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You are here: Home / Jazz Lessons / II-V-I Patterns

II-V-I Patterns

Showing 1–8 of 19 results

Mastering a Hard Pattern Lesson 1-Lick 19
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Mastering a Hard Pattern Lesson 2-Lick 19
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Best II-V-I Patterns Lesson 1
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Best II-V-I Patterns Lesson 2
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Best II-V-I Patterns Lesson 3
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Best II-V-I Patterns Lesson 4
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II-V Mirrored Minor Patterns-Lesson 1
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II-V Mirrored Minor Patterns-Lesson 2
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Testimonials

I must say again how much I appreciate all your material. Including the video tutorials. It help keep me focused and knowing what to aim for. And your laid back teaching style appeals to me too.

Thanks

P

P

Thank You Steve. I think that I will be busy for years. Thank You for your great contribution to jazz music. Your books, more than teaching “how to play jazz”, actually teach “how to speak jazz”. I wish I found your methods years ago.

Jean-Eric

After reading your story I will never feel quite right about complaining about any of my MINOR health issues!! God bless Steve and I really hope that your health doesn’t stop you from fulfilling your calling. These books have been such a help to open up my jazz vocabulary… Thanks so much for sharing your story and for providing these great teaching tools… John Leclerc Saxophonist / composer/ EWI player and professional working musician of 35 years….

John Leclerc

Steve, Just want to say thanks for all you are doing for all of us. I’ve learned more from you than anyone else in my 40 years of playing.

If you can give some tips on One Note Samba, Ceora, and Wave… that would be cool. I really like learning how you apply your concepts to actual songs!

Have a great year,

Kevin Ledbetter

I've learned more from you than anyone else in my 40 years of playing.

It is so refreshing to have a great player, who can provide lessons and examples in a manner which is understandable to most any enthusiastic saxophonist who is ready to improve. not just the, do this, do that, memorize this, memorize that… while all that is absolutely necessary, you go on to give reasons and examples to explain and validate why you have to do all of these things, the benefits, if you will… that is the key for me, you tell, explain, demonstrate, explain some more, you give perso… Read more

Cedric

Hey Steve, My name is Jason Freese and I play keyboards and sax in the band Green Day. I grew up taking sax lessons from Eric Marienthal when I was a kid and got out of it for a long time. I ran into you on youtube while searching for sax stuff. I bought a whole bunch of your lessons and have been loving it! Thanks! Here is my wikipedia so you can see the albums I’ve played on….Thanks again. It’s sparked my interest in practicing again. Jason

Jason Freese (sax player for Green Day)

Mr. Neff, I want to thank you for sharing your God-given talents through your on-line lessons. My husband, Michael, is blind, but he is a great sax player and he has been enjoying your lessons for quite some time now. It’s not unusual for me to hear “Hey, babe, listen to THIS!” – and he will cut loose on his sax, just thrilled at what he learned during his session with you. His excitement warms my heart! You have no idea how much you have poured into my husband. You have opened musical … Read more

Carole B

Never really had lessons before just kinda worked things out on my own. Was in a rut but your lessons are really helpful in opening melodic possibilities. Ur an awesome resource to the saxophone community. Thanks for sharing.

Anthony

First, I’m really excited about your materials! This site is a vast resource for any aspiring (and maybe already inspired) jazz musicians. I’m not a sax player, I play mandolin and fiddle, but have been learning jazz and playing weekly with a quintet for the past 6 months and have been struggling with all of the issues you get into in your lessons. I bought several books and lessons and plan to continue with some others as soon as I organize my practice routine. Thanks again for a great site … Read more

Tony Galfano

Your major diatonic patterns book is great. I”m studying the first twenty patterns (first twenty pages) each day with different articulation each day and slowly increasing the tempo each week or so. There is a noticeable improvement in finger coordination across all keys and its amazing how much more secure I feel on the difficult keys when attempting to play pieces with 5+ flats/sharps. I’m able to sort out the fingerings for these pieces now much more quickly than before, often in one or two … Read more

Geoff

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