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SYOS Chad Lefkowitz-Brown Signature Tenor Saxophone Mouthpiece Review

August 3, 2019 by Steve 42 Comments

Today, I am reviewing a tenor saxophone mouthpiece from a fairly new company called SYOS mouthpieces in France.  This company hit the saxophone mouthpiece scene not too long ago and immediately caught the world’s attention by producing these really bright colored 3D printed saxophone mouthpieces made of plastic.  I remember thinking they were strange looking […]

Filed Under: Mouthpiece Reviews, Tenor High Baffle Reviews, Tenor Mouthpiece Reviews Tagged With: Chad LB, Chad Lefkowitz-Brown, mouthpiece, review, Signature Model, SYOS, tenor saxophone

Selmer Jazz Tribute 7* Tenor Saxophone Mouthpiece Review

April 5, 2025 by Steve 9 Comments

Today, I am excited to be reviewing the new Selmer Jazz Tribute 7* tenor saxophone mouthpiece released by Selmer Paris a few weeks ago.   Ryan Lillywhite, the woodwind category manager at Conn Selmer, reached out to me and asked if I would be interested in reviewing the new Selmer Jazz Tribute tenor saxophone mouthpiece.  After […]

Filed Under: Mouthpiece Reviews, Tenor Medium Baffle Reviews, Tenor Mouthpiece Reviews Tagged With: jazz mouthpiece, Jazz Tribute, review, sax mouthpiece, Selmer Paris, tenor saxophone

Instagram Links

Otto Link Super Tone Master Florida V Tenor Saxophone Mouthpiece Review Theo Wanne Essentials Jazz 7* Tenor Saxophone Mouthpiece Review Otto Link Super Tone Master V 7* Tenor Saxophone Mouthpiece Review SYOS Gabi Rose Signature Series Tenor Saxophone Mouthpiece Review Selmer Jazz Tribute 7* Tenor Saxophone Mouthpiece Review Otto Link LA Tenor Saxophone Mouthpiece Review […]

Phil-Tone Rift Tenor Saxophone Mouthpiece Review

January 24, 2023 by Steve 24 Comments

Today I am reviewing another great tenor saxophone mouthpiece made by Phil Engleman at Phil-Tone mouthpieces.  I have reviewed quite a few Phil-Tone sax mouthpieces on the site already and am always interested when Phil announces a new Phil-Tone saxophone mouthpiece model. A couple of months ago he announced that he had a new Phil-Tone tenor sax mouthpiece model […]

Filed Under: Mouthpiece Reviews, Tenor High Baffle Reviews, Tenor Mouthpiece Reviews Tagged With: jazz sax, mouthpiece, Phil Engleman, Phil-tone, review, Rift, tenor saxophone

Swingin’ Max Ionata “All the Things You Are” Tenor Sax Solo Transcription

January 14, 2023 by Steve 2 Comments

Here is another masterful solo by the great tenor saxophone player from Italy, Max Ionata.  I absolutely love this short rendition from Youtube of Max soloing on the changes to “All the Things You Are”.  This solo is so full of great jazz vocabulary perfectly crafted into a beautifully melodic solo over this classic jazz […]

Filed Under: Transcriptions Tagged With: All the Things You Are, Max Ionata, solo transcription, tenor saxophone

Get·A·Sax GS Freddie Gregory Super Deluxe MARK II Copy Tenor Saxophone Mouthpiece Review

December 25, 2022 by Steve 12 Comments

Today,  I am reviewing the GetASax GS Freddie Gregory Super Deluxe MARK II Copy tenor saxophone mouthpieces in a 7, 7* and 8 tip opening.  These GetASax Mark II tenor sax mouthpieces are replicas of great playing, original facing,  Freddie Gregory MARK II tenor saxophone mouthpieces. These cool white mouthpieces are made by Brian Curry […]

Filed Under: Mouthpiece Reviews, Tenor Medium Baffle Reviews, Tenor Mouthpiece Reviews Tagged With: Brian Curry, freddie gregory, Getasax, mark II, review, sax mouthpiece, tenor saxophone

Meyer Bros New York Connoisseur Series Alto Saxophone Mouthpiece Review

August 11, 2022 by Steve 17 Comments

Today, I am reviewing two new Meyer Bros New York 7 and 8 Connoisseur series alto saxophone mouthpieces made by JJ Babbitt.  The Connoisseur Meyer Bros NY alto saxophone mouthpieces are advertised as being a reproduction of the original Meyer Bros New York alto saxophone mouthpiece that Cannonball Adderley played as described in this quote […]

Filed Under: Alto Medium Baffle Reviews, Alto Mouthpiece Reviews, Mouthpiece Reviews Tagged With: Alto Saxophone, Connoisseur Series, JJ Babbitt, Meyer Bros, new york, review, sax mouthpiece

Otto Link Tone Edge Early Babbitt Connoisseur Series Tenor Saxophone Mouthpiece Review

July 30, 2022 by Steve 31 Comments

Today, I am reviewing the new Otto Link Early Babbitt remake connoisseur series tenor saxophone mouthpiece made by JJ Babbitt.  The Connoisseur EB (Early Babbitt) tenor saxophone mouthpieces are advertised as being from the same molds as the original hard rubber Otto Link Early Babbitt tenor sax mouthpieces as described in this quote from the […]

Filed Under: Mouthpiece Reviews, Tenor Medium Baffle Reviews, Tenor Mouthpiece Reviews Tagged With: Connoisseur Series, early babbitt, EB, JJ Babbitt, mouthpiece, otto link, review, tenor saxophone, Tone Edge

Do Mouthpiece Patches and Beak Height Make a Difference to the Sound of a Saxophone?

February 23, 2022 by Steve 28 Comments

Today, I am posting a personal experiment of mine to answer some questions I have about the discernible differences a mouthpiece patch and the mouthpiece beak height make to the sound of the saxophone.  I know many of you out there will perhaps think this is foolish but I am doing this to satisfy my […]

Filed Under: Saxophone Stuff Tagged With: beak, cushions, patch, saxophone, sound, tenor mouthpiece

Lupifaro Evo Tenor and Alto Saxophone Reeds Review

March 26, 2021 by Steve 4 Comments

Today, I am reviewing the Lupifaro  Evo custom saxophone reeds sold by Lupifaro reeds in Switzerland.  Lupifaro reeds reached out to me a few months ago and asked if I would be interested in reviewing their saxophone reeds.  They sent me a box of five 2 1/2 and a box of five 3 strength tenor […]

Filed Under: Saxophone Stuff Tagged With: alto sax, custom, Evo, Lupifaro, reeds, review, Rigotti cane, saxophone reed, tenor sax

Roberto’s Winds RW Tenor, Alto and Soprano Saxophone Reeds Review

March 15, 2021 by Steve 6 Comments

Today, I am reviewing the RW Roberto’s Winds custom saxophone reeds released by Roberto Romeo at Roberto’s Winds in NYC.  Roberto’s Winds reached out to me a few months ago and asked if I would be interested in reviewing their saxophone reeds.  They sent me nine boxes of sax reeds in a variety of strengths […]

Filed Under: Saxophone Stuff Tagged With: alto sax, custom, reeds, review, Rigotti cane, Roberto Romeo, Roberto's Winds, saxophone reed, soprano sax, tenor sax

Chad LB Burnin’ Tenor Saxophone Solo on Oleo Transcription

March 18, 2020 by Steve 3 Comments

Here is another killer Chad LB (Lefkowitz-Brown) solo that was posted on Youtube yesterday.  This is on the tune Oleo by Sonny Rollins. What does a sax player do when he shouldn’t leave the house because of a contagious virus wreaking havoc around the globe?  Stay home!  Practice and Transcribe!  This morning I spent 5 hours […]

Filed Under: Transcriptions Tagged With: Chad LB, Chad Lefkowitz-Brown, jazz sax, Oleo, Syos mouthpiece, tenor saxophone, transcription

Chad LB Monster Lick of the Day #4 Tenor Sax

February 3, 2020 by Steve 2 Comments

Here is a killer Chad LB (Lefkowitz-Brown) lick that I picked up off of a Youtube video below. Chad is trying out and comparing a D’Addario tenor saxophone mouthpiece to his own SYOS Chad LB tenor saxophone mouthpiece.  At the 4:02-4:06 mark, Chad plays a great modern “Breckeresque” type line that I immediately decided I […]

Filed Under: Transcriptions Tagged With: Chad LB, Chad Lefkowitz-Brown, jazz sax, tenor saxophone, transcription

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Testimonials

Steve really changed my way of practicing: I got a whole lot of new ideas for my playing the tenor.  His lessons are really helpful, give a lot stuff to practice and give clear answers to complicated stuff.  Steve has a lot of humor and I wish I had laughed so much in my former days with the horn.  All topics, from Blues to Approach note are dealt with clearness that wet ones appetite to play and practice that great ideas.
Uwe
Just a brief note to compliment you on your teaching skills and in particular for the honesty of your lessons.  I am a returning alto sax player in my 50’s and I was looking for a no nonsense, straight to the point kind of guidance. I had intended to email you with a few questions regarding the use of the bis key but then I noticed that there was a lesson on that specific topic and after viewing it,  all my questions were answered. I once took a group lesson with a well known professional sax … Read more
Patrick

Hello Steve,

I just want to say thank you so much for your unbelievable work, it is just mind opening, thanks for sharing it.

Wolfgang from Berlin

Wolfgang from Berlin

Steve, just a note to say thanks.

I’ve been playing a long time, but your material, laid out in such a thoughtful way, helps me to understand concepts in a new and deeper way.

You are a true gift to the jazz community.

60 lessons and going strong,

Kevin Ledbetter

Kevin Ledbetter
I’ve been a member of Steve’s site for about six months now and the difference it has made to my playing is immeasurable. The (many) benefits of this membership are that you can have lessons at time convenient to you, they work out A LOT cheaper than face-to-face lessons with a teacher of the same calibre and you can replay them ad infinitum. I don’t know how many times have I had lessons in the past where I’ve ended up covering the same concepts when really a ‘replay’ of the last lesson would h… Read more
Nick
Two years later I began a search for a sax teacher and happened to come across Steve Neff when I was searching YouTube for sax teachers.  I went to neffmusic.com and was very impressed with the lessons Steve Neff was offering.  The concept of selecting lessons was an approach that I thought was unique and purchased a few lessons.  I liked the lessons so much that I signed-up for a 6 month package. I was very happy with all the lessons I selected.  I also purchased Steve’s book Mastering the B… Read more
Michael
It is so refreshing to have a great player, who can provide lessons and examples in a manner which is understandable to most any enthusiastic saxophonist who is ready to improve. not just the, do this, do that, memorize this, memorize that… while all that is absolutely necessary, you go on to give reasons and examples to explain and validate why you have to do all of these things, the benefits, if you will… that is the key for me, you tell, explain, demonstrate, explain some more, you give perso… Read more
Cedric
Your major diatonic patterns book is great. I”m studying the first twenty patterns (first twenty pages) each day with different articulation each day and slowly increasing the tempo each week or so.  There is a noticeable improvement in finger coordination across all keys and its amazing how much more secure I feel on the difficult keys when attempting to play pieces with 5+ flats/sharps. I’m able to sort out the fingerings for these pieces now much more quickly than before, often in one or two … Read more
Geoff
I can see from your instructional videos that you are a fantastic teacher – one that can truly relate to all ages – humble yet very positive in approach – never coming across as superior and yet so totally capable of demonstrating the principles and techniques that you seek to impart to the students. I have gained so much confidence in my playing from “pouring over” time and again these invaluable lessons. Invaluable not only in musical content, but also in human interaction content. I am absolu… Read more
Ron

Hi Steve,

First, I want to thank you for all of your great lessons. They are like a “For Dummies” version of all the books on my shelf. The lessons break things down into manageable pieces, and give me the confidence that I’m practicing the right pieces. I’m starting to make progress.   Thank You,   Kim

Kim
I’m an experienced player in the pop/soul/funk areas of music and, previously, classical.  Over the decades I’ve been playing, I’ve always felt that I could do what I needed in those styles of music.  However, recently I began to feel limited by my use of the same old licks. When I discovered Steve Neff’s website, and heard the audio examples based on the exercises in his books, I realized they were what I needed.  I purchased all of them and have been working on them since.  It’s very hard work… Read more
Paul
Your lessons on playing the blues is so clear . I have been through many books on blues playing and not one of them explains as clear as your lessons . Most of them say “Play the same blues scale over all three chords of a 12 bar blues ” Its very misleading .     Thanks
Martin
For anyone living in remote areas away from live jazz sax teachers, Neff is the way to go. In fact this is a great resource for anyone seriously interested in mastering the sax. I’ve never been disappointed in a lesson.
Oliver
Just wanted to send you a quick note to say thank you for being you, your playing, your website and your desire to help others. I’m a professional musician in the US Army and I’ve visited your website almost every day since discovering it a couple of months ago. Your lessons are profound and easy to use. I’ve purchased most of your PDF books and now am starting to delve more into the video and audio lessons.  Thank you for being a great resource!
James
I bought Steve’s dominant bebop book and took a couple of online lesson from him. I really appreciated Steve’s careful listening of what I wanted to get done in a lesson and his clear, concise ideas on next steps to improve my playing and musical interpretation.  His mastering  the Dominant Bebop Scale has lots of exercises to use a scale that addresses the largest percentage of chords I come across in pop/blues music. The dominant V7.  Needless say it has improved my playing.  I teach and a… Read more
Keith
I have NEVER seen material like yours.  Amazing!!
Jerry
I’ve been having ‘ online’  lessons with Steve for a few months now. Being a teacher myself I had had some reservations with the idea at first and the practicalities of it .  Let me just say that my playing has taken a huge leaps forward while studying with Steve and continues to do so.Steve studied with some renowned player/teachers such as Bergonzi and Garzone– this in itself is invaluable but Steve teaches from his own books, which cover a a vast amount of  jazz language. Steve h… Read more
David
Thank you for all the educational information you provide.  I am a classically trained musician.  Professionally, I am a 4th and 5th grade band teacher.  I have played piano and sax for many years, but now I am starting to gig out more. I have always improvised by ear in the past. I have gotten by with my strong sense of pitch, rhythm and melodic contour. However, I want to go deeper. I want to play with a greater variety of melodic and rhythmic ideas to pull from.  I have studied to gain a … Read more
Ray

I must say again how much I appreciate all your material. Including the video tutorials. It help keep me focused and knowing what to aim for. And your laid back teaching style appeals to me too. 

Thanks

P

P

Mr. Neff,  I want to thank you for sharing your God-given talents through your on-line lessons.  My husband, Michael, is blind, but he is a great sax player and he has been enjoying your lessons for quite some time now.  It’s not unusual for me to hear “Hey, babe, listen to THIS!” – and he will cut loose on his sax, just thrilled at what he learned during his session with you.  His excitement warms my heart!  You have no idea how much you have poured into my husband.  You have opened musical … Read more

Carole B
Hey Steve, I’m a 22-year-old from Australia. I thought it would be worth saying. You’re an absolute legend. I can’t thank you enough. You have helped me rekindle my love for the saxophone and music as a whole. All the best for the future, your work doesn’t go unnoticed. PS. I am loving your devastating minor lines pdf.
Sapph
I am enjoying your style of teaching, and you’ve done a great job with the videos….good sound quality and well constructed lessons.  Balances the more guitaristic material found on the majority of guitar based programs.  Jazz vocab is what I’m all about at this point in the journey.   I especially dig the fact that you’ve studied with Bergonzi…helps me see his voluminous output in a more  bite sized way.
Milton
I would like to say that in the last year my sax playing has progressed loads from your lessons. I have had a sax for about 20 years and dabbled with lessons from a few teachers and have learnt very little from them. As you have said in your lessons many teachers tell you to use the blues scale and leave it there, not even showing you the resolution points!!. I am now believing I can in time become a good improviser.
Thanks again,
Shane
Shane
Hey Steve! I hope you and your family are well.  I’m just writing to say thank you so much for all the resources you have made available to the saxophone community. I have been using your material for many years and I always come back to it… in fact I just took a break from practicing to write this…( reviewing “CreatingModern II-V-I Lines with simple pentatonics”.) I am, and continue to be, one of your raving fans! Blessings to you and your family this holiday season! Wishing… Read more
Gerry Aylward

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