• Skip to main content
  • Skip to primary sidebar
  • Skip to footer

Website of Steve Neff

  • BLOG
  • SHOP
  • MY ACCOUNT
  • RAVES
  • CONTACT

Search Neffmusic

You are here: Home / Reviews / Mouthpiece Reviews / Tenor Mouthpiece Reviews / Tenor Low Baffle Reviews / Bari Hybrid Tenor Saxophone Mouthpiece

Bari Hybrid Tenor Saxophone Mouthpiece

February 18, 2013 by Steve 20 Comments

Today, I am reviewing the Bari Hybrid tenor saxophone mouthpiece 7* (.105 tip opening). This mouthpiece has the gold band around it.  It is called a “hybrid” because it is a mix of hard rubber and gold plated brass. The front part of the mouthpiece is all hard rubber but the shank and bore of the mouthpiece up to the chamber is brass. Due to the brass shank, the shank end of the mouthpiece is much heavier than the hard rubber end of the mouthpiece.

Bari Hybrid Tenor Saxophone Mouthpiece

This Bari Hybrid mouthpiece is a great example of a more affordable mouthpiece that is on the market that plays very well. These have a retail price at WWBW of 129.99 right now. Many times, I have younger student looking for cheaper alternatives for step up mouthpieces that still play well.  Usually, the stock response for tenor sax players is to get a Otto Link or Vandoren V16.  This Bari Hybrid is another new alternative on the market.

Bari Hybrid Tenor Saxophone Mouthpiece

The mouthpiece looks great from the top. The engraving and gold band look terrific. The rails, table, tip and baffle also looked good.  The chamber of the mouthpiece looks to be a smaller chamber than an Otto Link would have.  Unlike the alto mouthpiece, this chamber looks to be a perfect circle.  I played a Rigotti Gold 2 1/2 medium reed and Vandoren Optimum ligature with it.

Bari Hybrid Tenor Saxophone Mouthpiece

I thought this Bari Hybrid tenor mouthpiece played great. It had a nice rich dark sound to it. The low notes subtoned beautifully and the intonation was very good.  The sound is full and focused with a nice rich core tone. I think this would be a great step up mouthpiece for middle school or high school kids as well as adults looking for an affordable tenor sax mouthpiece.

If I compare it a modern hard rubber Otto Link,  I would say the Bari has more of a focused core to the sound.   Modern Otto Links tend to have a more spread sound to them (sometimes even dull and dead)  than this Hybrid mouthpiece has.  This is probably due to the smaller chamber.  It does have a slight rollover baffle but I would definitely consider this mouthpiece to be dark.  Even the high notes were dark and round sounding for me.

Bari Hybrid Tenor Saxophone Mouthpiece

“WWBW” is carrying the Bari Hybrid Tenor Saxophone Mouthpiece. If you like this Bari Hybrid mouthpiece’s look and sound, visit the WWBW website. All the Bari products are made in the USA in Sarasota, Florida.

Let me know what you think in the comments below. Thanks, Steve

https://public.neffmusic.com/BariHybridTenor.mp3

Bari Hybrid Tenor Saxophone Mouthpiece

 PS.   If you order from WWBW, I suggest ordering at least 3 mouthpieces of the mouthpiece you are interested in.   Many times with mass produced mouthpieces there are variations between mouthpieces of the same make and size.  If you order 3, you can choose the best one and then send the other 2 back for a refund (minus a small restocking fee). Make sure to check WWBW’s policy on mouthpiece returns first though.

 

 

Filed Under: Tenor Low Baffle Reviews, Tenor Mouthpiece Reviews Tagged With: Bari, Hybrid, review, saxophone mouthpiece, tenor sax

Steve

About Steve

Steve Neff has been playing and teaching saxophone and jazz improvisation around the New England area for over 30 years. He is the author of many best selling jazz improvisation methods as well as founding the popular jazz video lesson site Neffmusic.com.

Reader Interactions

Comments

  1. AvatarDesusSopacua says

    February 20, 2013 at 4:30 am

    This is awesome sound i like this sound, is very warm in the hightone and also
    the in low region

    with kind regards

    Desus

    Reply
    • stevesteve says

      February 20, 2013 at 9:45 am

      Desus, Yes I agree. I’ve played very few mouthpieces that were that warm and dark up high. Usually they get brighter and more edgy.

      Reply
  2. AvatarSaxmastar says

    August 16, 2013 at 11:53 am

    WOW Steve
    That sound great…
    I was just thinking how much Rollins I was hearing in you on this recording and you started playing St Thomas… that kinda freaked me out haha
    Great playing man this mouthpiece sounds like its way more expensive than 130

    Reply
  3. AvatarHarley Petty says

    November 25, 2013 at 1:01 pm

    Truely speaks to me my friend. I wonder what make sax your playing. I am an alto player that just recently purchased 1937 King w/body silverplated under the (goldwash) laquer and only the body has the plate under the laquer. I have yet to play the my horn due to having to replace pads and now I am in search of a mouthpiece. Thanks for your help, Harley.

    Reply
    • stevesteve says

      November 25, 2013 at 2:47 pm

      Harley, I play an old Selmer Super Balanced Action tenor. Thanks for coming by the site. Have fun with the King!

      Reply
  4. AvatarJeff says

    January 3, 2014 at 10:44 am

    That is such a rich sound and seductively hypnotizes my ears!
    I would like to think it is a great mouthpiece but, I know your ability brings out the magic in this mouthpiece…

    That being said, I am looking to upgrade my 15 year old daughter from the Yamaha 4C she is using on her school YTS23. She now has a Kenny G E-Series IV with Silver Bell and Neck. The horn is very bright on the upper end and has a focused low end with the 4C. When I heard this mouthpiece, I instantly thought the richness it generates could balance the her new horn out superbly.
    Her 4C has a very small tip opening as compared to the .105 on the Bari. Do you think this would be a good transitional mouthpiece at 7* or should I consider 5*, 6 or 6*? If I go with a smaller tip opening do you think the dark richness will become less dark? We have been using Rico 3, 3 1/2 Reeds and starting to try Vandoren Reeds.

    Any feedback or suggestions would be appreciated.

    Again, I must compliment you as your playing is wonderful and brings a consistency to the reviews that musicians can take to the bank!

    Jeff

    Reply
    • SteveSteve says

      January 5, 2014 at 5:19 pm

      Jeff, I think the Bari Hybrid is a great step up choice. It has a thick rich sound. I suggest going to a 6* first. I have had students jump for a Yamaha 4C to a .105 but they are rare. Most students have a hard time with a jump like that. The other thing you can do is order one of each from a place like WWBW. Let her try them and pick the one she likes the best and send the rest back for a refund. Good Luck, Steve

      Reply
  5. AvatarJan Klincewicz says

    December 30, 2014 at 11:12 am

    I ordered one of these for my friends Bootsie, but he is more a metal guy. Rather than return it, I tried it on my Buescher TH&C and loved it. Also Rigotti 2 1/2 as a reed. It’s dark like my Fat Cat, but has a nice edge when pushed. Easy subtone. It became my new go-to tenor piece.

    Reply
    • SteveSteve says

      December 30, 2014 at 2:09 pm

      That’s great Jan. Yes, I found it to be one of the darker tenor pieces I have had through here. Glad you like it. Steve

      Reply
  6. Avatarwilliam says

    September 12, 2017 at 10:29 pm

    I saw this review a couple of years ago and i just bought one recently. I dont know about those five and six hundred dollar pieces but this plays beautifully on my 1939 king zephyr. Thanks for reviewing this mouthpiece..

    Reply
    • SteveSteve says

      September 14, 2017 at 11:26 pm

      That’s great to hear William. I’m glad the review helped in your decision. Steve

      Reply
    • SteveSteve says

      September 18, 2017 at 8:47 am

      Wiliam, Glad the review helped to steer you in that direction and that your happy with your purchase. Steve

      Reply
  7. AvatarCraig says

    November 24, 2017 at 10:55 am

    Do the alto mp’s have a similar sound? Currently have an alto and soprano and I am looking for a rich sound like this for the alto.

    Reply
    • SteveSteve says

      December 13, 2017 at 12:58 pm

      Craig, I reviewed that Alto Bari Hybrid here if you want to take a listen to how it sounds for me. Steve
      http://www.neffmusic.com/blog/2013/02/bari-hybrid-alto-saxophone-mouthpiece/

      Reply
  8. Avatarwilliam culhane says

    November 25, 2017 at 5:18 pm

    type in the search box hybrid alto there is a sound bite for the alto

    Reply
  9. Avatarphilipe says

    December 17, 2018 at 9:03 pm

    does this have a nice altissimo

    Reply
    • SteveSteve says

      December 18, 2018 at 8:59 pm

      I believe so. I don’t remember it having a “bad” altissimo range. Steve

      Reply
  10. AvatarGiuseppe says

    December 22, 2018 at 5:57 am

    Hi Steve,
    nice sound this mouthpiece, perhaps a little too “full-bodied”, but beautiful.
    It reminds me a little of the sound of the Maestra marble, even if the Mastra seems me more powerful and, a little, also the sound of the Ambika, even if the Ambika seems me have a most brilliant sound.
    Am I wrong?Again?
    Giuseppe.

    Reply
    • SteveSteve says

      December 22, 2018 at 11:32 am

      Giuseppe, I think you are correct. The Bari Hybrid is a great mouthpiece especially for the price. You are comparing it to two mouthpieces that cost quite a bit more. Steve

      Reply
  11. AvatarGiuseppe says

    December 22, 2018 at 4:26 pm

    Fiuuu!… Thanks Steve,
    I was afraid I had made another bad impression; instead this time it went well!
    True, it now costs around $ 189 and there are also other versions … They also have the tip opening 0.085.
    Giuseppe.

    Reply

Leave a Reply to william Cancel reply

Your email address will not be published. Required fields are marked *

Primary Sidebar

Steve Neff

Cart


NEFFMUSIC PRINTED BOOKS

Testimonials

Just to say thanks for your advice and lessons.  I’ve just read your amazing story.  I really appreciate what you do in regards to teaching.  I have bought a couple of your lessons and frankly they’re undersold.   I’ve learned much more with these two lessons than with 2 years of sax teachers.   Thanks so much………..
Mike

Hello Steve, I’m getting so much out of your lessons and books, amazing how much one may think one knows, there is always a new frontier or new way to view something you think you had somewhat down. You have taken it all to a new level and am so grateful. Your lessons are so down to earth and understandable and clear!  Thanks so much Steve! Cheers, Eddie

Eddie Parente
Your lessons on playing the blues is so clear . I have been through many books on blues playing and not one of them explains as clear as your lessons . Most of them say “Play the same blues scale over all three chords of a 12 bar blues ” Its very misleading .     Thanks
Martin
Thank you for all the educational information you provide.  I am a classically trained musician.  Professionally, I am a 4th and 5th grade band teacher.  I have played piano and sax for many years, but now I am starting to gig out more. I have always improvised by ear in the past. I have gotten by with my strong sense of pitch, rhythm and melodic contour. However, I want to go deeper. I want to play with a greater variety of melodic and rhythmic ideas to pull from.  I have studied to gain a … Read more
Ray
Absolutely the best learning experience in my 40 years of playing.These books are awesome!!
Alfred LaBella
I want to say something about Steve Neff’s series of lessons, Beginner Jazz Improvisation. For a couple of years I tried many beginner lessons and my problem was that there was a gap between lessons that were fairly simple and ones that I was not quite ready for and my progress stalled out. That problem was solved with the series Beginner Jazz Improvisation. He guides you step by step along the way and builds a foundation for learning jazz and blues. He leaves no question about what to practice … Read more
Pete

Never really had lessons before just kinda worked things out on my own. Was in a rut but your lessons are really helpful in opening melodic possibilities. Ur an awesome resource to the saxophone community. Thanks for sharing. 

Anthony
Your major diatonic patterns book is great. I”m studying the first twenty patterns (first twenty pages) each day with different articulation each day and slowly increasing the tempo each week or so.  There is a noticeable improvement in finger coordination across all keys and its amazing how much more secure I feel on the difficult keys when attempting to play pieces with 5+ flats/sharps. I’m able to sort out the fingerings for these pieces now much more quickly than before, often in one or two … Read more
Geoff
I am a music book junkie and I have to say that your books are the most clear, user friendly, and helpful books I own.  They are my absolute favorites and I only wish I had them years ago.  I wouldn’t change a thing about the experience I had in acquiring my degree at Berklee, but my playing has perhaps grown more in the time I’ve spent buried in your books and lessons.  Keep up the great work!!! Thanks, John
John

I am enjoying your style of teaching, and you’ve done a great job with the videos….good sound quality and well constructed lessons.  Balances the more guitaristic material found on the majority of guitar based programs.  Jazz vocab is what I’m all about at this point in the journey.  I especially dig the fact that you’ve studied with Bergonzi…helps me see his voluminous output in a more bite sized way.

Milton

Hello Steve,

I have not received my alto yet but have already gone through 14 lessons. I love your approach, style, knowledge and competence. I now regret so much to have stayed away from playing the sax for the past 45-50 years…(I am 65).  But It is never too late to get back to your first love. After 23 years in compuer sciences and 22 years in finances…I am now back to music for the rest of my life.

Doing some research on the net, I found this:

http://forum.saxontheweb.net/showthread.php?1… Read more

Claude

Steve,

I have played for many years and have enjoyed going “back to the basics” in some of your lessons!  You have such a gift for explaining concepts.  As I have gotten older, some of the basic things have gotten muddled because I just play, not knowing why.  As I refresh myself with “why”, it increases my confidence and expands my playing.  Thank you so much for using your gift!  You are a blessing!

Julia
I’ve been a member of Steve’s site for about six months now and the difference it has made to my playing is immeasurable. The (many) benefits of this membership are that you can have lessons at time convenient to you, they work out A LOT cheaper than face-to-face lessons with a teacher of the same calibre and you can replay them ad infinitum. I don’t know how many times have I had lessons in the past where I’ve ended up covering the same concepts when really a ‘replay’ of the last lesson would h… Read more
Nick

Steve,  Just want to say thanks for all you are doing for all of us. I’ve learned more from you than anyone else in my 40 years of playing.

If you can give some tips on One Note Samba, Ceora, and Wave… that would be cool.  I really like learning how you apply your concepts to actual songs!

Have a great year,

Kevin Ledbetter

I've learned more from you than anyone else in my 40 years of playing.
I’ve been downloading your lessons for 4 months now (20 lesson) and I have noticed tremendous growth in my playing thus far! I’m so happy that I stumbled upon your site!
Bob
Steve’s monthly lessons are entirely valuable. Without brow beating, he tells you all the stuff you deep down know you really should be working on, instead of just relying on the same old patterns. In spite of the fact that you’re taking a video lesson, Steve’s presentation is comfortable and “real”. In a little more than a year, he’s developed a library of lessons that seem to offer any player a lifetime’s worth of practice material. I’m just glad I stumbled upon it.… Read more
Grant
I am enjoying your style of teaching, and you’ve done a great job with the videos….good sound quality and well constructed lessons.  Balances the more guitaristic material found on the majority of guitar based programs.  Jazz vocab is what I’m all about at this point in the journey.   I especially dig the fact that you’ve studied with Bergonzi…helps me see his voluminous output in a more  bite sized way.
Milton
I would like to say that in the last year my sax playing has progressed loads from your lessons. I have had a sax for about 20 years and dabbled with lessons from a few teachers and have learnt very little from them. As you have said in your lessons many teachers tell you to use the blues scale and leave it there, not even showing you the resolution points!!. I am now believing I can in time become a good improviser.
Thanks again,
Shane
Shane
Hi Steve, I can’t express just how much I appreciate your teaching. My playing has improved so much over the past year since I have been studying and practicing with your lessons. It is possible to teach an old dog new tricks, these lessons are proof! Thanks, Michael Byington
Michael Byington
Hey Steve, I’m a 22-year-old from Australia. I thought it would be worth saying. You’re an absolute legend. I can’t thank you enough. You have helped me rekindle my love for the saxophone and music as a whole. All the best for the future, your work doesn’t go unnoticed. PS. I am loving your devastating minor lines pdf.
Sapph
Hey Steve, My name is Jason Freese and I play keyboards and sax in the band Green Day.  I grew up taking sax lessons from Eric Marienthal when I was a kid and got out of it for a long time. I ran into you on youtube while searching for sax stuff. I bought a whole bunch of your lessons and have been loving it! Thanks! Here is my wikipedia so you can see the albums I’ve played on….Thanks again. It’s sparked my interest in practicing again.   Jason
Jason Freese (sax player for Green Day)
Two years later I began a search for a sax teacher and happened to come across Steve Neff when I was searching YouTube for sax teachers.  I went to neffmusic.com and was very impressed with the lessons Steve Neff was offering.  The concept of selecting lessons was an approach that I thought was unique and purchased a few lessons.  I liked the lessons so much that I signed-up for a 6 month package. I was very happy with all the lessons I selected.  I also purchased Steve’s book Mastering the B… Read more
Michael
I just started looking at my lessons and I have to say, dude you are awesome.  I ABSOLUTELY will learn from you!  I started the tenor about 1 ½ yrs ago and have since picked up an alto, and more recently a soprano.  I spend most of the time on the tenor, followed by soprano, and have only gotten to the alto a few times.  I think I’ll be sticking with tenor.  I’m having a great time and hope one day to play well enough to get regular gigs.  I’ve been playing keys for about 35 years (… Read more
Wil

Hello Steve,

I just want to say thank you so much for your unbelievable work, it is just mind opening, thanks for sharing it.

Wolfgang from Berlin

Wolfgang from Berlin

Featured Video Lessons

  • Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book) Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book)
    Rated 5.00 out of 5
    $19.99 Original price was: $19.99.$14.99Current price is: $14.99.
  • The Secret to Modern Outside Jazz Lines Lesson-Minor The Secret to Modern Outside Jazz Lines Lesson-Minor $9.99
  • Creating Modern II-V-I Lines with Simple Pentatonics Lesson Creating Modern II-V-I Lines with Simple Pentatonics Lesson
    Rated 5.00 out of 5
    $9.99
  • The Best Embouchure for Tone, Intonation and Endurance Lesson The Best Embouchure for Tone, Intonation and Endurance Lesson
    Rated 4.91 out of 5
    $9.99
  • The Secret to Altissimo (no one has ever told you about before) Lesson The Secret to Altissimo (no one has ever told you about before) Lesson
    Rated 4.75 out of 5
    $9.99

Now over 600 video and audio lessons to choose from!

Free Lessons

  • Free Lesson on The New Ultimate II-V-I Primer-Major Keys
  • Free Video Lesson on Mastering Altered Pentatonics
  • Free Video Lesson on Mastering the Blues Scale Volume 1 & 2
  • Free Video Lesson on Mastering the Dominant Bebop Scale and Language Book 1 & 2
  • Free Video Lesson on Approach Note Velocity Book

Recent reviews

  • Bebop Scale-Altered Scale II-V-I Practice Lesson Bebop Scale-Altered Scale II-V-I Practice Lesson by Noah
  • Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book) Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book) by Andy
  • Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book) Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book)
    Rated 5 out of 5
    by Russ
  • Creating Modern II-V-I Lines with Simple Pentatonics Lesson Creating Modern II-V-I Lines with Simple Pentatonics Lesson
    Rated 5 out of 5
    by Timothy
  • The Best Embouchure for Tone, Intonation and Endurance Lesson The Best Embouchure for Tone, Intonation and Endurance Lesson
    Rated 5 out of 5
    by Ray Holland

Footer

Recent Comments

  • Leo on Phil-Tone Tenor Mouthpiece
  • Randy Cosby on GetASax GS Supersonic 50s Dukoff 7* Tenor Saxophone Mouthpiece Review
  • Brian at GetASax on GetASax GS Supersonic 50s Dukoff 7* Tenor Saxophone Mouthpiece Review
  • Brian at GetASax on GetASax GS Supersonic 50s Dukoff 7* Tenor Saxophone Mouthpiece Review
  • Steve on GetASax GS Supersonic 50s Dukoff 7* Tenor Saxophone Mouthpiece Review

Top rated products

  • Mastering the Major Bebop Scale & Sound (Digital PDF Book) Mastering the Major Bebop Scale & Sound (Digital PDF Book)
    Rated 5.00 out of 5
    $14.99
  • Tune of the Week-Softly as a Morning Sunrise Lesson Tune of the Week-Softly as a Morning Sunrise Lesson
    Rated 5.00 out of 5
    $9.99
  • The Style of Dexter Gordon-Lady Bird Lesson 1 The Style of Dexter Gordon-Lady Bird Lesson 1
    Rated 5.00 out of 5
    $9.99
  • Tune of the Week-Days of Wine and Roses Lesson Tune of the Week-Days of Wine and Roses Lesson
    Rated 5.00 out of 5
    $9.99
  • Tune of the Week-Invitation Tune of the Week-Invitation
    Rated 5.00 out of 5
    $9.99

Product tags

alto sax alto saxophone approach notes audio lesson bebop scale beginner beginner saxophone blues blues licks blues patterns blues scale blues scales diminished scale dominant chords ear training fundamentals II-V-I improvisation jazz improvisation jazz lines jazz patterns jazz sax jazz saxophone jazz standard jazz standards licks Mastering the Blues Scale Michael Brecker modern improv modern improvisation online lesson patterns playing outside practice habits reading music sax basics sax lessons saxophone scales smooth jazz steve neff tenor sax tenor saxophone video lesson video lessons
  • Instagram
  • Facebook
  • Twitter
  • SUPPORT

Neffmusic © 2005–2025