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You are here: Home / Archives for Reviews / Saxophone Stuff

Saxophone Stuff

Forestone Hinoki Synthetic Reeds Review

December 10, 2015 by Steve 35 Comments

Today, I am reviewing a product that I never ever thought I would review.  The product is a synthetic reed.  (*Before you read further, I need to state in all honesty, that I have always hated, detested and scorned every synthetic reed I have ever tried.  Over the last 20 years I have at times tried […]

Filed Under: Saxophone Stuff Tagged With: cane reeds, Forestone, hinoki, saxophone, synthetic reed

Saxophone Microphone Review and Audio Shootout Part 2

September 15, 2014 by Steve 12 Comments

Walter Ruckdeschel  wrote a great in-depth review of 8 different stand mounted microphones that can be used for live gigs a number of months ago.  I was so fascinated that I asked him if I could post his finding here for everyone to see.  Walt emailed me today and said that he had just completed […]

Filed Under: Saxophone Stuff Tagged With: Beyerdynamic, Electro Voice, live mics, microphone sound clips, saxophone, Sennheiser, Walter Ruckdeschel

ReedJuvinate Woodwind Reed System Review

May 14, 2014 by Steve 20 Comments

Today, I am reviewing a product called the ReedJuvinate Woodwind Reed System.  As a woodwind player, you are probably already aware of what a pain reeds can be to keep and store.  How do you best store them? I’m always curious about the different ways people store their reeds when not in use.  I’ve seen […]

Filed Under: Saxophone Stuff Tagged With: cane reeds, reed care, reed storage, ReedJuvenate, saxophone, woodwinds

Rigotti Gold Reed Strength Comparison

May 9, 2014 by Steve 71 Comments

Today, I thought it would be interesting to write a reed strength comparison article on my blog.  I was trying a new Phil-Tone Mosaic 7* tenor mouthpiece this morning with different strength Rigotti Gold reeds when I had the idea to record some clips and throw it up on the site to see what some […]

Filed Under: Saxophone Stuff Tagged With: Mosaic, Phil-tone, Rigotti Gold, sax reeds, tenor saxophone, Theo Wanne

Reed Placement Poll

March 17, 2014 by Steve 15 Comments

I thought it would be interesting to run a poll to see where everyone places their reeds on the mouthpiece when setting up.  I know many of you will think this is nonsense and you might assume that we all do this the same but I have had so many students come in my studio […]

Filed Under: Saxophone Stuff Tagged With: mouthpiece, position, saxophone reeds, setup

Saxophone Microphone Review and Audio Shootout

February 19, 2014 by Steve 49 Comments

I recently had a member on my site (Walter Ruckdeschel)  post an in-depth review of 8 different  stand mounted microphones that can be used for live gigs.  I was so fascinated that I asked him if I could post his finding here for everyone to see.  If I didn’t have my hands full teaching and […]

Filed Under: Saxophone Stuff Tagged With: Beyerdynamic, Electro Voice, live mics, microphone sound clips, Rode, saxophone, Sennheiser, Shure, Walter Ruckdeschel

Silverstein Saxophone Ligature Review

November 11, 2013 by Steve 29 Comments

Today, I am reviewing a new ligature made by  Silverstein Works.  For years I have heard about the amazing results that musicians would get from string ligatures.   These whispers and rumors were usually heard on different clarinet boards and forums that I would visit.  These posts were  so compelling and convincing that I had […]

Filed Under: Saxophone Stuff Tagged With: alto sax, saxophone ligature, Silverstein, string ligature, tenor sax

The “Reed Geek” Universal Reed Tool

March 5, 2013 by Steve 4 Comments

Back in December, I was lucky enough to get a Reed Geek “Universal” Reed Tool to try out.  Anyone that has been to my house for lessons has probably noticed the shoe boxes on my shelves in my studio.  These shoe boxes are filled with every reed I have ever tried and not liked in […]

Filed Under: Saxophone Stuff Tagged With: clarinet reeds, Reed Geek, reed working tool, saxophone reeds

More Saxophone Teachings from Joe Allard Via Harvey Pittel

February 14, 2013 by Steve 4 Comments

 Harvey Pittel is an award winning and internationally acclaimed classical saxophonist who has performed as a soloist with many of the world’s greatest orchestras and has recorded extensively as a soloist and with ensembles including his own saxophone quartet. He is the Professor of Saxophone at The University of Texas at Austin Butler School of […]

Filed Under: Saxophone Stuff Tagged With: basics, fundamentals, Harvey Pittel, Joe Allard, saxophone

Saxophone Mouthpiece Trial Tips

February 14, 2013 by Steve 8 Comments

I’ve had a ton of questions emailed to me over the years about all the mouthpieces I have reviewed.  Some of the typical questions are: -How do I switch to different mouthpieces so often? -How do I know what reeds to use? -Why do I choose the ligatures I do? -How do you know if […]

Filed Under: Saxophone Stuff Tagged With: mouthpiece, reviews, sax equipment, saxophone mouthpieces

Jazzlab Saxholder Neckstrap Review

November 14, 2012 by Steve 7 Comments

Today, I will be reviewing a new neckstrap by Jazzlab called the saxholder.  This is a revolutionary neckstrap that is designed so that there is no pressure whatsoever on the neck and upper spine of the player. A few years ago, I started having numbness and tingling in my hands and arms.  I would get […]

Filed Under: Saxophone Stuff Tagged With: Jazzlab, neck pain, sax neckstrap, Saxholder, saxophone

Joe Allard Lesson Videos

June 2, 2011 by Steve 1 Comment

Joe Allard (December 31, 1910 – May 3, 1991), a native of Lowell, MA,was a famous saxophone and clarinet professor at Juilliard, The New England Conservatory and The Manhattan School of Music. Some of his most famous students were: Michael Brecker, Eddie Daniels, Bob Berg, Dave Liebman, Paul Winter, Steve Grossman, Kenneth Radnofsky, Bill Pierce […]

Filed Under: Saxophone Stuff Tagged With: clarinet, embouchure, Joe Allard, saxophone, teaching video

Warburton Modular Sax Neck System

April 18, 2011 by Steve 8 Comments

I have an exciting product to review today.  It is the Warburton Modular Sax Neck.  This is one of the coolest products I have ever tried.  Whoever thought of it is a genius.  Basically, it is a neck that has no tenon or cork on it.  The two items that are missing can be screwed […]

Filed Under: Saxophone Stuff Tagged With: initiator, Modular Sax Neck, tenon, Warburton

Bending Notes on the Saxophone

April 16, 2011 by Steve Leave a Comment

A great sax player has mastered the art of bending and shaping  their notes to express what they want to convey.  It might be a mood, attitude or emotion.  There is no doubt that bending notes adds excitement and emotion to a solo.  Bending notes on the saxophone is one of the coolest things that […]

Filed Under: Saxophone Stuff Tagged With: bend notes, saxophone, steve neff, throat, tongue, voicing notes

Free Universal Method for the Saxophone

November 27, 2010 by Steve 5 Comments

I was looking around the internet today for a music book that I could use in my online video lessons.  I’ve had a bunch of requests for some lessons on sight reading and I thought it would be cool if I could find something to use that was in the “public domain”.    I was surprised […]

Filed Under: Saxophone Stuff Tagged With: Paul de Ville, public domain, saxophone, Universal Method

MacSax Empyreal Alto Saxophone

July 20, 2010 by Steve 10 Comments

Today, I’m reviewing the MacSax Empyreal Alto Saxophone.  This sax is manufactured in Taiwan for the MacSax company in Austin Texas. This is the Unlacquered Finish model.  It looks like bare brass which gives it a cool vintage look.  I am told that the brass is subjected to a gas treatment that gives it a […]

Filed Under: Sax Reviews, Saxophone Stuff Tagged With: Empyreal Alto Saxophone, Gaia, MacSax, sax mouthpiece, Taiwan saxophones, Theo Wanne

What Difference Does the Saxophone Ligature Make? Part 2

July 16, 2010 by Steve 55 Comments

In part one of this blog post on “the differences a ligature can make” I talked about the difference a ligature can make to a saxophone player from his or her perspective.  (For those of you who don’t know,  the ligature is the device that holds the saxophone reed to the mouthpiece)  How it can […]

Filed Under: Saxophone Stuff Tagged With: Alto Saxophone, mouthpiece ligatures

Does Your Saxophone Equipment Matter?

April 19, 2010 by Steve 12 Comments

The ongoing debate in the saxophone community is whether equipment really matters.  By equipment we mean the brand of saxophone, mouthpiece, ligature, reeds, neck, pads and resonators.  Some people will even argue that the type of material, screws and resonance stones on the body of the sax make a difference.  I’ve had students come in […]

Filed Under: Alto Mouthpiece Reviews, Saxophone Stuff Tagged With: alpine alto saxophone, saxophone equipment, yamaha 4C, Yardbird Suite

Marc Jean Ligature Review

April 18, 2010 by Steve 23 Comments

Around the middle of February I received an email from Marc Jean at Musique de Marc asking if I would be interested in trying one of his Marc Jean ligatures.  He said it was a new design and that many players of note were digging it.  I was a bit skeptical as I get a […]

Filed Under: Saxophone Stuff Tagged With: Alto Saxophone, Francois Louis, Marc Jean Ligature, Optimum, saxophone ligatures, tenor saxophone, wood sticks

What difference does the ligature make? Part 1

April 8, 2010 by Steve 22 Comments

A saxophone ligature is a device that holds the reed against the table (flat part) of the mouthpiece.  Most people wouldn’t think this is that big of a deal, I mean how hard is it to use something to make the reed stay against the mouthpiece?  You could use a rubber band if push came […]

Filed Under: Saxophone Stuff Tagged With: mouthpiece ligature, saxophone ligature

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Testimonials

Steve,

I have played for many years and have enjoyed going “back to the basics” in some of your lessons!  You have such a gift for explaining concepts.  As I have gotten older, some of the basic things have gotten muddled because I just play, not knowing why.  As I refresh myself with “why”, it increases my confidence and expands my playing.  Thank you so much for using your gift!  You are a blessing!

Julia
Thank you so much for the great job you are doing to help further our jazz studies. Though I make my living as a repairer of musical instruments I am a student of jazz and have been fortunate enough to be involved with a big band and a combo for the last several years. As my children began to leave “the nest” I had decided to dedicate the next half of my life to a more serious study of the sax but I didn’t know exactly how I would go about doing this until a friend of mine turned me onto your si… Read more
Jon
Steve- I joined your site this month and have downloaded 4 lessons and also purchased your new book and video on diatonic patterns. I just want to say I am very pleased with your approach and teaching techniques. I am getting back into playing after laying off for some time. The information you offer on your site is of great value and I am enjoying being a member. Thank you for what you are doing for the saxophone community.
Tony
I’ve been downloading your lessons for 4 months now (20 lesson) and I have noticed tremendous growth in my playing thus far! I’m so happy that I stumbled upon your site!
Bob

I want to thank you again, because, not only are you an inspiration to listen to, you are a fine teacher!

I have been teaching sax and other winds for over 20 years, and you give me that “push” to give my students more!

Mark Peotter

Mark Peotter
I bought Steve’s dominant bebop book and took a couple of online lesson from him. I really appreciated Steve’s careful listening of what I wanted to get done in a lesson and his clear, concise ideas on next steps to improve my playing and musical interpretation.  His mastering  the Dominant Bebop Scale has lots of exercises to use a scale that addresses the largest percentage of chords I come across in pop/blues music. The dominant V7.  Needless say it has improved my playing.  I teach and a… Read more
Keith
Just to say thanks for your advice and lessons.  I’ve just read your amazing story.  I really appreciate what you do in regards to teaching.  I have bought a couple of your lessons and frankly they’re undersold.   I’ve learned much more with these two lessons than with 2 years of sax teachers.   Thanks so much………..
Mike
Hey Steve, My name is Jason Freese and I play keyboards and sax in the band Green Day.  I grew up taking sax lessons from Eric Marienthal when I was a kid and got out of it for a long time. I ran into you on youtube while searching for sax stuff. I bought a whole bunch of your lessons and have been loving it! Thanks! Here is my wikipedia so you can see the albums I’ve played on….Thanks again. It’s sparked my interest in practicing again.   Jason
Jason Freese (sax player for Green Day)
Hi Steve, I live in a gorgeous but rural area of Oregon-no music store within 80 miles. Your lessons are my lifeline!  Truly the best there are anywhere online. Love your playing. Love your teaching.  Thanks again. Ed
Ed Woodmansee
I would like to say that in the last year my sax playing has progressed loads from your lessons. I have had a sax for about 20 years and dabbled with lessons from a few teachers and have learnt very little from them. As you have said in your lessons many teachers tell you to use the blues scale and leave it there, not even showing you the resolution points!!. I am now believing I can in time become a good improviser.
Thanks again,
Shane
Shane

I want to thank you for your “Ultimate II-V-I Primer”  which has sent me off on a much better path to improvisation.  The primer and the four bound books I have will keep me busy for a long time.  I like your lessons for two reasons.  The lessons work and THEY ARE FUN.  Thanks again.

Robert

Robert

Mr. Neff,  I want to thank you for sharing your God-given talents through your on-line lessons.  My husband, Michael, is blind, but he is a great sax player and he has been enjoying your lessons for quite some time now.  It’s not unusual for me to hear “Hey, babe, listen to THIS!” – and he will cut loose on his sax, just thrilled at what he learned during his session with you.  His excitement warms my heart!  You have no idea how much you have poured into my husband.  You have opened musical … Read more

Carole B
It is so refreshing to have a great player, who can provide lessons and examples in a manner which is understandable to most any enthusiastic saxophonist who is ready to improve. not just the, do this, do that, memorize this, memorize that… while all that is absolutely necessary, you go on to give reasons and examples to explain and validate why you have to do all of these things, the benefits, if you will… that is the key for me, you tell, explain, demonstrate, explain some more, you give perso… Read more
Cedric
I am a music book junkie and I have to say that your books are the most clear, user friendly, and helpful books I own.  They are my absolute favorites and I only wish I had them years ago.  I wouldn’t change a thing about the experience I had in acquiring my degree at Berklee, but my playing has perhaps grown more in the time I’ve spent buried in your books and lessons.  Keep up the great work!!! Thanks, John
John

Hello Steve, I’m getting so much out of your lessons and books, amazing how much one may think one knows, there is always a new frontier or new way to view something you think you had somewhat down. You have taken it all to a new level and am so grateful. Your lessons are so down to earth and understandable and clear!  Thanks so much Steve! Cheers, Eddie

Eddie Parente

I am enjoying your style of teaching, and you’ve done a great job with the videos….good sound quality and well constructed lessons.  Balances the more guitaristic material found on the majority of guitar based programs.  Jazz vocab is what I’m all about at this point in the journey.  I especially dig the fact that you’ve studied with Bergonzi…helps me see his voluminous output in a more bite sized way.

Milton
Your major diatonic patterns book is great. I”m studying the first twenty patterns (first twenty pages) each day with different articulation each day and slowly increasing the tempo each week or so.  There is a noticeable improvement in finger coordination across all keys and its amazing how much more secure I feel on the difficult keys when attempting to play pieces with 5+ flats/sharps. I’m able to sort out the fingerings for these pieces now much more quickly than before, often in one or two … Read more
Geoff
I want to let you know that your instructional material is transforming my playing.  It is an immense pleasure to learn and play now, and I can’t tell you how grateful I am. The instructional material I got from you is by far the best of any I own (and I have over 100 books, DVDs, and what not). I literally can’t thank you enough! Deric
Deric
I have NEVER seen material like yours.  Amazing!!
Jerry
I’ve been a member of Steve’s site for about six months now and the difference it has made to my playing is immeasurable. The (many) benefits of this membership are that you can have lessons at time convenient to you, they work out A LOT cheaper than face-to-face lessons with a teacher of the same calibre and you can replay them ad infinitum. I don’t know how many times have I had lessons in the past where I’ve ended up covering the same concepts when really a ‘replay’ of the last lesson would h… Read more
Nick
Your lessons on playing the blues is so clear . I have been through many books on blues playing and not one of them explains as clear as your lessons . Most of them say “Play the same blues scale over all three chords of a 12 bar blues ” Its very misleading .     Thanks
Martin
Hi Steve, I can’t express just how much I appreciate your teaching. My playing has improved so much over the past year since I have been studying and practicing with your lessons. It is possible to teach an old dog new tricks, these lessons are proof! Thanks, Michael Byington
Michael Byington

Thank You Steve. I think that I will be busy for years. Thank You for your great contribution to jazz music. Your books, more than teaching “how to play jazz”, actually teach “how to speak jazz”. I wish I found your methods years ago.  

Jean-Eric
I just wanted to write a thank you note to you for this website. I play and teach saxophone, but I have always been intimidated by the gear aspect. Your website has helped me become a lot more knowledgable. Your knowledge is staggering! I’m telling all my students about your website. Pierre
Pierre

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