• Skip to main content
  • Skip to primary sidebar
  • Skip to footer

Website of Steve Neff

  • BLOG
  • SHOP
  • MY ACCOUNT
  • RAVES
  • CONTACT

Search Neffmusic

You are here: Home / Reviews / Mouthpiece Reviews / Alto Mouthpiece Reviews / Alto High Baffle Reviews / Liu Shizhao Studio Prototype Alto Saxophone Mouthpiece Review

Liu Shizhao Studio Prototype Alto Saxophone Mouthpiece Review

December 4, 2015 by Steve 6 Comments

About a month ago, I was on Facebook just browsing through peoples posts when I came upon some beautiful pictures of some mouthpieces I had never seen before.  These were posted by Liu Shizhao who lives in Beijing, China and who makes mouthpieces.   Judging from the pictures I saw, these were masterfully made mouthpieces!  I contacted Mr. Shizhao and asked if I could review some of his pieces on Neffmusic.com and he graciously agreed.

Liu Shizhao Studio Prototype Alto Saxophone Mouthpiece

A few weeks later, I received a package in the mail from China.  I was very excited!  These mouthpieces looked beautiful and I was really hoping they played as good as they looked.  I opened up the package and inside were a carefully packed silver tenor mouthpiece and alto mouthpiece.  Today, I am reviewing the alto mouthpiece that you are seeing pictures of.  Mr. Shizhao calls this mouthpiece his Studio prototype mouthpiece which I assumes refers to a design similar to a Guardala Studio alto saxophone mouthpiece.

Liu Shizhao Studio Prototype Alto Saxophone Mouthpiece

The Shizhao Studio Alto Saxophone mouthpiece looked great upon inspection. The mouthpiece has a cool brown and tan design on the bite plate as you can see in the first picture above.  The craftmanship looks superb.  The rails are thin and even and the tip rail looks to match the shape of my Rigotti Gold reeds.  The table looks to be exactly the width of the reed so the edges of the reed are even with the outside of the thin side rails.

It looks to have a step baffle like the Guardala tenor mouthpieces I have seen. I have never played or seen an alto Guardala so I am very curious to try this mouthpiece.  Everything looks very even and smooth in regards to the baffle and it’s shape. Unlike the Shizhao MB tenor mouthpiece that I reviewed last week with the smooth rollover baffle, the baffle on the Studio alto mouthpiece has an edge on the end of the baffle before it descends into the chamber.  As I hold the mouthpiece up to the light, the baffle, tip and rails all look perfect to my eye!

Liu Shizhao Studio Prototype Alto Saxophone Mouthpiece

The sidewalls of the Shizhao Studio alto mouthpiece are scooped out slightly and the chamber looks large to my eye.   This alto studio mouthpiece has a .085 tip opening with a 20mm length facing curve.  Although the tip opening is larger than I usually like (I don’t usually go over .080) I didn’t notice the wider tip on this mouthpiece.  It actually felt quite comfortable to play and didn’t seem like a .085 to me at all.  I felt at home on this mouthpiece almost immediately.  Although I don’t usually like brighter alto mouthpiece I found myself really liking the sound and playability of this piece.

I used a Rigotti Gold 2 1/2 Strong reed on it because it was the first one I tried and it worked perfectly for me.

The Shizhao Studio Alto Mouthpiece had the perfect blend of resistance and power for my tastes.  The high baffle gives it plenty of power and brightness when needed and the tone could be shaped very easily. I found it very easy to be expressive and soulful on this mouthpiece.  The tone was very even throughout the range of the horn. I also found the tone to be very concentrated and focused.  It had a big sound but the tone also sounded compact to me. It sounded to me like it had this huge big sound that was then compacted into this super focused, concentrated, powerful tone if that makes sense.

This is a brighter mouthpiece,  there is no denying that, but you can hear on the clip that if you lay back a bit it can sound very nice while playing jazz lines.  It does have that brighter sound and vibe but I feel like Liu did a great job in that the tone of this mouthpiece is not overly edgy or obnoxious like some other high baffle mouthpieces I have tried. It’s got volume and power to spare but the sound and tone can still be controlled and molded to the desire of the player to a certain extent.  You can’t play classical music on this piece or get a dark alto tone out of it but if you tend to like the sound of bright alto players that wail this might be a great choice for you.

Liu Shizhao Studio Prototype Alto Saxophone Mouthpiece

For many years, China has had a bad reputation for producing inferior products related to the saxophone but I’m seeing more and more saxophone related gear from China that is quite good!  The Shizhao Studio prototype is one of the best high baffle alto mouthpieces I have played. I am told that these alto mouthpieces sell for 425.00 USD which I think is a great deal.  To order one you can contact Liu Shizhao by email at saxproshop@gmail.com.  If this alto mouthpiece is the first  of many mouthpiece to be made by Mr. Shizhao I am excited to see what other mouthpieces he produces in the future!  Great Job!

https://cdn.neffmusic.com/2015/December/ShizhaoAltoStudio.mp3

Liu Shizhao Studio Prototype Alto Saxophone Mouthpiece

Filed Under: Alto High Baffle Reviews, Alto Mouthpiece Reviews Tagged With: Alto Saxophone, China, Liu Shizhao, mouthpiece review, Studio Prototype

Steve

About Steve

Steve Neff has been playing and teaching saxophone and jazz improvisation around the New England area for over 30 years. He is the author of many best selling jazz improvisation methods as well as founding the popular jazz video lesson site Neffmusic.com.

Reader Interactions

Comments

  1. AvatarMurray Middleman says

    December 4, 2015 at 11:38 pm

    You sound great on it .The mputhpiece sounds nice for a contemporary vibe mouthpiece.
    Thanks for the great demo .Murray

    Reply
  2. Avatarpaul fessenden says

    December 5, 2015 at 8:48 am

    Great sounding mouthpiece. Very interested in purchasing one. Thanks steve.

    Reply
  3. Avatarmarc says

    December 13, 2015 at 10:23 am

    Great tone Steve. The classical DB vibe to it. Sounds very close to my MPS DG King piece. A must for funk with an amazing altissimo.

    Reply
  4. AvatarTim Randall says

    October 12, 2016 at 10:52 am

    Thanks for the review, this looks so much like an e-bay F-8 nickel plated metal mouthpiece. The F-8 has ligature grooves cut in the sides like a Law mouthpiece, with a slide on ligature. The F-8 has a bigger slide in bite plate and a typical bite pad cushion covers the whole beak on the F-8. The outer and in inner dimensions of the F-8 look very similar to this.

    Reply
  5. AvatarSteven roosblad says

    October 23, 2016 at 2:41 pm

    Steve Roosblad :
    I have a question:what is the ligature you used with this mouthpiece
    .in this audio clip?

    Greetings
    Steve

    Reply
    • SteveSteve says

      October 24, 2016 at 4:22 pm

      Steve,
      That was a Rovner ligature I used on it. I have probably 12 I keep in a toolbox of all different sizes. I’m not sure which one I used out of the box or what model. Sorry, Steve

      Reply

Leave a Reply to Murray Middleman Cancel reply

Your email address will not be published. Required fields are marked *

Primary Sidebar

Steve Neff

Cart


NEFFMUSIC PRINTED BOOKS

Testimonials

Steve,

I have played for many years and have enjoyed going “back to the basics” in some of your lessons!  You have such a gift for explaining concepts.  As I have gotten older, some of the basic things have gotten muddled because I just play, not knowing why.  As I refresh myself with “why”, it increases my confidence and expands my playing.  Thank you so much for using your gift!  You are a blessing!

Julia
I have found your videos and publications inspiring and your contribution to the world of saxophone playing is immense. Paul
Paul
I would like to say that in the last year my sax playing has progressed loads from your lessons. I have had a sax for about 20 years and dabbled with lessons from a few teachers and have learnt very little from them. As you have said in your lessons many teachers tell you to use the blues scale and leave it there, not even showing you the resolution points!!. I am now believing I can in time become a good improviser.
Thanks again,
Shane
Shane

Your material is great! I got your New Altissimo Lesson 6 months ago and I have learned more from that than in all my 44 years of playing! I appreciate your down to earth teaching method and I really appreciate the heart that you teach with. I have been a subscriber to your lessons for the past 6 months and I have learned a great deal. Over that period of time I have had some questions and you have never failed to respond. Thanks! I have already recommended your lessons to a number of players in… Read more

Michael Byington
For anyone living in remote areas away from live jazz sax teachers, Neff is the way to go. In fact this is a great resource for anyone seriously interested in mastering the sax. I’ve never been disappointed in a lesson.
Oliver
Hey Steve, I’m a 22-year-old from Australia. I thought it would be worth saying. You’re an absolute legend. I can’t thank you enough. You have helped me rekindle my love for the saxophone and music as a whole. All the best for the future, your work doesn’t go unnoticed. PS. I am loving your devastating minor lines pdf.
Sapph
Thanks so much for putting all this great learning material out there. I don’t often have the time to take a lesson with a teacher, so the ability to download lessons is really invaluable. My playing has improved enormously (I think :)) – and the lessons are so varied there’s always something to be inspired by. Incredible value too!
Roger
It is so refreshing to have a great player, who can provide lessons and examples in a manner which is understandable to most any enthusiastic saxophonist who is ready to improve. not just the, do this, do that, memorize this, memorize that… while all that is absolutely necessary, you go on to give reasons and examples to explain and validate why you have to do all of these things, the benefits, if you will… that is the key for me, you tell, explain, demonstrate, explain some more, you give perso… Read more
Cedric

Mr. Neff,  I want to thank you for sharing your God-given talents through your on-line lessons.  My husband, Michael, is blind, but he is a great sax player and he has been enjoying your lessons for quite some time now.  It’s not unusual for me to hear “Hey, babe, listen to THIS!” – and he will cut loose on his sax, just thrilled at what he learned during his session with you.  His excitement warms my heart!  You have no idea how much you have poured into my husband.  You have opened musical … Read more

Carole B
I’ve been downloading your lessons for 4 months now (20 lesson) and I have noticed tremendous growth in my playing thus far! I’m so happy that I stumbled upon your site!
Bob
Absolutely the best learning experience in my 40 years of playing.These books are awesome!!
Alfred LaBella
I am a music book junkie and I have to say that your books are the most clear, user friendly, and helpful books I own.  They are my absolute favorites and I only wish I had them years ago.  I wouldn’t change a thing about the experience I had in acquiring my degree at Berklee, but my playing has perhaps grown more in the time I’ve spent buried in your books and lessons.  Keep up the great work!!! Thanks, John
John

Hello Steve, I’m getting so much out of your lessons and books, amazing how much one may think one knows, there is always a new frontier or new way to view something you think you had somewhat down. You have taken it all to a new level and am so grateful. Your lessons are so down to earth and understandable and clear!  Thanks so much Steve! Cheers, Eddie

Eddie Parente
I want to let you know that your instructional material is transforming my playing.  It is an immense pleasure to learn and play now, and I can’t tell you how grateful I am. The instructional material I got from you is by far the best of any I own (and I have over 100 books, DVDs, and what not). I literally can’t thank you enough! Deric
Deric
I just wanted to write a thank you note to you for this website. I play and teach saxophone, but I have always been intimidated by the gear aspect. Your website has helped me become a lot more knowledgable. Your knowledge is staggering! I’m telling all my students about your website. Pierre
Pierre

I want to thank you for your “Ultimate II-V-I Primer”  which has sent me off on a much better path to improvisation.  The primer and the four bound books I have will keep me busy for a long time.  I like your lessons for two reasons.  The lessons work and THEY ARE FUN.  Thanks again.

Robert

Robert
Your major diatonic patterns book is great. I”m studying the first twenty patterns (first twenty pages) each day with different articulation each day and slowly increasing the tempo each week or so.  There is a noticeable improvement in finger coordination across all keys and its amazing how much more secure I feel on the difficult keys when attempting to play pieces with 5+ flats/sharps. I’m able to sort out the fingerings for these pieces now much more quickly than before, often in one or two … Read more
Geoff
Steve- I joined your site this month and have downloaded 4 lessons and also purchased your new book and video on diatonic patterns. I just want to say I am very pleased with your approach and teaching techniques. I am getting back into playing after laying off for some time. The information you offer on your site is of great value and I am enjoying being a member. Thank you for what you are doing for the saxophone community.
Tony
I can see from your instructional videos that you are a fantastic teacher – one that can truly relate to all ages – humble yet very positive in approach – never coming across as superior and yet so totally capable of demonstrating the principles and techniques that you seek to impart to the students. I have gained so much confidence in my playing from “pouring over” time and again these invaluable lessons. Invaluable not only in musical content, but also in human interaction content. I am absolu… Read more
Ron

I must say again how much I appreciate all your material. Including the video tutorials. It help keep me focused and knowing what to aim for. And your laid back teaching style appeals to me too. 

Thanks

P

P
Your lessons on playing the blues is so clear . I have been through many books on blues playing and not one of them explains as clear as your lessons . Most of them say “Play the same blues scale over all three chords of a 12 bar blues ” Its very misleading .     Thanks
Martin
I am enjoying your style of teaching, and you’ve done a great job with the videos….good sound quality and well constructed lessons.  Balances the more guitaristic material found on the majority of guitar based programs.  Jazz vocab is what I’m all about at this point in the journey.   I especially dig the fact that you’ve studied with Bergonzi…helps me see his voluminous output in a more  bite sized way.
Milton
Steve really changed my way of practicing: I got a whole lot of new ideas for my playing the tenor.  His lessons are really helpful, give a lot stuff to practice and give clear answers to complicated stuff.  Steve has a lot of humor and I wish I had laughed so much in my former days with the horn.  All topics, from Blues to Approach note are dealt with clearness that wet ones appetite to play and practice that great ideas.
Uwe

Thank You Steve. I think that I will be busy for years. Thank You for your great contribution to jazz music. Your books, more than teaching “how to play jazz”, actually teach “how to speak jazz”. I wish I found your methods years ago.  

Jean-Eric

Featured Video Lessons

  • Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book) Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book)
    Rated 5.00 out of 5
    $19.99 Original price was: $19.99.$14.99Current price is: $14.99.
  • The Secret to Modern Outside Jazz Lines Lesson-Minor The Secret to Modern Outside Jazz Lines Lesson-Minor $9.99
  • Creating Modern II-V-I Lines with Simple Pentatonics Lesson Creating Modern II-V-I Lines with Simple Pentatonics Lesson
    Rated 5.00 out of 5
    $9.99
  • The Best Embouchure for Tone, Intonation and Endurance Lesson The Best Embouchure for Tone, Intonation and Endurance Lesson
    Rated 4.91 out of 5
    $9.99
  • The Secret to Altissimo (no one has ever told you about before) Lesson The Secret to Altissimo (no one has ever told you about before) Lesson
    Rated 4.75 out of 5
    $9.99

Now over 600 video and audio lessons to choose from!

Free Lessons

  • Free Lesson on The New Ultimate II-V-I Primer-Major Keys
  • Free Video Lesson on Mastering Altered Pentatonics
  • Free Video Lesson on Mastering the Blues Scale Volume 1 & 2
  • Free Video Lesson on Mastering the Dominant Bebop Scale and Language Book 1 & 2
  • Free Video Lesson on Approach Note Velocity Book

Recent reviews

  • Bebop Scale-Altered Scale II-V-I Practice Lesson Bebop Scale-Altered Scale II-V-I Practice Lesson by Noah
  • Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book) Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book) by Andy
  • Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book) Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book)
    Rated 5 out of 5
    by Russ
  • Creating Modern II-V-I Lines with Simple Pentatonics Lesson Creating Modern II-V-I Lines with Simple Pentatonics Lesson
    Rated 5 out of 5
    by Timothy
  • The Best Embouchure for Tone, Intonation and Endurance Lesson The Best Embouchure for Tone, Intonation and Endurance Lesson
    Rated 5 out of 5
    by Ray Holland

Footer

Recent Comments

  • Steve on BetterSax Burnin’ Metal Tenor Saxophone Mouthpiece Review
  • Steve on BetterSax Burnin’ Metal Tenor Saxophone Mouthpiece Review
  • Tom on BetterSax Burnin’ Metal Tenor Saxophone Mouthpiece Review
  • Jay Metcalf on BetterSax Burnin’ Metal Tenor Saxophone Mouthpiece Review
  • Jack on BetterSax Burnin’ Metal Tenor Saxophone Mouthpiece Review

Top rated products

  • Mastering the Major Bebop Scale & Sound (Digital PDF Book) Mastering the Major Bebop Scale & Sound (Digital PDF Book)
    Rated 5.00 out of 5
    $14.99
  • Tune of the Week-Softly as a Morning Sunrise Lesson Tune of the Week-Softly as a Morning Sunrise Lesson
    Rated 5.00 out of 5
    $9.99
  • The Style of Dexter Gordon-Lady Bird Lesson 1 The Style of Dexter Gordon-Lady Bird Lesson 1
    Rated 5.00 out of 5
    $9.99
  • Tune of the Week-Days of Wine and Roses Lesson Tune of the Week-Days of Wine and Roses Lesson
    Rated 5.00 out of 5
    $9.99
  • Tune of the Week-Invitation Tune of the Week-Invitation
    Rated 5.00 out of 5
    $9.99

Product tags

alto sax alto saxophone approach notes audio lesson bebop scale beginner beginner saxophone blues blues licks blues patterns blues scale blues scales diminished scale dominant chords ear training fundamentals II-V-I improvisation jazz improvisation jazz lines jazz patterns jazz sax jazz saxophone jazz standard jazz standards licks Mastering the Blues Scale Michael Brecker modern improv modern improvisation online lesson patterns playing outside practice habits reading music sax basics sax lessons saxophone scales smooth jazz steve neff tenor sax tenor saxophone video lesson video lessons
  • Instagram
  • Facebook
  • Twitter
  • SUPPORT

Neffmusic © 2005–2025