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You are here: Home / Jazz Lessons / II-V-I Patterns / Best II-V-I Patterns Lesson 3

Best II-V-I Patterns Lesson 3

$9.99

Category: II-V-I Patterns Tags: II-V-I, jazz improvisation, jazz patterns, saxophone, video lesson
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Description

The II-V-I progression is one of the most common progressions in jazz.  A number of years ago, I wrote my popular  “The Best II-V-I Patterns”  book.  This book is a collection of the best II-V-I patterns that I have come across in my 30 years of playing and teaching. While there has been much praise and accolades for the book since it’s release, many beginner and intermediate students have not understood how to work out of the book for the most benefit.  I have received many emails asking how to use the book to become a better improviser and jazz player. I released my “Best II-V-I Overview Lesson” to address many of these questions in a short 33 minute lesson but at this time, I feel it would be good to go into more depth with the book and how I study and teach out of it.

In this series of lessons, I show you exactly how I work out of the book myself as well as teach from it.  I cover all of the steps and tips that I can think of on how to best practice and master the material in the Best II-V-I Patterns Books. I play through each of the patterns in the book and then teach in depth about how to think about the patterns as well as the best ways to practice them. These are great companion lessons to my “Best Major II-V-I”  books.  I recommend getting the books in order to get the most out of these lessons.

I play examples 8-12 on the tenor saxophone. In lesson 3 of this series, I teach you the importance of learning a jazz vocabulary based off of II-V-I’s as well as tips and strategies to best learn from “The Best II-V-I Patterns”. I teach you the importance of learning to vary and change the patterns as you master them so that you can use them while improvising in a fluid and dynamic way.(35 Minute Video Lesson)

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Just a brief note to compliment you on your teaching skills and in particular for the honesty of your lessons.  I am a returning alto sax player in my 50’s and I was looking for a no nonsense, straight to the point kind of guidance. I had intended to email you with a few questions regarding the use of the bis key but then I noticed that there was a lesson on that specific topic and after viewing it,  all my questions were answered. I once took a group lesson with a well known professional sax … Read more
Patrick
Your lessons on playing the blues is so clear . I have been through many books on blues playing and not one of them explains as clear as your lessons . Most of them say “Play the same blues scale over all three chords of a 12 bar blues ” Its very misleading .     Thanks
Martin
I want to say something about Steve Neff’s series of lessons, Beginner Jazz Improvisation. For a couple of years I tried many beginner lessons and my problem was that there was a gap between lessons that were fairly simple and ones that I was not quite ready for and my progress stalled out. That problem was solved with the series Beginner Jazz Improvisation. He guides you step by step along the way and builds a foundation for learning jazz and blues. He leaves no question about what to practice … Read more
Pete

Thank You Steve. I think that I will be busy for years. Thank You for your great contribution to jazz music. Your books, more than teaching “how to play jazz”, actually teach “how to speak jazz”. I wish I found your methods years ago.  

Jean-Eric
Thanks so much for putting all this great learning material out there. I don’t often have the time to take a lesson with a teacher, so the ability to download lessons is really invaluable. My playing has improved enormously (I think :)) – and the lessons are so varied there’s always something to be inspired by. Incredible value too!
Roger
I’m an experienced player in the pop/soul/funk areas of music and, previously, classical.  Over the decades I’ve been playing, I’ve always felt that I could do what I needed in those styles of music.  However, recently I began to feel limited by my use of the same old licks. When I discovered Steve Neff’s website, and heard the audio examples based on the exercises in his books, I realized they were what I needed.  I purchased all of them and have been working on them since.  It’s very hard work… Read more
Paul

Hello Steve,

I have not received my alto yet but have already gone through 14 lessons. I love your approach, style, knowledge and competence. I now regret so much to have stayed away from playing the sax for the past 45-50 years…(I am 65).  But It is never too late to get back to your first love. After 23 years in compuer sciences and 22 years in finances…I am now back to music for the rest of my life.

Doing some research on the net, I found this:

http://forum.saxontheweb.net/showthread.php?1… Read more

Claude

Steve, just a note to say thanks.

I’ve been playing a long time, but your material, laid out in such a thoughtful way, helps me to understand concepts in a new and deeper way.

You are a true gift to the jazz community.

60 lessons and going strong,

Kevin Ledbetter

Kevin Ledbetter
I would like to say that in the last year my sax playing has progressed loads from your lessons. I have had a sax for about 20 years and dabbled with lessons from a few teachers and have learnt very little from them. As you have said in your lessons many teachers tell you to use the blues scale and leave it there, not even showing you the resolution points!!. I am now believing I can in time become a good improviser.
Thanks again,
Shane
Shane
I bought Steve’s dominant bebop book and took a couple of online lesson from him. I really appreciated Steve’s careful listening of what I wanted to get done in a lesson and his clear, concise ideas on next steps to improve my playing and musical interpretation.  His mastering  the Dominant Bebop Scale has lots of exercises to use a scale that addresses the largest percentage of chords I come across in pop/blues music. The dominant V7.  Needless say it has improved my playing.  I teach and a… Read more
Keith

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