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Get·A·Sax GS Freddie Gregory Super Deluxe MARK II Copy Tenor Saxophone Mouthpiece Review

December 25, 2022 by Steve 12 Comments

Today,  I am reviewing the GetASax GS Freddie Gregory Super Deluxe MARK II Copy tenor saxophone mouthpieces in a 7, 7* and 8 tip opening.  These GetASax Mark II tenor sax mouthpieces are replicas of great playing, original facing,  Freddie Gregory MARK II tenor saxophone mouthpieces. These cool white mouthpieces are made by Brian Curry […]

Filed Under: Mouthpiece Reviews, Tenor Medium Baffle Reviews, Tenor Mouthpiece Reviews Tagged With: Brian Curry, freddie gregory, Getasax, mark II, review, sax mouthpiece, tenor saxophone

Meyer Bros New York Connoisseur Series Alto Saxophone Mouthpiece Review

August 11, 2022 by Steve 17 Comments

Today, I am reviewing two new Meyer Bros New York 7 and 8 Connoisseur series alto saxophone mouthpieces made by JJ Babbitt.  The Connoisseur Meyer Bros NY alto saxophone mouthpieces are advertised as being a reproduction of the original Meyer Bros New York alto saxophone mouthpiece that Cannonball Adderley played as described in this quote […]

Filed Under: Alto Medium Baffle Reviews, Alto Mouthpiece Reviews, Mouthpiece Reviews Tagged With: Alto Saxophone, Connoisseur Series, JJ Babbitt, Meyer Bros, new york, review, sax mouthpiece

Otto Link Tone Edge Early Babbitt Connoisseur Series Tenor Saxophone Mouthpiece Review

July 30, 2022 by Steve 36 Comments

Today, I am reviewing the new Otto Link Early Babbitt remake connoisseur series tenor saxophone mouthpiece made by JJ Babbitt.  The Connoisseur EB (Early Babbitt) tenor saxophone mouthpieces are advertised as being from the same molds as the original hard rubber Otto Link Early Babbitt tenor sax mouthpieces as described in this quote from the […]

Filed Under: Mouthpiece Reviews, Tenor Medium Baffle Reviews, Tenor Mouthpiece Reviews Tagged With: Connoisseur Series, early babbitt, EB, JJ Babbitt, mouthpiece, otto link, review, tenor saxophone, Tone Edge

Do Mouthpiece Patches and Beak Height Make a Difference to the Sound of a Saxophone?

February 23, 2022 by Steve 28 Comments

Today, I am posting a personal experiment of mine to answer some questions I have about the discernible differences a mouthpiece patch and the mouthpiece beak height make to the sound of the saxophone.  I know many of you out there will perhaps think this is foolish but I am doing this to satisfy my […]

Filed Under: Saxophone Stuff Tagged With: beak, cushions, patch, saxophone, sound, tenor mouthpiece

Lupifaro Evo Tenor and Alto Saxophone Reeds Review

March 26, 2021 by Steve 7 Comments

Today, I am reviewing the Lupifaro  Evo custom saxophone reeds sold by Lupifaro reeds in Switzerland.  Lupifaro reeds reached out to me a few months ago and asked if I would be interested in reviewing their saxophone reeds.  They sent me a box of five 2 1/2 and a box of five 3 strength tenor […]

Filed Under: Saxophone Stuff Tagged With: alto sax, custom, Evo, Lupifaro, reeds, review, Rigotti cane, saxophone reed, tenor sax

Roberto’s Winds RW Tenor, Alto and Soprano Saxophone Reeds Review

March 15, 2021 by Steve 6 Comments

Today, I am reviewing the RW Roberto’s Winds custom saxophone reeds released by Roberto Romeo at Roberto’s Winds in NYC.  Roberto’s Winds reached out to me a few months ago and asked if I would be interested in reviewing their saxophone reeds.  They sent me nine boxes of sax reeds in a variety of strengths […]

Filed Under: Saxophone Stuff Tagged With: alto sax, custom, reeds, review, Rigotti cane, Roberto Romeo, Roberto's Winds, saxophone reed, soprano sax, tenor sax

Chad LB Burnin’ Tenor Saxophone Solo on Oleo Transcription

March 18, 2020 by Steve 3 Comments

Here is another killer Chad LB (Lefkowitz-Brown) solo that was posted on Youtube yesterday.  This is on the tune Oleo by Sonny Rollins. What does a sax player do when he shouldn’t leave the house because of a contagious virus wreaking havoc around the globe?  Stay home!  Practice and Transcribe!  This morning I spent 5 hours […]

Filed Under: Transcriptions Tagged With: Chad LB, Chad Lefkowitz-Brown, jazz sax, Oleo, Syos mouthpiece, tenor saxophone, transcription

Chad LB Monster Lick of the Day #4 Tenor Sax

February 3, 2020 by Steve 2 Comments

Here is a killer Chad LB (Lefkowitz-Brown) lick that I picked up off of a Youtube video below. Chad is trying out and comparing a D’Addario tenor saxophone mouthpiece to his own SYOS Chad LB tenor saxophone mouthpiece.  At the 4:02-4:06 mark, Chad plays a great modern “Breckeresque” type line that I immediately decided I […]

Filed Under: Transcriptions Tagged With: Chad LB, Chad Lefkowitz-Brown, jazz sax, tenor saxophone, transcription

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Testimonials

Your material is great! I got your New Altissimo Lesson 6 months ago and I have learned more from that than in all my 44 years of playing! I appreciate your down to earth teaching method and I really appreciate the heart that you teach with. I have been a subscriber to your lessons for the past 6 months and I have learned a great deal. Over that period of time I have had some questions and you have never failed to respond. Thanks! I have already recommended your lessons to a number of players in… Read more

Michael Byington
I am a music book junkie and I have to say that your books are the most clear, user friendly, and helpful books I own.  They are my absolute favorites and I only wish I had them years ago.  I wouldn’t change a thing about the experience I had in acquiring my degree at Berklee, but my playing has perhaps grown more in the time I’ve spent buried in your books and lessons.  Keep up the great work!!! Thanks, John
John
I have NEVER seen material like yours.  Amazing!!
Jerry
I can’t say enough about my membership at Neff Music. Steve has taken the mystery out of playing the saxophone well and improvising both jazz and rock music. Like most struggling players I have a load of all sorts of books on my shelf just gathering dust. Books that I didn’t understand or know how to put to use…or just have the time to go threw them. Steve’s lessons really simplify things and he puts it in a way that I can understand. They inspire me to keep pushing and having him as my guide or… Read more
Ken
Your lessons on playing the blues is so clear . I have been through many books on blues playing and not one of them explains as clear as your lessons . Most of them say “Play the same blues scale over all three chords of a 12 bar blues ” Its very misleading .     Thanks
Martin
I like so many other subscribers feel so encouraged by Steve’s learning techniques; you will enjoy reading the comments of praise others have left as you too will feel that you share a common view and path. I feel very lucky to have come across Neffmusic and that feeling will remain with you as you search through a treasure trove of learning materials on offer, you will quickly find the lessons that you are suited to. You will instantly recognize the unparalleled quality of Steve’s teaching … Read more
Stephen
I’ve been downloading your lessons for 4 months now (20 lesson) and I have noticed tremendous growth in my playing thus far! I’m so happy that I stumbled upon your site!
Bob

I am enjoying your style of teaching, and you’ve done a great job with the videos….good sound quality and well constructed lessons.  Balances the more guitaristic material found on the majority of guitar based programs.  Jazz vocab is what I’m all about at this point in the journey.  I especially dig the fact that you’ve studied with Bergonzi…helps me see his voluminous output in a more bite sized way.

Milton
Thanks so much for putting all this great learning material out there. I don’t often have the time to take a lesson with a teacher, so the ability to download lessons is really invaluable. My playing has improved enormously (I think :)) – and the lessons are so varied there’s always something to be inspired by. Incredible value too!
Roger
Your major diatonic patterns book is great. I”m studying the first twenty patterns (first twenty pages) each day with different articulation each day and slowly increasing the tempo each week or so.  There is a noticeable improvement in finger coordination across all keys and its amazing how much more secure I feel on the difficult keys when attempting to play pieces with 5+ flats/sharps. I’m able to sort out the fingerings for these pieces now much more quickly than before, often in one or two … Read more
Geoff
I am enjoying your style of teaching, and you’ve done a great job with the videos….good sound quality and well constructed lessons.  Balances the more guitaristic material found on the majority of guitar based programs.  Jazz vocab is what I’m all about at this point in the journey.   I especially dig the fact that you’ve studied with Bergonzi…helps me see his voluminous output in a more  bite sized way.
Milton

I want to thank you for your “Ultimate II-V-I Primer”  which has sent me off on a much better path to improvisation.  The primer and the four bound books I have will keep me busy for a long time.  I like your lessons for two reasons.  The lessons work and THEY ARE FUN.  Thanks again.

Robert

Robert
Thank you for the wealth of helpful lessons you’ve provided over the years.  I truly feel as though it has improved my playing more than the 4 years I spent at Berklee… and that’s not a slight on the school as I loved my experience there.
John
John
Just to say thanks for your advice and lessons.  I’ve just read your amazing story.  I really appreciate what you do in regards to teaching.  I have bought a couple of your lessons and frankly they’re undersold.   I’ve learned much more with these two lessons than with 2 years of sax teachers.   Thanks so much………..
Mike
Thank you so much for the great job you are doing to help further our jazz studies. Though I make my living as a repairer of musical instruments I am a student of jazz and have been fortunate enough to be involved with a big band and a combo for the last several years. As my children began to leave “the nest” I had decided to dedicate the next half of my life to a more serious study of the sax but I didn’t know exactly how I would go about doing this until a friend of mine turned me onto your si… Read more
Jon
I’ve been having ‘ online’  lessons with Steve for a few months now. Being a teacher myself I had had some reservations with the idea at first and the practicalities of it .  Let me just say that my playing has taken a huge leaps forward while studying with Steve and continues to do so.Steve studied with some renowned player/teachers such as Bergonzi and Garzone– this in itself is invaluable but Steve teaches from his own books, which cover a a vast amount of  jazz language. Steve h… Read more
David

Hi Steve,

First, I want to thank you for all of your great lessons. They are like a “For Dummies” version of all the books on my shelf. The lessons break things down into manageable pieces, and give me the confidence that I’m practicing the right pieces. I’m starting to make progress.   Thank You,   Kim

Kim
I’m an experienced player in the pop/soul/funk areas of music and, previously, classical.  Over the decades I’ve been playing, I’ve always felt that I could do what I needed in those styles of music.  However, recently I began to feel limited by my use of the same old licks. When I discovered Steve Neff’s website, and heard the audio examples based on the exercises in his books, I realized they were what I needed.  I purchased all of them and have been working on them since.  It’s very hard work… Read more
Paul

After reading your story I will never feel quite right about complaining about any of my MINOR health issues!!    God bless Steve and I really hope that your health doesn’t stop you from fulfilling your calling.    These books have been such a help to open up my jazz vocabulary…   Thanks so much for sharing your story and for providing these great teaching tools…   John Leclerc   Saxophonist / composer/ EWI player and professional working musician of 35 years….

John Leclerc
I would like to say that in the last year my sax playing has progressed loads from your lessons. I have had a sax for about 20 years and dabbled with lessons from a few teachers and have learnt very little from them. As you have said in your lessons many teachers tell you to use the blues scale and leave it there, not even showing you the resolution points!!. I am now believing I can in time become a good improviser.
Thanks again,
Shane
Shane

Thank You Steve. I think that I will be busy for years. Thank You for your great contribution to jazz music. Your books, more than teaching “how to play jazz”, actually teach “how to speak jazz”. I wish I found your methods years ago.  

Jean-Eric
By the way, BIG COMPLIMENTS to you, Steve! Not only are you a great player, you are also a great teacher! I, too, am a woodwinds player/teacher. I have new inspiration to play and teach because of you. The concepts and “thinking” is similar to what I already learned in College, but hearing you explain and PLAY the concepts REALLY MAKES THE DIFFERENCE! Also, your written patterns are more interesting than other books I have seen! Keep up the good work. I will be recommending your sit… Read more
I will be recommending your site to others!
Absolutely the best learning experience in my 40 years of playing.These books are awesome!!
Alfred LaBella
Steve really changed my way of practicing: I got a whole lot of new ideas for my playing the tenor.  His lessons are really helpful, give a lot stuff to practice and give clear answers to complicated stuff.  Steve has a lot of humor and I wish I had laughed so much in my former days with the horn.  All topics, from Blues to Approach note are dealt with clearness that wet ones appetite to play and practice that great ideas.
Uwe

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