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double ring

KPoudavoff Zimberoff Dukoff Hollywood 6* with Dexter Gordon’s Facing Curve Tenor Saxophone Mouthpiece Review

February 16, 2023 by Steve 9 Comments

Today, I am reviewing another tenor saxophone mouthpiece made by a young mouthpiece maker, refacer and saxophone player from Russia named Kirill Poudavoff.  Kirill is a great young tenor sax player that is in his fourth semester at Berklee College of Music in Boston. Kirill sent me four 3-D printed examples of his tenor saxophone […]

Filed Under: Mouthpiece Reviews, Tenor Low Baffle Reviews, Tenor Mouthpiece Reviews Tagged With: copy, Dexter Gordon, double ring, Dukoff Hollywood, facing curve, florida link, Kirill Podavoff, KPoudavoff, otto link, replica, review, sax mouthpiece, tenor saxophone, Zimberoff

KPoudavoff Zimberoff Dukoff Hollywood 7* Copy Tenor Saxophone Mouthpiece Review

February 13, 2023 by Steve 7 Comments

Today, I am reviewing another tenor saxophone mouthpiece made by a young mouthpiece maker, refacer and saxophone player from Russia named Kirill Poudavoff.  Kirill is a great young tenor sax player that is in his fourth semester at Berklee College of Music in Boston. Kirill sent me four examples of his tenor saxophone mouthpieces made […]

Filed Under: Mouthpiece Reviews, Tenor Low Baffle Reviews, Tenor Mouthpiece Reviews Tagged With: copy, Dexter Gordon, double ring, Dukoff Hollywood, florida link, Kirill Podavoff, KPoudavoff, otto link, replica, review, sax mouthpiece, tenor saxophone, Zimberoff

KPoudavoff Florida Otto Link Copy Tenor Saxophone Mouthpiece Review

February 4, 2023 by Steve 16 Comments

Today, I am reviewing another great tenor saxophone mouthpiece made by a young mouthpiece maker, refacer and great saxophone player from Russia named Kirill Poudavoff.  Kirill is a great young tenor sax player that is in his fourth semester at Berklee College of Music in Boston. Kirill sent me four examples of his tenor saxophone […]

Filed Under: Mouthpiece Reviews, Tenor Medium Baffle Reviews, Tenor Mouthpiece Reviews Tagged With: copy, Dexter Gordon, double ring, Dukoff Hollywood, florida link, Kirill Podavoff, KPoudavoff, otto link, replica, review, sax mouthpiece, tenor saxophone, Zimberoff

KPoudavoff Florida Double Ring Otto Link Copy Tenor Saxophone Mouthpiece Review

February 3, 2023 by Steve 4 Comments

Today, I am reviewing the work of a young mouthpiece maker, refacer and great saxophone player from Russia named Kirill Poudavoff.  Kirill is a great young tenor sax player that is in his fourth semester at Berklee College of music in Boston. If you haven’t heard Kirill Poudavoff yet, check him out in the video […]

Filed Under: Mouthpiece Reviews, Tenor Low Baffle Reviews, Tenor Mouthpiece Reviews Tagged With: copy, Dexter Gordon, double ring, Dukoff Hollywood, florida link, Kirill Podavoff, KPoudavoff, otto link, replica, review, sax mouthpiece, tenor saxophone, Zimberoff

Retro Revival “Super D” Florida Tenor Saxophone Mouthpiece Review

September 27, 2017 by Steve 32 Comments

Today, I am reviewing another new Retro Revival “Super D” model tenor saxophone mouthpiece made by Joel Peskin (iReedMan) and Bob Sheppard. This is the silver “Super D” Florida model.  Yesterday, I reviewed the darker New York model mouthpiece which is gold plated and played great. Joel and Bob have started a company called Retro Revival […]

Filed Under: Tenor High Baffle Reviews, Tenor Mouthpiece Reviews Tagged With: double ring, Florida model, mouthpiece review, otto link, Retro Revival, silver, Super D

Retro Revival “Super D” New York Tenor Saxophone Mouthpiece Review

September 26, 2017 by Steve 32 Comments

Today, I am reviewing the new Retro Revival “Super D” New York model tenor saxophone mouthpiece made by Joel Peskin (iReedMan) and Bob Sheppard. Joel and Bob have started a company called Retro Revival in which they produce exact copies of great vintage mouthpieces from the past. When Joel started the company they started with […]

Filed Under: Mouthpiece Reviews, Tenor Medium Baffle Reviews, Tenor Mouthpiece Reviews Tagged With: double ring, mouthpiece, new york, otto link, Retro Revival, review, Super D, super tonemaster, tenor saxophone

Florida Double Ring Otto Link Tenor Saxophone Mouthpiece

July 26, 2013 by Steve 24 Comments

Today, I’m reviewing an old 1950’s Florida Double Ring Otto Link Tenor Saxophone Mouthpiece.  It was originally a 5 tip opening but was opened up to a 7 or .100 tip opening at some point.  These Florida double ring mouthpieces were made in the 1950’s by the Otto Link company.  This mouthpiece I have is […]

Filed Under: Tenor Low Baffle Reviews, Tenor Mouthpiece Reviews Tagged With: double ring, florida, otto link, review, sax mouthpiece, tenor saxophone

Drake Double Ring Ceramic Tenor Mouthpiece

August 11, 2009 by Steve 7 Comments

This is a tenor mouthpiece by Aaron Drake at Drake Ceramic Mouthpieces. He has been generous enough to send  two tenor mouthpieces for me to try.  These are called “Double Ring” Jazz and a Contemporary.  They are both .110 tips.  These mouthpiece are very unique in that they are made of ceramic. I  was a bit […]

Filed Under: Tenor Medium Baffle Reviews, Tenor Mouthpiece Reviews Tagged With: aaron drake, ceramic mouthpiece, double ring, tenor mouthpiece

Drake Double Ring Ceramic Alto Mouthpiece 5

August 3, 2009 by Steve 4 Comments

This is a new alto mouthpiece by Aaron Drake at Drake Ceramic Mouthpieces. He has been generous enough to send  two alto pieces to me to try. These are called “Double Ring” Jazz pieces.  One has a .075 tip and one has a .080 tip. These mouthpiece are very unique in that they are made […]

Filed Under: Alto Medium Baffle Reviews, Alto Mouthpiece Reviews Tagged With: aaron drake, alto, double ring, drake ceramic mouthpieces

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Testimonials

Never really had lessons before just kinda worked things out on my own. Was in a rut but your lessons are really helpful in opening melodic possibilities. Ur an awesome resource to the saxophone community. Thanks for sharing. 

Anthony

Love your lessons!  I have been using your lesson packages for many months now, and am learning a lot.  It is so perfect for me with a very busy adult schedule and difficulty in taking jazz/improv music lessons from reputable instructors who live and hour or more away from me.

Lenore
It is so refreshing to have a great player, who can provide lessons and examples in a manner which is understandable to most any enthusiastic saxophonist who is ready to improve. not just the, do this, do that, memorize this, memorize that… while all that is absolutely necessary, you go on to give reasons and examples to explain and validate why you have to do all of these things, the benefits, if you will… that is the key for me, you tell, explain, demonstrate, explain some more, you give perso… Read more
Cedric

Steve,  Just want to say thanks for all you are doing for all of us. I’ve learned more from you than anyone else in my 40 years of playing.

If you can give some tips on One Note Samba, Ceora, and Wave… that would be cool.  I really like learning how you apply your concepts to actual songs!

Have a great year,

Kevin Ledbetter

I've learned more from you than anyone else in my 40 years of playing.
I would like to say that in the last year my sax playing has progressed loads from your lessons. I have had a sax for about 20 years and dabbled with lessons from a few teachers and have learnt very little from them. As you have said in your lessons many teachers tell you to use the blues scale and leave it there, not even showing you the resolution points!!. I am now believing I can in time become a good improviser.
Thanks again,
Shane
Shane
I just joined Neff Music last month. I can’t tell you how excited I’ve been to be able to pick back up on lessons. I’ve been in a rut and you got me out! I’ve especially appreciated the Lesson Path section. It was so clear I knew exactly where to jump in and start. Many many thanks!
Karin
Steve- I joined your site this month and have downloaded 4 lessons and also purchased your new book and video on diatonic patterns. I just want to say I am very pleased with your approach and teaching techniques. I am getting back into playing after laying off for some time. The information you offer on your site is of great value and I am enjoying being a member. Thank you for what you are doing for the saxophone community.
Tony

Hello Steve, I’m getting so much out of your lessons and books, amazing how much one may think one knows, there is always a new frontier or new way to view something you think you had somewhat down. You have taken it all to a new level and am so grateful. Your lessons are so down to earth and understandable and clear!  Thanks so much Steve! Cheers, Eddie

Eddie Parente
I want to say something about Steve Neff’s series of lessons, Beginner Jazz Improvisation. For a couple of years I tried many beginner lessons and my problem was that there was a gap between lessons that were fairly simple and ones that I was not quite ready for and my progress stalled out. That problem was solved with the series Beginner Jazz Improvisation. He guides you step by step along the way and builds a foundation for learning jazz and blues. He leaves no question about what to practice … Read more
Pete
Steve really changed my way of practicing: I got a whole lot of new ideas for my playing the tenor.  His lessons are really helpful, give a lot stuff to practice and give clear answers to complicated stuff.  Steve has a lot of humor and I wish I had laughed so much in my former days with the horn.  All topics, from Blues to Approach note are dealt with clearness that wet ones appetite to play and practice that great ideas.
Uwe

I must say again how much I appreciate all your material. Including the video tutorials. It help keep me focused and knowing what to aim for. And your laid back teaching style appeals to me too. 

Thanks

P

P
I am enjoying your style of teaching, and you’ve done a great job with the videos….good sound quality and well constructed lessons.  Balances the more guitaristic material found on the majority of guitar based programs.  Jazz vocab is what I’m all about at this point in the journey.   I especially dig the fact that you’ve studied with Bergonzi…helps me see his voluminous output in a more  bite sized way.
Milton
Hi Steve, I have been shedding your materials for quite a while now and I love them! They are extremely well organized and presented and there are tons of ’em! I really appreciate your methodical approach and find myself referring students to your resources often.  Thanks so much!  
Kenyon Carter
Hey Steve, I’m a 22-year-old from Australia. I thought it would be worth saying. You’re an absolute legend. I can’t thank you enough. You have helped me rekindle my love for the saxophone and music as a whole. All the best for the future, your work doesn’t go unnoticed. PS. I am loving your devastating minor lines pdf.
Sapph
Just to say thanks for your advice and lessons.  I’ve just read your amazing story.  I really appreciate what you do in regards to teaching.  I have bought a couple of your lessons and frankly they’re undersold.   I’ve learned much more with these two lessons than with 2 years of sax teachers.   Thanks so much………..
Mike
I have been a member of Neffmusic for more than a year now and have enjoyed every minute of it! I have not only been going thru the Dominant Bebop Scale lessons and book (OUTSTANDING!) but the mouthpiece reviews, solo clips and transcriptions are very interesting. Steve approach to beginning and intermediate improv have given me many new pathways to teach my high school jazz ensemble students. Congratulations Steve, great product!
Craig
I bought Steve’s dominant bebop book and took a couple of online lesson from him. I really appreciated Steve’s careful listening of what I wanted to get done in a lesson and his clear, concise ideas on next steps to improve my playing and musical interpretation.  His mastering  the Dominant Bebop Scale has lots of exercises to use a scale that addresses the largest percentage of chords I come across in pop/blues music. The dominant V7.  Needless say it has improved my playing.  I teach and a… Read more
Keith
I just started looking at my lessons and I have to say, dude you are awesome.  I ABSOLUTELY will learn from you!  I started the tenor about 1 ½ yrs ago and have since picked up an alto, and more recently a soprano.  I spend most of the time on the tenor, followed by soprano, and have only gotten to the alto a few times.  I think I’ll be sticking with tenor.  I’m having a great time and hope one day to play well enough to get regular gigs.  I’ve been playing keys for about 35 years (… Read more
Wil
Absolutely the best learning experience in my 40 years of playing.These books are awesome!!
Alfred LaBella

Your material is great! I got your New Altissimo Lesson 6 months ago and I have learned more from that than in all my 44 years of playing! I appreciate your down to earth teaching method and I really appreciate the heart that you teach with. I have been a subscriber to your lessons for the past 6 months and I have learned a great deal. Over that period of time I have had some questions and you have never failed to respond. Thanks! I have already recommended your lessons to a number of players in… Read more

Michael Byington
Hi Steve, I live in a gorgeous but rural area of Oregon-no music store within 80 miles. Your lessons are my lifeline!  Truly the best there are anywhere online. Love your playing. Love your teaching.  Thanks again. Ed
Ed Woodmansee
Your lessons on playing the blues is so clear . I have been through many books on blues playing and not one of them explains as clear as your lessons . Most of them say “Play the same blues scale over all three chords of a 12 bar blues ” Its very misleading .     Thanks
Martin
Hi Steve, I can’t express just how much I appreciate your teaching. My playing has improved so much over the past year since I have been studying and practicing with your lessons. It is possible to teach an old dog new tricks, these lessons are proof! Thanks, Michael Byington
Michael Byington
Your major diatonic patterns book is great. I”m studying the first twenty patterns (first twenty pages) each day with different articulation each day and slowly increasing the tempo each week or so.  There is a noticeable improvement in finger coordination across all keys and its amazing how much more secure I feel on the difficult keys when attempting to play pieces with 5+ flats/sharps. I’m able to sort out the fingerings for these pieces now much more quickly than before, often in one or two … Read more
Geoff

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