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You are here: Home / Jazz Lessons / II-V-I Patterns / The Best II-V-I’s Overview Lesson
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The Best II-V-I's Overview Lesson

The Best II-V-I’s Overview Lesson

Rated 5.00 out of 5 based on 1 customer rating
(1 customer review)

$9.99

SKU: 008 Category: II-V-I Patterns Tags: audio lesson, best II-V-I patterns, jazz improvisation, jazz licks
  • Description
  • Reviews (1)

Description

The II-V-I progression is one of the most common progressions in jazz.  A number of years ago, I wrote my popular “The Best II-V-I Patterns” book.  This book is a collection of the best II-V-I patterns that I have come across in my 30 years of playing and teaching.  While there has been much praise and accolades for the book since it’s release, many beginner and intermediate students have not understood how to work out of the book for the most benefit.   I have received many emails asking how to use the book to becaome a better improviser and jazz player.  This lesson is my solution for all those players.

In this 33 minute long lesson,  I show you exactly how I work out of the book myself as well as teach from it.   I cover the basic theory of the II-V-I as well as intermediate level theory and practice concepts.  I explain in detail what the progression is, how to figure out the chords, how to practice it,  how to apply patterns over it, and how I practice them myself.  I includes  many samples of me playing through different examples.  This is a great  companion lesson to my “Best Major II-V-I” book which is highly recommended if you want to get the most from this lesson.   (33 Minute Audio Lesson)

 

1 review for The Best II-V-I’s Overview Lesson

  1. Avatar
    Rated 5 out of 5

    Paul – August 25, 2009

    Can’t thank you enough bro. Your lessons are just clicking. Good to know the flat 9 after II-V’s is ok to do.
    I am gaining scary levels of confidence in my mental strategy when playing over changes, and moving further and further away from playing merely what
    “sounds” right.
    So, thanks again for enabling me to better understand what I’m doing. This new blues progression is sweet. I’m glad I finally have it, as I hear it a lot, but my ears wasn’t picking up on it (to transcribe the change).
    Well, gotta go… oh, yeah… A+++ on revamp of site… so far (can’t give too many compliments)!

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I want to thank you again, because, not only are you an inspiration to listen to, you are a fine teacher!

I have been teaching sax and other winds for over 20 years, and you give me that “push” to give my students more!

Mark Peotter

Mark Peotter

Hi Steve,

First, I want to thank you for all of your great lessons. They are like a “For Dummies” version of all the books on my shelf. The lessons break things down into manageable pieces, and give me the confidence that I’m practicing the right pieces. I’m starting to make progress.   Thank You,   Kim

Kim
I bought Steve’s dominant bebop book and took a couple of online lesson from him. I really appreciated Steve’s careful listening of what I wanted to get done in a lesson and his clear, concise ideas on next steps to improve my playing and musical interpretation.  His mastering  the Dominant Bebop Scale has lots of exercises to use a scale that addresses the largest percentage of chords I come across in pop/blues music. The dominant V7.  Needless say it has improved my playing.  I teach and a… Read more
Keith
By the way, BIG COMPLIMENTS to you, Steve! Not only are you a great player, you are also a great teacher! I, too, am a woodwinds player/teacher. I have new inspiration to play and teach because of you. The concepts and “thinking” is similar to what I already learned in College, but hearing you explain and PLAY the concepts REALLY MAKES THE DIFFERENCE! Also, your written patterns are more interesting than other books I have seen! Keep up the good work. I will be recommending your sit… Read more
I will be recommending your site to others!
Hi Steve, I can’t express just how much I appreciate your teaching. My playing has improved so much over the past year since I have been studying and practicing with your lessons. It is possible to teach an old dog new tricks, these lessons are proof! Thanks, Michael Byington
Michael Byington

Hello Steve,

I just want to say thank you so much for your unbelievable work, it is just mind opening, thanks for sharing it.

Wolfgang from Berlin

Wolfgang from Berlin
I’ve been having ‘ online’  lessons with Steve for a few months now. Being a teacher myself I had had some reservations with the idea at first and the practicalities of it .  Let me just say that my playing has taken a huge leaps forward while studying with Steve and continues to do so.Steve studied with some renowned player/teachers such as Bergonzi and Garzone– this in itself is invaluable but Steve teaches from his own books, which cover a a vast amount of  jazz language. Steve h… Read more
David

Mr. Neff,  I want to thank you for sharing your God-given talents through your on-line lessons.  My husband, Michael, is blind, but he is a great sax player and he has been enjoying your lessons for quite some time now.  It’s not unusual for me to hear “Hey, babe, listen to THIS!” – and he will cut loose on his sax, just thrilled at what he learned during his session with you.  His excitement warms my heart!  You have no idea how much you have poured into my husband.  You have opened musical … Read more

Carole B
Just wanted to send you a quick note to say thank you for being you, your playing, your website and your desire to help others. I’m a professional musician in the US Army and I’ve visited your website almost every day since discovering it a couple of months ago. Your lessons are profound and easy to use. I’ve purchased most of your PDF books and now am starting to delve more into the video and audio lessons.  Thank you for being a great resource!
James
I just started looking at my lessons and I have to say, dude you are awesome.  I ABSOLUTELY will learn from you!  I started the tenor about 1 ½ yrs ago and have since picked up an alto, and more recently a soprano.  I spend most of the time on the tenor, followed by soprano, and have only gotten to the alto a few times.  I think I’ll be sticking with tenor.  I’m having a great time and hope one day to play well enough to get regular gigs.  I’ve been playing keys for about 35 years (… Read more
Wil

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