• Skip to main content
  • Skip to primary sidebar
  • Skip to footer

Website of Steve Neff

  • BLOG
  • SHOP
  • MY ACCOUNT
  • RAVES
  • CONTACT

Search Neffmusic

You are here: Home / Reviews / Mouthpiece Reviews / Tenor Mouthpiece Reviews / Tenor High Baffle Reviews / Retro Revival Modern Line Cutting Edge Tenor Saxophone Mouthpiece Review

Retro Revival Modern Line Cutting Edge Tenor Saxophone Mouthpiece Review

July 17, 2023 by Steve 3 Comments

Today, I am reviewing another new Retro Revival tenor saxophone mouthpiece made by Joel Peskin and Bob Sheppard at Retro Revival. This is the Retro Revival Modern Line Cutting Edge tenor saxophone mouthpiece.  This is a high baffled hard rubber tenor saxophone mouthpiece with an 8 tip opening designed in the spirit of the vintage Guardala tenor saxophone mouthpieces of the 1980’s.

If you take a look at the Retro Revival site, you will see that they now have 23 different saxophone mouthpiece models available.  Last time I did a review of a Retro Revival saxophone mouthpiece, they only had seven mouthpiece models listed, so Retro Revival mouthpieces has been very busy since then.

Retro Revival Modern Line Cutting Edge 8 Tenor Saxophone Mouthpiece

The Retro Revival Modern Line Cutting Edge tenor saxophone mouthpiece is based off of the Retro Revival Seventh Avenue South metal tenor saxophone mouthpiece which is describes as a replica of an original 1980’s Guardala Michael Brecker II tenor saxophone mouthpiece that Joel Peskin owns.  Here is some more details about the Seventh Avenue South model that the hard rubber Modern Line Cutting Edge model is based off of:

“The Seventh Avenue South model is a copy of my own personal MB II tenor sax mouthpiece that Dave Guardala made for me when he first started his operation in the 1980’s. He was making these choice tenor saxophone mouthpieces for Michael Brecker, Branford Marsalis, Tom Scott and others. 

The Seventh Avenue South tenor sax mouthpiece has tons of power, core, and center. Not just edge. Unlike many other copies that are available on the market this is a direct replica from a hand made and hand picked mouthpiece by its creator Dave Guardala.

The Seventh Avenue South tenor sax mouthpiece blows very free and has a huge sound. The baffle is very responsive and just takes the air and turns out many RPMs of volume and sound! It has a larger chamber behind that hot baffle and you can produce a really warm fat sound or blow the windows open. This mouthpiece is ultra reed friendly and plays very well in tune. It’s a great mouthpiece for Jazz, Latin, R&B, Blues, etc.  It has extreme power and a great tone.”

Retro Revival Modern Line Cutting Edge 8 Tenor Saxophone Mouthpiece

Here’s a quote from the  Retro Revival website about the Modern Line Cutting Edge hard rubber tenor saxophone mouthpiece:

“The Cutting Edge tenor sax mouthpiece is a powerhouse. This higher baffle, medium shelf design produces balanced harmonics with enough cutting edge needed for any contemporary setting. Based on our Seventh Avenue South tenor saxophone mouthpiece, the hard rubber feel is extremely “reed friendly”, super fast responding and amazingly flexible. So impressive is the ease to produce the most subtle sub-tones to screaming rock volumes. You will discover a very special and fun playing experience with our high baffle design made from the highest quality german hard rubber. You can go anywhere on the Cutting Edge. Precision CNC milled, hand polished and quality controlled. Rovner Cap & Ligature are included.”

*If you are wondering what the difference between metal and hard rubber mouthpiece is or if there is a difference, you can check out this article:  Does the mouthpiece material make a difference? Theo Wanne Gaia 3 Tenor Saxophone Mouthpiece Comparison  (That is not what this review is about, but I thought I would add the link for those interested).

Retro Revival Modern Line Cutting Edge 8 Tenor Saxophone Mouthpiece

Joel was kind enough to send me a Retro Revival Cutting Edge hard rubber tenor saxophone mouthpiece in an 8 tip opening to review.  The Cutting Edge mouthpiece came in a strong cardboard cylinder to protect it while shipping.  A Rovner ligature and mouthpiece cap were included with the Cutting Edge mouthpiece.

The mouthpiece has RR engraved on the top of the shank of the mouthpiece and “CUTTING EDGE” engraved length-wise on the top of the body.  The bottom of the shank has “Modern Line” and the tip opening of 8 engraved.

The thickness of the mouthpiece is wider than a typical metal Guardala but not as wide as a typical hard rubber tenor saxophone mouthpiece.  The size of the body looks to be more the size of a hard rubber alto saxophone mouthpiece or clarinet mouthpiece.

Due to this smaller mouthpiece size, ligatures that fit on typical hard rubber tenor sax mouthpieces would be too large for the Cutting Edge tenor saxophone mouthpiece.  The Rovner mouthpiece ligature that comes with it fits fine but if you slide it too far back on the mouthpiece body, there is a danger that the tightening screw on the top of the ligature will make contact with the mouthpiece body and gouge into it when you tighten it, so be careful of that (I have gouged many a hard rubber mouthpiece with a Rovner ligature in my early days of saxophone playing).

I think a ligature built for hard rubber alto sax mouthpieces or clarinet mouthpieces would also work fine on the Retro Revival Cutting Edge mouthpiece.  For the mouthpiece clips below, I used a Vandoren Optimum alto saxophone ligature.  I think most alto saxophone or clarinet ligatures would do the job.

Retro Revival Modern Line Cutting Edge 8 Tenor Saxophone Mouthpiece

Upon inspection, the Modern Line Cutting Edge tenor sax mouthpiece table, rails and tip look beautiful, even and nicely crafted.   The tip rail is very close to the shape of the different tenor saxophone reeds that I tried on the mouthpiece (Rigotti Gold and Vandoren Java reeds).

The Cutting Edge mouthpiece has a familiar looking high shelf baffle that Guardala mouthpieces were known for back in the day.  The flat shelf of the baffle is 7/8’s of an inch long as it descend at a slight downward angle toward the ending edge of the shelf baffle.  After that baffle edge, the baffle continues at a more aggressive decline into the medium chamber of the mouthpiece.

The bore diameter of the mouthpiece is larger than the chamber diameter and I would consider the chamber to be a medium sized chamber.  The inner side walls of the mouthpiece are straight as they travel to the medium chamber.

In the photos below, it looks like the bore of the mouthpiece is smaller in diameter compared to the chamber but this is not true.  If you look at the photo of the bore (four photos below this), you can see than the bore is wider than the chamber diameter.

Retro Revival Modern Line Cutting Edge 8 Tenor Saxophone Mouthpiece

The Retro Revival Modern Line Cutting Edge tenor sax mouthpiece played great with a Rigotti Gold 3 Light tenor saxophone reed.  I did try some Rigotti Gold 2 1/2 Strong tenor sax reeds as well but they just felt a little too soft for the 8 tip opening for me.  I think the 2 1/2 Strong sized reeds would probably have felt perfect on an 8* tip opening but for the 8 tip opening, the  Rigotti Gold 3 Light reeds were definitely the best choice for me.

Retro Revival Modern Line Cutting Edge 8 Tenor Saxophone Mouthpiece

My first impression of the Cutting Edge tenor sax mouthpiece was that this mouthpiece had loads of power.  It is definitely a brighter mouthpiece that can have a good amount of edge as well when you push it.  The tone was solid, full sounding and substantial from the very first notes on the sound clips.

The volume was impressive in that even as I was playing with about 70% of my air, the mouthpiece was already playing at about a 10 on my volume scale.   That leaves a lot of headroom for volume if you push your air more into that 70-100% range of air.  For that reason, I think this would be a killer Rock n’ Roll, pop or funk mouthpiece.

The Retro Revival Cutting Edge tenor sax mouthpiece can do the Michael Brecker kind of tenor sax sound but it could also do the Clarence Clemons kind of tenor sax sound as well.  It’s just got that wailing and powerful tenor sax vibe when you really lay into it.

Retro Revival Modern Line Cutting Edge 8 Tenor Saxophone Mouthpiece

The intonation was great for a high baffle mouthpiece and I didn’t have any issues intonation-wise with any of the notes throughout the range of the saxophone.

The Cutting Edge mouthpiece could sub-tone beautifully or you could put your full air into those low notes and really belt them out forcefully.  The altissimo register came out effortlessly and the notes in that range were powerful and could have a brightness and edge if you desire it. The articulation was clean and precise throughout the range of the saxophone with notes coming out immediately and responsively.

Many times, with a high baffled mouthpiece I feel like it is hard to play jazz lines because the volume and power available is so flexible and sensitive to the slightest changes in the player’s air.  Sometimes, with other high baffled mouthpieces, I can feel like I am playing at a 3 volume level and then when I push the air a little bit more,  it feels like I jump to an 8 volume.  I didn’t feel this extreme variance in volume with the Cutting Edge tenor saxophone mouthpiece though,  the Cutting Edge mouthpiece felt like I could control the volume more gradually and when I pushed the air a little more from a 3, it would go to a 4, then 5, then 6, etc.

Retro Revival Modern Line Cutting Edge 8 Tenor Saxophone Mouthpiece

The Retro Revival Cutting Edge did have a good bit of edge in the tone when pushed which is why I  envisioned it as a cool Rock ‘n Roll mouthpiece or funk tenor sax mouthpiece.   In the first clip, you can hear moment where I push the volume a bit louder and the edge is increased along side the volume.   The 2:32 and 2:53 marks are great examples of this increased edginess when the mouthpiece is pushed.

One characteristic that I really loved with the Retro Revival Cutting Edge tenor saxophone mouthpiece was how good it sounds with reverb added to the mix.  The second clip has some of the altissimo lines I played in the first “dry” clip with some reverb added and I think the Cutting Edge mouthpiece sounds terrific.  The added reverb just takes the “dry” brightness and edge of the sound and adds the perfect amount of fatness and roundness to the sound.  I think this would be a great tenor sax mouthpiece to play on a gig where you really have to wail as a sax player and can add some effects to the sound to get that “studio” type sound out of it.

The third clip is me simply noodling around with the melody of “Tequila” a little bit.  Notrhing complex or extravagant.  I love the :22 mark of that clip as an example of having a bright edgy sound that is also thick and full sounding.  Many times I categorize that type of tenor sax sound as being strong, tough and rugged sounding.

Retro Revival Modern Line Cutting Edge 8 Tenor Saxophone Mouthpiece

The Retro Revival Modern Line Cutting Edge tenor saxophone mouthpiece is a great playing tenor saxophone mouthpiece for those looking for a tenor sax mouthpiece that can really wail and cut through on a gig.  It can really scream in the altissimo range of the saxophone but has enough fatness and depth to the sound that it doesn’t get thin in tone like many high baffled metal mouthpieces do in the high end.  I really enjoyed how tough, gritty and “in-your-face” the Retro Revival Cutting Edge tenor mouthpiece could get when needed.  I’ll say it again, if you are looking for a tenor sax mouthpiece to really wail on the gigs you are doing, then the Cutting Edge would be a great mouthpiece to try out.

If you read this review, listen to the clips, and decide the Retro Revival Modern Line Cutting Edge tenor sax mouthpiece is worth a try, you can purchase one on the Retro Revival website.

Congratulations to Joel Peskin and Bob Sheppard for making a wailing well crafted hard rubber mouthpiece reminiscent of a great Guardala tenor saxophone mouthpiece! Great Job!

Let me know your thoughts in the comments below and if you get a Retro Revival Modern Line Cutting Edge tenor saxophone mouthpiece, be sure to come back and let us know what you think below……..Thanks!!

https://cdn.neffmusic.com/2023/RRCuttingEdgeTrimmed.mp3

Retro Revival Modern Line Cutting Edge 8 Tenor Saxophone Mouthpiece-Rigotti Gold 3 Light Reed-No Effects

https://cdn.neffmusic.com/2023/RRCEAltissimoReverb.mp3

Retro Revival Modern Line Cutting Edge 8 Tenor Saxophone Mouthpiece-Rigotti Gold 3 Light Reed-Altissimo Clip with Reverb Added

https://cdn.neffmusic.com/2023/TequillaRRCEReverb.mp3

Retro Revival Modern Line Cutting Edge 8 Tenor Saxophone Mouthpiece-Rigotti Gold 3 Light Reed-Tequilla Melody with Reverb Added

Disclosure: I received the sample mouthpiece reviewed above for free in the hope that I would try it and perhaps review it on my blog. Regardless, I only review sax mouthpieces that I enjoy playing and believe will be good for other saxophone players to try also. Steve

Filed Under: Tenor High Baffle Reviews, Tenor Mouthpiece Reviews Tagged With: cutting edge, high baffle, modern line, mouthpiece review, powerful, Retro Revival, sax mouthpiece, tenor saxophone

Steve

About Steve

Steve Neff has been playing and teaching saxophone and jazz improvisation around the New England area for over 30 years. He is the author of many best selling jazz improvisation methods as well as founding the popular jazz video lesson site Neffmusic.com.

Reader Interactions

Comments

  1. AvatarMark Peotter says

    August 9, 2023 at 2:35 pm

    Steve Neff, You are a wonderful player and a great teacher! Your reviews are valuable to guys like me who are always looking or that perfect mouthpiece! Thank you so much!

    Reply
  2. AvatarGiuseppe C. says

    September 21, 2023 at 3:54 am

    Am I wrong if I think this mouthpiece is a bit similar in sound to that of the Phil-Tone Rift tenor saxophone mouthpiece?

    Reply
  3. AvatarPaul says

    November 23, 2023 at 2:28 pm

    Good Rock &Roll R&B Mouthpiece

    Reply

Leave a Reply Cancel reply

Your email address will not be published. Required fields are marked *

Primary Sidebar

Cart

Subscribe to the Neffmusic Newsletter for the latest reviews and best deals delivered straight to your inbox every month. Join now and you will also receive my 40 Ultimate Michael Brecker Licks free!

Select list(s) to subscribe to


Thanks for joining!


NEFFMUSIC PRINTED BOOKS

Testimonials

I can see from your instructional videos that you are a fantastic teacher – one that can truly relate to all ages – humble yet very positive in approach – never coming across as superior and yet so totally capable of demonstrating the principles and techniques that you seek to impart to the students. I have gained so much confidence in my playing from “pouring over” time and again these invaluable lessons. Invaluable not only in musical content, but also in human interaction content. I am absolu… Read more
Ron
Steve really changed my way of practicing: I got a whole lot of new ideas for my playing the tenor.  His lessons are really helpful, give a lot stuff to practice and give clear answers to complicated stuff.  Steve has a lot of humor and I wish I had laughed so much in my former days with the horn.  All topics, from Blues to Approach note are dealt with clearness that wet ones appetite to play and practice that great ideas.
Uwe
I’ve been downloading your lessons for 4 months now (20 lesson) and I have noticed tremendous growth in my playing thus far! I’m so happy that I stumbled upon your site!
Bob
I just wanted to write a thank you note to you for this website. I play and teach saxophone, but I have always been intimidated by the gear aspect. Your website has helped me become a lot more knowledgable. Your knowledge is staggering! I’m telling all my students about your website. Pierre
Pierre
Hi Steve, I live in a gorgeous but rural area of Oregon-no music store within 80 miles. Your lessons are my lifeline!  Truly the best there are anywhere online. Love your playing. Love your teaching.  Thanks again. Ed
Ed Woodmansee
Thank you for all the educational information you provide.  I am a classically trained musician.  Professionally, I am a 4th and 5th grade band teacher.  I have played piano and sax for many years, but now I am starting to gig out more. I have always improvised by ear in the past. I have gotten by with my strong sense of pitch, rhythm and melodic contour. However, I want to go deeper. I want to play with a greater variety of melodic and rhythmic ideas to pull from.  I have studied to gain a … Read more
Ray

Hello Steve, I’m getting so much out of your lessons and books, amazing how much one may think one knows, there is always a new frontier or new way to view something you think you had somewhat down. You have taken it all to a new level and am so grateful. Your lessons are so down to earth and understandable and clear!  Thanks so much Steve! Cheers, Eddie

Eddie Parente

I want to thank you for your “Ultimate II-V-I Primer”  which has sent me off on a much better path to improvisation.  The primer and the four bound books I have will keep me busy for a long time.  I like your lessons for two reasons.  The lessons work and THEY ARE FUN.  Thanks again.

Robert

Robert
I have NEVER seen material like yours.  Amazing!!
Jerry
I can’t say enough about my membership at Neff Music. Steve has taken the mystery out of playing the saxophone well and improvising both jazz and rock music. Like most struggling players I have a load of all sorts of books on my shelf just gathering dust. Books that I didn’t understand or know how to put to use…or just have the time to go threw them. Steve’s lessons really simplify things and he puts it in a way that I can understand. They inspire me to keep pushing and having him as my guide or… Read more
Ken
It is so refreshing to have a great player, who can provide lessons and examples in a manner which is understandable to most any enthusiastic saxophonist who is ready to improve. not just the, do this, do that, memorize this, memorize that… while all that is absolutely necessary, you go on to give reasons and examples to explain and validate why you have to do all of these things, the benefits, if you will… that is the key for me, you tell, explain, demonstrate, explain some more, you give perso… Read more
Cedric
Steve’s monthly lessons are entirely valuable. Without brow beating, he tells you all the stuff you deep down know you really should be working on, instead of just relying on the same old patterns. In spite of the fact that you’re taking a video lesson, Steve’s presentation is comfortable and “real”. In a little more than a year, he’s developed a library of lessons that seem to offer any player a lifetime’s worth of practice material. I’m just glad I stumbled upon it.… Read more
Grant
Just a brief note to compliment you on your teaching skills and in particular for the honesty of your lessons.  I am a returning alto sax player in my 50’s and I was looking for a no nonsense, straight to the point kind of guidance. I had intended to email you with a few questions regarding the use of the bis key but then I noticed that there was a lesson on that specific topic and after viewing it,  all my questions were answered. I once took a group lesson with a well known professional sax … Read more
Patrick
I want to let you know that your instructional material is transforming my playing.  It is an immense pleasure to learn and play now, and I can’t tell you how grateful I am. The instructional material I got from you is by far the best of any I own (and I have over 100 books, DVDs, and what not). I literally can’t thank you enough! Deric
Deric
Absolutely the best learning experience in my 40 years of playing.These books are awesome!!
Alfred LaBella

Mr. Neff,  I want to thank you for sharing your God-given talents through your on-line lessons.  My husband, Michael, is blind, but he is a great sax player and he has been enjoying your lessons for quite some time now.  It’s not unusual for me to hear “Hey, babe, listen to THIS!” – and he will cut loose on his sax, just thrilled at what he learned during his session with you.  His excitement warms my heart!  You have no idea how much you have poured into my husband.  You have opened musical … Read more

Carole B
Hey Steve, My name is Jason Freese and I play keyboards and sax in the band Green Day.  I grew up taking sax lessons from Eric Marienthal when I was a kid and got out of it for a long time. I ran into you on youtube while searching for sax stuff. I bought a whole bunch of your lessons and have been loving it! Thanks! Here is my wikipedia so you can see the albums I’ve played on….Thanks again. It’s sparked my interest in practicing again.   Jason
Jason Freese (sax player for Green Day)
Just wanted to send you a quick note to say thank you for being you, your playing, your website and your desire to help others. I’m a professional musician in the US Army and I’ve visited your website almost every day since discovering it a couple of months ago. Your lessons are profound and easy to use. I’ve purchased most of your PDF books and now am starting to delve more into the video and audio lessons.  Thank you for being a great resource!
James

Steve,

I have played for many years and have enjoyed going “back to the basics” in some of your lessons!  You have such a gift for explaining concepts.  As I have gotten older, some of the basic things have gotten muddled because I just play, not knowing why.  As I refresh myself with “why”, it increases my confidence and expands my playing.  Thank you so much for using your gift!  You are a blessing!

Julia
Hey Steve! I hope you and your family are well.  I’m just writing to say thank you so much for all the resources you have made available to the saxophone community. I have been using your material for many years and I always come back to it… in fact I just took a break from practicing to write this…( reviewing “CreatingModern II-V-I Lines with simple pentatonics”.) I am, and continue to be, one of your raving fans! Blessings to you and your family this holiday season! Wishing… Read more
Gerry Aylward
I bought Steve’s dominant bebop book and took a couple of online lesson from him. I really appreciated Steve’s careful listening of what I wanted to get done in a lesson and his clear, concise ideas on next steps to improve my playing and musical interpretation.  His mastering  the Dominant Bebop Scale has lots of exercises to use a scale that addresses the largest percentage of chords I come across in pop/blues music. The dominant V7.  Needless say it has improved my playing.  I teach and a… Read more
Keith
Thank you so much for the great job you are doing to help further our jazz studies. Though I make my living as a repairer of musical instruments I am a student of jazz and have been fortunate enough to be involved with a big band and a combo for the last several years. As my children began to leave “the nest” I had decided to dedicate the next half of my life to a more serious study of the sax but I didn’t know exactly how I would go about doing this until a friend of mine turned me onto your si… Read more
Jon
Steve- I joined your site this month and have downloaded 4 lessons and also purchased your new book and video on diatonic patterns. I just want to say I am very pleased with your approach and teaching techniques. I am getting back into playing after laying off for some time. The information you offer on your site is of great value and I am enjoying being a member. Thank you for what you are doing for the saxophone community.
Tony
Hey Steve, I’m a 22-year-old from Australia. I thought it would be worth saying. You’re an absolute legend. I can’t thank you enough. You have helped me rekindle my love for the saxophone and music as a whole. All the best for the future, your work doesn’t go unnoticed. PS. I am loving your devastating minor lines pdf.
Sapph

Featured Video Lessons

  • Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book) Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book)
    Rated 5.00 out of 5
    $19.99 Original price was: $19.99.$14.99Current price is: $14.99.
  • The Secret to Modern Outside Jazz Lines Lesson-Minor The Secret to Modern Outside Jazz Lines Lesson-Minor $9.99
  • Creating Modern II-V-I Lines with Simple Pentatonics Lesson Creating Modern II-V-I Lines with Simple Pentatonics Lesson
    Rated 5.00 out of 5
    $9.99
  • The Best Embouchure for Tone, Intonation and Endurance Lesson The Best Embouchure for Tone, Intonation and Endurance Lesson
    Rated 4.91 out of 5
    $9.99
  • The Secret to Altissimo (no one has ever told you about before) Lesson The Secret to Altissimo (no one has ever told you about before) Lesson
    Rated 4.75 out of 5
    $9.99

Now over 600 video and audio lessons to choose from!

Free Lessons

  • Free Lesson on The New Ultimate II-V-I Primer-Major Keys
  • Free Video Lesson on Mastering Altered Pentatonics
  • Free Video Lesson on Mastering the Blues Scale Volume 1 & 2
  • Free Video Lesson on Mastering the Dominant Bebop Scale and Language Book 1 & 2
  • Free Video Lesson on Approach Note Velocity Book

Recent reviews

  • Bebop Scale-Altered Scale II-V-I Practice Lesson Bebop Scale-Altered Scale II-V-I Practice Lesson by Noah
  • Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book) Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book) by Andy
  • Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book) Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book)
    Rated 5 out of 5
    by Russ
  • Creating Modern II-V-I Lines with Simple Pentatonics Lesson Creating Modern II-V-I Lines with Simple Pentatonics Lesson
    Rated 5 out of 5
    by Timothy
  • The Best Embouchure for Tone, Intonation and Endurance Lesson The Best Embouchure for Tone, Intonation and Endurance Lesson
    Rated 5 out of 5
    by Ray Holland

Footer

Recent Comments

  • Ted on Otto Link LA Tenor Saxophone Mouthpiece Review
  • Arya Boustani on Otto Link Super Tone Master V 7* Tenor Saxophone Mouthpiece Review
  • Steve M on Otto Link Super Tone Master V 7* Tenor Saxophone Mouthpiece Review
  • Giuseppe C. on Theo Wanne Essentials Jazz 7* Tenor Saxophone Mouthpiece Review
  • Arya Boustani on Otto Link Super Tone Master V 7* Tenor Saxophone Mouthpiece Review

Top rated products

  • Mastering the Major Bebop Scale & Sound (Digital PDF Book) Mastering the Major Bebop Scale & Sound (Digital PDF Book)
    Rated 5.00 out of 5
    $14.99
  • Tune of the Week-Softly as a Morning Sunrise Lesson Tune of the Week-Softly as a Morning Sunrise Lesson
    Rated 5.00 out of 5
    $9.99
  • The Style of Dexter Gordon-Lady Bird Lesson 1 The Style of Dexter Gordon-Lady Bird Lesson 1
    Rated 5.00 out of 5
    $9.99
  • Tune of the Week-Days of Wine and Roses Lesson Tune of the Week-Days of Wine and Roses Lesson
    Rated 5.00 out of 5
    $9.99
  • Tune of the Week-Invitation Tune of the Week-Invitation
    Rated 5.00 out of 5
    $9.99

Product tags

alto sax alto saxophone approach notes audio lesson bebop scale beginner beginner saxophone blues blues licks blues patterns blues scale blues scales diminished scale dominant chords ear training fundamentals II-V-I improvisation jazz improvisation jazz lines jazz patterns jazz sax jazz saxophone jazz standard jazz standards licks Mastering the Blues Scale Michael Brecker modern improv modern improvisation online lesson patterns playing outside practice habits reading music sax basics sax lessons saxophone scales smooth jazz steve neff tenor sax tenor saxophone video lesson video lessons
  • Instagram
  • Facebook
  • Twitter
  • SUPPORT

Neffmusic © 2005–2025