• Skip to main content
  • Skip to primary sidebar
  • Skip to footer

Website of Steve Neff

  • BLOG
  • SHOP
  • MY ACCOUNT
  • RAVES
  • CONTACT

Search Neffmusic

You are here: Home / Reviews / Mouthpiece Reviews / Alto Mouthpiece Reviews / Alto High Baffle Reviews / Liu Shizhao Studio Prototype Alto Saxophone Mouthpiece Review

Liu Shizhao Studio Prototype Alto Saxophone Mouthpiece Review

December 4, 2015 by Steve 6 Comments

About a month ago, I was on Facebook just browsing through peoples posts when I came upon some beautiful pictures of some mouthpieces I had never seen before.  These were posted by Liu Shizhao who lives in Beijing, China and who makes mouthpieces.   Judging from the pictures I saw, these were masterfully made mouthpieces!  I contacted Mr. Shizhao and asked if I could review some of his pieces on Neffmusic.com and he graciously agreed.

Liu Shizhao Studio Prototype Alto Saxophone Mouthpiece

A few weeks later, I received a package in the mail from China.  I was very excited!  These mouthpieces looked beautiful and I was really hoping they played as good as they looked.  I opened up the package and inside were a carefully packed silver tenor mouthpiece and alto mouthpiece.  Today, I am reviewing the alto mouthpiece that you are seeing pictures of.  Mr. Shizhao calls this mouthpiece his Studio prototype mouthpiece which I assumes refers to a design similar to a Guardala Studio alto saxophone mouthpiece.

Liu Shizhao Studio Prototype Alto Saxophone Mouthpiece

The Shizhao Studio Alto Saxophone mouthpiece looked great upon inspection. The mouthpiece has a cool brown and tan design on the bite plate as you can see in the first picture above.  The craftmanship looks superb.  The rails are thin and even and the tip rail looks to match the shape of my Rigotti Gold reeds.  The table looks to be exactly the width of the reed so the edges of the reed are even with the outside of the thin side rails.

It looks to have a step baffle like the Guardala tenor mouthpieces I have seen. I have never played or seen an alto Guardala so I am very curious to try this mouthpiece.  Everything looks very even and smooth in regards to the baffle and it’s shape. Unlike the Shizhao MB tenor mouthpiece that I reviewed last week with the smooth rollover baffle, the baffle on the Studio alto mouthpiece has an edge on the end of the baffle before it descends into the chamber.  As I hold the mouthpiece up to the light, the baffle, tip and rails all look perfect to my eye!

Liu Shizhao Studio Prototype Alto Saxophone Mouthpiece

The sidewalls of the Shizhao Studio alto mouthpiece are scooped out slightly and the chamber looks large to my eye.   This alto studio mouthpiece has a .085 tip opening with a 20mm length facing curve.  Although the tip opening is larger than I usually like (I don’t usually go over .080) I didn’t notice the wider tip on this mouthpiece.  It actually felt quite comfortable to play and didn’t seem like a .085 to me at all.  I felt at home on this mouthpiece almost immediately.  Although I don’t usually like brighter alto mouthpiece I found myself really liking the sound and playability of this piece.

I used a Rigotti Gold 2 1/2 Strong reed on it because it was the first one I tried and it worked perfectly for me.

The Shizhao Studio Alto Mouthpiece had the perfect blend of resistance and power for my tastes.  The high baffle gives it plenty of power and brightness when needed and the tone could be shaped very easily. I found it very easy to be expressive and soulful on this mouthpiece.  The tone was very even throughout the range of the horn. I also found the tone to be very concentrated and focused.  It had a big sound but the tone also sounded compact to me. It sounded to me like it had this huge big sound that was then compacted into this super focused, concentrated, powerful tone if that makes sense.

This is a brighter mouthpiece,  there is no denying that, but you can hear on the clip that if you lay back a bit it can sound very nice while playing jazz lines.  It does have that brighter sound and vibe but I feel like Liu did a great job in that the tone of this mouthpiece is not overly edgy or obnoxious like some other high baffle mouthpieces I have tried. It’s got volume and power to spare but the sound and tone can still be controlled and molded to the desire of the player to a certain extent.  You can’t play classical music on this piece or get a dark alto tone out of it but if you tend to like the sound of bright alto players that wail this might be a great choice for you.

Liu Shizhao Studio Prototype Alto Saxophone Mouthpiece

For many years, China has had a bad reputation for producing inferior products related to the saxophone but I’m seeing more and more saxophone related gear from China that is quite good!  The Shizhao Studio prototype is one of the best high baffle alto mouthpieces I have played. I am told that these alto mouthpieces sell for 425.00 USD which I think is a great deal.  To order one you can contact Liu Shizhao by email at saxproshop@gmail.com.  If this alto mouthpiece is the first  of many mouthpiece to be made by Mr. Shizhao I am excited to see what other mouthpieces he produces in the future!  Great Job!

https://cdn.neffmusic.com/2015/December/ShizhaoAltoStudio.mp3

Liu Shizhao Studio Prototype Alto Saxophone Mouthpiece

Filed Under: Alto High Baffle Reviews, Alto Mouthpiece Reviews Tagged With: Alto Saxophone, China, Liu Shizhao, mouthpiece review, Studio Prototype

Steve

About Steve

Steve Neff has been playing and teaching saxophone and jazz improvisation around the New England area for over 30 years. He is the author of many best selling jazz improvisation methods as well as founding the popular jazz video lesson site Neffmusic.com.

Reader Interactions

Comments

  1. AvatarMurray Middleman says

    December 4, 2015 at 11:38 pm

    You sound great on it .The mputhpiece sounds nice for a contemporary vibe mouthpiece.
    Thanks for the great demo .Murray

    Reply
  2. Avatarpaul fessenden says

    December 5, 2015 at 8:48 am

    Great sounding mouthpiece. Very interested in purchasing one. Thanks steve.

    Reply
  3. Avatarmarc says

    December 13, 2015 at 10:23 am

    Great tone Steve. The classical DB vibe to it. Sounds very close to my MPS DG King piece. A must for funk with an amazing altissimo.

    Reply
  4. AvatarTim Randall says

    October 12, 2016 at 10:52 am

    Thanks for the review, this looks so much like an e-bay F-8 nickel plated metal mouthpiece. The F-8 has ligature grooves cut in the sides like a Law mouthpiece, with a slide on ligature. The F-8 has a bigger slide in bite plate and a typical bite pad cushion covers the whole beak on the F-8. The outer and in inner dimensions of the F-8 look very similar to this.

    Reply
  5. AvatarSteven roosblad says

    October 23, 2016 at 2:41 pm

    Steve Roosblad :
    I have a question:what is the ligature you used with this mouthpiece
    .in this audio clip?

    Greetings
    Steve

    Reply
    • SteveSteve says

      October 24, 2016 at 4:22 pm

      Steve,
      That was a Rovner ligature I used on it. I have probably 12 I keep in a toolbox of all different sizes. I’m not sure which one I used out of the box or what model. Sorry, Steve

      Reply

Leave a Reply to Murray Middleman Cancel reply

Your email address will not be published. Required fields are marked *

Primary Sidebar

Steve Neff

Cart


NEFFMUSIC PRINTED BOOKS

Testimonials

Hi Steve,

First, I want to thank you for all of your great lessons. They are like a “For Dummies” version of all the books on my shelf. The lessons break things down into manageable pieces, and give me the confidence that I’m practicing the right pieces. I’m starting to make progress.   Thank You,   Kim

Kim
Hi Steve, I can’t express just how much I appreciate your teaching. My playing has improved so much over the past year since I have been studying and practicing with your lessons. It is possible to teach an old dog new tricks, these lessons are proof! Thanks, Michael Byington
Michael Byington
I just started looking at my lessons and I have to say, dude you are awesome.  I ABSOLUTELY will learn from you!  I started the tenor about 1 ½ yrs ago and have since picked up an alto, and more recently a soprano.  I spend most of the time on the tenor, followed by soprano, and have only gotten to the alto a few times.  I think I’ll be sticking with tenor.  I’m having a great time and hope one day to play well enough to get regular gigs.  I’ve been playing keys for about 35 years (… Read more
Wil
For anyone living in remote areas away from live jazz sax teachers, Neff is the way to go. In fact this is a great resource for anyone seriously interested in mastering the sax. I’ve never been disappointed in a lesson.
Oliver
Hey Steve, I’m a 22-year-old from Australia. I thought it would be worth saying. You’re an absolute legend. I can’t thank you enough. You have helped me rekindle my love for the saxophone and music as a whole. All the best for the future, your work doesn’t go unnoticed. PS. I am loving your devastating minor lines pdf.
Sapph
I have been a member of Neffmusic for more than a year now and have enjoyed every minute of it! I have not only been going thru the Dominant Bebop Scale lessons and book (OUTSTANDING!) but the mouthpiece reviews, solo clips and transcriptions are very interesting. Steve approach to beginning and intermediate improv have given me many new pathways to teach my high school jazz ensemble students. Congratulations Steve, great product!
Craig

Hello Steve,

I have not received my alto yet but have already gone through 14 lessons. I love your approach, style, knowledge and competence. I now regret so much to have stayed away from playing the sax for the past 45-50 years…(I am 65).  But It is never too late to get back to your first love. After 23 years in compuer sciences and 22 years in finances…I am now back to music for the rest of my life.

Doing some research on the net, I found this:

http://forum.saxontheweb.net/showthread.php?1… Read more

Claude
Thank you so much for the great job you are doing to help further our jazz studies. Though I make my living as a repairer of musical instruments I am a student of jazz and have been fortunate enough to be involved with a big band and a combo for the last several years. As my children began to leave “the nest” I had decided to dedicate the next half of my life to a more serious study of the sax but I didn’t know exactly how I would go about doing this until a friend of mine turned me onto your si… Read more
Jon

Never really had lessons before just kinda worked things out on my own. Was in a rut but your lessons are really helpful in opening melodic possibilities. Ur an awesome resource to the saxophone community. Thanks for sharing. 

Anthony

I am enjoying your style of teaching, and you’ve done a great job with the videos….good sound quality and well constructed lessons.  Balances the more guitaristic material found on the majority of guitar based programs.  Jazz vocab is what I’m all about at this point in the journey.  I especially dig the fact that you’ve studied with Bergonzi…helps me see his voluminous output in a more bite sized way.

Milton

Hello Steve,

I just want to say thank you so much for your unbelievable work, it is just mind opening, thanks for sharing it.

Wolfgang from Berlin

Wolfgang from Berlin
I can see from your instructional videos that you are a fantastic teacher – one that can truly relate to all ages – humble yet very positive in approach – never coming across as superior and yet so totally capable of demonstrating the principles and techniques that you seek to impart to the students. I have gained so much confidence in my playing from “pouring over” time and again these invaluable lessons. Invaluable not only in musical content, but also in human interaction content. I am absolu… Read more
Ron
Hey Steve! I hope you and your family are well.  I’m just writing to say thank you so much for all the resources you have made available to the saxophone community. I have been using your material for many years and I always come back to it… in fact I just took a break from practicing to write this…( reviewing “CreatingModern II-V-I Lines with simple pentatonics”.) I am, and continue to be, one of your raving fans! Blessings to you and your family this holiday season! Wishing… Read more
Gerry Aylward

Thank You Steve. I think that I will be busy for years. Thank You for your great contribution to jazz music. Your books, more than teaching “how to play jazz”, actually teach “how to speak jazz”. I wish I found your methods years ago.  

Jean-Eric
I bought Steve’s dominant bebop book and took a couple of online lesson from him. I really appreciated Steve’s careful listening of what I wanted to get done in a lesson and his clear, concise ideas on next steps to improve my playing and musical interpretation.  His mastering  the Dominant Bebop Scale has lots of exercises to use a scale that addresses the largest percentage of chords I come across in pop/blues music. The dominant V7.  Needless say it has improved my playing.  I teach and a… Read more
Keith
Just a brief note to compliment you on your teaching skills and in particular for the honesty of your lessons.  I am a returning alto sax player in my 50’s and I was looking for a no nonsense, straight to the point kind of guidance. I had intended to email you with a few questions regarding the use of the bis key but then I noticed that there was a lesson on that specific topic and after viewing it,  all my questions were answered. I once took a group lesson with a well known professional sax … Read more
Patrick
I just wanted to write a thank you note to you for this website. I play and teach saxophone, but I have always been intimidated by the gear aspect. Your website has helped me become a lot more knowledgable. Your knowledge is staggering! I’m telling all my students about your website. Pierre
Pierre
By the way, BIG COMPLIMENTS to you, Steve! Not only are you a great player, you are also a great teacher! I, too, am a woodwinds player/teacher. I have new inspiration to play and teach because of you. The concepts and “thinking” is similar to what I already learned in College, but hearing you explain and PLAY the concepts REALLY MAKES THE DIFFERENCE! Also, your written patterns are more interesting than other books I have seen! Keep up the good work. I will be recommending your sit… Read more
I will be recommending your site to others!

Love your lessons!  I have been using your lesson packages for many months now, and am learning a lot.  It is so perfect for me with a very busy adult schedule and difficulty in taking jazz/improv music lessons from reputable instructors who live and hour or more away from me.

Lenore

Steve,

I have played for many years and have enjoyed going “back to the basics” in some of your lessons!  You have such a gift for explaining concepts.  As I have gotten older, some of the basic things have gotten muddled because I just play, not knowing why.  As I refresh myself with “why”, it increases my confidence and expands my playing.  Thank you so much for using your gift!  You are a blessing!

Julia
Just to say thanks for your advice and lessons.  I’ve just read your amazing story.  I really appreciate what you do in regards to teaching.  I have bought a couple of your lessons and frankly they’re undersold.   I’ve learned much more with these two lessons than with 2 years of sax teachers.   Thanks so much………..
Mike
I would like to say that in the last year my sax playing has progressed loads from your lessons. I have had a sax for about 20 years and dabbled with lessons from a few teachers and have learnt very little from them. As you have said in your lessons many teachers tell you to use the blues scale and leave it there, not even showing you the resolution points!!. I am now believing I can in time become a good improviser.
Thanks again,
Shane
Shane
I want to say something about Steve Neff’s series of lessons, Beginner Jazz Improvisation. For a couple of years I tried many beginner lessons and my problem was that there was a gap between lessons that were fairly simple and ones that I was not quite ready for and my progress stalled out. That problem was solved with the series Beginner Jazz Improvisation. He guides you step by step along the way and builds a foundation for learning jazz and blues. He leaves no question about what to practice … Read more
Pete
Absolutely the best learning experience in my 40 years of playing.These books are awesome!!
Alfred LaBella

Featured Video Lessons

  • Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book) Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book)
    Rated 5.00 out of 5
    $19.99 Original price was: $19.99.$14.99Current price is: $14.99.
  • The Secret to Modern Outside Jazz Lines Lesson-Minor The Secret to Modern Outside Jazz Lines Lesson-Minor $9.99
  • Creating Modern II-V-I Lines with Simple Pentatonics Lesson Creating Modern II-V-I Lines with Simple Pentatonics Lesson
    Rated 5.00 out of 5
    $9.99
  • The Best Embouchure for Tone, Intonation and Endurance Lesson The Best Embouchure for Tone, Intonation and Endurance Lesson
    Rated 4.91 out of 5
    $9.99
  • The Secret to Altissimo (no one has ever told you about before) Lesson The Secret to Altissimo (no one has ever told you about before) Lesson
    Rated 4.75 out of 5
    $9.99

Now over 600 video and audio lessons to choose from!

Free Lessons

  • Free Lesson on The New Ultimate II-V-I Primer-Major Keys
  • Free Video Lesson on Mastering Altered Pentatonics
  • Free Video Lesson on Mastering the Blues Scale Volume 1 & 2
  • Free Video Lesson on Mastering the Dominant Bebop Scale and Language Book 1 & 2
  • Free Video Lesson on Approach Note Velocity Book

Recent reviews

  • Bebop Scale-Altered Scale II-V-I Practice Lesson Bebop Scale-Altered Scale II-V-I Practice Lesson by Noah
  • Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book) Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book) by Andy
  • Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book) Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book)
    Rated 5 out of 5
    by Russ
  • Creating Modern II-V-I Lines with Simple Pentatonics Lesson Creating Modern II-V-I Lines with Simple Pentatonics Lesson
    Rated 5 out of 5
    by Timothy
  • The Best Embouchure for Tone, Intonation and Endurance Lesson The Best Embouchure for Tone, Intonation and Endurance Lesson
    Rated 5 out of 5
    by Ray Holland

Footer

Recent Comments

  • Peter van Raak on Selmer Jazz Tribute 7* Tenor Saxophone Mouthpiece Review
  • Willem van Gelder on Theo Wanne Lakshmi Gold Tenor Saxophone Mouthpiece Review
  • Predrag on Drake Vintage Resin NY Jazz Tenor Mouthpiece
  • Noel P on Otto Link Super Tone Master Florida V Tenor Saxophone Mouthpiece Review
  • Michal on Les Becs d’Autan Florida Tenor Saxophone Mouthpiece Review

Top rated products

  • Mastering the Major Bebop Scale & Sound (Digital PDF Book) Mastering the Major Bebop Scale & Sound (Digital PDF Book)
    Rated 5.00 out of 5
    $14.99
  • Tune of the Week-Softly as a Morning Sunrise Lesson Tune of the Week-Softly as a Morning Sunrise Lesson
    Rated 5.00 out of 5
    $9.99
  • The Style of Dexter Gordon-Lady Bird Lesson 1 The Style of Dexter Gordon-Lady Bird Lesson 1
    Rated 5.00 out of 5
    $9.99
  • Tune of the Week-Days of Wine and Roses Lesson Tune of the Week-Days of Wine and Roses Lesson
    Rated 5.00 out of 5
    $9.99
  • Tune of the Week-Invitation Tune of the Week-Invitation
    Rated 5.00 out of 5
    $9.99

Product tags

alto sax alto saxophone approach notes audio lesson bebop scale beginner beginner saxophone blues blues licks blues patterns blues scale blues scales diminished scale dominant chords ear training fundamentals II-V-I improvisation jazz improvisation jazz lines jazz patterns jazz sax jazz saxophone jazz standard jazz standards licks Mastering the Blues Scale Michael Brecker modern improv modern improvisation online lesson patterns playing outside practice habits reading music sax basics sax lessons saxophone scales smooth jazz steve neff tenor sax tenor saxophone video lesson video lessons
  • Instagram
  • Facebook
  • Twitter
  • SUPPORT

Neffmusic © 2005–2025