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You are here: Home / Jazz Lessons / II-V-I Patterns / The Best II-V-I’s Overview Lesson
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The Best II-V-I's Overview Lesson

The Best II-V-I’s Overview Lesson

Rated 5.00 out of 5 based on 1 customer rating
(1 customer review)

$9.99

SKU: 008 Category: II-V-I Patterns Tags: audio lesson, best II-V-I patterns, jazz improvisation, jazz licks
  • Description
  • Reviews (1)

Description

The II-V-I progression is one of the most common progressions in jazz.  A number of years ago, I wrote my popular “The Best II-V-I Patterns” book.  This book is a collection of the best II-V-I patterns that I have come across in my 30 years of playing and teaching.  While there has been much praise and accolades for the book since it’s release, many beginner and intermediate students have not understood how to work out of the book for the most benefit.   I have received many emails asking how to use the book to becaome a better improviser and jazz player.  This lesson is my solution for all those players.

In this 33 minute long lesson,  I show you exactly how I work out of the book myself as well as teach from it.   I cover the basic theory of the II-V-I as well as intermediate level theory and practice concepts.  I explain in detail what the progression is, how to figure out the chords, how to practice it,  how to apply patterns over it, and how I practice them myself.  I includes  many samples of me playing through different examples.  This is a great  companion lesson to my “Best Major II-V-I” book which is highly recommended if you want to get the most from this lesson.   (33 Minute Audio Lesson)

 

1 review for The Best II-V-I’s Overview Lesson

  1. Avatar
    Rated 5 out of 5

    Paul – August 25, 2009

    Can’t thank you enough bro. Your lessons are just clicking. Good to know the flat 9 after II-V’s is ok to do.
    I am gaining scary levels of confidence in my mental strategy when playing over changes, and moving further and further away from playing merely what
    “sounds” right.
    So, thanks again for enabling me to better understand what I’m doing. This new blues progression is sweet. I’m glad I finally have it, as I hear it a lot, but my ears wasn’t picking up on it (to transcribe the change).
    Well, gotta go… oh, yeah… A+++ on revamp of site… so far (can’t give too many compliments)!

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Testimonials

By the way, BIG COMPLIMENTS to you, Steve! Not only are you a great player, you are also a great teacher! I, too, am a woodwinds player/teacher. I have new inspiration to play and teach because of you. The concepts and “thinking” is similar to what I already learned in College, but hearing you explain and PLAY the concepts REALLY MAKES THE DIFFERENCE! Also, your written patterns are more interesting than other books I have seen! Keep up the good work. I will be recommending your sit… Read more
I will be recommending your site to others!
Thank you so much for the great job you are doing to help further our jazz studies. Though I make my living as a repairer of musical instruments I am a student of jazz and have been fortunate enough to be involved with a big band and a combo for the last several years. As my children began to leave “the nest” I had decided to dedicate the next half of my life to a more serious study of the sax but I didn’t know exactly how I would go about doing this until a friend of mine turned me onto your si… Read more
Jon
I have NEVER seen material like yours.  Amazing!!
Jerry
I’m an experienced player in the pop/soul/funk areas of music and, previously, classical.  Over the decades I’ve been playing, I’ve always felt that I could do what I needed in those styles of music.  However, recently I began to feel limited by my use of the same old licks. When I discovered Steve Neff’s website, and heard the audio examples based on the exercises in his books, I realized they were what I needed.  I purchased all of them and have been working on them since.  It’s very hard work… Read more
Paul
I have found your videos and publications inspiring and your contribution to the world of saxophone playing is immense. Paul
Paul
Hey Steve, My name is Jason Freese and I play keyboards and sax in the band Green Day.  I grew up taking sax lessons from Eric Marienthal when I was a kid and got out of it for a long time. I ran into you on youtube while searching for sax stuff. I bought a whole bunch of your lessons and have been loving it! Thanks! Here is my wikipedia so you can see the albums I’ve played on….Thanks again. It’s sparked my interest in practicing again.   Jason
Jason Freese (sax player for Green Day)

Hello Steve,

I have not received my alto yet but have already gone through 14 lessons. I love your approach, style, knowledge and competence. I now regret so much to have stayed away from playing the sax for the past 45-50 years…(I am 65).  But It is never too late to get back to your first love. After 23 years in compuer sciences and 22 years in finances…I am now back to music for the rest of my life.

Doing some research on the net, I found this:

http://forum.saxontheweb.net/showthread.php?1… Read more

Claude
Steve really changed my way of practicing: I got a whole lot of new ideas for my playing the tenor.  His lessons are really helpful, give a lot stuff to practice and give clear answers to complicated stuff.  Steve has a lot of humor and I wish I had laughed so much in my former days with the horn.  All topics, from Blues to Approach note are dealt with clearness that wet ones appetite to play and practice that great ideas.
Uwe
I want to say something about Steve Neff’s series of lessons, Beginner Jazz Improvisation. For a couple of years I tried many beginner lessons and my problem was that there was a gap between lessons that were fairly simple and ones that I was not quite ready for and my progress stalled out. That problem was solved with the series Beginner Jazz Improvisation. He guides you step by step along the way and builds a foundation for learning jazz and blues. He leaves no question about what to practice … Read more
Pete

Thank You Steve. I think that I will be busy for years. Thank You for your great contribution to jazz music. Your books, more than teaching “how to play jazz”, actually teach “how to speak jazz”. I wish I found your methods years ago.  

Jean-Eric

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