Raves

Your lessons on playing the blues is so clear . I have been through many books on blues playing and not one of them explains as clear as your lessons . Most of them say “Play the same blues scale over all three chords of a 12 bar blues ” Its very misleading .     Thanks

I’m an experienced player in the pop/soul/funk areas of music and, previously, classical.  Over the decades I’ve been playing, I’ve always felt that I could do what I needed in those styles of music.  However, recently I began to feel limited by my use of the same old licks. When I discovered Steve Neff’s website, and heard the audio examples based on the exercises in his books, I realized they were what I needed.  I purchased all of them and have been working on them since.  It’s very hard work – mind crunching sometimes – because I’m memorizing each exercise in every key, and using different rhythms as Steve suggests, but I can see the development taking place and the old barriers starting to break down already.  Steve has obviously put so much of his experience and time into these books and I think it’s great that he’s made it all available for others to benefit from.-Paul

I’ve been having ‘ online’  lessons with Steve for a few months now. Being a teacher myself I had had some reservations with the idea at first and the practicalities of it .  Let me just say that my playing has taken a huge leaps forward while studying with Steve and continues to do so.Steve studied with some renowned player/teachers such as Bergonzi and Garzone– this in itself is invaluable but Steve teaches from his own books, which cover a a vast amount of  jazz language. Steve has some important qualities that are rare to find in a teacher anywhere these days- he’s a great player, great teacher and a great guy.”
DAVID WRIGHT Musician and Educator

Thank you so much for the great job you are doing to help further our jazz studies. Though I make my living as a repairer of musical instruments I am a student of jazz and have been fortunate enough to be involved with a big band and a combo for the last several years. As my children began to leave “the nest” I had decided to dedicate the next half of my life to a more serious study of the sax but I didn’t know exactly how I would go about doing this until a friend of mine turned me onto your site… I ordered two of your  books (Major Bebop and The  II-V-I Primer) and have been more excited about practicing than ever in my life. The progress I’ve made in such a short time is amazing! But here is the really cool thing… I had just started an extensive study of Rhythm Changes and then I get your Feb. Newsletter. I can’t tell your how cool it was to see this transcription and get to integrate this into my studies! Thanks again Steve, I appreciate what you are doing more than you can imagine.

Steve really changed my way of practicing: I got a whole lot of new ideas for my playing the tenor.  His lessons are really helpful, give a lot stuff to practice and give clear answers to complicated stuff.  Steve has a lot of humor and I wish I had laughed so much in my former days with the horn.  All topics, from Blues to Approach note are dealt with clearness that wet ones appetite to play and practice that great ideas.

Your major diatonic patterns book is great. I”m studying the first twenty patterns (first twenty pages) each day with different articulation each day and slowly increasing the tempo each week or so.  There is a noticeable improvement in finger coordination across all keys and its amazing how much more secure I feel on the difficult keys when attempting to play pieces with 5+ flats/sharps. I’m able to sort out the fingerings for these pieces now much more quickly than before, often in one or two sittings when in the past I would have been lost until I did a significant amount of slow practice on the piece.
Your going to do really well with this book. Keep up the good work. And the idea of putting patterns into single key also great.   Thanks,   Geoff