• Skip to main content
  • Skip to primary sidebar
  • Skip to footer

Website of Steve Neff

  • BLOG
  • SHOP
  • MEMBER’S AREA
    • JOIN
    • FAQ
    • MEMBER LOGIN
    • Member Monthly Lessons
    • Member VIP Area
    • Member-Practicing with Neff
    • Member-Brecker Alternate Fingering Lessons
    • Member-Killin’ Altissimo Lick Lessons
    • Member-Monster Lick of the Day
  • RAVES
  • CONTACT
  • SUPPORT
You are here: Home / Reviews / Mouthpiece Reviews / Tenor Mouthpiece Reviews / Tenor Low Baffle Reviews / Bari Hybrid Tenor Saxophone Mouthpiece

Bari Hybrid Tenor Saxophone Mouthpiece

February 18, 2013 by Steve 20 Comments

Today, I am reviewing the Bari Hybrid tenor saxophone mouthpiece 7* (.105 tip opening). This mouthpiece has the gold band around it.  It is called a “hybrid” because it is a mix of hard rubber and gold plated brass. The front part of the mouthpiece is all hard rubber but the shank and bore of the mouthpiece up to the chamber is brass. Due to the brass shank, the shank end of the mouthpiece is much heavier than the hard rubber end of the mouthpiece.

Bari Hybrid Tenor Saxophone Mouthpiece

This Bari Hybrid mouthpiece is a great example of a more affordable mouthpiece that is on the market that plays very well. These have a retail price at WWBW of 129.99 right now. Many times, I have younger student looking for cheaper alternatives for step up mouthpieces that still play well.  Usually, the stock response for tenor sax players is to get a Otto Link or Vandoren V16.  This Bari Hybrid is another new alternative on the market.

Bari Hybrid Tenor Saxophone Mouthpiece

The mouthpiece looks great from the top. The engraving and gold band look terrific. The rails, table, tip and baffle also looked good.  The chamber of the mouthpiece looks to be a smaller chamber than an Otto Link would have.  Unlike the alto mouthpiece, this chamber looks to be a perfect circle.  I played a Rigotti Gold 2 1/2 medium reed and Vandoren Optimum ligature with it.

Bari Hybrid Tenor Saxophone Mouthpiece

I thought this Bari Hybrid tenor mouthpiece played great. It had a nice rich dark sound to it. The low notes subtoned beautifully and the intonation was very good.  The sound is full and focused with a nice rich core tone. I think this would be a great step up mouthpiece for middle school or high school kids as well as adults looking for an affordable tenor sax mouthpiece.

If I compare it a modern hard rubber Otto Link,  I would say the Bari has more of a focused core to the sound.   Modern Otto Links tend to have a more spread sound to them (sometimes even dull and dead)  than this Hybrid mouthpiece has.  This is probably due to the smaller chamber.  It does have a slight rollover baffle but I would definitely consider this mouthpiece to be dark.  Even the high notes were dark and round sounding for me.

Bari Hybrid Tenor Saxophone Mouthpiece

“WWBW” is carrying the Bari Hybrid Tenor Saxophone Mouthpiece. If you like this Bari Hybrid mouthpiece’s look and sound, visit the WWBW website. All the Bari products are made in the USA in Sarasota, Florida.

Let me know what you think in the comments below. Thanks, Steve

https://public.neffmusic.com/BariHybridTenor.mp3

Bari Hybrid Tenor Saxophone Mouthpiece

 PS.   If you order from WWBW, I suggest ordering at least 3 mouthpieces of the mouthpiece you are interested in.   Many times with mass produced mouthpieces there are variations between mouthpieces of the same make and size.  If you order 3, you can choose the best one and then send the other 2 back for a refund (minus a small restocking fee). Make sure to check WWBW’s policy on mouthpiece returns first though.

 

 

Filed Under: Tenor Low Baffle Reviews, Tenor Mouthpiece Reviews Tagged With: Bari, Hybrid, review, saxophone mouthpiece, tenor sax

Steve

About Steve

Steve Neff has been playing and teaching saxophone and jazz improvisation around the New England area for over 30 years. He is the author of many best selling jazz improvisation methods as well as founding the popular jazz video lesson site Neffmusic.com.

Reader Interactions

Comments

  1. AvatarDesusSopacua says

    February 20, 2013 at 4:30 am

    This is awesome sound i like this sound, is very warm in the hightone and also
    the in low region

    with kind regards

    Desus

    Reply
    • stevesteve says

      February 20, 2013 at 9:45 am

      Desus, Yes I agree. I’ve played very few mouthpieces that were that warm and dark up high. Usually they get brighter and more edgy.

      Reply
  2. AvatarSaxmastar says

    August 16, 2013 at 11:53 am

    WOW Steve
    That sound great…
    I was just thinking how much Rollins I was hearing in you on this recording and you started playing St Thomas… that kinda freaked me out haha
    Great playing man this mouthpiece sounds like its way more expensive than 130

    Reply
  3. AvatarHarley Petty says

    November 25, 2013 at 1:01 pm

    Truely speaks to me my friend. I wonder what make sax your playing. I am an alto player that just recently purchased 1937 King w/body silverplated under the (goldwash) laquer and only the body has the plate under the laquer. I have yet to play the my horn due to having to replace pads and now I am in search of a mouthpiece. Thanks for your help, Harley.

    Reply
    • stevesteve says

      November 25, 2013 at 2:47 pm

      Harley, I play an old Selmer Super Balanced Action tenor. Thanks for coming by the site. Have fun with the King!

      Reply
  4. AvatarJeff says

    January 3, 2014 at 10:44 am

    That is such a rich sound and seductively hypnotizes my ears!
    I would like to think it is a great mouthpiece but, I know your ability brings out the magic in this mouthpiece…

    That being said, I am looking to upgrade my 15 year old daughter from the Yamaha 4C she is using on her school YTS23. She now has a Kenny G E-Series IV with Silver Bell and Neck. The horn is very bright on the upper end and has a focused low end with the 4C. When I heard this mouthpiece, I instantly thought the richness it generates could balance the her new horn out superbly.
    Her 4C has a very small tip opening as compared to the .105 on the Bari. Do you think this would be a good transitional mouthpiece at 7* or should I consider 5*, 6 or 6*? If I go with a smaller tip opening do you think the dark richness will become less dark? We have been using Rico 3, 3 1/2 Reeds and starting to try Vandoren Reeds.

    Any feedback or suggestions would be appreciated.

    Again, I must compliment you as your playing is wonderful and brings a consistency to the reviews that musicians can take to the bank!

    Jeff

    Reply
    • SteveSteve says

      January 5, 2014 at 5:19 pm

      Jeff, I think the Bari Hybrid is a great step up choice. It has a thick rich sound. I suggest going to a 6* first. I have had students jump for a Yamaha 4C to a .105 but they are rare. Most students have a hard time with a jump like that. The other thing you can do is order one of each from a place like WWBW. Let her try them and pick the one she likes the best and send the rest back for a refund. Good Luck, Steve

      Reply
  5. AvatarJan Klincewicz says

    December 30, 2014 at 11:12 am

    I ordered one of these for my friends Bootsie, but he is more a metal guy. Rather than return it, I tried it on my Buescher TH&C and loved it. Also Rigotti 2 1/2 as a reed. It’s dark like my Fat Cat, but has a nice edge when pushed. Easy subtone. It became my new go-to tenor piece.

    Reply
    • SteveSteve says

      December 30, 2014 at 2:09 pm

      That’s great Jan. Yes, I found it to be one of the darker tenor pieces I have had through here. Glad you like it. Steve

      Reply
  6. Avatarwilliam says

    September 12, 2017 at 10:29 pm

    I saw this review a couple of years ago and i just bought one recently. I dont know about those five and six hundred dollar pieces but this plays beautifully on my 1939 king zephyr. Thanks for reviewing this mouthpiece..

    Reply
    • SteveSteve says

      September 14, 2017 at 11:26 pm

      That’s great to hear William. I’m glad the review helped in your decision. Steve

      Reply
    • SteveSteve says

      September 18, 2017 at 8:47 am

      Wiliam, Glad the review helped to steer you in that direction and that your happy with your purchase. Steve

      Reply
  7. AvatarCraig says

    November 24, 2017 at 10:55 am

    Do the alto mp’s have a similar sound? Currently have an alto and soprano and I am looking for a rich sound like this for the alto.

    Reply
    • SteveSteve says

      December 13, 2017 at 12:58 pm

      Craig, I reviewed that Alto Bari Hybrid here if you want to take a listen to how it sounds for me. Steve
      http://www.neffmusic.com/blog/2013/02/bari-hybrid-alto-saxophone-mouthpiece/

      Reply
  8. Avatarwilliam culhane says

    November 25, 2017 at 5:18 pm

    type in the search box hybrid alto there is a sound bite for the alto

    Reply
  9. Avatarphilipe says

    December 17, 2018 at 9:03 pm

    does this have a nice altissimo

    Reply
    • SteveSteve says

      December 18, 2018 at 8:59 pm

      I believe so. I don’t remember it having a “bad” altissimo range. Steve

      Reply
  10. AvatarGiuseppe says

    December 22, 2018 at 5:57 am

    Hi Steve,
    nice sound this mouthpiece, perhaps a little too “full-bodied”, but beautiful.
    It reminds me a little of the sound of the Maestra marble, even if the Mastra seems me more powerful and, a little, also the sound of the Ambika, even if the Ambika seems me have a most brilliant sound.
    Am I wrong?Again?
    Giuseppe.

    Reply
    • SteveSteve says

      December 22, 2018 at 11:32 am

      Giuseppe, I think you are correct. The Bari Hybrid is a great mouthpiece especially for the price. You are comparing it to two mouthpieces that cost quite a bit more. Steve

      Reply
  11. AvatarGiuseppe says

    December 22, 2018 at 4:26 pm

    Fiuuu!… Thanks Steve,
    I was afraid I had made another bad impression; instead this time it went well!
    True, it now costs around $ 189 and there are also other versions … They also have the tip opening 0.085.
    Giuseppe.

    Reply

Leave a Reply Cancel reply

Your email address will not be published. Required fields are marked *

Primary Sidebar

Cart

Subscribe to the Neffmusic Newsletter for the latest reviews and best deals delivered straight to your inbox every month. Join now and you will also receive my 40 Ultimate Michael Brecker Licks free!

Select list(s) to subscribe to


Thanks for joining!


NEFFMUSIC PRINTED BOOKS

Testimonials

Hello Steve, I’m getting so much out of your lessons and books, amazing how much one may think one knows, there is always a new frontier or new way to view something you think you had somewhat down. You have taken it all to a new level and am so grateful. Your lessons are so down to earth and understandable and clear!  Thanks so much Steve! Cheers, Eddie

Eddie Parente
Thank you for all the educational information you provide.  I am a classically trained musician.  Professionally, I am a 4th and 5th grade band teacher.  I have played piano and sax for many years, but now I am starting to gig out more. I have always improvised by ear in the past. I have gotten by with my strong sense of pitch, rhythm and melodic contour. However, I want to go deeper. I want to play with a greater variety of melodic and rhythmic ideas to pull from.  I have studied to gain a … Read more
Ray
Steve really changed my way of practicing: I got a whole lot of new ideas for my playing the tenor.  His lessons are really helpful, give a lot stuff to practice and give clear answers to complicated stuff.  Steve has a lot of humor and I wish I had laughed so much in my former days with the horn.  All topics, from Blues to Approach note are dealt with clearness that wet ones appetite to play and practice that great ideas.
Uwe
Hi Steve, I can’t express just how much I appreciate your teaching. My playing has improved so much over the past year since I have been studying and practicing with your lessons. It is possible to teach an old dog new tricks, these lessons are proof! Thanks, Michael Byington
Michael Byington
I have been a member of Neffmusic for more than a year now and have enjoyed every minute of it! I have not only been going thru the Dominant Bebop Scale lessons and book (OUTSTANDING!) but the mouthpiece reviews, solo clips and transcriptions are very interesting. Steve approach to beginning and intermediate improv have given me many new pathways to teach my high school jazz ensemble students. Congratulations Steve, great product!
Craig
I can see from your instructional videos that you are a fantastic teacher – one that can truly relate to all ages – humble yet very positive in approach – never coming across as superior and yet so totally capable of demonstrating the principles and techniques that you seek to impart to the students. I have gained so much confidence in my playing from “pouring over” time and again these invaluable lessons. Invaluable not only in musical content, but also in human interaction content. I am absolu… Read more
Ron
I’ve been downloading your lessons for 4 months now (20 lesson) and I have noticed tremendous growth in my playing thus far! I’m so happy that I stumbled upon your site!
Bob
I have NEVER seen material like yours.  Amazing!!
Jerry

Never really had lessons before just kinda worked things out on my own. Was in a rut but your lessons are really helpful in opening melodic possibilities. Ur an awesome resource to the saxophone community. Thanks for sharing. 

Anthony
Hey Steve, I’m a 22-year-old from Australia. I thought it would be worth saying. You’re an absolute legend. I can’t thank you enough. You have helped me rekindle my love for the saxophone and music as a whole. All the best for the future, your work doesn’t go unnoticed. PS. I am loving your devastating minor lines pdf.
Sapph

Featured Video Lessons

  • The Secret to Modern Outside Jazz Lines Lesson-Minor $9.99
  • Creating Modern II-V-I Lines with Simple Pentatonics Lesson
    Rated 5.00 out of 5
    $9.99
  • The Best Embouchure for Tone, Intonation and Endurance Lesson
    Rated 4.90 out of 5
    $9.99
  • The Secret to Altissimo (no one has ever told you about before) Lesson
    Rated 4.75 out of 5
    $9.99

Now over 600 video and audio lessons to choose from!
BECOME A MEMBER TODAY AND SAVE BIG ON EACH LESSON!

Devastating Minor Lines for Jazz & Funk
Devastating Minor Lines for Jazz & Funk-Thirty 5 Star Reviews!!!

Free Lessons

  • Free Lesson on The New Ultimate II-V-I Primer-Major Keys
  • Free Video Lesson on Mastering Altered Pentatonics
  • Free Video Lesson on Mastering the Blues Scale Volume 1 & 2
  • Free Video Lesson on Mastering the Dominant Bebop Scale and Language Book 1 & 2
  • Free Video Lesson on Approach Note Velocity Book

Recent reviews

  • Mastering Altered Pentatonics (Digital PDF Book)
    Rated 5 out of 5
    by Dino Govoni
  • Mastering the Bebop Scale Review-Blues in All Keys Lesson 1
    Rated 5 out of 5
    by Steve Nye
  • Devastating Minor Lines for Jazz and Funk Soloing (Digital PDF Book)
    Rated 5 out of 5
    by Mark White
  • Devastating Dominant Lines for Jazz and Funk Soloing (Digital PDF Book)
    Rated 5 out of 5
    by Mark White
  • The Best Embouchure for Tone, Intonation and Endurance Lesson
    Rated 5 out of 5
    by Christopher Lutyk

Jazz Improvisation Books

Mastering Altered Pentatonics
Mastering Altered Pentatonics
Devastating Dominant Lines for Jazz & Funk
Devastating Dominant Lines for Jazz & Funk
Mastering the Minor ii-7b5 V7b9 Bebop Scale
Mastering the Minor ii-7b5 V7b9 Bebop Scale
Dominant Bebop Scale Book
Mastering the Dominant Bebop Scale
Mastering the Dominant Bebop Scale-Book 2
Mastering the Dominant Bebop Scale-Book 2
The New Ultimate II-V-I Primer (Major)
The New Ultimate II-V-I Primer (Major)
Mastering Major Diatonic Patterns
Mastering Major Diatonic Patterns
Devastating Minor Lines for Jazz & Funk
Devastating Minor Lines for Jazz & Funk-Thirty 5 Star Reviews!!!
Mastering the Blues Scale Vol. 2-Dominant Chords
Mastering the Blues Scale Vol. 2-Dominant Chords
Best II-V-I Patterns Book
Best II-V-I Patterns
Approach Note Velocity Book
Approach Note Velocity
Mastering the Blues Scale Vol. 1-Minor Chords
Mastering the Blues Scale Vol. 1-Minor Chords
Major Bebop Scale Book
Mastering the Major Bebop Scale & Sound

Footer

Recent Comments

  • Steve on Hard Rubber Otto Link 7* Tenor Mouthpiece
  • Giuseppe C. on Eye-Opening Boston Sax Shop Heritage Tenor Saxophone Neck Review
  • Ralph Jarmon on Hard Rubber Otto Link 7* Tenor Mouthpiece
  • TK on Phil-Tone Rift Tenor Saxophone Mouthpiece Review
  • Giuseppe C. on KPoudavoff Zimberoff Dukoff Hollywood 6* with Dexter Gordon’s Facing Curve Tenor Saxophone Mouthpiece Review

Top rated products

  • Triad Pair Blues Audio Lesson
    Rated 5.00 out of 5
    $9.99
  • Major Triad Intermediate Workout Lesson
    Rated 5.00 out of 5
    $9.99
  • Monthly Silver Lesson Subscription
    Rated 5.00 out of 5
    $30.00 now, and $30.00 on the 1st of each month
  • Triad Pairs 4x4 Lesson
    Rated 5.00 out of 5
    $9.99
  • Amazing Grace Lesson
    Rated 5.00 out of 5
    $9.99

Product tags

alto sax alto saxophone approach notes audio lesson bebop scale beginner beginner saxophone blues blues licks blues patterns blues scale blues scales diminished scale dominant chords ear training fundamentals II-V-I improvisation jazz improvisation jazz lines jazz patterns jazz sax jazz saxophone jazz standard jazz standards licks Mastering the Blues Scale Michael Brecker modern improv modern improvisation online lesson patterns playing outside practice habits reading music sax basics sax lessons saxophone scales smooth jazz steve neff tenor sax tenor saxophone video lesson video lessons
  • Instagram
  • Facebook
  • Twitter
  • SUPPORT

Neffmusic © 2023