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You are here: Home / Jazz Lessons / II-V-I Patterns / The Best II-V-I’s Overview Lesson
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The Best II-V-I's Overview Lesson

The Best II-V-I’s Overview Lesson

Rated 5.00 out of 5 based on 1 customer rating
(1 customer review)

$9.99

SKU: 008 Category: II-V-I Patterns Tags: audio lesson, best II-V-I patterns, jazz improvisation, jazz licks
  • Description
  • Reviews (1)

Description

The II-V-I progression is one of the most common progressions in jazz.  A number of years ago, I wrote my popular “The Best II-V-I Patterns” book.  This book is a collection of the best II-V-I patterns that I have come across in my 30 years of playing and teaching.  While there has been much praise and accolades for the book since it’s release, many beginner and intermediate students have not understood how to work out of the book for the most benefit.   I have received many emails asking how to use the book to becaome a better improviser and jazz player.  This lesson is my solution for all those players.

In this 33 minute long lesson,  I show you exactly how I work out of the book myself as well as teach from it.   I cover the basic theory of the II-V-I as well as intermediate level theory and practice concepts.  I explain in detail what the progression is, how to figure out the chords, how to practice it,  how to apply patterns over it, and how I practice them myself.  I includes  many samples of me playing through different examples.  This is a great  companion lesson to my “Best Major II-V-I” book which is highly recommended if you want to get the most from this lesson.   (33 Minute Audio Lesson)

 

1 review for The Best II-V-I’s Overview Lesson

  1. Avatar
    Rated 5 out of 5

    Paul – August 25, 2009

    Can’t thank you enough bro. Your lessons are just clicking. Good to know the flat 9 after II-V’s is ok to do.
    I am gaining scary levels of confidence in my mental strategy when playing over changes, and moving further and further away from playing merely what
    “sounds” right.
    So, thanks again for enabling me to better understand what I’m doing. This new blues progression is sweet. I’m glad I finally have it, as I hear it a lot, but my ears wasn’t picking up on it (to transcribe the change).
    Well, gotta go… oh, yeah… A+++ on revamp of site… so far (can’t give too many compliments)!

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Mr. Neff,  I want to thank you for sharing your God-given talents through your on-line lessons.  My husband, Michael, is blind, but he is a great sax player and he has been enjoying your lessons for quite some time now.  It’s not unusual for me to hear “Hey, babe, listen to THIS!” – and he will cut loose on his sax, just thrilled at what he learned during his session with you.  His excitement warms my heart!  You have no idea how much you have poured into my husband.  You have opened musical … Read more

Carole B
I’ve been a member of Steve’s site for about six months now and the difference it has made to my playing is immeasurable. The (many) benefits of this membership are that you can have lessons at time convenient to you, they work out A LOT cheaper than face-to-face lessons with a teacher of the same calibre and you can replay them ad infinitum. I don’t know how many times have I had lessons in the past where I’ve ended up covering the same concepts when really a ‘replay’ of the last lesson would h… Read more
Nick

Hello Steve,

I have not received my alto yet but have already gone through 14 lessons. I love your approach, style, knowledge and competence. I now regret so much to have stayed away from playing the sax for the past 45-50 years…(I am 65).  But It is never too late to get back to your first love. After 23 years in compuer sciences and 22 years in finances…I am now back to music for the rest of my life.

Doing some research on the net, I found this:

http://forum.saxontheweb.net/showthread.php?1… Read more

Claude
Your major diatonic patterns book is great. I”m studying the first twenty patterns (first twenty pages) each day with different articulation each day and slowly increasing the tempo each week or so.  There is a noticeable improvement in finger coordination across all keys and its amazing how much more secure I feel on the difficult keys when attempting to play pieces with 5+ flats/sharps. I’m able to sort out the fingerings for these pieces now much more quickly than before, often in one or two … Read more
Geoff
Steve’s monthly lessons are entirely valuable. Without brow beating, he tells you all the stuff you deep down know you really should be working on, instead of just relying on the same old patterns. In spite of the fact that you’re taking a video lesson, Steve’s presentation is comfortable and “real”. In a little more than a year, he’s developed a library of lessons that seem to offer any player a lifetime’s worth of practice material. I’m just glad I stumbled upon it.… Read more
Grant
Your lessons on playing the blues is so clear . I have been through many books on blues playing and not one of them explains as clear as your lessons . Most of them say “Play the same blues scale over all three chords of a 12 bar blues ” Its very misleading .     Thanks
Martin
I’ve been having ‘ online’  lessons with Steve for a few months now. Being a teacher myself I had had some reservations with the idea at first and the practicalities of it .  Let me just say that my playing has taken a huge leaps forward while studying with Steve and continues to do so.Steve studied with some renowned player/teachers such as Bergonzi and Garzone– this in itself is invaluable but Steve teaches from his own books, which cover a a vast amount of  jazz language. Steve h… Read more
David
Hey Steve, I’m a 22-year-old from Australia. I thought it would be worth saying. You’re an absolute legend. I can’t thank you enough. You have helped me rekindle my love for the saxophone and music as a whole. All the best for the future, your work doesn’t go unnoticed. PS. I am loving your devastating minor lines pdf.
Sapph

I am enjoying your style of teaching, and you’ve done a great job with the videos….good sound quality and well constructed lessons.  Balances the more guitaristic material found on the majority of guitar based programs.  Jazz vocab is what I’m all about at this point in the journey.  I especially dig the fact that you’ve studied with Bergonzi…helps me see his voluminous output in a more bite sized way.

Milton
I bought Steve’s dominant bebop book and took a couple of online lesson from him. I really appreciated Steve’s careful listening of what I wanted to get done in a lesson and his clear, concise ideas on next steps to improve my playing and musical interpretation.  His mastering  the Dominant Bebop Scale has lots of exercises to use a scale that addresses the largest percentage of chords I come across in pop/blues music. The dominant V7.  Needless say it has improved my playing.  I teach and a… Read more
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