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Sax Mouthpiece Reviews and Morality

July 22, 2016 by Steve 80 Comments

Ok,  so this might seem like a strange title for a blog post but I have an issue that I need some insight and input on from my Neffmusic readers.  Here’s the issue and then I will pose some questions at the end. Mouthpiece Reviews and Morality:   Nine years ago I started what is […]

Filed Under: Mouthpiece Reviews Tagged With: ethics, morality, opinion, reviews, saxophone mouthpieces

Retro Revival New Yorker Alto Saxophone Mouthpiece Review

July 16, 2016 by Steve 22 Comments

Today, I am reviewing the new Retro Revival New Yorker alto saxophone mouthpiece made by Joel Peskin (iReedMan) and Bob Sheppard.  Joel  and Bob have started a company called Retro Revival in which he produces exact copies of great vintage mouthpieces from the past.   His first two mouthpiece releases were for this New Yorker alto […]

Filed Under: Alto Medium Baffle Reviews, Alto Mouthpiece Reviews Tagged With: alto sax, Brothers, Joel Peskin, New York Meyer, New Yorker, Retro Revival, review, saxophone mouthpiece

Bill Evans Signature Series Tenor Saxophone Mouthpiece Review

July 9, 2016 by Steve 58 Comments

Today, I am reviewing the new Bill Evans Signature Series Tenor Saxophone Mouthpiece.  Now, before I go further I must add a disclaimer: Warning: This is one the most expensive mouthpieces on the market that I know of right now. (1695.00 US) If you do not want to be tempted by a mouthpiece that you can’t […]

Filed Under: Tenor High Baffle Reviews, Tenor Mouthpiece Reviews Tagged With: bill evans, Guardala, jazz saxophone, review, sax mouthpiece, tenor saxophone

Westcoast Sax MoFo Tenor Saxophone Mouthpiece Review

June 18, 2016 by Steve 12 Comments

Today, I am reviewing the Westcoast Sax “MoFo” tenor saxophone mouthpiece.  Now, not being hip to the newest slang and terminology, I had to ask my teenagers what MoFo meant.  My daughters told me “Mofo” stood for mother-f*****, someone who is bad-a** or hard core.  My first thought was “Why would someone name a saxophone […]

Filed Under: Tenor High Baffle Reviews, Tenor Mouthpiece Reviews Tagged With: Mofo, review, saxophone, tenor mouthpiece, Theo Wanne, Wescoast Sax

Liu Shizhao Pilgrimage MB Tenor Saxophone Mouthpiece Review

June 9, 2016 by Steve 22 Comments

A month or two ago,  I posted a review of a couple new saxophone mouthpiece from Liu Shizhao out of China.  He sent me a tenor saxophone mouthpiece prototype MB Prototype and an alto prototype that I was very impressed with and wrote reviews on. Recently,  he has sent me two more saxophone mouthpieces to review that […]

Filed Under: Tenor High Baffle Reviews Tagged With: Guardala, jazz sax, Liu Shizhao, Michael Brecker, Pilgrimage, review, tenor mouthpiece

Lamberson J7 1920 Hard Rubber Tenor Saxophone Mouthpiece Review

June 4, 2016 by Steve 22 Comments

In an effort to mix things up a bit,  I am now reviewing a new J7 tenor saxophone mouthpiece made by Fred Lamberson. Earlier this week, I reviewed the Ted Klum London model tenor mouthpiece which was probably one of the loudest and brightest mouthpieces I have played but now I turn my attention to […]

Filed Under: Tenor Low Baffle Reviews Tagged With: 1920 hard rubber, dark tone, Fred Lamberson, J7, sax mouthpiece, tenor saxophone

Rafael Navarro “Bob Mintzer” Bop Boy Tenor Mouthpiece Review

June 4, 2016 by Steve 20 Comments

Today I am reviewing another great mouthpiece by Rafael Navarro.  This is a hard rubber “Bob Mintzer” Bop Boy model.  I have reviewed most of Rafael Navarro’s tenor models in the past.  In the beginning,  he was kind enough to send me a bunch to review but after a while he started getting busier as his […]

Filed Under: Tenor High Baffle Reviews Tagged With: Bob Mintzer, Bop Boy, hard rubber, Rafael Navarro, sax mouthpiece, tenor saxophone

Ted Klum London Model Tenor Saxophone Mouthpiece Review

June 1, 2016 by Steve 13 Comments

Today’s review is of a very used Ted Klum London model tenor saxophone mouthpiece that a friend of mine was nice enough to let me try.   Ted Klum is a great sax mouthpiece maker and refacer who has a great reputation among saxophone players.   His site is www.tedklummouthpieces.com.   It has been quite […]

Filed Under: Tenor High Baffle Reviews Tagged With: high baffle, London Model, sax mouthpiece, Ted Klum, tenor saxophone

Snake Oil for the Saxophone? The Buzz Oversized Neck Screw by Westcoast Sax

April 13, 2016 by Steve 50 Comments

Whether you are into competitive sports, weight loss, golf or the saxophone, you have probably heard claims about products that you didn’t believe. Many times I refer to these claims and products with a term you have probably heard before: “Snake Oil”.  The definition of the term is : “Snake oil is an expression that originally […]

Filed Under: Sax Reviews, Saxophone Stuff Tagged With: Buzz, oversized, sax screw, sound, tenor saxophone, tone, westcoast sax

Joe Allard Overtone Exercise for Saxophone

April 7, 2016 by Steve 8 Comments

I wanted to share this great saxophone Overtone exercise that Dr. David Demsey wrote out a number of years ago.   Dr. Demsey studied with Joe Allard from 1977-1980 and is the Coordinator of Jazz Studies and Professor of Music at William Paterson University. There is a great interview with Dr. Demsey about Joe Allard that any of you […]

Filed Under: Saxophone Stuff Tagged With: altissimo, David Demsey, education, Joe Allard, overtones, PDF, sax, saxophone

Saxquest “The Core” Tenor Saxophone Mouthpiece Review

March 5, 2016 by Steve 15 Comments

Today, I am reviewing the new “The Core” hard rubber tenor saxophone mouthpiece from Saxquest. Mark Overton over at Saxquest came out with two new hard rubber tenor sax mouthpieces a few months ago called “The Bridge” (hand faced by Eric Falcon) and “The Core” (hand faced by James Bunte). Mark said that the purpose  behind making these […]

Filed Under: Tenor Medium Baffle Reviews, Tenor Mouthpiece Reviews Tagged With: Core, jazz sax, Mark Overton, mouthpiece, Saxquest, tenor saxophone

Saxquest “The Bridge” Tenor Saxophone Mouthpiece Review

March 4, 2016 by Steve 12 Comments

Today, I am reviewing the new “The Bridge” hard rubber tenor saxophone mouthpiece from Saxquest. Mark Overton over at Saxquest came out with two new hard rubber tenor sax mouthpieces a few months ago called “The Bridge” and “The Core”. Mark said that the purpose  behind making these two mouthpieces was to try to recapture the sound and […]

Filed Under: Tenor Medium Baffle Reviews, Tenor Mouthpiece Reviews Tagged With: Bridge, early babbitt, EB Link, saxophone mouthpiece, Saxquest, tenor sax

A Blast from the Past-Chromazone by Mike Stern Cover

March 2, 2016 by Steve 4 Comments

This weekend, I was going through my vast computer files and trying to clean out the gigabytes of junk I had on my computer when I discovered this old clip. This is from a recording session I did way back in the early 90’s.  I think I was about 25 at the time and in […]

Filed Under: Saxophone Stuff Tagged With: Chromazone, cover, Mike Stern, steve neff, tenor saxophone

Tenor Madness New EBII Tenor Mouthpiece Review

January 1, 2016 by Steve 15 Comments

Today, I am reviewing the new Tenor Madness EBII hard rubber tenor mouthpiece.  Randy Jones over at Tenor Madness caused quite a stir in the saxophone world when he came out with a “new” EB (Early Babbitt) version of the Otto Link tenor mouthpiece a number of years ago which I reviewed here.  At the time, […]

Filed Under: Mouthpiece Reviews, Tenor Medium Baffle Reviews Tagged With: early babbitt, jazz mouthpiece, Randy Jones, review, tenor madness, tenor saxophone

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NEFFMUSIC PRINTED BOOKS

Testimonials

Hey Steve, My name is Jason Freese and I play keyboards and sax in the band Green Day.  I grew up taking sax lessons from Eric Marienthal when I was a kid and got out of it for a long time. I ran into you on youtube while searching for sax stuff. I bought a whole bunch of your lessons and have been loving it! Thanks! Here is my wikipedia so you can see the albums I’ve played on….Thanks again. It’s sparked my interest in practicing again.   Jason
Jason Freese (sax player for Green Day)
Thank you for the wealth of helpful lessons you’ve provided over the years.  I truly feel as though it has improved my playing more than the 4 years I spent at Berklee… and that’s not a slight on the school as I loved my experience there.
John
John
Thank you so much for the great job you are doing to help further our jazz studies. Though I make my living as a repairer of musical instruments I am a student of jazz and have been fortunate enough to be involved with a big band and a combo for the last several years. As my children began to leave “the nest” I had decided to dedicate the next half of my life to a more serious study of the sax but I didn’t know exactly how I would go about doing this until a friend of mine turned me onto your si… Read more
Jon
I am a music book junkie and I have to say that your books are the most clear, user friendly, and helpful books I own.  They are my absolute favorites and I only wish I had them years ago.  I wouldn’t change a thing about the experience I had in acquiring my degree at Berklee, but my playing has perhaps grown more in the time I’ve spent buried in your books and lessons.  Keep up the great work!!! Thanks, John
John
Your major diatonic patterns book is great. I”m studying the first twenty patterns (first twenty pages) each day with different articulation each day and slowly increasing the tempo each week or so.  There is a noticeable improvement in finger coordination across all keys and its amazing how much more secure I feel on the difficult keys when attempting to play pieces with 5+ flats/sharps. I’m able to sort out the fingerings for these pieces now much more quickly than before, often in one or two … Read more
Geoff

Thank You Steve. I think that I will be busy for years. Thank You for your great contribution to jazz music. Your books, more than teaching “how to play jazz”, actually teach “how to speak jazz”. I wish I found your methods years ago.  

Jean-Eric
I have NEVER seen material like yours.  Amazing!!
Jerry

Never really had lessons before just kinda worked things out on my own. Was in a rut but your lessons are really helpful in opening melodic possibilities. Ur an awesome resource to the saxophone community. Thanks for sharing. 

Anthony

I want to thank you for your “Ultimate II-V-I Primer”  which has sent me off on a much better path to improvisation.  The primer and the four bound books I have will keep me busy for a long time.  I like your lessons for two reasons.  The lessons work and THEY ARE FUN.  Thanks again.

Robert

Robert
It is so refreshing to have a great player, who can provide lessons and examples in a manner which is understandable to most any enthusiastic saxophonist who is ready to improve. not just the, do this, do that, memorize this, memorize that… while all that is absolutely necessary, you go on to give reasons and examples to explain and validate why you have to do all of these things, the benefits, if you will… that is the key for me, you tell, explain, demonstrate, explain some more, you give perso… Read more
Cedric
First, I’m really excited about your materials! This site is a vast resource for any aspiring (and maybe already inspired) jazz musicians. I’m not a sax player, I play mandolin and fiddle, but have been learning jazz and playing weekly with a quintet for the past 6 months and have been struggling with all of the issues you get into in your lessons. I bought several books and lessons and plan to continue with some others as soon as I organize my practice routine. Thanks again for a great site … Read more
Tony Galfano
I can’t say enough about my membership at Neff Music. Steve has taken the mystery out of playing the saxophone well and improvising both jazz and rock music. Like most struggling players I have a load of all sorts of books on my shelf just gathering dust. Books that I didn’t understand or know how to put to use…or just have the time to go threw them. Steve’s lessons really simplify things and he puts it in a way that I can understand. They inspire me to keep pushing and having him as my guide or… Read more
Ken
I just started looking at my lessons and I have to say, dude you are awesome.  I ABSOLUTELY will learn from you!  I started the tenor about 1 ½ yrs ago and have since picked up an alto, and more recently a soprano.  I spend most of the time on the tenor, followed by soprano, and have only gotten to the alto a few times.  I think I’ll be sticking with tenor.  I’m having a great time and hope one day to play well enough to get regular gigs.  I’ve been playing keys for about 35 years (… Read more
Wil
I just wanted to write a thank you note to you for this website. I play and teach saxophone, but I have always been intimidated by the gear aspect. Your website has helped me become a lot more knowledgable. Your knowledge is staggering! I’m telling all my students about your website. Pierre
Pierre

I must say again how much I appreciate all your material. Including the video tutorials. It help keep me focused and knowing what to aim for. And your laid back teaching style appeals to me too. 

Thanks

P

P
For anyone living in remote areas away from live jazz sax teachers, Neff is the way to go. In fact this is a great resource for anyone seriously interested in mastering the sax. I’ve never been disappointed in a lesson.
Oliver
I’m an experienced player in the pop/soul/funk areas of music and, previously, classical.  Over the decades I’ve been playing, I’ve always felt that I could do what I needed in those styles of music.  However, recently I began to feel limited by my use of the same old licks. When I discovered Steve Neff’s website, and heard the audio examples based on the exercises in his books, I realized they were what I needed.  I purchased all of them and have been working on them since.  It’s very hard work… Read more
Paul

Steve,  Just want to say thanks for all you are doing for all of us. I’ve learned more from you than anyone else in my 40 years of playing.

If you can give some tips on One Note Samba, Ceora, and Wave… that would be cool.  I really like learning how you apply your concepts to actual songs!

Have a great year,

Kevin Ledbetter

I've learned more from you than anyone else in my 40 years of playing.
Your lessons on playing the blues is so clear . I have been through many books on blues playing and not one of them explains as clear as your lessons . Most of them say “Play the same blues scale over all three chords of a 12 bar blues ” Its very misleading .     Thanks
Martin

Hello Steve,

I just want to say thank you so much for your unbelievable work, it is just mind opening, thanks for sharing it.

Wolfgang from Berlin

Wolfgang from Berlin
Thanks so much for putting all this great learning material out there. I don’t often have the time to take a lesson with a teacher, so the ability to download lessons is really invaluable. My playing has improved enormously (I think :)) – and the lessons are so varied there’s always something to be inspired by. Incredible value too!
Roger

Mr. Neff,  I want to thank you for sharing your God-given talents through your on-line lessons.  My husband, Michael, is blind, but he is a great sax player and he has been enjoying your lessons for quite some time now.  It’s not unusual for me to hear “Hey, babe, listen to THIS!” – and he will cut loose on his sax, just thrilled at what he learned during his session with you.  His excitement warms my heart!  You have no idea how much you have poured into my husband.  You have opened musical … Read more

Carole B
Just wanted to send you a quick note to say thank you for being you, your playing, your website and your desire to help others. I’m a professional musician in the US Army and I’ve visited your website almost every day since discovering it a couple of months ago. Your lessons are profound and easy to use. I’ve purchased most of your PDF books and now am starting to delve more into the video and audio lessons.  Thank you for being a great resource!
James
I bought Steve’s dominant bebop book and took a couple of online lesson from him. I really appreciated Steve’s careful listening of what I wanted to get done in a lesson and his clear, concise ideas on next steps to improve my playing and musical interpretation.  His mastering  the Dominant Bebop Scale has lots of exercises to use a scale that addresses the largest percentage of chords I come across in pop/blues music. The dominant V7.  Needless say it has improved my playing.  I teach and a… Read more
Keith

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