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Approaching Rhythm Changes Lesson

Approaching Rhythm Changes Lesson

Rated 5.00 out of 5 based on 1 customer rating
(1 customer review)

$9.99

SKU: 005 Category: Approach Notes Tags: approach notes, audio lesson, jazz improvisation, rhythm changes
  • Description
  • Reviews (1)
  • Lesson Sample

Description

In jazz, rhythm changes is a modified form of the chord progression of George Gershwins’s song “I Got Rhythm”, which forms the basis of countless (usually uptempo) jazz compositions.  Examples of some tunes based off of  rhythm changes are Oleo, Cotton Tail, Salt Peanuts, Dexterity and Rhythm-a-Ning.   Today, mastery of the blues and rhythm changes are critical to mastering a jazz vocabulary.  You can’t go into a jam session or open mic to sit in without having a firm grasp of rhythm changes.  They are usually played at very fast tempos and if you don’t have a deep knowledge of the chords and song form you can quickly be left in the dust.

In this audio lesson, I show you a cool method to navigate through rhythm changes using approach notes lines from my book “Approach Note Velocity”.   Approach note lines are lines and patterns that use a series of “approach notes” to approach a target chord tone.  Approach note lines cause a temporary tension and dissonance in the line that is then relieved when you hit the target chord tone.  The great thing about these approach note lines is that they weave in and out of a key center while at the same time highlighting the notes of that key center on the strong downbeats.  For example, the “A” section of rhythm changes has many chords in it that are only 2 beats in length.  At a fast tempo the rhythm changes chords fly by and many improviser’s rely on stock lines and patterns to outline these changes in a rote way.  By using approach note lines over the “A ” section, we weave in and out of the key of C while navigatiing these rhythm changes chords.  This has the effect of highlighting the key of C while at the same time creating lines that are bouncing and weaving around the key center.  The freedom that this approach can give to the improviser is liberating.  Instead of being tied to a specific set of chord changes you can float above the changes as you improvise your lines and create new and different melodies.

Mastering this lesson is a great way to add a new dimension to your playing over rhythm changes while at the same time mastering all your approaches in five different keys.  This lesson also includes a 2 page pdf with examples of approaches you can play over the bridge.  If you master this stuff  you’ll be burning on “Oleo” in no time.  You will need my book “Approach Note Velocity” to get the most out of this lesson.  (20 Minute Audio Lesson)

1 review for Approaching Rhythm Changes Lesson

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    Rated 5 out of 5

    kenfukui – July 21, 2009

    I find practicing my approach note exercises over Rhythm Changes helps to ingrain the approach note phases while also working on Rhythm Changes. This lesson has really helped me apply what I have learned.

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Lesson Sample

https://public.neffmusic.com/Approaching%20Rhythm%20Changes%20clip.mp4

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I am a music book junkie and I have to say that your books are the most clear, user friendly, and helpful books I own.  They are my absolute favorites and I only wish I had them years ago.  I wouldn’t change a thing about the experience I had in acquiring my degree at Berklee, but my playing has perhaps grown more in the time I’ve spent buried in your books and lessons.  Keep up the great work!!! Thanks, John
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Steve,

I have played for many years and have enjoyed going “back to the basics” in some of your lessons!  You have such a gift for explaining concepts.  As I have gotten older, some of the basic things have gotten muddled because I just play, not knowing why.  As I refresh myself with “why”, it increases my confidence and expands my playing.  Thank you so much for using your gift!  You are a blessing!

Julia
I’ve been a member of Steve’s site for about six months now and the difference it has made to my playing is immeasurable. The (many) benefits of this membership are that you can have lessons at time convenient to you, they work out A LOT cheaper than face-to-face lessons with a teacher of the same calibre and you can replay them ad infinitum. I don’t know how many times have I had lessons in the past where I’ve ended up covering the same concepts when really a ‘replay’ of the last lesson would h… Read more
Nick
Hi Steve, I have been shedding your materials for quite a while now and I love them! They are extremely well organized and presented and there are tons of ’em! I really appreciate your methodical approach and find myself referring students to your resources often.  Thanks so much!  
Kenyon Carter
Your major diatonic patterns book is great. I”m studying the first twenty patterns (first twenty pages) each day with different articulation each day and slowly increasing the tempo each week or so.  There is a noticeable improvement in finger coordination across all keys and its amazing how much more secure I feel on the difficult keys when attempting to play pieces with 5+ flats/sharps. I’m able to sort out the fingerings for these pieces now much more quickly than before, often in one or two … Read more
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I have been a member of Neffmusic for more than a year now and have enjoyed every minute of it! I have not only been going thru the Dominant Bebop Scale lessons and book (OUTSTANDING!) but the mouthpiece reviews, solo clips and transcriptions are very interesting. Steve approach to beginning and intermediate improv have given me many new pathways to teach my high school jazz ensemble students. Congratulations Steve, great product!
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