• Skip to main content
  • Skip to primary sidebar
  • Skip to footer

Website of Steve Neff

  • BLOG
  • SHOP
  • MY ACCOUNT
  • RAVES
  • CONTACT

Search Neffmusic

You are here: Home / Reviews / Mouthpiece Reviews / Alto Mouthpiece Reviews / Alto High Baffle Reviews / Liu Shizhao Studio Prototype Alto Saxophone Mouthpiece Review

Liu Shizhao Studio Prototype Alto Saxophone Mouthpiece Review

December 4, 2015 by Steve 6 Comments

About a month ago, I was on Facebook just browsing through peoples posts when I came upon some beautiful pictures of some mouthpieces I had never seen before.  These were posted by Liu Shizhao who lives in Beijing, China and who makes mouthpieces.   Judging from the pictures I saw, these were masterfully made mouthpieces!  I contacted Mr. Shizhao and asked if I could review some of his pieces on Neffmusic.com and he graciously agreed.

Liu Shizhao Studio Prototype Alto Saxophone Mouthpiece

A few weeks later, I received a package in the mail from China.  I was very excited!  These mouthpieces looked beautiful and I was really hoping they played as good as they looked.  I opened up the package and inside were a carefully packed silver tenor mouthpiece and alto mouthpiece.  Today, I am reviewing the alto mouthpiece that you are seeing pictures of.  Mr. Shizhao calls this mouthpiece his Studio prototype mouthpiece which I assumes refers to a design similar to a Guardala Studio alto saxophone mouthpiece.

Liu Shizhao Studio Prototype Alto Saxophone Mouthpiece

The Shizhao Studio Alto Saxophone mouthpiece looked great upon inspection. The mouthpiece has a cool brown and tan design on the bite plate as you can see in the first picture above.  The craftmanship looks superb.  The rails are thin and even and the tip rail looks to match the shape of my Rigotti Gold reeds.  The table looks to be exactly the width of the reed so the edges of the reed are even with the outside of the thin side rails.

It looks to have a step baffle like the Guardala tenor mouthpieces I have seen. I have never played or seen an alto Guardala so I am very curious to try this mouthpiece.  Everything looks very even and smooth in regards to the baffle and it’s shape. Unlike the Shizhao MB tenor mouthpiece that I reviewed last week with the smooth rollover baffle, the baffle on the Studio alto mouthpiece has an edge on the end of the baffle before it descends into the chamber.  As I hold the mouthpiece up to the light, the baffle, tip and rails all look perfect to my eye!

Liu Shizhao Studio Prototype Alto Saxophone Mouthpiece

The sidewalls of the Shizhao Studio alto mouthpiece are scooped out slightly and the chamber looks large to my eye.   This alto studio mouthpiece has a .085 tip opening with a 20mm length facing curve.  Although the tip opening is larger than I usually like (I don’t usually go over .080) I didn’t notice the wider tip on this mouthpiece.  It actually felt quite comfortable to play and didn’t seem like a .085 to me at all.  I felt at home on this mouthpiece almost immediately.  Although I don’t usually like brighter alto mouthpiece I found myself really liking the sound and playability of this piece.

I used a Rigotti Gold 2 1/2 Strong reed on it because it was the first one I tried and it worked perfectly for me.

The Shizhao Studio Alto Mouthpiece had the perfect blend of resistance and power for my tastes.  The high baffle gives it plenty of power and brightness when needed and the tone could be shaped very easily. I found it very easy to be expressive and soulful on this mouthpiece.  The tone was very even throughout the range of the horn. I also found the tone to be very concentrated and focused.  It had a big sound but the tone also sounded compact to me. It sounded to me like it had this huge big sound that was then compacted into this super focused, concentrated, powerful tone if that makes sense.

This is a brighter mouthpiece,  there is no denying that, but you can hear on the clip that if you lay back a bit it can sound very nice while playing jazz lines.  It does have that brighter sound and vibe but I feel like Liu did a great job in that the tone of this mouthpiece is not overly edgy or obnoxious like some other high baffle mouthpieces I have tried. It’s got volume and power to spare but the sound and tone can still be controlled and molded to the desire of the player to a certain extent.  You can’t play classical music on this piece or get a dark alto tone out of it but if you tend to like the sound of bright alto players that wail this might be a great choice for you.

Liu Shizhao Studio Prototype Alto Saxophone Mouthpiece

For many years, China has had a bad reputation for producing inferior products related to the saxophone but I’m seeing more and more saxophone related gear from China that is quite good!  The Shizhao Studio prototype is one of the best high baffle alto mouthpieces I have played. I am told that these alto mouthpieces sell for 425.00 USD which I think is a great deal.  To order one you can contact Liu Shizhao by email at saxproshop@gmail.com.  If this alto mouthpiece is the first  of many mouthpiece to be made by Mr. Shizhao I am excited to see what other mouthpieces he produces in the future!  Great Job!

https://cdn.neffmusic.com/2015/December/ShizhaoAltoStudio.mp3

Liu Shizhao Studio Prototype Alto Saxophone Mouthpiece

Filed Under: Alto High Baffle Reviews, Alto Mouthpiece Reviews Tagged With: Alto Saxophone, China, Liu Shizhao, mouthpiece review, Studio Prototype

Steve

About Steve

Steve Neff has been playing and teaching saxophone and jazz improvisation around the New England area for over 30 years. He is the author of many best selling jazz improvisation methods as well as founding the popular jazz video lesson site Neffmusic.com.

Reader Interactions

Comments

  1. AvatarMurray Middleman says

    December 4, 2015 at 11:38 pm

    You sound great on it .The mputhpiece sounds nice for a contemporary vibe mouthpiece.
    Thanks for the great demo .Murray

    Reply
  2. Avatarpaul fessenden says

    December 5, 2015 at 8:48 am

    Great sounding mouthpiece. Very interested in purchasing one. Thanks steve.

    Reply
  3. Avatarmarc says

    December 13, 2015 at 10:23 am

    Great tone Steve. The classical DB vibe to it. Sounds very close to my MPS DG King piece. A must for funk with an amazing altissimo.

    Reply
  4. AvatarTim Randall says

    October 12, 2016 at 10:52 am

    Thanks for the review, this looks so much like an e-bay F-8 nickel plated metal mouthpiece. The F-8 has ligature grooves cut in the sides like a Law mouthpiece, with a slide on ligature. The F-8 has a bigger slide in bite plate and a typical bite pad cushion covers the whole beak on the F-8. The outer and in inner dimensions of the F-8 look very similar to this.

    Reply
  5. AvatarSteven roosblad says

    October 23, 2016 at 2:41 pm

    Steve Roosblad :
    I have a question:what is the ligature you used with this mouthpiece
    .in this audio clip?

    Greetings
    Steve

    Reply
    • SteveSteve says

      October 24, 2016 at 4:22 pm

      Steve,
      That was a Rovner ligature I used on it. I have probably 12 I keep in a toolbox of all different sizes. I’m not sure which one I used out of the box or what model. Sorry, Steve

      Reply

Leave a Reply to paul fessenden Cancel reply

Your email address will not be published. Required fields are marked *

Primary Sidebar

Cart

Subscribe to the Neffmusic Newsletter for the latest reviews and best deals delivered straight to your inbox every month. Join now and you will also receive my 40 Ultimate Michael Brecker Licks free!

Select list(s) to subscribe to


Thanks for joining!


NEFFMUSIC PRINTED BOOKS

Testimonials

I bought Steve’s dominant bebop book and took a couple of online lesson from him. I really appreciated Steve’s careful listening of what I wanted to get done in a lesson and his clear, concise ideas on next steps to improve my playing and musical interpretation.  His mastering  the Dominant Bebop Scale has lots of exercises to use a scale that addresses the largest percentage of chords I come across in pop/blues music. The dominant V7.  Needless say it has improved my playing.  I teach and a… Read more
Keith
Your lessons on playing the blues is so clear . I have been through many books on blues playing and not one of them explains as clear as your lessons . Most of them say “Play the same blues scale over all three chords of a 12 bar blues ” Its very misleading .     Thanks
Martin

Hello Steve,

I just want to say thank you so much for your unbelievable work, it is just mind opening, thanks for sharing it.

Wolfgang from Berlin

Wolfgang from Berlin

I am enjoying your style of teaching, and you’ve done a great job with the videos….good sound quality and well constructed lessons.  Balances the more guitaristic material found on the majority of guitar based programs.  Jazz vocab is what I’m all about at this point in the journey.  I especially dig the fact that you’ve studied with Bergonzi…helps me see his voluminous output in a more bite sized way.

Milton
I just wanted to write a thank you note to you for this website. I play and teach saxophone, but I have always been intimidated by the gear aspect. Your website has helped me become a lot more knowledgable. Your knowledge is staggering! I’m telling all my students about your website. Pierre
Pierre
Thank you so much for the great job you are doing to help further our jazz studies. Though I make my living as a repairer of musical instruments I am a student of jazz and have been fortunate enough to be involved with a big band and a combo for the last several years. As my children began to leave “the nest” I had decided to dedicate the next half of my life to a more serious study of the sax but I didn’t know exactly how I would go about doing this until a friend of mine turned me onto your si… Read more
Jon
I’ve been having ‘ online’  lessons with Steve for a few months now. Being a teacher myself I had had some reservations with the idea at first and the practicalities of it .  Let me just say that my playing has taken a huge leaps forward while studying with Steve and continues to do so.Steve studied with some renowned player/teachers such as Bergonzi and Garzone– this in itself is invaluable but Steve teaches from his own books, which cover a a vast amount of  jazz language. Steve h… Read more
David
Absolutely the best learning experience in my 40 years of playing.These books are awesome!!
Alfred LaBella
Hi Steve, I have been shedding your materials for quite a while now and I love them! They are extremely well organized and presented and there are tons of ’em! I really appreciate your methodical approach and find myself referring students to your resources often.  Thanks so much!  
Kenyon Carter

Steve,  Just want to say thanks for all you are doing for all of us. I’ve learned more from you than anyone else in my 40 years of playing.

If you can give some tips on One Note Samba, Ceora, and Wave… that would be cool.  I really like learning how you apply your concepts to actual songs!

Have a great year,

Kevin Ledbetter

I've learned more from you than anyone else in my 40 years of playing.
Hey Steve, I’m a 22-year-old from Australia. I thought it would be worth saying. You’re an absolute legend. I can’t thank you enough. You have helped me rekindle my love for the saxophone and music as a whole. All the best for the future, your work doesn’t go unnoticed. PS. I am loving your devastating minor lines pdf.
Sapph
For anyone living in remote areas away from live jazz sax teachers, Neff is the way to go. In fact this is a great resource for anyone seriously interested in mastering the sax. I’ve never been disappointed in a lesson.
Oliver

After reading your story I will never feel quite right about complaining about any of my MINOR health issues!!    God bless Steve and I really hope that your health doesn’t stop you from fulfilling your calling.    These books have been such a help to open up my jazz vocabulary…   Thanks so much for sharing your story and for providing these great teaching tools…   John Leclerc   Saxophonist / composer/ EWI player and professional working musician of 35 years….

John Leclerc
I would like to say that in the last year my sax playing has progressed loads from your lessons. I have had a sax for about 20 years and dabbled with lessons from a few teachers and have learnt very little from them. As you have said in your lessons many teachers tell you to use the blues scale and leave it there, not even showing you the resolution points!!. I am now believing I can in time become a good improviser.
Thanks again,
Shane
Shane
I just joined Neff Music last month. I can’t tell you how excited I’ve been to be able to pick back up on lessons. I’ve been in a rut and you got me out! I’ve especially appreciated the Lesson Path section. It was so clear I knew exactly where to jump in and start. Many many thanks!
Karin
I can’t say enough about my membership at Neff Music. Steve has taken the mystery out of playing the saxophone well and improvising both jazz and rock music. Like most struggling players I have a load of all sorts of books on my shelf just gathering dust. Books that I didn’t understand or know how to put to use…or just have the time to go threw them. Steve’s lessons really simplify things and he puts it in a way that I can understand. They inspire me to keep pushing and having him as my guide or… Read more
Ken

Steve,

I have played for many years and have enjoyed going “back to the basics” in some of your lessons!  You have such a gift for explaining concepts.  As I have gotten older, some of the basic things have gotten muddled because I just play, not knowing why.  As I refresh myself with “why”, it increases my confidence and expands my playing.  Thank you so much for using your gift!  You are a blessing!

Julia

Never really had lessons before just kinda worked things out on my own. Was in a rut but your lessons are really helpful in opening melodic possibilities. Ur an awesome resource to the saxophone community. Thanks for sharing. 

Anthony

I want to thank you for your “Ultimate II-V-I Primer”  which has sent me off on a much better path to improvisation.  The primer and the four bound books I have will keep me busy for a long time.  I like your lessons for two reasons.  The lessons work and THEY ARE FUN.  Thanks again.

Robert

Robert
I want to let you know that your instructional material is transforming my playing.  It is an immense pleasure to learn and play now, and I can’t tell you how grateful I am. The instructional material I got from you is by far the best of any I own (and I have over 100 books, DVDs, and what not). I literally can’t thank you enough! Deric
Deric

Love your lessons!  I have been using your lesson packages for many months now, and am learning a lot.  It is so perfect for me with a very busy adult schedule and difficulty in taking jazz/improv music lessons from reputable instructors who live and hour or more away from me.

Lenore
I’m an experienced player in the pop/soul/funk areas of music and, previously, classical.  Over the decades I’ve been playing, I’ve always felt that I could do what I needed in those styles of music.  However, recently I began to feel limited by my use of the same old licks. When I discovered Steve Neff’s website, and heard the audio examples based on the exercises in his books, I realized they were what I needed.  I purchased all of them and have been working on them since.  It’s very hard work… Read more
Paul
Thank you for all the educational information you provide.  I am a classically trained musician.  Professionally, I am a 4th and 5th grade band teacher.  I have played piano and sax for many years, but now I am starting to gig out more. I have always improvised by ear in the past. I have gotten by with my strong sense of pitch, rhythm and melodic contour. However, I want to go deeper. I want to play with a greater variety of melodic and rhythmic ideas to pull from.  I have studied to gain a … Read more
Ray
I have been a member of Neffmusic for more than a year now and have enjoyed every minute of it! I have not only been going thru the Dominant Bebop Scale lessons and book (OUTSTANDING!) but the mouthpiece reviews, solo clips and transcriptions are very interesting. Steve approach to beginning and intermediate improv have given me many new pathways to teach my high school jazz ensemble students. Congratulations Steve, great product!
Craig

Featured Video Lessons

  • Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book) Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book)
    Rated 5.00 out of 5
    $19.99 Original price was: $19.99.$14.99Current price is: $14.99.
  • The Secret to Modern Outside Jazz Lines Lesson-Minor The Secret to Modern Outside Jazz Lines Lesson-Minor $9.99
  • Creating Modern II-V-I Lines with Simple Pentatonics Lesson Creating Modern II-V-I Lines with Simple Pentatonics Lesson
    Rated 5.00 out of 5
    $9.99
  • The Best Embouchure for Tone, Intonation and Endurance Lesson The Best Embouchure for Tone, Intonation and Endurance Lesson
    Rated 4.91 out of 5
    $9.99
  • The Secret to Altissimo (no one has ever told you about before) Lesson The Secret to Altissimo (no one has ever told you about before) Lesson
    Rated 4.75 out of 5
    $9.99

Now over 600 video and audio lessons to choose from!

Free Lessons

  • Free Lesson on The New Ultimate II-V-I Primer-Major Keys
  • Free Video Lesson on Mastering Altered Pentatonics
  • Free Video Lesson on Mastering the Blues Scale Volume 1 & 2
  • Free Video Lesson on Mastering the Dominant Bebop Scale and Language Book 1 & 2
  • Free Video Lesson on Approach Note Velocity Book

Recent reviews

  • Bebop Scale-Altered Scale II-V-I Practice Lesson Bebop Scale-Altered Scale II-V-I Practice Lesson by Noah
  • Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book) Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book) by Andy
  • Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book) Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book)
    Rated 5 out of 5
    by Russ
  • Creating Modern II-V-I Lines with Simple Pentatonics Lesson Creating Modern II-V-I Lines with Simple Pentatonics Lesson
    Rated 5 out of 5
    by Timothy
  • The Best Embouchure for Tone, Intonation and Endurance Lesson The Best Embouchure for Tone, Intonation and Endurance Lesson
    Rated 5 out of 5
    by Ray Holland

Footer

Recent Comments

  • Dino Govoni on Snake Oil for the Saxophone? The Buzz Oversized Neck Screw by Westcoast Sax
  • Mark White on Marc Jean Saxophone Ligature II Model 700 Review
  • Gerrit Schwab on Les Becs d’Autan Florida Tenor Saxophone Mouthpiece Review
  • Dan on A Blast from the Past-Chromazone by Mike Stern Cover
  • Simon Howard on Les Becs d’Autan Florida Tenor Saxophone Mouthpiece Review

Top rated products

  • Mastering the Major Bebop Scale & Sound (Digital PDF Book) Mastering the Major Bebop Scale & Sound (Digital PDF Book)
    Rated 5.00 out of 5
    $14.99
  • Tune of the Week-Softly as a Morning Sunrise Lesson Tune of the Week-Softly as a Morning Sunrise Lesson
    Rated 5.00 out of 5
    $9.99
  • The Style of Dexter Gordon-Lady Bird Lesson 1 The Style of Dexter Gordon-Lady Bird Lesson 1
    Rated 5.00 out of 5
    $9.99
  • Tune of the Week-Days of Wine and Roses Lesson Tune of the Week-Days of Wine and Roses Lesson
    Rated 5.00 out of 5
    $9.99
  • Tune of the Week-Invitation Tune of the Week-Invitation
    Rated 5.00 out of 5
    $9.99

Product tags

alto sax alto saxophone approach notes audio lesson bebop scale beginner beginner saxophone blues blues licks blues patterns blues scale blues scales diminished scale dominant chords ear training fundamentals II-V-I improvisation jazz improvisation jazz lines jazz patterns jazz sax jazz saxophone jazz standard jazz standards licks Mastering the Blues Scale Michael Brecker modern improv modern improvisation online lesson patterns playing outside practice habits reading music sax basics sax lessons saxophone scales smooth jazz steve neff tenor sax tenor saxophone video lesson video lessons
  • Instagram
  • Facebook
  • Twitter
  • SUPPORT

Neffmusic © 2005–2025