• Skip to main content
  • Skip to primary sidebar
  • Skip to footer

Website of Steve Neff

  • BLOG
  • SHOP
  • MY ACCOUNT
  • RAVES
  • CONTACT

Search Neffmusic

You are here: Home / Reviews / Saxophone Stuff / Boston Sax Shop Signature Reed Cases

Boston Sax Shop Signature Reed Cases

March 28, 2018 by Steve 3 Comments

Today, I am reviewing a beautiful new product I received with a reed order from Jack Tyler at the Boston Sax Shop.  Last week,  I ordered some new reeds to try from Jack and when the package came, I opened it to discover this added gem inside.  This is the Boston Sax Shop signature reed case.  It is without a doubt the most beautiful reed case I have ever seen.  It is not cheap,  but I thought I would write about it for those of you out there that like “fine” things like cuban cigars, Lamborghinis and Rolex watches………

Boston Sax Shop Signature Reed Cases

Here is the description of the signature reed case from the Boston Sax Shop website:

Each Boston Sax Shop reed case is made from solid maple and richly stained in a dark cherry finish. The cases feature an unbreakable level acrylic table which helps to prevent reeds from warping. An integrated side vent provides just enough breathability so that your reeds maintain an even balance of moisture retainment. The profile of the case is designed to be as slim as possible and utilizes two flush mounted rare earth magnets for closure.  Available for alto and tenor.  Each case comfortably holds 4 reeds.

 

Boston Sax Shop Signature Reed Cases

The BSS signature reed case looks great with the richly stained walnut wood.  The BSS engraving on top looks cool and while it might peak another sax player’s curiosity with it’s subtlety, it isn’t a blatant advertisement that shouts out BOSTON SAX SHOP!!!   This logo is a much classier alternative in my opinion.

The case opens smoothly and easily but you can feel the pull of the two  “rare earth” magnets that hold it closed.  They are strong enough so that the case won’t open accidentally and your most cherished reeds scattered all over the place.  I don’t know what  “rare earth magnets” even are………but it does sound impressive!  (I think that is what Thor’s hammer is made of perhaps……..)

Boston Sax Shop Signature Reed Cases

As the description describes above, inside the case is an “unbreakable” acrylic table to place your most cherished reeds on. Although I believe that acrylic is probably extremely hard to break (especially inside the reed case),  I’m not sure I am onboard with Jack’s claim that it is “unbreakable”.  I was tempted to get out my power drill and test this assertion but then decided “Ahhh, he probably just meant it’s really hard to break……”.  That is good enough for me. (Although, if it is unbreakable, it would be good to know so I could whip it out if I’m about to get shot in a mugging gone horribly wrong down in Boston……)

Boston Sax Shop Signature Reed Cases

On the top inside of the case is what feels like a velvet material to gently caress and hug your favorite reeds. This contact keeps them secure physically and emotionally.  Where the case closes on the butt end of the reeds the velvet material is thicker like a velvety pillow you might see at your stay at the luxury suite at the Four Seasons Hotel or perhaps Trump Tower.  The velvety pillow material gently holds each reed in a tender embrace as you shut the case so that they are not traumatized in thinking they are being locked away forever but rather just going “night night”.  Those reeds aren’t going anywhere…….nor do they want to……..

On either side of the velvety pillow are the integrated side vents to provide just enough breathability for your reeds so that they aren’t too moist or too dry but perfectly happy and ready to be played the next time they are needed.

Boston Sax Shop Signature Reed Cases

In the past, I have had reed cases where the hinge rod would inevitably slide out and get lost somewhere in my travels.  This was always a pain when it happened.  The BSS signature reed case looks to me like it was designed to protect against this by placing the hinges in such a position that the wood of the case would stop those hinge rods from sliding out in either direction which is awesome.

The one thing I would be careful of are the 8 screws that hold those hinges in place.  I have been around long enough to know that those pesky little screws are just waiting to twist themselves out and make an escape when I am not looking.  I would suggest keeping an eye on those little guys. (I am tempted right now to put a little dab of super glue on each one to hinder their escape)

The case does hold four reeds comfortably.  You can squeeze a fifth reed in also but it just over hangs the acrylic a very tiny bit.  If they had made that acrylic just a millimeter or two wider it could have fit five reeds. Oh well………..

If you are interested in the Boston Sax Shop Signature reed holder to not only hold your reeds, but also to keep them safe and secure, you can get one at the Boston Sax Shop website.  Neffmusic also gets a small commission from each sale using this link which helps support this website,  so thank you in advance if you use the link.

Thanks to Jack for sending me one of these.  We aren’t used to this kind of luxury up in the woods of Vermont but I can’t say I don’t like it!  Gotta run, time for my spa visit……..Stay thirsty, my friends!

Disclosure:  I received the product reviewed above for free in the hope that I would try it and perhaps review it on my blog. I also receive a small commission when you purchase from the Boston Sax Shop website using the link above that helps to support this site. Regardless, I only review sax mouthpieces and other sax related gear that I enjoy playing and believe will be good for other saxophone players to try also. Steve

Filed Under: Saxophone Stuff Tagged With: Boston Sax Shop, BSS, reed case, reed holder, reeds, review, storage

Steve

About Steve

Steve Neff has been playing and teaching saxophone and jazz improvisation around the New England area for over 30 years. He is the author of many best selling jazz improvisation methods as well as founding the popular jazz video lesson site Neffmusic.com.

Reader Interactions

Comments

  1. AvatarAntonino says

    April 3, 2018 at 9:30 pm

    The reed case is great. It can fit in your pocket. It is made so smooth it is really nice. I really like it. Peace. Antonino Ferro

    Reply
  2. AvatarAndrew Vogt says

    April 9, 2018 at 2:51 pm

    Thanks for the thorough review of this reed case. I am not totally thrilled with the various cases I have used over the years so it is good to see a different product reviewed that I was unaware of. Incidentally, Thor’s Hammer, Mjölnir, is composed of an Asgardian metal known as Uru, which, as far as anything I have ever heard or read, does not have any specific magnetic properties.

    Reply
    • SteveSteve says

      April 15, 2018 at 4:25 pm

      Haha! Thanks Andrew! You sound like you know what you talking about in regards to Thor’s hammer. Hope you like the case if you get it. I only wish it held 5 reeds easily and not just 4…… Steve

      Reply

Leave a Reply Cancel reply

Your email address will not be published. Required fields are marked *

Primary Sidebar

Steve Neff

Cart


NEFFMUSIC PRINTED BOOKS

Testimonials

Hey Steve! I hope you and your family are well.  I’m just writing to say thank you so much for all the resources you have made available to the saxophone community. I have been using your material for many years and I always come back to it… in fact I just took a break from practicing to write this…( reviewing “CreatingModern II-V-I Lines with simple pentatonics”.) I am, and continue to be, one of your raving fans! Blessings to you and your family this holiday season! Wishing… Read more
Gerry Aylward
Steve really changed my way of practicing: I got a whole lot of new ideas for my playing the tenor.  His lessons are really helpful, give a lot stuff to practice and give clear answers to complicated stuff.  Steve has a lot of humor and I wish I had laughed so much in my former days with the horn.  All topics, from Blues to Approach note are dealt with clearness that wet ones appetite to play and practice that great ideas.
Uwe
Thanks so much for putting all this great learning material out there. I don’t often have the time to take a lesson with a teacher, so the ability to download lessons is really invaluable. My playing has improved enormously (I think :)) – and the lessons are so varied there’s always something to be inspired by. Incredible value too!
Roger
I can’t say enough about my membership at Neff Music. Steve has taken the mystery out of playing the saxophone well and improvising both jazz and rock music. Like most struggling players I have a load of all sorts of books on my shelf just gathering dust. Books that I didn’t understand or know how to put to use…or just have the time to go threw them. Steve’s lessons really simplify things and he puts it in a way that I can understand. They inspire me to keep pushing and having him as my guide or… Read more
Ken
It is so refreshing to have a great player, who can provide lessons and examples in a manner which is understandable to most any enthusiastic saxophonist who is ready to improve. not just the, do this, do that, memorize this, memorize that… while all that is absolutely necessary, you go on to give reasons and examples to explain and validate why you have to do all of these things, the benefits, if you will… that is the key for me, you tell, explain, demonstrate, explain some more, you give perso… Read more
Cedric
I just started looking at my lessons and I have to say, dude you are awesome.  I ABSOLUTELY will learn from you!  I started the tenor about 1 ½ yrs ago and have since picked up an alto, and more recently a soprano.  I spend most of the time on the tenor, followed by soprano, and have only gotten to the alto a few times.  I think I’ll be sticking with tenor.  I’m having a great time and hope one day to play well enough to get regular gigs.  I’ve been playing keys for about 35 years (… Read more
Wil
Just a brief note to compliment you on your teaching skills and in particular for the honesty of your lessons.  I am a returning alto sax player in my 50’s and I was looking for a no nonsense, straight to the point kind of guidance. I had intended to email you with a few questions regarding the use of the bis key but then I noticed that there was a lesson on that specific topic and after viewing it,  all my questions were answered. I once took a group lesson with a well known professional sax … Read more
Patrick
Absolutely the best learning experience in my 40 years of playing.These books are awesome!!
Alfred LaBella
I would like to say that in the last year my sax playing has progressed loads from your lessons. I have had a sax for about 20 years and dabbled with lessons from a few teachers and have learnt very little from them. As you have said in your lessons many teachers tell you to use the blues scale and leave it there, not even showing you the resolution points!!. I am now believing I can in time become a good improviser.
Thanks again,
Shane
Shane

I want to thank you again, because, not only are you an inspiration to listen to, you are a fine teacher!

I have been teaching sax and other winds for over 20 years, and you give me that “push” to give my students more!

Mark Peotter

Mark Peotter

Your material is great! I got your New Altissimo Lesson 6 months ago and I have learned more from that than in all my 44 years of playing! I appreciate your down to earth teaching method and I really appreciate the heart that you teach with. I have been a subscriber to your lessons for the past 6 months and I have learned a great deal. Over that period of time I have had some questions and you have never failed to respond. Thanks! I have already recommended your lessons to a number of players in… Read more

Michael Byington
Your major diatonic patterns book is great. I”m studying the first twenty patterns (first twenty pages) each day with different articulation each day and slowly increasing the tempo each week or so.  There is a noticeable improvement in finger coordination across all keys and its amazing how much more secure I feel on the difficult keys when attempting to play pieces with 5+ flats/sharps. I’m able to sort out the fingerings for these pieces now much more quickly than before, often in one or two … Read more
Geoff
Hi Steve, I can’t express just how much I appreciate your teaching. My playing has improved so much over the past year since I have been studying and practicing with your lessons. It is possible to teach an old dog new tricks, these lessons are proof! Thanks, Michael Byington
Michael Byington
Thank you for all the educational information you provide.  I am a classically trained musician.  Professionally, I am a 4th and 5th grade band teacher.  I have played piano and sax for many years, but now I am starting to gig out more. I have always improvised by ear in the past. I have gotten by with my strong sense of pitch, rhythm and melodic contour. However, I want to go deeper. I want to play with a greater variety of melodic and rhythmic ideas to pull from.  I have studied to gain a … Read more
Ray

I am enjoying your style of teaching, and you’ve done a great job with the videos….good sound quality and well constructed lessons.  Balances the more guitaristic material found on the majority of guitar based programs.  Jazz vocab is what I’m all about at this point in the journey.  I especially dig the fact that you’ve studied with Bergonzi…helps me see his voluminous output in a more bite sized way.

Milton

Thank You Steve. I think that I will be busy for years. Thank You for your great contribution to jazz music. Your books, more than teaching “how to play jazz”, actually teach “how to speak jazz”. I wish I found your methods years ago.  

Jean-Eric
I just joined Neff Music last month. I can’t tell you how excited I’ve been to be able to pick back up on lessons. I’ve been in a rut and you got me out! I’ve especially appreciated the Lesson Path section. It was so clear I knew exactly where to jump in and start. Many many thanks!
Karin
Hey Steve, I’m a 22-year-old from Australia. I thought it would be worth saying. You’re an absolute legend. I can’t thank you enough. You have helped me rekindle my love for the saxophone and music as a whole. All the best for the future, your work doesn’t go unnoticed. PS. I am loving your devastating minor lines pdf.
Sapph

Hi Steve,

First, I want to thank you for all of your great lessons. They are like a “For Dummies” version of all the books on my shelf. The lessons break things down into manageable pieces, and give me the confidence that I’m practicing the right pieces. I’m starting to make progress.   Thank You,   Kim

Kim
Hey Steve, My name is Jason Freese and I play keyboards and sax in the band Green Day.  I grew up taking sax lessons from Eric Marienthal when I was a kid and got out of it for a long time. I ran into you on youtube while searching for sax stuff. I bought a whole bunch of your lessons and have been loving it! Thanks! Here is my wikipedia so you can see the albums I’ve played on….Thanks again. It’s sparked my interest in practicing again.   Jason
Jason Freese (sax player for Green Day)
I have NEVER seen material like yours.  Amazing!!
Jerry
I’m an experienced player in the pop/soul/funk areas of music and, previously, classical.  Over the decades I’ve been playing, I’ve always felt that I could do what I needed in those styles of music.  However, recently I began to feel limited by my use of the same old licks. When I discovered Steve Neff’s website, and heard the audio examples based on the exercises in his books, I realized they were what I needed.  I purchased all of them and have been working on them since.  It’s very hard work… Read more
Paul

Never really had lessons before just kinda worked things out on my own. Was in a rut but your lessons are really helpful in opening melodic possibilities. Ur an awesome resource to the saxophone community. Thanks for sharing. 

Anthony
Thank you for the wealth of helpful lessons you’ve provided over the years.  I truly feel as though it has improved my playing more than the 4 years I spent at Berklee… and that’s not a slight on the school as I loved my experience there.
John
John

Featured Video Lessons

  • Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book) Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book)
    Rated 5.00 out of 5
    $19.99 Original price was: $19.99.$14.99Current price is: $14.99.
  • The Secret to Modern Outside Jazz Lines Lesson-Minor The Secret to Modern Outside Jazz Lines Lesson-Minor $9.99
  • Creating Modern II-V-I Lines with Simple Pentatonics Lesson Creating Modern II-V-I Lines with Simple Pentatonics Lesson
    Rated 5.00 out of 5
    $9.99
  • The Best Embouchure for Tone, Intonation and Endurance Lesson The Best Embouchure for Tone, Intonation and Endurance Lesson
    Rated 4.91 out of 5
    $9.99
  • The Secret to Altissimo (no one has ever told you about before) Lesson The Secret to Altissimo (no one has ever told you about before) Lesson
    Rated 4.75 out of 5
    $9.99

Now over 600 video and audio lessons to choose from!

Free Lessons

  • Free Lesson on The New Ultimate II-V-I Primer-Major Keys
  • Free Video Lesson on Mastering Altered Pentatonics
  • Free Video Lesson on Mastering the Blues Scale Volume 1 & 2
  • Free Video Lesson on Mastering the Dominant Bebop Scale and Language Book 1 & 2
  • Free Video Lesson on Approach Note Velocity Book

Recent reviews

  • Bebop Scale-Altered Scale II-V-I Practice Lesson Bebop Scale-Altered Scale II-V-I Practice Lesson by Noah
  • Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book) Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book) by Andy
  • Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book) Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book)
    Rated 5 out of 5
    by Russ
  • Creating Modern II-V-I Lines with Simple Pentatonics Lesson Creating Modern II-V-I Lines with Simple Pentatonics Lesson
    Rated 5 out of 5
    by Timothy
  • The Best Embouchure for Tone, Intonation and Endurance Lesson The Best Embouchure for Tone, Intonation and Endurance Lesson
    Rated 5 out of 5
    by Ray Holland

Footer

Recent Comments

  • Tom on Phil-Tone Topaz Alto Saxophone Mouthpiece Review
  • Ari on Geller Blackbird Ebonite Tenor Saxophone Mouthpiece Review
  • Peter van Raak on Selmer Jazz Tribute 7* Tenor Saxophone Mouthpiece Review
  • Willem van Gelder on Theo Wanne Lakshmi Gold Tenor Saxophone Mouthpiece Review
  • Predrag on Drake Vintage Resin NY Jazz Tenor Mouthpiece

Top rated products

  • Mastering the Major Bebop Scale & Sound (Digital PDF Book) Mastering the Major Bebop Scale & Sound (Digital PDF Book)
    Rated 5.00 out of 5
    $14.99
  • Tune of the Week-Softly as a Morning Sunrise Lesson Tune of the Week-Softly as a Morning Sunrise Lesson
    Rated 5.00 out of 5
    $9.99
  • The Style of Dexter Gordon-Lady Bird Lesson 1 The Style of Dexter Gordon-Lady Bird Lesson 1
    Rated 5.00 out of 5
    $9.99
  • Tune of the Week-Days of Wine and Roses Lesson Tune of the Week-Days of Wine and Roses Lesson
    Rated 5.00 out of 5
    $9.99
  • Tune of the Week-Invitation Tune of the Week-Invitation
    Rated 5.00 out of 5
    $9.99

Product tags

alto sax alto saxophone approach notes audio lesson bebop scale beginner beginner saxophone blues blues licks blues patterns blues scale blues scales diminished scale dominant chords ear training fundamentals II-V-I improvisation jazz improvisation jazz lines jazz patterns jazz sax jazz saxophone jazz standard jazz standards licks Mastering the Blues Scale Michael Brecker modern improv modern improvisation online lesson patterns playing outside practice habits reading music sax basics sax lessons saxophone scales smooth jazz steve neff tenor sax tenor saxophone video lesson video lessons
  • Instagram
  • Facebook
  • Twitter
  • SUPPORT

Neffmusic © 2005–2025