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You are here: Home / Archives for Retro Revival

Retro Revival

Retro Revival Tru-Slant Tenor Saxophone Mouthpiece Review

August 30, 2019 by Steve 13 Comments

Today, I am reviewing another Retro Revival tenor saxophone mouthpiece called the Tru-Slant.  This is a tenor sax mouthpiece modeled after the Otto Link Slant Signature hard rubber tenor saxophone mouthpieces from the 60’s. These tenor saxophone mouthpieces are made by Joel Peskin (iReedMan) and Bob Sheppard at Retro Revival. In the past I have […]

Filed Under: Mouthpiece Reviews, Tenor Low Baffle Reviews, Tenor Mouthpiece Reviews Tagged With: otto link, Retro Revival, review, sax mouthpiece, slant, tenor saxophone, Tru-Slant

Retro Revival “Super D” Florida Tenor Saxophone Mouthpiece Review

September 27, 2017 by Steve 27 Comments

Today, I am reviewing another new Retro Revival “Super D” model tenor saxophone mouthpiece made by Joel Peskin (iReedMan) and Bob Sheppard. This is the silver “Super D” Florida model.  Yesterday, I reviewed the darker New York model mouthpiece which is gold plated and played great. Joel and Bob have started a company called Retro Revival […]

Filed Under: Tenor High Baffle Reviews, Tenor Mouthpiece Reviews Tagged With: double ring, Florida model, mouthpiece review, otto link, Retro Revival, silver, Super D

Retro Revival “Super D” New York Tenor Saxophone Mouthpiece Review

September 26, 2017 by Steve 30 Comments

Today, I am reviewing the new Retro Revival “Super D” New York model tenor saxophone mouthpiece made by Joel Peskin (iReedMan) and Bob Sheppard. Joel and Bob have started a company called Retro Revival in which they produce exact copies of great vintage mouthpieces from the past. When Joel started the company they started with […]

Filed Under: Mouthpiece Reviews, Tenor Medium Baffle Reviews, Tenor Mouthpiece Reviews Tagged With: double ring, mouthpiece, new york, otto link, Retro Revival, review, Super D, super tonemaster, tenor saxophone

Retro Revival New Yorker Alto Saxophone Mouthpiece Review

July 16, 2016 by Steve 21 Comments

Today, I am reviewing the new Retro Revival New Yorker alto saxophone mouthpiece made by Joel Peskin (iReedMan) and Bob Sheppard.  Joel  and Bob have started a company called Retro Revival in which he produces exact copies of great vintage mouthpieces from the past.   His first two mouthpiece releases were for this New Yorker alto […]

Filed Under: Alto Medium Baffle Reviews, Alto Mouthpiece Reviews Tagged With: alto sax, Brothers, Joel Peskin, New York Meyer, New Yorker, Retro Revival, review, saxophone mouthpiece

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I like so many other subscribers feel so encouraged by Steve’s learning techniques; you will enjoy reading the comments of praise others have left as you too will feel that you share a common view and path. I feel very lucky to have come across Neffmusic and that feeling will remain with you as you search through a treasure trove of learning materials on offer, you will quickly find the lessons that you are suited to. You will instantly recognize the unparalleled quality of Steve’s teaching … Read more
Stephen
I just wanted to write a thank you note to you for this website. I play and teach saxophone, but I have always been intimidated by the gear aspect. Your website has helped me become a lot more knowledgable. Your knowledge is staggering! I’m telling all my students about your website. Pierre
Pierre
I’ve been a member of Steve’s site for about six months now and the difference it has made to my playing is immeasurable. The (many) benefits of this membership are that you can have lessons at time convenient to you, they work out A LOT cheaper than face-to-face lessons with a teacher of the same calibre and you can replay them ad infinitum. I don’t know how many times have I had lessons in the past where I’ve ended up covering the same concepts when really a ‘replay’ of the last lesson would h… Read more
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I want to let you know that your instructional material is transforming my playing.  It is an immense pleasure to learn and play now, and I can’t tell you how grateful I am. The instructional material I got from you is by far the best of any I own (and I have over 100 books, DVDs, and what not). I literally can’t thank you enough! Deric
Deric

Thank You Steve. I think that I will be busy for years. Thank You for your great contribution to jazz music. Your books, more than teaching “how to play jazz”, actually teach “how to speak jazz”. I wish I found your methods years ago.  

Jean-Eric

Your material is great! I got your New Altissimo Lesson 6 months ago and I have learned more from that than in all my 44 years of playing! I appreciate your down to earth teaching method and I really appreciate the heart that you teach with. I have been a subscriber to your lessons for the past 6 months and I have learned a great deal. Over that period of time I have had some questions and you have never failed to respond. Thanks! I have already recommended your lessons to a number of players in… Read more

Michael Byington

Hello Steve,

I have not received my alto yet but have already gone through 14 lessons. I love your approach, style, knowledge and competence. I now regret so much to have stayed away from playing the sax for the past 45-50 years…(I am 65).  But It is never too late to get back to your first love. After 23 years in compuer sciences and 22 years in finances…I am now back to music for the rest of my life.

Doing some research on the net, I found this:

http://forum.saxontheweb.net/showthread.php?1… Read more

Claude

I must say again how much I appreciate all your material. Including the video tutorials. It help keep me focused and knowing what to aim for. And your laid back teaching style appeals to me too. 

Thanks

P

P

Steve, just a note to say thanks.

I’ve been playing a long time, but your material, laid out in such a thoughtful way, helps me to understand concepts in a new and deeper way.

You are a true gift to the jazz community.

60 lessons and going strong,

Kevin Ledbetter

Kevin Ledbetter
Your major diatonic patterns book is great. I”m studying the first twenty patterns (first twenty pages) each day with different articulation each day and slowly increasing the tempo each week or so.  There is a noticeable improvement in finger coordination across all keys and its amazing how much more secure I feel on the difficult keys when attempting to play pieces with 5+ flats/sharps. I’m able to sort out the fingerings for these pieces now much more quickly than before, often in one or two … Read more
Geoff

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