed Under: Tenor High Baffle Reviews, Tenor Mouthpiece Reviews Tagged With: bill evans, Guardala, jazz saxophone, review, sax mouthpiece, tenor saxophone

Westcoast Sax MoFo Tenor Saxophone Mouthpiece Review

June 18, 2016 by Steve 12 Comments

Today, I am reviewing the Westcoast Sax “MoFo” tenor saxophone mouthpiece.  Now, not being hip to the newest slang and terminology, I had to ask my teenagers what MoFo meant.  My daughters told me “Mofo” stood for mother-f*****, someone who is bad-a** or hard core.  My first thought was “Why would someone name a saxophone […]

Filed Under: Tenor High Baffle Reviews, Tenor Mouthpiece Reviews Tagged With: Mofo, review, saxophone, tenor mouthpiece, Theo Wanne, Wescoast Sax

Liu Shizhao Pilgrimage MB Tenor Saxophone Mouthpiece Review

June 9, 2016 by Steve 22 Comments

A month or two ago,  I posted a review of a couple new saxophone mouthpiece from Liu Shizhao out of China.  He sent me a tenor saxophone mouthpiece prototype MB Prototype and an alto prototype that I was very impressed with and wrote reviews on. Recently,  he has sent me two more saxophone mouthpieces to review that […]

Filed Under: Tenor High Baffle Reviews Tagged With: Guardala, jazz sax, Liu Shizhao, Michael Brecker, Pilgrimage, review, tenor mouthpiece

Lamberson J7 1920 Hard Rubber Tenor Saxophone Mouthpiece Review

June 4, 2016 by Steve 22 Comments

In an effort to mix things up a bit,  I am now reviewing a new J7 tenor saxophone mouthpiece made by Fred Lamberson. Earlier this week, I reviewed the Ted Klum London model tenor mouthpiece which was probably one of the loudest and brightest mouthpieces I have played but now I turn my attention to […]

Filed Under: Tenor Low Baffle Reviews Tagged With: 1920 hard rubber, dark tone, Fred Lamberson, J7, sax mouthpiece, tenor saxophone

Rafael Navarro “Bob Mintzer” Bop Boy Tenor Mouthpiece Review

June 4, 2016 by Steve 20 Comments

Today I am reviewing another great mouthpiece by Rafael Navarro.  This is a hard rubber “Bob Mintzer” Bop Boy model.  I have reviewed most of Rafael Navarro’s tenor models in the past.  In the beginning,  he was kind enough to send me a bunch to review but after a while he started getting busier as his […]

Filed Under: Tenor High Baffle Reviews Tagged With: Bob Mintzer, Bop Boy, hard rubber, Rafael Navarro, sax mouthpiece, tenor saxophone

Ted Klum London Model Tenor Saxophone Mouthpiece Review

June 1, 2016 by Steve 13 Comments

Today’s review is of a very used Ted Klum London model tenor saxophone mouthpiece that a friend of mine was nice enough to let me try.   Ted Klum is a great sax mouthpiece maker and refacer who has a great reputation among saxophone players.   His site is www.tedklummouthpieces.com.   It has been quite […]

Filed Under: Tenor High Baffle Reviews Tagged With: high baffle, London Model, sax mouthpiece, Ted Klum, tenor saxophone

Saxquest “The Core” Tenor Saxophone Mouthpiece Review

March 5, 2016 by Steve 15 Comments

Today, I am reviewing the new “The Core” hard rubber tenor saxophone mouthpiece from Saxquest. Mark Overton over at Saxquest came out with two new hard rubber tenor sax mouthpieces a few months ago called “The Bridge” (hand faced by Eric Falcon) and “The Core” (hand faced by James Bunte). Mark said that the purpose  behind making these […]

Filed Under: Tenor Medium Baffle Reviews, Tenor Mouthpiece Reviews Tagged With: Core, jazz sax, Mark Overton, mouthpiece, Saxquest, tenor saxophone

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Testimonials

1 2 3 4 5
Hey Steve, I’m a 22-year-old from Australia. I thought it would be worth saying. You’re an absolute legend. I can’t thank you enough. You have helped me rekindle my love for the saxophone and music as a whole. All the best for the future, your work doesn’t go unnoticed. PS. I am loving your devastating minor lines pdf.
Sapph
1 2 3 4 5
I’m an experienced player in the pop/soul/funk areas of music and, previously, classical.  Over the decades I’ve been playing, I’ve always felt that I could do what I needed in those styles of music.  However, recently I began to feel limited by my use of the same old licks. When I discovered Steve Neff’s website, and heard the audio examples based on the exercises in his books, I realized they were what I needed.  I purchased all of them and have been working on them since.  It’s very hard work… Read more
Paul
1 2 3 4 5
Hi Steve, I have been shedding your materials for quite a while now and I love them! They are extremely well organized and presented and there are tons of ’em! I really appreciate your methodical approach and find myself referring students to your resources often.  Thanks so much!  
Kenyon Carter
1 2 3 4 5
By the way, BIG COMPLIMENTS to you, Steve! Not only are you a great player, you are also a great teacher! I, too, am a woodwinds player/teacher. I have new inspiration to play and teach because of you. The concepts and “thinking” is similar to what I already learned in College, but hearing you explain and PLAY the concepts REALLY MAKES THE DIFFERENCE! Also, your written patterns are more interesting than other books I have seen! Keep up the good work. I will be recommending your sit… Read more
I will be recommending your site to others!
1 2 3 4 5
Thank you for the wealth of helpful lessons you’ve provided over the years.  I truly feel as though it has improved my playing more than the 4 years I spent at Berklee… and that’s not a slight on the school as I loved my experience there.
John
John
1 2 3 4 5
I would like to say that in the last year my sax playing has progressed loads from your lessons. I have had a sax for about 20 years and dabbled with lessons from a few teachers and have learnt very little from them. As you have said in your lessons many teachers tell you to use the blues scale and leave it there, not even showing you the resolution points!!. I am now believing I can in time become a good improviser.
Thanks again,
Shane
Shane
1 2 3 4 5
I can see from your instructional videos that you are a fantastic teacher – one that can truly relate to all ages – humble yet very positive in approach – never coming across as superior and yet so totally capable of demonstrating the principles and techniques that you seek to impart to the students. I have gained so much confidence in my playing from “pouring over” time and again these invaluable lessons. Invaluable not only in musical content, but also in human interaction content. I am absolu… Read more
Ron
1 2 3 4 5

Steve,  Just want to say thanks for all you are doing for all of us. I’ve learned more from you than anyone else in my 40 years of playing.

If you can give some tips on One Note Samba, Ceora, and Wave… that would be cool.  I really like learning how you apply your concepts to actual songs!

Have a great year,

Kevin Ledbetter

I've learned more from you than anyone else in my 40 years of playing.
1 2 3 4 5
I am enjoying your style of teaching, and you’ve done a great job with the videos….good sound quality and well constructed lessons.  Balances the more guitaristic material found on the majority of guitar based programs.  Jazz vocab is what I’m all about at this point in the journey.   I especially dig the fact that you’ve studied with Bergonzi…helps me see his voluminous output in a more  bite sized way.
Milton
1 2 3 4 5
I am a music book junkie and I have to say that your books are the most clear, user friendly, and helpful books I own.  They are my absolute favorites and I only wish I had them years ago.  I wouldn’t change a thing about the experience I had in acquiring my degree at Berklee, but my playing has perhaps grown more in the time I’ve spent buried in your books and lessons.  Keep up the great work!!! Thanks, John
John
1 2 3 4 5
I bought Steve’s dominant bebop book and took a couple of online lesson from him. I really appreciated Steve’s careful listening of what I wanted to get done in a lesson and his clear, concise ideas on next steps to improve my playing and musical interpretation.  His mastering  the Dominant Bebop Scale has lots of exercises to use a scale that addresses the largest percentage of chords I come across in pop/blues music. The dominant V7.  Needless say it has improved my playing.  I teach and a… Read more
Keith
1 2 3 4 5
Hey Steve! I hope you and your family are well.  I’m just writing to say thank you so much for all the resources you have made available to the saxophone community. I have been using your material for many years and I always come back to it… in fact I just took a break from practicing to write this…( reviewing “CreatingModern II-V-I Lines with simple pentatonics”.) I am, and continue to be, one of your raving fans! Blessings to you and your family this holiday season! Wishing… Read more
Gerry Aylward
1 2 3 4 5

After reading your story I will never feel quite right about complaining about any of my MINOR health issues!!    God bless Steve and I really hope that your health doesn’t stop you from fulfilling your calling.    These books have been such a help to open up my jazz vocabulary…   Thanks so much for sharing your story and for providing these great teaching tools…   John Leclerc   Saxophonist / composer/ EWI player and professional working musician of 35 years….

John Leclerc
1 2 3 4 5
I can’t say enough about my membership at Neff Music. Steve has taken the mystery out of playing the saxophone well and improvising both jazz and rock music. Like most struggling players I have a load of all sorts of books on my shelf just gathering dust. Books that I didn’t understand or know how to put to use…or just have the time to go threw them. Steve’s lessons really simplify things and he puts it in a way that I can understand. They inspire me to keep pushing and having him as my guide or… Read more
Ken
1 2 3 4 5
I like so many other subscribers feel so encouraged by Steve’s learning techniques; you will enjoy reading the comments of praise others have left as you too will feel that you share a common view and path. I feel very lucky to have come across Neffmusic and that feeling will remain with you as you search through a treasure trove of learning materials on offer, you will quickly find the lessons that you are suited to. You will instantly recognize the unparalleled quality of Steve’s teaching … Read more
Stephen
1 2 3 4 5
Thanks so much for putting all this great learning material out there. I don’t often have the time to take a lesson with a teacher, so the ability to download lessons is really invaluable. My playing has improved enormously (I think :)) – and the lessons are so varied there’s always something to be inspired by. Incredible value too!
Roger
1 2 3 4 5
Steve really changed my way of practicing: I got a whole lot of new ideas for my playing the tenor.  His lessons are really helpful, give a lot stuff to practice and give clear answers to complicated stuff.  Steve has a lot of humor and I wish I had laughed so much in my former days with the horn.  All topics, from Blues to Approach note are dealt with clearness that wet ones appetite to play and practice that great ideas.
Uwe
1 2 3 4 5
Hi Steve, I can’t express just how much I appreciate your teaching. My playing has improved so much over the past year since I have been studying and practicing with your lessons. It is possible to teach an old dog new tricks, these lessons are proof! Thanks, Michael Byington
Michael Byington
1 2 3 4 5
I want to say something about Steve Neff’s series of lessons, Beginner Jazz Improvisation. For a couple of years I tried many beginner lessons and my problem was that there was a gap between lessons that were fairly simple and ones that I was not quite ready for and my progress stalled out. That problem was solved with the series Beginner Jazz Improvisation. He guides you step by step along the way and builds a foundation for learning jazz and blues. He leaves no question about what to practice … Read more
Pete
1 2 3 4 5
First, I’m really excited about your materials! This site is a vast resource for any aspiring (and maybe already inspired) jazz musicians. I’m not a sax player, I play mandolin and fiddle, but have been learning jazz and playing weekly with a quintet for the past 6 months and have been struggling with all of the issues you get into in your lessons. I bought several books and lessons and plan to continue with some others as soon as I organize my practice routine. Thanks again for a great site … Read more
Tony Galfano
1 2 3 4 5

Steve, just a note to say thanks.

I’ve been playing a long time, but your material, laid out in such a thoughtful way, helps me to understand concepts in a new and deeper way.

You are a true gift to the jazz community.

60 lessons and going strong,

Kevin Ledbetter

Kevin Ledbetter
1 2 3 4 5

Hello Steve,

I just want to say thank you so much for your unbelievable work, it is just mind opening, thanks for sharing it.

Wolfgang from Berlin

Wolfgang from Berlin
1 2 3 4 5
I’ve been a member of Steve’s site for about six months now and the difference it has made to my playing is immeasurable. The (many) benefits of this membership are that you can have lessons at time convenient to you, they work out A LOT cheaper than face-to-face lessons with a teacher of the same calibre and you can replay them ad infinitum. I don’t know how many times have I had lessons in the past where I’ve ended up covering the same concepts when really a ‘replay’ of the last lesson would h… Read more
Nick
1 2 3 4 5
Your major diatonic patterns book is great. I”m studying the first twenty patterns (first twenty pages) each day with different articulation each day and slowly increasing the tempo each week or so.  There is a noticeable improvement in finger coordination across all keys and its amazing how much more secure I feel on the difficult keys when attempting to play pieces with 5+ flats/sharps. I’m able to sort out the fingerings for these pieces now much more quickly than before, often in one or two … Read more
Geoff
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