• Skip to main content
  • Skip to primary sidebar
  • Skip to footer

Website of Steve Neff

  • BLOG
  • SHOP
  • MY ACCOUNT
  • RAVES
  • CONTACT

Search Neffmusic

You are here: Home / Reviews / Saxophone Stuff / Boston Sax Shop Signature Reed Cases

Boston Sax Shop Signature Reed Cases

March 28, 2018 by Steve 3 Comments

Today, I am reviewing a beautiful new product I received with a reed order from Jack Tyler at the Boston Sax Shop.  Last week,  I ordered some new reeds to try from Jack and when the package came, I opened it to discover this added gem inside.  This is the Boston Sax Shop signature reed case.  It is without a doubt the most beautiful reed case I have ever seen.  It is not cheap,  but I thought I would write about it for those of you out there that like “fine” things like cuban cigars, Lamborghinis and Rolex watches………

Boston Sax Shop Signature Reed Cases

Here is the description of the signature reed case from the Boston Sax Shop website:

Each Boston Sax Shop reed case is made from solid maple and richly stained in a dark cherry finish. The cases feature an unbreakable level acrylic table which helps to prevent reeds from warping. An integrated side vent provides just enough breathability so that your reeds maintain an even balance of moisture retainment. The profile of the case is designed to be as slim as possible and utilizes two flush mounted rare earth magnets for closure.  Available for alto and tenor.  Each case comfortably holds 4 reeds.

 

Boston Sax Shop Signature Reed Cases

The BSS signature reed case looks great with the richly stained walnut wood.  The BSS engraving on top looks cool and while it might peak another sax player’s curiosity with it’s subtlety, it isn’t a blatant advertisement that shouts out BOSTON SAX SHOP!!!   This logo is a much classier alternative in my opinion.

The case opens smoothly and easily but you can feel the pull of the two  “rare earth” magnets that hold it closed.  They are strong enough so that the case won’t open accidentally and your most cherished reeds scattered all over the place.  I don’t know what  “rare earth magnets” even are………but it does sound impressive!  (I think that is what Thor’s hammer is made of perhaps……..)

Boston Sax Shop Signature Reed Cases

As the description describes above, inside the case is an “unbreakable” acrylic table to place your most cherished reeds on. Although I believe that acrylic is probably extremely hard to break (especially inside the reed case),  I’m not sure I am onboard with Jack’s claim that it is “unbreakable”.  I was tempted to get out my power drill and test this assertion but then decided “Ahhh, he probably just meant it’s really hard to break……”.  That is good enough for me. (Although, if it is unbreakable, it would be good to know so I could whip it out if I’m about to get shot in a mugging gone horribly wrong down in Boston……)

Boston Sax Shop Signature Reed Cases

On the top inside of the case is what feels like a velvet material to gently caress and hug your favorite reeds. This contact keeps them secure physically and emotionally.  Where the case closes on the butt end of the reeds the velvet material is thicker like a velvety pillow you might see at your stay at the luxury suite at the Four Seasons Hotel or perhaps Trump Tower.  The velvety pillow material gently holds each reed in a tender embrace as you shut the case so that they are not traumatized in thinking they are being locked away forever but rather just going “night night”.  Those reeds aren’t going anywhere…….nor do they want to……..

On either side of the velvety pillow are the integrated side vents to provide just enough breathability for your reeds so that they aren’t too moist or too dry but perfectly happy and ready to be played the next time they are needed.

Boston Sax Shop Signature Reed Cases

In the past, I have had reed cases where the hinge rod would inevitably slide out and get lost somewhere in my travels.  This was always a pain when it happened.  The BSS signature reed case looks to me like it was designed to protect against this by placing the hinges in such a position that the wood of the case would stop those hinge rods from sliding out in either direction which is awesome.

The one thing I would be careful of are the 8 screws that hold those hinges in place.  I have been around long enough to know that those pesky little screws are just waiting to twist themselves out and make an escape when I am not looking.  I would suggest keeping an eye on those little guys. (I am tempted right now to put a little dab of super glue on each one to hinder their escape)

The case does hold four reeds comfortably.  You can squeeze a fifth reed in also but it just over hangs the acrylic a very tiny bit.  If they had made that acrylic just a millimeter or two wider it could have fit five reeds. Oh well………..

If you are interested in the Boston Sax Shop Signature reed holder to not only hold your reeds, but also to keep them safe and secure, you can get one at the Boston Sax Shop website.  Neffmusic also gets a small commission from each sale using this link which helps support this website,  so thank you in advance if you use the link.

Thanks to Jack for sending me one of these.  We aren’t used to this kind of luxury up in the woods of Vermont but I can’t say I don’t like it!  Gotta run, time for my spa visit……..Stay thirsty, my friends!

Disclosure:  I received the product reviewed above for free in the hope that I would try it and perhaps review it on my blog. I also receive a small commission when you purchase from the Boston Sax Shop website using the link above that helps to support this site. Regardless, I only review sax mouthpieces and other sax related gear that I enjoy playing and believe will be good for other saxophone players to try also. Steve

Filed Under: Saxophone Stuff Tagged With: Boston Sax Shop, BSS, reed case, reed holder, reeds, review, storage

Steve

About Steve

Steve Neff has been playing and teaching saxophone and jazz improvisation around the New England area for over 30 years. He is the author of many best selling jazz improvisation methods as well as founding the popular jazz video lesson site Neffmusic.com.

Reader Interactions

Comments

  1. AvatarAntonino says

    April 3, 2018 at 9:30 pm

    The reed case is great. It can fit in your pocket. It is made so smooth it is really nice. I really like it. Peace. Antonino Ferro

    Reply
  2. AvatarAndrew Vogt says

    April 9, 2018 at 2:51 pm

    Thanks for the thorough review of this reed case. I am not totally thrilled with the various cases I have used over the years so it is good to see a different product reviewed that I was unaware of. Incidentally, Thor’s Hammer, Mjölnir, is composed of an Asgardian metal known as Uru, which, as far as anything I have ever heard or read, does not have any specific magnetic properties.

    Reply
    • SteveSteve says

      April 15, 2018 at 4:25 pm

      Haha! Thanks Andrew! You sound like you know what you talking about in regards to Thor’s hammer. Hope you like the case if you get it. I only wish it held 5 reeds easily and not just 4…… Steve

      Reply

Leave a Reply to Andrew Vogt Cancel reply

Your email address will not be published. Required fields are marked *

Primary Sidebar

Cart

Subscribe to the Neffmusic Newsletter for the latest reviews and best deals delivered straight to your inbox every month. Join now and you will also receive my 40 Ultimate Michael Brecker Licks free!

Select list(s) to subscribe to


Thanks for joining!


NEFFMUSIC PRINTED BOOKS

Testimonials

I bought Steve’s dominant bebop book and took a couple of online lesson from him. I really appreciated Steve’s careful listening of what I wanted to get done in a lesson and his clear, concise ideas on next steps to improve my playing and musical interpretation.  His mastering  the Dominant Bebop Scale has lots of exercises to use a scale that addresses the largest percentage of chords I come across in pop/blues music. The dominant V7.  Needless say it has improved my playing.  I teach and a… Read more
Keith
Steve- I joined your site this month and have downloaded 4 lessons and also purchased your new book and video on diatonic patterns. I just want to say I am very pleased with your approach and teaching techniques. I am getting back into playing after laying off for some time. The information you offer on your site is of great value and I am enjoying being a member. Thank you for what you are doing for the saxophone community.
Tony
Thank you so much for the great job you are doing to help further our jazz studies. Though I make my living as a repairer of musical instruments I am a student of jazz and have been fortunate enough to be involved with a big band and a combo for the last several years. As my children began to leave “the nest” I had decided to dedicate the next half of my life to a more serious study of the sax but I didn’t know exactly how I would go about doing this until a friend of mine turned me onto your si… Read more
Jon
I have found your videos and publications inspiring and your contribution to the world of saxophone playing is immense. Paul
Paul
By the way, BIG COMPLIMENTS to you, Steve! Not only are you a great player, you are also a great teacher! I, too, am a woodwinds player/teacher. I have new inspiration to play and teach because of you. The concepts and “thinking” is similar to what I already learned in College, but hearing you explain and PLAY the concepts REALLY MAKES THE DIFFERENCE! Also, your written patterns are more interesting than other books I have seen! Keep up the good work. I will be recommending your sit… Read more
I will be recommending your site to others!
I can see from your instructional videos that you are a fantastic teacher – one that can truly relate to all ages – humble yet very positive in approach – never coming across as superior and yet so totally capable of demonstrating the principles and techniques that you seek to impart to the students. I have gained so much confidence in my playing from “pouring over” time and again these invaluable lessons. Invaluable not only in musical content, but also in human interaction content. I am absolu… Read more
Ron
Just a brief note to compliment you on your teaching skills and in particular for the honesty of your lessons.  I am a returning alto sax player in my 50’s and I was looking for a no nonsense, straight to the point kind of guidance. I had intended to email you with a few questions regarding the use of the bis key but then I noticed that there was a lesson on that specific topic and after viewing it,  all my questions were answered. I once took a group lesson with a well known professional sax … Read more
Patrick
Hey Steve, My name is Jason Freese and I play keyboards and sax in the band Green Day.  I grew up taking sax lessons from Eric Marienthal when I was a kid and got out of it for a long time. I ran into you on youtube while searching for sax stuff. I bought a whole bunch of your lessons and have been loving it! Thanks! Here is my wikipedia so you can see the albums I’ve played on….Thanks again. It’s sparked my interest in practicing again.   Jason
Jason Freese (sax player for Green Day)
Hey Steve, I’m a 22-year-old from Australia. I thought it would be worth saying. You’re an absolute legend. I can’t thank you enough. You have helped me rekindle my love for the saxophone and music as a whole. All the best for the future, your work doesn’t go unnoticed. PS. I am loving your devastating minor lines pdf.
Sapph

After reading your story I will never feel quite right about complaining about any of my MINOR health issues!!    God bless Steve and I really hope that your health doesn’t stop you from fulfilling your calling.    These books have been such a help to open up my jazz vocabulary…   Thanks so much for sharing your story and for providing these great teaching tools…   John Leclerc   Saxophonist / composer/ EWI player and professional working musician of 35 years….

John Leclerc

Hello Steve,

I just want to say thank you so much for your unbelievable work, it is just mind opening, thanks for sharing it.

Wolfgang from Berlin

Wolfgang from Berlin
I am enjoying your style of teaching, and you’ve done a great job with the videos….good sound quality and well constructed lessons.  Balances the more guitaristic material found on the majority of guitar based programs.  Jazz vocab is what I’m all about at this point in the journey.   I especially dig the fact that you’ve studied with Bergonzi…helps me see his voluminous output in a more  bite sized way.
Milton

I must say again how much I appreciate all your material. Including the video tutorials. It help keep me focused and knowing what to aim for. And your laid back teaching style appeals to me too. 

Thanks

P

P
First, I’m really excited about your materials! This site is a vast resource for any aspiring (and maybe already inspired) jazz musicians. I’m not a sax player, I play mandolin and fiddle, but have been learning jazz and playing weekly with a quintet for the past 6 months and have been struggling with all of the issues you get into in your lessons. I bought several books and lessons and plan to continue with some others as soon as I organize my practice routine. Thanks again for a great site … Read more
Tony Galfano
I just wanted to write a thank you note to you for this website. I play and teach saxophone, but I have always been intimidated by the gear aspect. Your website has helped me become a lot more knowledgable. Your knowledge is staggering! I’m telling all my students about your website. Pierre
Pierre
I’m an experienced player in the pop/soul/funk areas of music and, previously, classical.  Over the decades I’ve been playing, I’ve always felt that I could do what I needed in those styles of music.  However, recently I began to feel limited by my use of the same old licks. When I discovered Steve Neff’s website, and heard the audio examples based on the exercises in his books, I realized they were what I needed.  I purchased all of them and have been working on them since.  It’s very hard work… Read more
Paul

I want to thank you for your “Ultimate II-V-I Primer”  which has sent me off on a much better path to improvisation.  The primer and the four bound books I have will keep me busy for a long time.  I like your lessons for two reasons.  The lessons work and THEY ARE FUN.  Thanks again.

Robert

Robert

Steve, just a note to say thanks.

I’ve been playing a long time, but your material, laid out in such a thoughtful way, helps me to understand concepts in a new and deeper way.

You are a true gift to the jazz community.

60 lessons and going strong,

Kevin Ledbetter

Kevin Ledbetter
I can’t say enough about my membership at Neff Music. Steve has taken the mystery out of playing the saxophone well and improvising both jazz and rock music. Like most struggling players I have a load of all sorts of books on my shelf just gathering dust. Books that I didn’t understand or know how to put to use…or just have the time to go threw them. Steve’s lessons really simplify things and he puts it in a way that I can understand. They inspire me to keep pushing and having him as my guide or… Read more
Ken

Hi Steve,

First, I want to thank you for all of your great lessons. They are like a “For Dummies” version of all the books on my shelf. The lessons break things down into manageable pieces, and give me the confidence that I’m practicing the right pieces. I’m starting to make progress.   Thank You,   Kim

Kim
Absolutely the best learning experience in my 40 years of playing.These books are awesome!!
Alfred LaBella

I am enjoying your style of teaching, and you’ve done a great job with the videos….good sound quality and well constructed lessons.  Balances the more guitaristic material found on the majority of guitar based programs.  Jazz vocab is what I’m all about at this point in the journey.  I especially dig the fact that you’ve studied with Bergonzi…helps me see his voluminous output in a more bite sized way.

Milton
Steve’s monthly lessons are entirely valuable. Without brow beating, he tells you all the stuff you deep down know you really should be working on, instead of just relying on the same old patterns. In spite of the fact that you’re taking a video lesson, Steve’s presentation is comfortable and “real”. In a little more than a year, he’s developed a library of lessons that seem to offer any player a lifetime’s worth of practice material. I’m just glad I stumbled upon it.… Read more
Grant
Steve really changed my way of practicing: I got a whole lot of new ideas for my playing the tenor.  His lessons are really helpful, give a lot stuff to practice and give clear answers to complicated stuff.  Steve has a lot of humor and I wish I had laughed so much in my former days with the horn.  All topics, from Blues to Approach note are dealt with clearness that wet ones appetite to play and practice that great ideas.
Uwe

Featured Video Lessons

  • Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book) Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book)
    Rated 5.00 out of 5
    $19.99 Original price was: $19.99.$14.99Current price is: $14.99.
  • The Secret to Modern Outside Jazz Lines Lesson-Minor The Secret to Modern Outside Jazz Lines Lesson-Minor $9.99
  • Creating Modern II-V-I Lines with Simple Pentatonics Lesson Creating Modern II-V-I Lines with Simple Pentatonics Lesson
    Rated 5.00 out of 5
    $9.99
  • The Best Embouchure for Tone, Intonation and Endurance Lesson The Best Embouchure for Tone, Intonation and Endurance Lesson
    Rated 4.91 out of 5
    $9.99
  • The Secret to Altissimo (no one has ever told you about before) Lesson The Secret to Altissimo (no one has ever told you about before) Lesson
    Rated 4.75 out of 5
    $9.99

Now over 600 video and audio lessons to choose from!

Free Lessons

  • Free Lesson on The New Ultimate II-V-I Primer-Major Keys
  • Free Video Lesson on Mastering Altered Pentatonics
  • Free Video Lesson on Mastering the Blues Scale Volume 1 & 2
  • Free Video Lesson on Mastering the Dominant Bebop Scale and Language Book 1 & 2
  • Free Video Lesson on Approach Note Velocity Book

Recent reviews

  • Bebop Scale-Altered Scale II-V-I Practice Lesson Bebop Scale-Altered Scale II-V-I Practice Lesson by Noah
  • Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book) Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book) by Andy
  • Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book) Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book)
    Rated 5 out of 5
    by Russ
  • Creating Modern II-V-I Lines with Simple Pentatonics Lesson Creating Modern II-V-I Lines with Simple Pentatonics Lesson
    Rated 5 out of 5
    by Timothy
  • The Best Embouchure for Tone, Intonation and Endurance Lesson The Best Embouchure for Tone, Intonation and Endurance Lesson
    Rated 5 out of 5
    by Ray Holland

Footer

Recent Comments

  • Dominique on Otto Link Super Tone Master Florida V Tenor Saxophone Mouthpiece Review
  • Felipe on Drake Jerry Bergonzi Master Series Power Resonance 7* Tenor Saxophone Mouthpiece Review
  • Steve on Ted Klum Focustone Standard Model Tenor Saxophone Mouthpiece
  • Jeremy on Ted Klum Focustone Standard Model Tenor Saxophone Mouthpiece
  • Steve on Les Becs d’Autan Florida Tenor Saxophone Mouthpiece Review

Top rated products

  • Mastering the Major Bebop Scale & Sound (Digital PDF Book) Mastering the Major Bebop Scale & Sound (Digital PDF Book)
    Rated 5.00 out of 5
    $14.99
  • Tune of the Week-Softly as a Morning Sunrise Lesson Tune of the Week-Softly as a Morning Sunrise Lesson
    Rated 5.00 out of 5
    $9.99
  • The Style of Dexter Gordon-Lady Bird Lesson 1 The Style of Dexter Gordon-Lady Bird Lesson 1
    Rated 5.00 out of 5
    $9.99
  • Tune of the Week-Days of Wine and Roses Lesson Tune of the Week-Days of Wine and Roses Lesson
    Rated 5.00 out of 5
    $9.99
  • Tune of the Week-Invitation Tune of the Week-Invitation
    Rated 5.00 out of 5
    $9.99

Product tags

alto sax alto saxophone approach notes audio lesson bebop scale beginner beginner saxophone blues blues licks blues patterns blues scale blues scales diminished scale dominant chords ear training fundamentals II-V-I improvisation jazz improvisation jazz lines jazz patterns jazz sax jazz saxophone jazz standard jazz standards licks Mastering the Blues Scale Michael Brecker modern improv modern improvisation online lesson patterns playing outside practice habits reading music sax basics sax lessons saxophone scales smooth jazz steve neff tenor sax tenor saxophone video lesson video lessons
  • Instagram
  • Facebook
  • Twitter
  • SUPPORT

Neffmusic © 2005–2025