• Skip to main content
  • Skip to primary sidebar
  • Skip to footer

Website of Steve Neff

  • BLOG
  • SHOP
  • MY ACCOUNT
  • RAVES
  • CONTACT

Search Neffmusic

You are here: Home / Reviews / Mouthpiece Reviews / Gottsu Sepia Tone Jazz Metal Tenor Saxophone Mouthpiece Review

Gottsu Sepia Tone Jazz Metal Tenor Saxophone Mouthpiece Review

August 26, 2019 by Steve 20 Comments

Today, I am reviewing a tenor saxophone mouthpiece from Gottsu mouthpieces in Japan.  I had received some emails from a few different fans of my site who were impressed with the Gottsu sax mouthpieces they had played and I decided to reach out to the Gottsu company and see if I could review some of their mouthpieces.  In response, they sent me this beautiful Sepia Tone Jazz Metal Tenor saxophone mouthpiece to try out and perhaps review.

Gottsu Sepia Tone Jazz Metal Tenor Saxophone Mouthpiece

The Gottsu Sepia Tone Jazz metal saxophone mouthpiece I received is simply beautiful.  It is an 8 tip opening which according to the tip opening chart on the Gottsu website is a .102 tip opening.  The mouthpiece really is a work of art.  The craftsmanship looks amazing.  The mouthpiece is silver and has  “Gottsu Jazz” engraved on the top and “Sepia Tone” engraved on the top of the shank. Japan is engraved on the bottom of the shank and the tip opening of 8 is engraved on the right side of the mouthpiece as you look at the table.

The table, tip rail, side rails and baffle look about as perfect as can be.  The tip rail looks really thin but super precise and even.  The side rails also look pretty thin and also look to be perfectly made.  The mouthpiece table looks to be almost exactly the width of my Rigotti Gold saxophone reeds and the tip rail match the shape of the saxophone reed tip perfectly.

Gottsu Sepia Tone Jazz Metal Tenor Saxophone Mouthpiece

The baffle is a rollover baffle that is a medium baffle height.  The baffle is not flat side to side but has a side to side curve to it that looks to follow the whole length of the baffle until it terminates at the end of the mouthpiece chamber.  The chamber looks close in size to a metal Otto Link Super Tone Master chamber.  The curve at the bottom of the chamber does extend a little lower than the bottom of the bore circumference so it might be a tad larger than a metal Link but it looks close.  You can see an edge at the rear of the chamber where the bore starts when looking into the chamber from the tip side of the mouthpiece.

Gottsu Sepia Tone Jazz Metal Tenor Saxophone Mouthpiece

The Gottsu Sepia Tone Jazz metal tenor sax mouthpiece is also similar in size to a typical metal Otto Link mouthpiece as my Selmer 404 silver metal ligature that I use on metal Links fits nicely on the Gottsu saxophone mouthpiece.  The only difference is that the Gottsu sax mouthpiece does not have that Otto Link ridge on the top of it.  The beak profile also feels very comfortable and similar in shape to the beak profile on a metal Otto Link saxophone mouthpiece.

Gottsu Sepia Tone Jazz Metal Tenor Saxophone Mouthpiece

Here is a quote from the Gottsu mouthpiece website on the Sepia Tone Jazz metal tenor saxophone mouthpiece.  Although the quote is missing any real data you can at least sense how passionate the maker is about these mouthpieces:

Gottsu Sepia Tone Jazz Metal was born for everyone who loves jazz. This new mouthpiece reproduces the sound of the good old days and provides you with power and response while being easy to play, producing a dark, soft tone. At Gottsu we believe that finding your own sound is the most important thing for any musician, and although it may take many years to obtain, Gottsu Sepia Tone Jazz Metal will be with you every step of the way. As a saxophonist who has experienced this process, I am happy to provide you with this excellent masterpiece. With Gottsu Sepia Tone Jazz Metal, you will be able to realize all of your emotional expressions and play as you wish. I promise you that this piece of art will give you great joy. Enjoy the infinite possibilities of music!!

Here is a comment by Tony Lakatos who plays on a Gottsu Sepia Tone Jazz tenor saxophone mouthpiece (the quote seemed like it was edited by translation software and seemed a bit awkward so I edited a little to make more sense in English) :

“About 10 years ago, I was buying a Gottsu Bamboo Mouthpiece from the internet just because I was fascinated with the design and the amazing craftsmanship I saw on the pictures. This year,  I had the good luck to meet Mr. Masahiko Goto, the president of Gottsu Mouthpiece in the Frankfurt Musikmesse.  He gave me the chance to play his Sepia Tone Jazz Metal 8☆ mouthpiece. I fell in love with that mouthpiece the first minute and loved it even more when I had a chance to play it on the gig. The Sepia Tone Jazz Metal gives me a huge range of dynamics and control over the tenor sax. I love the vintage sound character, the powerful darkness with edge and high end. Beautiful craftsmanship, big round chamber with very rounded sidewalls, just like the classic professional mouthpieces that were made throughout jazz history.” Tony Lakatos

Gottsu Sepia Tone Jazz Metal Tenor Saxophone Mouthpiece

The Gottsu Sepia Tone metal tenor saxophone mouthpiece played incredibly well for me with a Rigotti Gold 3 Light reed.  At first, I was surprised by how easily it played as I thought the 8 tip opening was a .110.  I thought it felt smaller than a .110 tip opening to me.  It turns out that an 8 tip opening is a .102 when you look at the Gottsu tip opening chart on the Gottsu website.  A tip of .102 is smaller than I usually like but the Gottsu sax mouthpiece played great for me with that Rigotti Gold reed and felt very close to my preferred tip opening of .105 on sax mouthpieces with low to medium baffles.

I would say the tone is kind of in the middle of the range from dark to bright and you can lean either way easily depending on the style of music you are playing. The tone is clear, round and focused to my ear.  When I say focused, I feel like I hear a nice tight core to the sound as it come out of the horn and travels to my ears.  I usually associate tenor sax mouthpieces with this type of tone and focused core to the tone of Joshua Redman on Mood Swing which is one of my favorite recordings and a great example this type of focused tenor sax tone in my opinion.  Joshua Redman is kinda of in the middle between dark and bright as far as his saxophone tone on this recording and he has a nice core and focus to his sound in my opinion. (Other later recordings with the hard rubber Otto Link mouthpiece sound more spread to me…..but still awesome)

The intonation on the Gottsu Sepia Tone metal mouthpiece was excellent.  The tone was smooth and even throughout the range of the horn and I felt like the upper register was still full, round and fat sounding which is a very big positive in my book.

Gottsu Sepia Tone Jazz Metal Tenor Saxophone Mouthpiece

I start the sound clip with some slower notes that I feel convey the focused core to the sound.  The notes seem to have a warmth and smoothness to them that I really like.  Right before the 2 minute mark I go into a little bit of ‘Round Midnight and just love the texture and rich character of each note.  The articulation was clean and crisp also which is a testament to the excellently crafted tip rail.

At the 3:30 minute I go into a louder more full volume bluesy type of line with altissimo like I go into on most of my mouthpiece review sound clips.  The Gottsu sax mouthpiece gives more volume but keeps that core focused sound in my opinion.  It does get a little brighter with the volume but doesn’t get thin or super edgy which I am not a fan of.  The altissimo notes really sing out and have some nice power to them when pushed.

One thing I found interesting about the Gottsu Sepia Tone Jazz metal tenor mouthpiece is how much I like the first sound clip with reverb. To me, it just sounds killer with that little bit of added reverb added to the mix.  I personally think this is because the Gottsu Sepia Tone Jazz mouthpiece has that solid core to the sound while still having a richness of character to the tone.  The reverb expands on that tone and softens it up a tad but the rich core sound is still heard clearly right in the middle of each note.  I think it sounds great!

Gottsu Sepia Tone Jazz Metal Tenor Saxophone Mouthpiece

If you like the sound and look of the Gottsu Sepia Tone Jazz Metal tenor saxophone mouthpiece, you can find more information about them on the Gottsu website. I might be mistaken, but I don’t see any way to purchase a mouthpiece on the Gottsu website though.  I think you have to click on the Info tab and then choose a distributor to contact to buy a mouthpiece.  Unfortunately,  I don’t see any US distributors at this time on the Gottsu website.  I do see that Tenormadness.com has the Gottsu Hibiki tenor sax mouthpiece, so maybe it’s only a matter of time before they get the Sepia Tone Jazz Metal tenor sax mouthpiece as well.

I just want to thank and commend Masahiko Goto at the Gottsu company for doing a great job on this Gottsu Sepia Tone Metal tenor saxophone mouthpiece and for sending it to me to try out for this review. It really is a well crafted and beautiful saxophone mouthpiece that plays exceptionally well.

If you have played or end up playing a Gottsu Sepia Tone Jazz Metal tenor saxophone mouthpiece or have any other thoughts or comments about this review, I would love to hear what you think in the comments below.  Thanks,   Steve

https://cdn.neffmusic.com/2019/GottsuJazzReverb.mp3

Gottsu Sepia Tone Jazz Metal Tenor Saxophone Mouthpiece-Rigotti Gold 3 Light Reed-Reverb Added. (I love this clip with the reverb!!  One of my favorites. I picture playing in a big cathedral or church somewhere…….)

https://cdn.neffmusic.com/2019/GottsuJazz.mp3

Gottsu Sepia Tone Jazz Metal Tenor Saxophone Mouthpiece-Rigotti Gold 3 Light Reed-No Reverb Added

Disclosure:  I received the sample mouthpiece reviewed above for free in the hope that I would try it and perhaps review it on my blog. Regardless, I only review sax mouthpieces that I enjoy playing and believe will be good for other saxophone players to try also.     Steve

Filed Under: Mouthpiece Reviews, Tenor Medium Baffle Reviews, Tenor Mouthpiece Reviews Tagged With: Gottsu, Jazz Metal, review, sax mouthpiece, Sepia Tone, tenor saxophone

Steve

About Steve

Steve Neff has been playing and teaching saxophone and jazz improvisation around the New England area for over 30 years. He is the author of many best selling jazz improvisation methods as well as founding the popular jazz video lesson site Neffmusic.com.

Reader Interactions

Comments

  1. AvatarMario Malette says

    August 26, 2019 at 4:44 pm

    Hi Steve
    Sounds really good.
    Great tenor natural rich sound.
    Not too bright,and not too dark.
    Just loved it!!
    Mario Malette from Ont. Canada

    Reply
    • SteveSteve says

      August 28, 2019 at 9:10 am

      Thanks Mario. Hope you are doing well. Let me know if you end up trying one. Steve

      Reply
  2. AvatarBob Rockwell says

    August 28, 2019 at 2:18 pm

    Sound killing on that Steve! I can hear you are comfortable on it- sound really free.

    Best vibes, Bob

    Reply
    • SteveSteve says

      August 28, 2019 at 4:13 pm

      Thanks Bob! I appreciate the positive feedback. Let me know if you ever try one…… Appreciate you stopping by. Steve

      Reply
  3. AvatarGrant Koeller says

    August 29, 2019 at 11:18 am

    Sounds great, just like a metal Otto Link super tone master.
    Thanks for the really great reviews!!
    King Koeller

    Reply
  4. AvatarNick Palise says

    September 3, 2019 at 9:49 am

    Steve, first you sound great as a great player would. It seems almost any mouthpiece you play sounds good, but this one I can identify with. Tone, ease of transitioning from low to high to the altissimo. The difference in style was very obvious to play one piece and a number of different groups. Thanks for sharing.

    Reply
  5. AvatarMats Granath says

    September 3, 2019 at 5:11 pm

    Wonderful sound!! I will definitely try to get my hands on one of those Gottsu’s. One question about the tip opening; How come ‘102 equals an 8 opening?? I always thought it was something like this: ‘100=7,105=7* ‘110=8 and so on…so to me ‘102 would be very close to a 7 tip opening?

    Reply
    • SteveSteve says

      September 3, 2019 at 5:22 pm

      Yes, typically .100 is a 7, .105 is a 7*, .110 is an 8. Certain makers like Morgan mouthpieces call .100 an 8 and .105 an 8*. It looks like Gottsu is doing this also for some reason. I have no idea why. Steve

      Reply
  6. Avatarjohn fournier says

    September 11, 2019 at 8:02 pm

    Sounds great Steve. I’ve been playing the Gottsu Hibiki 7* for months now and love that one. I had never heard of Gottsu and came across it at Paul Maslin’s shop in Chicago. Dying to try the Sepias Tone. Hope they get it in the states soon. Thanks for the review!

    Reply
    • AvatarNick Palise says

      September 12, 2019 at 8:01 am

      John, it’s too bad Gottsu’s pieces cannot be sent to some local sax shops. Probably a lot of musicians would like to try one before buying. I know I will not buy without trying it first. Any possibility of paying, trying and return if it doesn’t work for me. Possibly the wrong tip opening? Respectfully, Nick

      Reply
  7. Avatarjohn fournier says

    September 12, 2019 at 9:33 am

    Nick Palise I agree. I happened upon a used one in Chicago. I know Tenor Madness carries the Hibiki and I think they have a try and send back policy. I really love the piece and the craftsmanship is immaculate. No one in the Chicago scene was playing one and I guess it is because they are hard to find.

    Reply
  8. AvatarFinn says

    October 5, 2019 at 10:25 am

    Hi Steve, you sound great on this piece, I was just wondering if you’d be able to comment on how the Gottsu compares to the 10mfan Classic and Robusto?

    Cheers,
    Finn

    Reply
    • SteveSteve says

      October 5, 2019 at 11:50 am

      The Gottsu Sepia Tone Jazz mouthpiece has a darker tone but is really focused in my opinion. The Robusto is brighter and can be louder for me than the Gottsu. I would say the Robusto is fatter sounding while the Gottsu is more focused I think. The Classic is closer to the Gottsu in tone as far as being less bright but it is still more spread than the focused core of the Gottsu I think. This is all based on my memories of the pieces and I haven’t tried these side by side. I would suggest listening to the clips and trying to see what differences if any you can hear between these three mouthpieces. Steve

      Reply
  9. AvatarMats Granath says

    December 21, 2019 at 3:27 am

    About two month ago I bought a Gottsu Sephia tone Jazz, and I’ve been playing it all the time since then. From the Gottsu website I got hold of an email address to a small dealer in Germany who sent it to me. A big thank you, Steve, for all you’re work with this website and all the mp tests!! It has helped me a lot in finding new pieces. For the first time in my 40 years of playing I’m now gravitating towards a slightly darker sound with lower baffle…I’m coming from a Liu Shizhao Pilgrimage. Maybe it’s not so much about brighter or darker, but I’ve come to realize that I want a Mouthpiece thats not trying to “do to much”. A theory that high baffled pieces give you more of a fixed bright sound, harder to shape into something personal maybe? I’m happy with my Gottsu and even though the sound is slightly darker than the Pilgrimage I find it to be more even in all register of the horn. And that it really has a lot of power and brightness when pushed.

    Reply
  10. AvatarBrad says

    January 10, 2021 at 2:19 am

    Steve, can you get ahold of the newly-released 2021 Gottsu metal Sepia? Video released 24hrs ago: https://www.youtube.com/watch?v=i_kumUNmqP0

    Reply
    • SteveSteve says

      January 10, 2021 at 5:15 pm

      I’m not sure. I can ask. Thanks for bringing it to my attention. Steve

      Reply
  11. AvatarCarl Ditkoff says

    March 20, 2025 at 10:44 am

    Steve:
    I really like the way you sound on this mouthpiece! I just purchased my own and it’s fantastic. It’s strange how similar it looks to other mouthpieces, but it’s definitely doing something different. I ordered mine from Jonathan at the Music Lab in Connecticut. He sent it to me with free shipping!
    Carl

    Reply
    • SteveSteve says

      March 20, 2025 at 11:30 am

      Right?! I still have the one I reviewed all those years ago! There is definitely something special with that mouthpiece. The tone is like buttery smooth! I have to get mine out and play it again. I’m glad you love yours and that the review could help steer you in the right direction.

      Reply
  12. AvatarGiuseppe C. says

    March 21, 2025 at 6:21 am

    I have seen the various models on the site and the one in the review, for my tastes, seems to me to be the best; the mouthpiece seems slightly different today in aesthetics , perhaps the engravings, but the sound is still fabulous. Furthermore, they also provide relatively non-exaggerated tip openings for my tastes (0.89).
    Too bad it is very difficult to find, and Japan is far away… from me.
    The model on the site: https://www.gottsu-japan.com/home-english/products-en/jazz-metal-en/

    Reply
  13. AvatarGiuseppe C. says

    March 21, 2025 at 9:04 am

    Hi Steve,
    after further research I think I understood that it is perhaps also possible to order mouthpieces directly from Gottsu; going to “Store” it appears
    https://www.gottsu-japan.com/home-english/got-su-online-shop/gottsu-online-shop-tenor-sepia-tone-jazz-metal/
    where I think it is possible to order, since it says “add to cart”.
    Is that correct?
    I hope I was helpful.

    Reply

Leave a Reply to Mario Malette Cancel reply

Your email address will not be published. Required fields are marked *

Primary Sidebar

Cart

Subscribe to the Neffmusic Newsletter for the latest reviews and best deals delivered straight to your inbox every month. Join now and you will also receive my 40 Ultimate Michael Brecker Licks free!

Select list(s) to subscribe to


Thanks for joining!


NEFFMUSIC PRINTED BOOKS

Testimonials

Steve really changed my way of practicing: I got a whole lot of new ideas for my playing the tenor.  His lessons are really helpful, give a lot stuff to practice and give clear answers to complicated stuff.  Steve has a lot of humor and I wish I had laughed so much in my former days with the horn.  All topics, from Blues to Approach note are dealt with clearness that wet ones appetite to play and practice that great ideas.
Uwe

Mr. Neff,  I want to thank you for sharing your God-given talents through your on-line lessons.  My husband, Michael, is blind, but he is a great sax player and he has been enjoying your lessons for quite some time now.  It’s not unusual for me to hear “Hey, babe, listen to THIS!” – and he will cut loose on his sax, just thrilled at what he learned during his session with you.  His excitement warms my heart!  You have no idea how much you have poured into my husband.  You have opened musical … Read more

Carole B
I want to say something about Steve Neff’s series of lessons, Beginner Jazz Improvisation. For a couple of years I tried many beginner lessons and my problem was that there was a gap between lessons that were fairly simple and ones that I was not quite ready for and my progress stalled out. That problem was solved with the series Beginner Jazz Improvisation. He guides you step by step along the way and builds a foundation for learning jazz and blues. He leaves no question about what to practice … Read more
Pete

Hello Steve,

I have not received my alto yet but have already gone through 14 lessons. I love your approach, style, knowledge and competence. I now regret so much to have stayed away from playing the sax for the past 45-50 years…(I am 65).  But It is never too late to get back to your first love. After 23 years in compuer sciences and 22 years in finances…I am now back to music for the rest of my life.

Doing some research on the net, I found this:

http://forum.saxontheweb.net/showthread.php?1… Read more

Claude

Steve, just a note to say thanks.

I’ve been playing a long time, but your material, laid out in such a thoughtful way, helps me to understand concepts in a new and deeper way.

You are a true gift to the jazz community.

60 lessons and going strong,

Kevin Ledbetter

Kevin Ledbetter
Your major diatonic patterns book is great. I”m studying the first twenty patterns (first twenty pages) each day with different articulation each day and slowly increasing the tempo each week or so.  There is a noticeable improvement in finger coordination across all keys and its amazing how much more secure I feel on the difficult keys when attempting to play pieces with 5+ flats/sharps. I’m able to sort out the fingerings for these pieces now much more quickly than before, often in one or two … Read more
Geoff

I want to thank you for your “Ultimate II-V-I Primer”  which has sent me off on a much better path to improvisation.  The primer and the four bound books I have will keep me busy for a long time.  I like your lessons for two reasons.  The lessons work and THEY ARE FUN.  Thanks again.

Robert

Robert

I want to thank you again, because, not only are you an inspiration to listen to, you are a fine teacher!

I have been teaching sax and other winds for over 20 years, and you give me that “push” to give my students more!

Mark Peotter

Mark Peotter
Two years later I began a search for a sax teacher and happened to come across Steve Neff when I was searching YouTube for sax teachers.  I went to neffmusic.com and was very impressed with the lessons Steve Neff was offering.  The concept of selecting lessons was an approach that I thought was unique and purchased a few lessons.  I liked the lessons so much that I signed-up for a 6 month package. I was very happy with all the lessons I selected.  I also purchased Steve’s book Mastering the B… Read more
Michael

I am enjoying your style of teaching, and you’ve done a great job with the videos….good sound quality and well constructed lessons.  Balances the more guitaristic material found on the majority of guitar based programs.  Jazz vocab is what I’m all about at this point in the journey.  I especially dig the fact that you’ve studied with Bergonzi…helps me see his voluminous output in a more bite sized way.

Milton

Hello Steve, I’m getting so much out of your lessons and books, amazing how much one may think one knows, there is always a new frontier or new way to view something you think you had somewhat down. You have taken it all to a new level and am so grateful. Your lessons are so down to earth and understandable and clear!  Thanks so much Steve! Cheers, Eddie

Eddie Parente
Thank you for the wealth of helpful lessons you’ve provided over the years.  I truly feel as though it has improved my playing more than the 4 years I spent at Berklee… and that’s not a slight on the school as I loved my experience there.
John
John
I can see from your instructional videos that you are a fantastic teacher – one that can truly relate to all ages – humble yet very positive in approach – never coming across as superior and yet so totally capable of demonstrating the principles and techniques that you seek to impart to the students. I have gained so much confidence in my playing from “pouring over” time and again these invaluable lessons. Invaluable not only in musical content, but also in human interaction content. I am absolu… Read more
Ron
First, I’m really excited about your materials! This site is a vast resource for any aspiring (and maybe already inspired) jazz musicians. I’m not a sax player, I play mandolin and fiddle, but have been learning jazz and playing weekly with a quintet for the past 6 months and have been struggling with all of the issues you get into in your lessons. I bought several books and lessons and plan to continue with some others as soon as I organize my practice routine. Thanks again for a great site … Read more
Tony Galfano
Hi Steve, I live in a gorgeous but rural area of Oregon-no music store within 80 miles. Your lessons are my lifeline!  Truly the best there are anywhere online. Love your playing. Love your teaching.  Thanks again. Ed
Ed Woodmansee
Steve- I joined your site this month and have downloaded 4 lessons and also purchased your new book and video on diatonic patterns. I just want to say I am very pleased with your approach and teaching techniques. I am getting back into playing after laying off for some time. The information you offer on your site is of great value and I am enjoying being a member. Thank you for what you are doing for the saxophone community.
Tony
It is so refreshing to have a great player, who can provide lessons and examples in a manner which is understandable to most any enthusiastic saxophonist who is ready to improve. not just the, do this, do that, memorize this, memorize that… while all that is absolutely necessary, you go on to give reasons and examples to explain and validate why you have to do all of these things, the benefits, if you will… that is the key for me, you tell, explain, demonstrate, explain some more, you give perso… Read more
Cedric
I like so many other subscribers feel so encouraged by Steve’s learning techniques; you will enjoy reading the comments of praise others have left as you too will feel that you share a common view and path. I feel very lucky to have come across Neffmusic and that feeling will remain with you as you search through a treasure trove of learning materials on offer, you will quickly find the lessons that you are suited to. You will instantly recognize the unparalleled quality of Steve’s teaching … Read more
Stephen
I can’t say enough about my membership at Neff Music. Steve has taken the mystery out of playing the saxophone well and improvising both jazz and rock music. Like most struggling players I have a load of all sorts of books on my shelf just gathering dust. Books that I didn’t understand or know how to put to use…or just have the time to go threw them. Steve’s lessons really simplify things and he puts it in a way that I can understand. They inspire me to keep pushing and having him as my guide or… Read more
Ken
Hi Steve, I can’t express just how much I appreciate your teaching. My playing has improved so much over the past year since I have been studying and practicing with your lessons. It is possible to teach an old dog new tricks, these lessons are proof! Thanks, Michael Byington
Michael Byington
I want to let you know that your instructional material is transforming my playing.  It is an immense pleasure to learn and play now, and I can’t tell you how grateful I am. The instructional material I got from you is by far the best of any I own (and I have over 100 books, DVDs, and what not). I literally can’t thank you enough! Deric
Deric
Thank you for all the educational information you provide.  I am a classically trained musician.  Professionally, I am a 4th and 5th grade band teacher.  I have played piano and sax for many years, but now I am starting to gig out more. I have always improvised by ear in the past. I have gotten by with my strong sense of pitch, rhythm and melodic contour. However, I want to go deeper. I want to play with a greater variety of melodic and rhythmic ideas to pull from.  I have studied to gain a … Read more
Ray
Absolutely the best learning experience in my 40 years of playing.These books are awesome!!
Alfred LaBella

Thank You Steve. I think that I will be busy for years. Thank You for your great contribution to jazz music. Your books, more than teaching “how to play jazz”, actually teach “how to speak jazz”. I wish I found your methods years ago.  

Jean-Eric

Featured Video Lessons

  • Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book) Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book)
    Rated 5.00 out of 5
    $19.99 Original price was: $19.99.$14.99Current price is: $14.99.
  • The Secret to Modern Outside Jazz Lines Lesson-Minor The Secret to Modern Outside Jazz Lines Lesson-Minor $9.99
  • Creating Modern II-V-I Lines with Simple Pentatonics Lesson Creating Modern II-V-I Lines with Simple Pentatonics Lesson
    Rated 5.00 out of 5
    $9.99
  • The Best Embouchure for Tone, Intonation and Endurance Lesson The Best Embouchure for Tone, Intonation and Endurance Lesson
    Rated 4.91 out of 5
    $9.99
  • The Secret to Altissimo (no one has ever told you about before) Lesson The Secret to Altissimo (no one has ever told you about before) Lesson
    Rated 4.75 out of 5
    $9.99

Now over 600 video and audio lessons to choose from!

Free Lessons

  • Free Lesson on The New Ultimate II-V-I Primer-Major Keys
  • Free Video Lesson on Mastering Altered Pentatonics
  • Free Video Lesson on Mastering the Blues Scale Volume 1 & 2
  • Free Video Lesson on Mastering the Dominant Bebop Scale and Language Book 1 & 2
  • Free Video Lesson on Approach Note Velocity Book

Recent reviews

  • Bebop Scale-Altered Scale II-V-I Practice Lesson Bebop Scale-Altered Scale II-V-I Practice Lesson by Noah
  • Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book) Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book) by Andy
  • Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book) Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book)
    Rated 5 out of 5
    by Russ
  • Creating Modern II-V-I Lines with Simple Pentatonics Lesson Creating Modern II-V-I Lines with Simple Pentatonics Lesson
    Rated 5 out of 5
    by Timothy
  • The Best Embouchure for Tone, Intonation and Endurance Lesson The Best Embouchure for Tone, Intonation and Endurance Lesson
    Rated 5 out of 5
    by Ray Holland

Footer

Recent Comments

  • Giuseppe C. on Otto Link Super Tone Master Florida V Tenor Saxophone Mouthpiece Review
  • Dino Govoni on Snake Oil for the Saxophone? The Buzz Oversized Neck Screw by Westcoast Sax
  • Mark White on Marc Jean Saxophone Ligature II Model 700 Review
  • Gerrit Schwab on Les Becs d’Autan Florida Tenor Saxophone Mouthpiece Review
  • Dan on A Blast from the Past-Chromazone by Mike Stern Cover

Top rated products

  • Mastering the Major Bebop Scale & Sound (Digital PDF Book) Mastering the Major Bebop Scale & Sound (Digital PDF Book)
    Rated 5.00 out of 5
    $14.99
  • Tune of the Week-Softly as a Morning Sunrise Lesson Tune of the Week-Softly as a Morning Sunrise Lesson
    Rated 5.00 out of 5
    $9.99
  • The Style of Dexter Gordon-Lady Bird Lesson 1 The Style of Dexter Gordon-Lady Bird Lesson 1
    Rated 5.00 out of 5
    $9.99
  • Tune of the Week-Days of Wine and Roses Lesson Tune of the Week-Days of Wine and Roses Lesson
    Rated 5.00 out of 5
    $9.99
  • Tune of the Week-Invitation Tune of the Week-Invitation
    Rated 5.00 out of 5
    $9.99

Product tags

alto sax alto saxophone approach notes audio lesson bebop scale beginner beginner saxophone blues blues licks blues patterns blues scale blues scales diminished scale dominant chords ear training fundamentals II-V-I improvisation jazz improvisation jazz lines jazz patterns jazz sax jazz saxophone jazz standard jazz standards licks Mastering the Blues Scale Michael Brecker modern improv modern improvisation online lesson patterns playing outside practice habits reading music sax basics sax lessons saxophone scales smooth jazz steve neff tenor sax tenor saxophone video lesson video lessons
  • Instagram
  • Facebook
  • Twitter
  • SUPPORT

Neffmusic © 2005–2025