• Skip to main content
  • Skip to primary sidebar
  • Skip to footer

Website of Steve Neff

  • BLOG
  • SHOP
  • MY ACCOUNT
  • RAVES
  • CONTACT

Search Neffmusic

You are here: Home / Reviews / Mouthpiece Reviews / Alto Mouthpiece Reviews / Alto High Baffle Reviews / JX Custom JXRO 8 Alto Saxophone Mouthpiece Review

JX Custom JXRO 8 Alto Saxophone Mouthpiece Review

February 16, 2019 by Steve 9 Comments

Today, I am reviewing the JX Custom JXRO 8 alto saxophone mouthpiece.    This is made by Jianxing Li in Guangzhou, China.  A number of months ago, I was contacted and asked if I would consider reviewing the sax mouthpieces in the photo below for Mr. Li.  They look to be quite the arsenal of saxophone mouthpieces and I couldn’t resist at least trying them out.

  • On the bottom you have the JXFL tenor mouthpiece which is made as a replica of a Francois Louis tenor saxophone mouthpiece similar to what Bob Berg might have played on.
  • The second piece from the bottom is similar to a Guardala Studio tenor saxophone mouthpiece and is called the JXDG.
  • The third mouthpiece from the bottom is fashioned after a double ring Otto Link tenor saxophone mouthpiece.
  • The fourth mouthpiece from the bottom is the JXRO alto sax mouthpiece that is similar in concept to the Miami Dukoff mouthpiece Dave Sanborn used to play that I am reviewing today.
  • At the top of the photo is a JXKM soprano saxophone mouthpiece that is designed to be similar in style to the Miami Dukoff 8 soprano sax mouthpiece that Kenny G plays.

JX Custom Line of Mouthpieces (from top to bottom: JXKM similar yo Kenny G’s Dukoff Soprano Mouthpiece, JXRO-similar to Dave Sanborn’s Dukoff Alto Mouthpiece, JXDR-similar to a Double Ring Florida Link, JXDG-Similar to a Guardala Studio Model, JXFL-Similar to Bob Berg’s Francois Louis Mouthpiece

The descriptions of the designs of these saxophone mouthpieces were given to me by Zhu Haiming who sent them to me to try out.  I want to make that clear in case any of you disagree with how they are described or portrayed in this review.  I am told that Mr. Li bought quite a few original examples of each saxophone mouthpiece to study before he made his own line of sax mouthpieces.  The only exception to this was the Francois Louis mouthpiece which he could only find one of, as they are quite rare.

I am told that all of these mouthpieces are made of stainless steel.  I feel sorry for Mr. Li if he works on these by himself as I have heard that working with stainless steel can be incredibly brutal on the hands.

The JX Custom JXRO 8 alto saxophone mouthpiece looks nice to the eye. The facing of 8 is stamped into the rear of the table.  The table looks to have a concavity to it in the middle when I hold my Reedgeek up to the table.  This is quite normal and a lot of saxophone mouthpiece makers use concave tables from what I understand. The rear of the table is flat according to the Reedgeek. All the sax reeds I used on it sealed perfectly so I think the mouthpiece table is well crafted.

JX Custom JXRO 8 Alto Saxophone Mouthpiece

The JX Custom JXRO 8 alto saxophone mouthpiece rails and tip look thin, even and precise.  The width of the mouthpiece tip and rails look to be exactly the width of the reed up near the tip.  The table is narrower at the rear of the table and the reed overhangs the sides a little bit on each side at the back.  This doesn’t seem to be an issue though since the reeds seem to seal fine for me.  The mouthpiece tip rail is the exact shape of the Rigotti Gold alto reeds I am using.

The mouthpiece I am reviewing today is an 8 tip opening.  I’m not sure what that measures to, but I am comfortable at .078-.083 tip openings on the alto sax and this feels like it is somewhere in the .080-.085 range to me. (*I found out after the review that the tip opening is .085)

The side walls are straight and I would call the chamber a “small” chamber.  The baffle looks to be high in height and gently curves down to the chamber opening.

JX Custom JXRO 8 Alto Saxophone Mouthpiece

The inside of the bore and of the mouthpiece looks a little bit rough and I can feel some divots and texture when I twirled my pinky around in the bore. I would be concerned that this roughness might deteriorate a cork over time.  None of the other JX Custom mouthpiece seem to have this roughness that I can see.

The mouthpiece came with a nice silver ligature that fits the mouthpiece well.  My only criticism of the ligature is that the screws are so close together that they can be hard to grab on to and turn because the other screw is in the way.  It still works well, so not that big of a deal really.

JX Custom JXRO 8 Alto Saxophone Mouthpiece

The JX Custom JXRO alto sax mouthpiece has a pretty high rollover baffle as you can see in the photos.  You can see some scratches and what look like brush marks on the baffle where it was worked on I assume.

The tone of the JXRO alto mouthpiece is definitely on the brighter side of alto saxophone tone.  I found it to have a thick focused core to the sound that could be pushed to the max as far as volume goes.  The brightness did lead me towards more of my old trusted Dave Sanborn licks of my youth.

The Rigotti 2 1/2 strong reed was a good match for this mouthpiece.  The response was quick and articulation was clean and fast.  It did have a healthy resistance to it but I find that resistance necessary when trying get that Sanborn type of sound out of a mouthpiece.

The intonation was as expected on my Selmer Reference 54 alto saxophone.  I say “as expected” because whenever I play a  mouthpiece with a baffle and small chamber my middle E tends to be a bit sharper.  Sometimes between 20-30 cents sharp.  It takes some getting used to and I have to “voice” that note down a bit lower than I usually do on a larger chambered mouthpiece.  It is something that you can adjust for and get used to in my opinion.

JX Custom JXRO 8 Alto Saxophone Mouthpiece

I’ve provided two samples of the same clip below.  One is a sound clip with added reverb and the other is a dry clip in a moderate sized room.  I think it’s important to add the reverb clip just so people can get a sense of what the sound is like with a little bit of that added affect since the added reverb tend to soften the edge and fatten the tone a bit.

JX Custom JXRO 8 Alto Saxophone Mouthpiece

The JX Custom JXRO 8 alto saxophone mouthpiece is a great example of a well crafted high baffle, small chambered alto mouthpiece.  If you have been on the search for an alto sax mouthpiece that will give you a bright edgy sound with power this is another great one to consider.

I wouldn’t choose this mouthpiece to play a cocktail hour of straight ahead jazz but this is a great alto sax mouthpiece for a more modern edgy Sanborn type alto gig where you have to cut through the mix.

JX Custom JXRO 8 Alto Saxophone Mouthpiece

Thanks to Jianxing Li and Zhu Haiming for working together to get me these saxophone mouthpieces to review.  If you are interested in the JX Custom JXRO 8 alto saxophone mouthpiece you can email Mr. Li at jxmouthpieces@163.com (I tested the email to make sure it works).  At the writing of this review, JX Mouthpieces do not have a website but I am told they are working on one.

Let me know your thoughts in the comments below and if you get a JX Custom JXRO 8 alto saxophone mouthpiece be sure to come back and let us know what you think below………Thanks!!

https://cdn.neffmusic.com/2019/JXROReverb.mp3

JX Custom JXRO 8 Alto Saxophone Mouthpiece-Added Reverb

https://cdn.neffmusic.com/2019/JXRO.mp3

JX Custom JXRO 8 Alto Saxophone Mouthpiece-Dry

Disclosure:  I received the sample mouthpiece mentioned above for free in the hope that I would try it and perhaps review it on my blog. Regardless, I only review mouthpieces that I enjoy playing and believe will be good for other saxophone players to try also.     Steve

Filed Under: Alto High Baffle Reviews, Alto Mouthpiece Reviews, Mouthpiece Reviews Tagged With: Alto Saxophone, jazz sax, JX Custom, JXRO, mouthpiece, review, Sanborn

Steve

About Steve

Steve Neff has been playing and teaching saxophone and jazz improvisation around the New England area for over 30 years. He is the author of many best selling jazz improvisation methods as well as founding the popular jazz video lesson site Neffmusic.com.

Reader Interactions

Comments

  1. AvatarFranklin Schieman says

    February 16, 2019 at 3:11 pm

    Hi Steve, thanks for the review!
    This mouthpiece seems to be very flexible, keeping a nice warmth and core in all registers.
    What is your own preferred mouthpiece, and do you own similar mouthpieces that you can compare to the JX Custom JXRO 8?
    Best regards, Franklin Schieman

    Reply
    • SteveSteve says

      February 16, 2019 at 3:34 pm

      Hi Franklin, I’m not really picky on alto believe it or not. I just use the alto for teaching so I like something more middle of the road tone wise. Lately, I have been playing a 10mFan Showboat on alto mainly but I also have a Philtone Rift and a JVW Meyer right now. This is my only high baffle mouthpiece I have for alto right now. Playing with that Sanborn sound is fun but I like a more middle of the road alto sound. I usually sell the high baffle alto mouthpieces I review soon after I review them as there are players out there that do the Sanborn thing all the time and would get a lot more use out of piece like this. Steve

      Reply
  2. AvatarMike says

    February 16, 2019 at 3:15 pm

    This looks like a great piece —typically stainless steel does not vibrate as well as brass or pewter but this actually has a nice buzz to it – my only concern is the lead content of this mouthpiece,being from China – does it smell like lead? Does it have that taste of blood? That metal taste? Ya Know?

    Reply
    • SteveSteve says

      February 16, 2019 at 3:24 pm

      Mike, It doesn’t have any smell or taste that I can detect and I am pretty sensitive to that stuff. Steve

      Reply
  3. AvatarJoel says

    February 16, 2019 at 3:58 pm

    Where can this be purchased ?

    Reply
    • SteveSteve says

      February 16, 2019 at 6:09 pm

      Hi Joel, There is an email address at the bottom of the review where you can email Mr. Li to order one. If you are interested in mine let me know through the contact form here on the site. I usually don’t hang on to high baffle alto pieces very long as I go for a darker sound on alto usually so I might sell it. Thanks, Steve

      Reply
  4. AvatarJakub says

    February 17, 2019 at 7:39 pm

    Looking forward to JXFL review!

    Reply
  5. AvatarDamien Sagbo says

    December 11, 2020 at 9:34 am

    Hi Steve,

    I like very much the sound of this mouthpiece alto JXRO. I have sent an email to Mr. Li to know if he still make this model and since no reply from him.

    Do you still have this mouthpiece…would you sell it ?

    Best regards

    Damien

    Reply
    • SteveSteve says

      December 11, 2020 at 9:53 am

      Sorry. I have sold that mouthpiece already. He makes really cool mouthpieces. I wish he would respond to emails also.

      Reply

Leave a Reply Cancel reply

Your email address will not be published. Required fields are marked *

Primary Sidebar

Steve Neff

Cart

Subscribe to the Neffmusic Newsletter for the latest reviews and best deals delivered straight to your inbox every month. Join now and you will also receive my 40 Ultimate Michael Brecker Licks free!

Select list(s) to subscribe to


Thanks for joining!


NEFFMUSIC PRINTED BOOKS

Testimonials

Just wanted to send you a quick note to say thank you for being you, your playing, your website and your desire to help others. I’m a professional musician in the US Army and I’ve visited your website almost every day since discovering it a couple of months ago. Your lessons are profound and easy to use. I’ve purchased most of your PDF books and now am starting to delve more into the video and audio lessons.  Thank you for being a great resource!
James
I just wanted to write a thank you note to you for this website. I play and teach saxophone, but I have always been intimidated by the gear aspect. Your website has helped me become a lot more knowledgable. Your knowledge is staggering! I’m telling all my students about your website. Pierre
Pierre
Thank you for the wealth of helpful lessons you’ve provided over the years.  I truly feel as though it has improved my playing more than the 4 years I spent at Berklee… and that’s not a slight on the school as I loved my experience there.
John
John
Just a brief note to compliment you on your teaching skills and in particular for the honesty of your lessons.  I am a returning alto sax player in my 50’s and I was looking for a no nonsense, straight to the point kind of guidance. I had intended to email you with a few questions regarding the use of the bis key but then I noticed that there was a lesson on that specific topic and after viewing it,  all my questions were answered. I once took a group lesson with a well known professional sax … Read more
Patrick
By the way, BIG COMPLIMENTS to you, Steve! Not only are you a great player, you are also a great teacher! I, too, am a woodwinds player/teacher. I have new inspiration to play and teach because of you. The concepts and “thinking” is similar to what I already learned in College, but hearing you explain and PLAY the concepts REALLY MAKES THE DIFFERENCE! Also, your written patterns are more interesting than other books I have seen! Keep up the good work. I will be recommending your sit… Read more
I will be recommending your site to others!
Two years later I began a search for a sax teacher and happened to come across Steve Neff when I was searching YouTube for sax teachers.  I went to neffmusic.com and was very impressed with the lessons Steve Neff was offering.  The concept of selecting lessons was an approach that I thought was unique and purchased a few lessons.  I liked the lessons so much that I signed-up for a 6 month package. I was very happy with all the lessons I selected.  I also purchased Steve’s book Mastering the B… Read more
Michael
I just started looking at my lessons and I have to say, dude you are awesome.  I ABSOLUTELY will learn from you!  I started the tenor about 1 ½ yrs ago and have since picked up an alto, and more recently a soprano.  I spend most of the time on the tenor, followed by soprano, and have only gotten to the alto a few times.  I think I’ll be sticking with tenor.  I’m having a great time and hope one day to play well enough to get regular gigs.  I’ve been playing keys for about 35 years (… Read more
Wil
Hey Steve, I’m a 22-year-old from Australia. I thought it would be worth saying. You’re an absolute legend. I can’t thank you enough. You have helped me rekindle my love for the saxophone and music as a whole. All the best for the future, your work doesn’t go unnoticed. PS. I am loving your devastating minor lines pdf.
Sapph

I am enjoying your style of teaching, and you’ve done a great job with the videos….good sound quality and well constructed lessons.  Balances the more guitaristic material found on the majority of guitar based programs.  Jazz vocab is what I’m all about at this point in the journey.  I especially dig the fact that you’ve studied with Bergonzi…helps me see his voluminous output in a more bite sized way.

Milton
Thanks so much for putting all this great learning material out there. I don’t often have the time to take a lesson with a teacher, so the ability to download lessons is really invaluable. My playing has improved enormously (I think :)) – and the lessons are so varied there’s always something to be inspired by. Incredible value too!
Roger
I’m an experienced player in the pop/soul/funk areas of music and, previously, classical.  Over the decades I’ve been playing, I’ve always felt that I could do what I needed in those styles of music.  However, recently I began to feel limited by my use of the same old licks. When I discovered Steve Neff’s website, and heard the audio examples based on the exercises in his books, I realized they were what I needed.  I purchased all of them and have been working on them since.  It’s very hard work… Read more
Paul
I have NEVER seen material like yours.  Amazing!!
Jerry
Just to say thanks for your advice and lessons.  I’ve just read your amazing story.  I really appreciate what you do in regards to teaching.  I have bought a couple of your lessons and frankly they’re undersold.   I’ve learned much more with these two lessons than with 2 years of sax teachers.   Thanks so much………..
Mike

Hello Steve, I’m getting so much out of your lessons and books, amazing how much one may think one knows, there is always a new frontier or new way to view something you think you had somewhat down. You have taken it all to a new level and am so grateful. Your lessons are so down to earth and understandable and clear!  Thanks so much Steve! Cheers, Eddie

Eddie Parente
I like so many other subscribers feel so encouraged by Steve’s learning techniques; you will enjoy reading the comments of praise others have left as you too will feel that you share a common view and path. I feel very lucky to have come across Neffmusic and that feeling will remain with you as you search through a treasure trove of learning materials on offer, you will quickly find the lessons that you are suited to. You will instantly recognize the unparalleled quality of Steve’s teaching … Read more
Stephen

Hello Steve,

I have not received my alto yet but have already gone through 14 lessons. I love your approach, style, knowledge and competence. I now regret so much to have stayed away from playing the sax for the past 45-50 years…(I am 65).  But It is never too late to get back to your first love. After 23 years in compuer sciences and 22 years in finances…I am now back to music for the rest of my life.

Doing some research on the net, I found this:

http://forum.saxontheweb.net/showthread.php?1… Read more

Claude

Thank You Steve. I think that I will be busy for years. Thank You for your great contribution to jazz music. Your books, more than teaching “how to play jazz”, actually teach “how to speak jazz”. I wish I found your methods years ago.  

Jean-Eric

Steve,  Just want to say thanks for all you are doing for all of us. I’ve learned more from you than anyone else in my 40 years of playing.

If you can give some tips on One Note Samba, Ceora, and Wave… that would be cool.  I really like learning how you apply your concepts to actual songs!

Have a great year,

Kevin Ledbetter

I've learned more from you than anyone else in my 40 years of playing.

Mr. Neff,  I want to thank you for sharing your God-given talents through your on-line lessons.  My husband, Michael, is blind, but he is a great sax player and he has been enjoying your lessons for quite some time now.  It’s not unusual for me to hear “Hey, babe, listen to THIS!” – and he will cut loose on his sax, just thrilled at what he learned during his session with you.  His excitement warms my heart!  You have no idea how much you have poured into my husband.  You have opened musical … Read more

Carole B

Hi Steve,

First, I want to thank you for all of your great lessons. They are like a “For Dummies” version of all the books on my shelf. The lessons break things down into manageable pieces, and give me the confidence that I’m practicing the right pieces. I’m starting to make progress.   Thank You,   Kim

Kim
Your major diatonic patterns book is great. I”m studying the first twenty patterns (first twenty pages) each day with different articulation each day and slowly increasing the tempo each week or so.  There is a noticeable improvement in finger coordination across all keys and its amazing how much more secure I feel on the difficult keys when attempting to play pieces with 5+ flats/sharps. I’m able to sort out the fingerings for these pieces now much more quickly than before, often in one or two … Read more
Geoff
Absolutely the best learning experience in my 40 years of playing.These books are awesome!!
Alfred LaBella
Hi Steve, I can’t express just how much I appreciate your teaching. My playing has improved so much over the past year since I have been studying and practicing with your lessons. It is possible to teach an old dog new tricks, these lessons are proof! Thanks, Michael Byington
Michael Byington
For anyone living in remote areas away from live jazz sax teachers, Neff is the way to go. In fact this is a great resource for anyone seriously interested in mastering the sax. I’ve never been disappointed in a lesson.
Oliver

Featured Video Lessons

  • Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book) Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book)
    Rated 5.00 out of 5
    $19.99 Original price was: $19.99.$14.99Current price is: $14.99.
  • The Secret to Modern Outside Jazz Lines Lesson-Minor The Secret to Modern Outside Jazz Lines Lesson-Minor $9.99
  • Creating Modern II-V-I Lines with Simple Pentatonics Lesson Creating Modern II-V-I Lines with Simple Pentatonics Lesson
    Rated 5.00 out of 5
    $9.99
  • The Best Embouchure for Tone, Intonation and Endurance Lesson The Best Embouchure for Tone, Intonation and Endurance Lesson
    Rated 4.91 out of 5
    $9.99
  • The Secret to Altissimo (no one has ever told you about before) Lesson The Secret to Altissimo (no one has ever told you about before) Lesson
    Rated 4.75 out of 5
    $9.99

Now over 600 video and audio lessons to choose from!

Free Lessons

  • Free Lesson on The New Ultimate II-V-I Primer-Major Keys
  • Free Video Lesson on Mastering Altered Pentatonics
  • Free Video Lesson on Mastering the Blues Scale Volume 1 & 2
  • Free Video Lesson on Mastering the Dominant Bebop Scale and Language Book 1 & 2
  • Free Video Lesson on Approach Note Velocity Book

Recent reviews

  • Practicing Double-Time Licks Lesson Practicing Double-Time Licks Lesson
    Rated 5 out of 5
    by Az Samad
  • Bebop Scale-Altered Scale II-V-I Practice Lesson Bebop Scale-Altered Scale II-V-I Practice Lesson by Noah
  • Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book) Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book) by Andy
  • Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book) Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book)
    Rated 5 out of 5
    by Russ
  • Creating Modern II-V-I Lines with Simple Pentatonics Lesson Creating Modern II-V-I Lines with Simple Pentatonics Lesson
    Rated 5 out of 5
    by Timothy

Footer

Recent Comments

  • Bart on Theo Wanne Brahma Gold Tenor Saxophone Mouthpiece Review
  • Ron S Golec on Theo Wanne Slant 2 Tenor Saxophone Mouthpiece Review
  • Dominique on Sakshama Branford Marsalis Model Delrin Tenor Saxophone Mouthpiece Review
  • Alejandro on Theo Wanne Durga 5 Gold Tenor Saxophone Mouthpiece Review
  • Pablo on Theo Wanne Brahma Gold Tenor Saxophone Mouthpiece Review

Top rated products

  • Mastering the Major Bebop Scale & Sound (Digital PDF Book) Mastering the Major Bebop Scale & Sound (Digital PDF Book)
    Rated 5.00 out of 5
    $14.99
  • Tune of the Week-Softly as a Morning Sunrise Lesson Tune of the Week-Softly as a Morning Sunrise Lesson
    Rated 5.00 out of 5
    $9.99
  • The Style of Dexter Gordon-Lady Bird Lesson 1 The Style of Dexter Gordon-Lady Bird Lesson 1
    Rated 5.00 out of 5
    $9.99
  • Tune of the Week-Days of Wine and Roses Lesson Tune of the Week-Days of Wine and Roses Lesson
    Rated 5.00 out of 5
    $9.99
  • Tune of the Week-Invitation Tune of the Week-Invitation
    Rated 5.00 out of 5
    $9.99

Product tags

alto sax alto saxophone approach notes audio lesson bebop scale beginner beginner saxophone blues blues licks blues patterns blues scale blues scales diminished scale dominant chords ear training fundamentals II-V-I improvisation jazz improvisation jazz lines jazz patterns jazz sax jazz saxophone jazz standard jazz standards licks Mastering the Blues Scale Michael Brecker modern improv modern improvisation online lesson patterns playing outside practice habits reading music sax basics sax lessons saxophone scales smooth jazz steve neff tenor sax tenor saxophone video lesson video lessons
  • Instagram
  • Facebook
  • Twitter
  • SUPPORT

Neffmusic © 2005–2025