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You are here: Home / Jazz Lessons / II-V-I Patterns / The Best II-V-I’s Overview Lesson
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The Best II-V-I's Overview Lesson

The Best II-V-I’s Overview Lesson

Rated 5.00 out of 5 based on 1 customer rating
(1 customer review)

$9.99

SKU: 008 Category: II-V-I Patterns Tags: audio lesson, best II-V-I patterns, jazz improvisation, jazz licks
  • Description
  • Reviews (1)

Description

The II-V-I progression is one of the most common progressions in jazz.  A number of years ago, I wrote my popular “The Best II-V-I Patterns” book.  This book is a collection of the best II-V-I patterns that I have come across in my 30 years of playing and teaching.  While there has been much praise and accolades for the book since it’s release, many beginner and intermediate students have not understood how to work out of the book for the most benefit.   I have received many emails asking how to use the book to becaome a better improviser and jazz player.  This lesson is my solution for all those players.

In this 33 minute long lesson,  I show you exactly how I work out of the book myself as well as teach from it.   I cover the basic theory of the II-V-I as well as intermediate level theory and practice concepts.  I explain in detail what the progression is, how to figure out the chords, how to practice it,  how to apply patterns over it, and how I practice them myself.  I includes  many samples of me playing through different examples.  This is a great  companion lesson to my “Best Major II-V-I” book which is highly recommended if you want to get the most from this lesson.   (33 Minute Audio Lesson)

 

1 review for The Best II-V-I’s Overview Lesson

  1. Avatar
    Rated 5 out of 5

    Paul – August 25, 2009

    Can’t thank you enough bro. Your lessons are just clicking. Good to know the flat 9 after II-V’s is ok to do.
    I am gaining scary levels of confidence in my mental strategy when playing over changes, and moving further and further away from playing merely what
    “sounds” right.
    So, thanks again for enabling me to better understand what I’m doing. This new blues progression is sweet. I’m glad I finally have it, as I hear it a lot, but my ears wasn’t picking up on it (to transcribe the change).
    Well, gotta go… oh, yeah… A+++ on revamp of site… so far (can’t give too many compliments)!

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Just a brief note to compliment you on your teaching skills and in particular for the honesty of your lessons.  I am a returning alto sax player in my 50’s and I was looking for a no nonsense, straight to the point kind of guidance. I had intended to email you with a few questions regarding the use of the bis key but then I noticed that there was a lesson on that specific topic and after viewing it,  all my questions were answered. I once took a group lesson with a well known professional sax … Read more
Patrick
Hey Steve! I hope you and your family are well.  I’m just writing to say thank you so much for all the resources you have made available to the saxophone community. I have been using your material for many years and I always come back to it… in fact I just took a break from practicing to write this…( reviewing “CreatingModern II-V-I Lines with simple pentatonics”.) I am, and continue to be, one of your raving fans! Blessings to you and your family this holiday season! Wishing… Read more
Gerry Aylward

Thank You Steve. I think that I will be busy for years. Thank You for your great contribution to jazz music. Your books, more than teaching “how to play jazz”, actually teach “how to speak jazz”. I wish I found your methods years ago.  

Jean-Eric
First, I’m really excited about your materials! This site is a vast resource for any aspiring (and maybe already inspired) jazz musicians. I’m not a sax player, I play mandolin and fiddle, but have been learning jazz and playing weekly with a quintet for the past 6 months and have been struggling with all of the issues you get into in your lessons. I bought several books and lessons and plan to continue with some others as soon as I organize my practice routine. Thanks again for a great site … Read more
Tony Galfano
I want to let you know that your instructional material is transforming my playing.  It is an immense pleasure to learn and play now, and I can’t tell you how grateful I am. The instructional material I got from you is by far the best of any I own (and I have over 100 books, DVDs, and what not). I literally can’t thank you enough! Deric
Deric

After reading your story I will never feel quite right about complaining about any of my MINOR health issues!!    God bless Steve and I really hope that your health doesn’t stop you from fulfilling your calling.    These books have been such a help to open up my jazz vocabulary…   Thanks so much for sharing your story and for providing these great teaching tools…   John Leclerc   Saxophonist / composer/ EWI player and professional working musician of 35 years….

John Leclerc

I must say again how much I appreciate all your material. Including the video tutorials. It help keep me focused and knowing what to aim for. And your laid back teaching style appeals to me too. 

Thanks

P

P

Hello Steve,

I just want to say thank you so much for your unbelievable work, it is just mind opening, thanks for sharing it.

Wolfgang from Berlin

Wolfgang from Berlin
Your lessons on playing the blues is so clear . I have been through many books on blues playing and not one of them explains as clear as your lessons . Most of them say “Play the same blues scale over all three chords of a 12 bar blues ” Its very misleading .     Thanks
Martin
Thank you for all the educational information you provide.  I am a classically trained musician.  Professionally, I am a 4th and 5th grade band teacher.  I have played piano and sax for many years, but now I am starting to gig out more. I have always improvised by ear in the past. I have gotten by with my strong sense of pitch, rhythm and melodic contour. However, I want to go deeper. I want to play with a greater variety of melodic and rhythmic ideas to pull from.  I have studied to gain a … Read more
Ray

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