• Skip to main content
  • Skip to primary sidebar
  • Skip to footer

Website of Steve Neff

  • BLOG
  • SHOP
  • MY ACCOUNT
  • RAVES
  • CONTACT

Search Neffmusic

You are here: Home / Reviews / Mouthpiece Reviews / Tenor Mouthpiece Reviews / Tenor Low Baffle Reviews / Florida Double Ring Otto Link Tenor Saxophone Mouthpiece

Florida Double Ring Otto Link Tenor Saxophone Mouthpiece

July 26, 2013 by Steve 24 Comments

Today, I’m reviewing an old 1950’s Florida Double Ring Otto Link Tenor Saxophone Mouthpiece.  It was originally a 5 tip opening but was opened up to a 7 or .100 tip opening at some point.  These Florida double ring mouthpieces were made in the 1950’s by the Otto Link company.  This mouthpiece I have is just bare brass.  Either this mouthpiece has been played so much that the  gold and rhodium (silver?) plating underneath has all worn off or someone at some point had the mouthpiece stripped down to the bare brass.  When I first received this vintage  double ring it had a very worn down bite plate.  I didn’t mind that though as that is a sign that a mouthpiece has been played a lot and I was hoping that that meant it would be good.  After I received it and decided I liked it I sent it off to Keith Bradbury (Mojo) who did a great job putting a new bit plate on it.  The original bite plate wasn’t horrible but it was worn down enough that it really bugged me when I played it.

Florida Double Ring Otto Link Tenor Saxophone Mouthpiece

As usual, Brian Powell did a great job on this Otto Link.  The table, rails and tip look perfect.  There is a short rollover baffle that extends down into a large chamber.  The roof of the chamber looks very thin to me.  Not sure if it came that way or if that is Brian’s work but it is raised a good amount from the roof of the bore of the mouthpiece. This makes the chamber slightly larger than the bore circumference.  The mouthpiece has a serial number of “U24” on it.  I was curious about it’s length so I lined it up next to my other Florida Links and modern Links and it was the same length as the others.

Florida Double Ring Otto Link Tenor Saxophone Mouthpiece

The reed I’m using on this is a Rico Select Jazz 3S.  I hope to get a 3M this weekend to try because the 3S was a tad soft for my tastes.  I also tried my Rigotti Gold reeds but this mouthpiece did not do well with Rigotti Gold reeds.  It played well with softer Rigotti’s but when I moved up to a harder size it got way too edgy!   Luckily, I tried the RSJ reeds on it and the edge was lessened.  I have noticed this “edge” affect with Rigotti’s on my Lamberson and JVW Link and always attributed it to their shorter facing curves not liking the Rigotti’s……….

Florida Double Ring Otto Link Tenor Saxophone Mouthpiece

The sound of this mouthpiece is right in the middle of the spectrum for me.  Not super dark, not super bright……..right in the middle.  It’s nice and lush down low when sub-toning and the color of the tone is nice and rich.  It’s nice and even throughout the range of the horn although the middle and high register seems to brighten up a bit for me.  When you listen to the recording you can here a bit of edge and a brightness up top.  The more air I blew the brighter it got.  I was actually surprised how powerful and bright I could get with this mouthpiece.  I assumed it would be darker because it is a vintage double ring.  I also thought it wouldn’t be as powerful because it was a 7 tip opening.  I was wrong on both counts.  This mouthpiece can scream and get some nice volume when pushed.

Florida Double Ring Otto Link Tenor Saxophone Mouthpiece

This Florida Double Ring Otto Link has been a joy to play. If you like the sound of the clip below and the mouthpiece catches your interest then…………good luck finding one.  If you do, they are going for 1000-1500 bucks on ebay last I looked.   Is it worth that kind of money?  Only the player can make that decision………. Start saving your pennies………

Let me know what you think in the comments below………….Thanks, Steve

Audio Player
https://public.neffmusic.com/DRLink.mp3
00:00
00:00
00:00
Use Up/Down Arrow keys to increase or decrease volume.

Florida Double Ring Otto Link Tenor Saxophone Mouthpiece

 

Filed Under: Tenor Low Baffle Reviews, Tenor Mouthpiece Reviews Tagged With: double ring, florida, otto link, review, sax mouthpiece, tenor saxophone

Steve

About Steve

Steve Neff has been playing and teaching saxophone and jazz improvisation around the New England area for over 30 years. He is the author of many best selling jazz improvisation methods as well as founding the popular jazz video lesson site Neffmusic.com.

Reader Interactions

Comments

  1. AvatarVP says

    July 27, 2013 at 5:21 pm

    This sounds very similar to my Double Ring and your description of how it can be lush or scream depending on how you blow even on a smaller tip also compares. One of the most versatile jazz mouthpieces I’ve ever played and a gorgeous midrange. You sound great on it as always!

    Reply
  2. AvatarPatrick Mueller says

    August 3, 2013 at 5:02 pm

    Hi Steve,
    a great review and a great sound example.
    I agree with you absolutely.
    I own an original DR 10.
    It sounds very similar but it plays in my opinion like an 8. Very easy subtones
    and power when you push.
    I also find RJS are best for this piece
    and it works well with my MKVI.
    It doesn’t fit as good on my S20 or my Chu.
    The DR10 has a more complex tone than
    my .108 Florida no USA refaced by Brian.

    PS: When are you going to publish your review on Mark’s new pieces.?
    All the best Steve
    Patrick (pattysax on STOW)

    Reply
  3. AvatarLarry Weintraub says

    August 7, 2013 at 11:35 am

    Steve: I listened to FL Link, The Ted Klum and the Barone. I definitely like the sound of the Link the best. It’s fuller, darker, real nice subtone and it sounds very even throughout the whole range. My 2nd pick would be the Klum with the RJS reed. See my comments on that mpc in that section. Okay to me the Barone would be good if I was playing in a Rock Band. It sounded brighter than the other 2 mpcs. TO bright for my taste but everyone is different.

    Reply
  4. AvatarLarry Weintraub says

    August 7, 2013 at 11:55 am

    Steve:
    Okay I just listened to the Phil-Tone/Wanne mpc and now it’s back to the FL Link. II would put the PT 2nd in my choice of the mpcs I listened to. I really like the FL like the best, it just seems to have more core, better sub tone, the high notes have body to them plus core.

    Okay I may be biased because I play a 60’s vintage metal Link 8*. But I just like the Link sound of the FL Links. I haven’t tried the newer Links because I don’t have the need to. The other mpc that I like the sound of is the old Hollywood Dukoff’s from the 40’s like the 1 Dexter played. However I also like Dexter’s sound when he switched to a Link in the early 60’s after his Conn 10M and Dukoff mpc were stolen in Paris. Well I hope all this makes sense.

    Reply
  5. AvatarJoel Frahm says

    September 21, 2013 at 12:16 am

    Hey Steve,

    The clip sounds great! Is this your main piece?

    Reply
    • stevesteve says

      September 21, 2013 at 11:22 am

      Hi Joel, I have about 16 pieces sitting on my desk right now that I love. My plan is too take some time and work through them and narrow down what I love most. It’s very hard as I love aspects of each piece. I’m starting to realize I’m a bit of a collector. I guess it started when I was a kid. I had a stamp collection, rock collection, coin collection, comic book collection and now a mouthpiece collection. My wife says I’m a nerd………..The double ring is one of my favorites though!

      Reply
      • AvatarJohnny Rocco says

        September 5, 2024 at 3:02 pm

        Matt Marantz has a killer Double ring type Otto he’s producing.

        Reply
  6. AvatarCRAIG says

    November 11, 2013 at 12:05 am

    perfect!

    Reply
  7. AvatarMike.C says

    January 30, 2014 at 8:06 pm

    Hi Steve,

    I listened all the clips. Each piece has their own character. It’s hard to narrow down your collection! The sound of the DR link is my taste.

    Reply
  8. AvatarAndrej says

    February 1, 2014 at 11:15 am

    Hi Steve!

    Great sound. I have DR 0.88” that MojoBari worked on. I did not want to open it more as I wanted to preserve its original tone. Anyhow, I would also recommend Hemke’s reeds on it. I just love Hemke’s with all my vintage Links (tone masters too). These mouthpieces are special as in my opinion they carry very good qualities from both worlds – earlier tone masters and later Florida models. Like a nice cross-over that is really unique.

    Reply
  9. AvatarBrian M. says

    February 28, 2014 at 12:17 pm

    This is my favorite piece I’ve heard here. There’s something “hollow” sounding to the Double Ring that I keep coming back to that isn’t as evident on any other piece. I think it’s that quality that I appreciate when it’s being pushed–it may get brighter as you say, but it doesn’t sound similar to the brightness of later Florida pieces on the site. I’d guess the slightly larger chamber has something to do with it?

    Steve, I’d be very curious to know whether you think the Phil-Tone Tribute vs Mosaic is more similar to this Double Ring. They each sound like they possess some similar qualities.

    Reply
    • SteveSteve says

      February 28, 2014 at 3:45 pm

      Brian,
      I would say the Tribute and Mosaic are in the same category as the double ring but it is it’s own mouthpiece. All 3 of those pieces play very different for me. The double ring is a 7 so it is a bit more closed than the other two which makes it play and respond a bit differently also. i need to prune down my mouthpiece drawer so I I have to revisit that double ring to see if I keep it or sell it……………..Your right it does have a great sound!!

      Reply
  10. Avatarraefbop says

    April 3, 2014 at 9:25 pm

    Great Neff. Literally, when you are selling this piece I’ll buy it off you. I’m on SOTW or you have my email.

    Reply
  11. AvatarCRAIG says

    June 24, 2014 at 10:26 am

    massively excellent Mr Neff!!! what a lussssshhhhhhhh sound you create. grab your favorite rhythm section and do some takes with this piece. love it! i would love to purchase this piece also if you ever commit that unthinkable sin and do end up parting with it :->…..ps you seriously have a better mp than this??? do tell what!

    Reply
    • SteveSteve says

      June 24, 2014 at 10:32 am

      Thanks Craig! Coincidentally enough, I was thinking this morning of sending it to a refacer to get opened to 7* (.105). That’s always a gamble though. If it comes back less than it was it is hard to get it back………….Maybe I’ll wait on that idea…………

      Reply
  12. AvatarMatt says

    December 3, 2014 at 5:00 pm

    Hi Steve,
    I just wanted to start by saying you sound absolutely stellar on this piece. What a sound.

    I was wondering if you know of any hard rubber pieces that might sound similar? Unfortunately, I have a tooth sensitivity issue that prevents me from playing metal mouthpieces and I would love to have that sound option available to me.

    Thank you for your time
    Matt

    Reply
  13. AvatarJoel Frahm says

    October 3, 2016 at 3:21 am

    Steve, don’t reface that piece again, if you haven’t yet. Man, I keep coming back to this clip because I love your sound on this piece so much. May I be totally rude and ask if you would ever sell it?

    Reply
    • SteveSteve says

      October 7, 2016 at 11:03 am

      Joel,
      Yes, I have learned my lesson with refacing. If a piece in any way great I don’t mess with it. If it is below average or even average I might send it out but I have sent out to many pieces that were great thinking I would like them in a slightly smaller or larger tip and then when they come back I have lost what made them great. No more. I’d rather sell it to someone who will play it and love it’s greatness at this point……….Thanks for the input. Steve

      Reply
  14. AvatarOscar Smith says

    April 7, 2018 at 7:54 pm

    Hi Steve,

    Great review, sounding fantastic! I recently picked up a Morgan Fry refaced Sakshama Ring – a mpc which I believe to be a lost wax copy of a Florida DR. Everything you’ve said here applies to that piece, it’s got a beautiful ‘middle of the road’ sound with a slightly brighter upper range. Would be interesting to see how it compares to the real-deal though …

    Kind regards,

    Oscar

    Reply
  15. AvatarJesse Bennett says

    April 11, 2018 at 4:30 pm

    Hi. I have the same one that, unfortunately, slipped out of my hand while cleaning and hit the sink…never played right after that, though I couldn’t ”see’ anything. Great mouthpiece (approx 7*). Once many years ago, behind stage in Germany, I switched with Liebman’s same one to compare…nearly identical. Btw, Peter Neff used to do my horns back in the 70s when I lived in NYC…the best. He also shared many overhaul tips.

    Reply
    • SteveSteve says

      April 15, 2018 at 4:20 pm

      Jesse, That stinks! I dropped my main Sugal JB mouthpiece while practicing in a garage once and it hit the concrete right on the tip. It was toast! Never heard of Peter Neff, hmmmm…….Thanks, Steve

      Reply
      • AvatarHeiner Musiol says

        December 24, 2021 at 4:25 pm

        Peter Neff was a highly respected sax technician in Cologne, Germany. Hailing from Romania, he founded his own workshop in Cologne and soon became one of the favorite techs in Germany. Many musicians, among them many members of the WDR Bigband, relied on his state-of-the-art overhauls and his expertise.
        He passed away a couple of years ago in 2014 and is remembered dearly. This is a link to a feature that was broadcasted by Romanian TV a long time ago.

        https://www.braunpiccolos.com/video_peter_neff.htm

        R.I.P.

        Reply
        • SteveSteve says

          December 28, 2021 at 7:39 pm

          Heiner, Thanks for letting us know about Peter Neff. He sounds like he was a great repairman. I don’t think he is any relation but I guess you never know. Steve

          Reply

Trackbacks

  1. RS Berkeley Chris Potter Legends Series Tenor Sax Mouthpiece says:
    April 10, 2015 at 12:37 pm

    […] “hollowness”.   I’m not sure how to describe that word or quality but I did a review of a double ring Otto Link in the past that I thought also had that quality in it’s tone.  Someone in the comments […]

    Reply

Leave a Reply to Joel Frahm Cancel reply

Your email address will not be published. Required fields are marked *

Primary Sidebar

Cart

Subscribe to the Neffmusic Newsletter for the latest reviews and best deals delivered straight to your inbox every month. Join now and you will also receive my 40 Ultimate Michael Brecker Licks free!

Select list(s) to subscribe to


Thanks for joining!


NEFFMUSIC PRINTED BOOKS

Testimonials

1 2 3 4 5
Steve really changed my way of practicing: I got a whole lot of new ideas for my playing the tenor.  His lessons are really helpful, give a lot stuff to practice and give clear answers to complicated stuff.  Steve has a lot of humor and I wish I had laughed so much in my former days with the horn.  All topics, from Blues to Approach note are dealt with clearness that wet ones appetite to play and practice that great ideas.
Uwe
1 2 3 4 5

Steve,

I have played for many years and have enjoyed going “back to the basics” in some of your lessons!  You have such a gift for explaining concepts.  As I have gotten older, some of the basic things have gotten muddled because I just play, not knowing why.  As I refresh myself with “why”, it increases my confidence and expands my playing.  Thank you so much for using your gift!  You are a blessing!

Julia
1 2 3 4 5
I have NEVER seen material like yours.  Amazing!!
Jerry
1 2 3 4 5

After reading your story I will never feel quite right about complaining about any of my MINOR health issues!!    God bless Steve and I really hope that your health doesn’t stop you from fulfilling your calling.    These books have been such a help to open up my jazz vocabulary…   Thanks so much for sharing your story and for providing these great teaching tools…   John Leclerc   Saxophonist / composer/ EWI player and professional working musician of 35 years….

John Leclerc
1 2 3 4 5
I just joined Neff Music last month. I can’t tell you how excited I’ve been to be able to pick back up on lessons. I’ve been in a rut and you got me out! I’ve especially appreciated the Lesson Path section. It was so clear I knew exactly where to jump in and start. Many many thanks!
Karin
1 2 3 4 5
Just to say thanks for your advice and lessons.  I’ve just read your amazing story.  I really appreciate what you do in regards to teaching.  I have bought a couple of your lessons and frankly they’re undersold.   I’ve learned much more with these two lessons than with 2 years of sax teachers.   Thanks so much………..
Mike
1 2 3 4 5

I want to thank you for your “Ultimate II-V-I Primer”  which has sent me off on a much better path to improvisation.  The primer and the four bound books I have will keep me busy for a long time.  I like your lessons for two reasons.  The lessons work and THEY ARE FUN.  Thanks again.

Robert

Robert
1 2 3 4 5
It is so refreshing to have a great player, who can provide lessons and examples in a manner which is understandable to most any enthusiastic saxophonist who is ready to improve. not just the, do this, do that, memorize this, memorize that… while all that is absolutely necessary, you go on to give reasons and examples to explain and validate why you have to do all of these things, the benefits, if you will… that is the key for me, you tell, explain, demonstrate, explain some more, you give perso… Read more
Cedric
1 2 3 4 5
Just wanted to send you a quick note to say thank you for being you, your playing, your website and your desire to help others. I’m a professional musician in the US Army and I’ve visited your website almost every day since discovering it a couple of months ago. Your lessons are profound and easy to use. I’ve purchased most of your PDF books and now am starting to delve more into the video and audio lessons.  Thank you for being a great resource!
James
1 2 3 4 5

Thank You Steve. I think that I will be busy for years. Thank You for your great contribution to jazz music. Your books, more than teaching “how to play jazz”, actually teach “how to speak jazz”. I wish I found your methods years ago.  

Jean-Eric
1 2 3 4 5
Hi Steve, I live in a gorgeous but rural area of Oregon-no music store within 80 miles. Your lessons are my lifeline!  Truly the best there are anywhere online. Love your playing. Love your teaching.  Thanks again. Ed
Ed Woodmansee
1 2 3 4 5
Hi Steve, I can’t express just how much I appreciate your teaching. My playing has improved so much over the past year since I have been studying and practicing with your lessons. It is possible to teach an old dog new tricks, these lessons are proof! Thanks, Michael Byington
Michael Byington
1 2 3 4 5
Hey Steve! I hope you and your family are well.  I’m just writing to say thank you so much for all the resources you have made available to the saxophone community. I have been using your material for many years and I always come back to it… in fact I just took a break from practicing to write this…( reviewing “CreatingModern II-V-I Lines with simple pentatonics”.) I am, and continue to be, one of your raving fans! Blessings to you and your family this holiday season! Wishing… Read more
Gerry Aylward
1 2 3 4 5
Thanks so much for putting all this great learning material out there. I don’t often have the time to take a lesson with a teacher, so the ability to download lessons is really invaluable. My playing has improved enormously (I think :)) – and the lessons are so varied there’s always something to be inspired by. Incredible value too!
Roger
1 2 3 4 5

Hello Steve, I’m getting so much out of your lessons and books, amazing how much one may think one knows, there is always a new frontier or new way to view something you think you had somewhat down. You have taken it all to a new level and am so grateful. Your lessons are so down to earth and understandable and clear!  Thanks so much Steve! Cheers, Eddie

Eddie Parente
1 2 3 4 5
I want to say something about Steve Neff’s series of lessons, Beginner Jazz Improvisation. For a couple of years I tried many beginner lessons and my problem was that there was a gap between lessons that were fairly simple and ones that I was not quite ready for and my progress stalled out. That problem was solved with the series Beginner Jazz Improvisation. He guides you step by step along the way and builds a foundation for learning jazz and blues. He leaves no question about what to practice … Read more
Pete
1 2 3 4 5

Steve,  Just want to say thanks for all you are doing for all of us. I’ve learned more from you than anyone else in my 40 years of playing.

If you can give some tips on One Note Samba, Ceora, and Wave… that would be cool.  I really like learning how you apply your concepts to actual songs!

Have a great year,

Kevin Ledbetter

I've learned more from you than anyone else in my 40 years of playing.
1 2 3 4 5

Hello Steve,

I have not received my alto yet but have already gone through 14 lessons. I love your approach, style, knowledge and competence. I now regret so much to have stayed away from playing the sax for the past 45-50 years…(I am 65).  But It is never too late to get back to your first love. After 23 years in compuer sciences and 22 years in finances…I am now back to music for the rest of my life.

Doing some research on the net, I found this:

http://forum.saxontheweb.net/showthread.php?1… Read more

Claude
1 2 3 4 5

Love your lessons!  I have been using your lesson packages for many months now, and am learning a lot.  It is so perfect for me with a very busy adult schedule and difficulty in taking jazz/improv music lessons from reputable instructors who live and hour or more away from me.

Lenore
1 2 3 4 5

Steve, just a note to say thanks.

I’ve been playing a long time, but your material, laid out in such a thoughtful way, helps me to understand concepts in a new and deeper way.

You are a true gift to the jazz community.

60 lessons and going strong,

Kevin Ledbetter

Kevin Ledbetter
1 2 3 4 5
Thank you for the wealth of helpful lessons you’ve provided over the years.  I truly feel as though it has improved my playing more than the 4 years I spent at Berklee… and that’s not a slight on the school as I loved my experience there.
John
John
1 2 3 4 5
Two years later I began a search for a sax teacher and happened to come across Steve Neff when I was searching YouTube for sax teachers.  I went to neffmusic.com and was very impressed with the lessons Steve Neff was offering.  The concept of selecting lessons was an approach that I thought was unique and purchased a few lessons.  I liked the lessons so much that I signed-up for a 6 month package. I was very happy with all the lessons I selected.  I also purchased Steve’s book Mastering the B… Read more
Michael
1 2 3 4 5
Hey Steve, My name is Jason Freese and I play keyboards and sax in the band Green Day.  I grew up taking sax lessons from Eric Marienthal when I was a kid and got out of it for a long time. I ran into you on youtube while searching for sax stuff. I bought a whole bunch of your lessons and have been loving it! Thanks! Here is my wikipedia so you can see the albums I’ve played on….Thanks again. It’s sparked my interest in practicing again.   Jason
Jason Freese (sax player for Green Day)
1 2 3 4 5
I bought Steve’s dominant bebop book and took a couple of online lesson from him. I really appreciated Steve’s careful listening of what I wanted to get done in a lesson and his clear, concise ideas on next steps to improve my playing and musical interpretation.  His mastering  the Dominant Bebop Scale has lots of exercises to use a scale that addresses the largest percentage of chords I come across in pop/blues music. The dominant V7.  Needless say it has improved my playing.  I teach and a… Read more
Keith
Start
Stop
NextPrev

Featured Video Lessons

  • Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book) Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book)
    Rated 5.00 out of 5
    $19.99 Original price was: $19.99.$14.99Current price is: $14.99.
  • The Secret to Modern Outside Jazz Lines Lesson-Minor The Secret to Modern Outside Jazz Lines Lesson-Minor $9.99
  • Creating Modern II-V-I Lines with Simple Pentatonics Lesson Creating Modern II-V-I Lines with Simple Pentatonics Lesson
    Rated 5.00 out of 5
    $9.99
  • The Best Embouchure for Tone, Intonation and Endurance Lesson The Best Embouchure for Tone, Intonation and Endurance Lesson
    Rated 4.91 out of 5
    $9.99
  • The Secret to Altissimo (no one has ever told you about before) Lesson The Secret to Altissimo (no one has ever told you about before) Lesson
    Rated 4.75 out of 5
    $9.99

Now over 600 video and audio lessons to choose from!

Free Lessons

  • Free Lesson on The New Ultimate II-V-I Primer-Major Keys
  • Free Video Lesson on Mastering Altered Pentatonics
  • Free Video Lesson on Mastering the Blues Scale Volume 1 & 2
  • Free Video Lesson on Mastering the Dominant Bebop Scale and Language Book 1 & 2
  • Free Video Lesson on Approach Note Velocity Book

Recent reviews

  • Bebop Scale-Altered Scale II-V-I Practice Lesson Bebop Scale-Altered Scale II-V-I Practice Lesson by Noah
  • Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book) Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book) by Andy
  • Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book) Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book)
    Rated 5 out of 5
    by Russ
  • Creating Modern II-V-I Lines with Simple Pentatonics Lesson Creating Modern II-V-I Lines with Simple Pentatonics Lesson
    Rated 5 out of 5
    by Timothy
  • The Best Embouchure for Tone, Intonation and Endurance Lesson The Best Embouchure for Tone, Intonation and Endurance Lesson
    Rated 5 out of 5
    by Ray Holland

Footer

Recent Comments

  • Felipe on Drake Jerry Bergonzi Master Series Power Resonance 7* Tenor Saxophone Mouthpiece Review
  • Steve on Ted Klum Focustone Standard Model Tenor Saxophone Mouthpiece
  • Jeremy on Ted Klum Focustone Standard Model Tenor Saxophone Mouthpiece
  • Steve on Les Becs d’Autan Florida Tenor Saxophone Mouthpiece Review
  • Jeremy on Les Becs d’Autan Florida Tenor Saxophone Mouthpiece Review

Top rated products

  • Mastering the Major Bebop Scale & Sound (Digital PDF Book) Mastering the Major Bebop Scale & Sound (Digital PDF Book)
    Rated 5.00 out of 5
    $14.99
  • Tune of the Week-Softly as a Morning Sunrise Lesson Tune of the Week-Softly as a Morning Sunrise Lesson
    Rated 5.00 out of 5
    $9.99
  • The Style of Dexter Gordon-Lady Bird Lesson 1 The Style of Dexter Gordon-Lady Bird Lesson 1
    Rated 5.00 out of 5
    $9.99
  • Tune of the Week-Days of Wine and Roses Lesson Tune of the Week-Days of Wine and Roses Lesson
    Rated 5.00 out of 5
    $9.99
  • Tune of the Week-Invitation Tune of the Week-Invitation
    Rated 5.00 out of 5
    $9.99

Product tags

alto sax alto saxophone approach notes audio lesson bebop scale beginner beginner saxophone blues blues licks blues patterns blues scale blues scales diminished scale dominant chords ear training fundamentals II-V-I improvisation jazz improvisation jazz lines jazz patterns jazz sax jazz saxophone jazz standard jazz standards licks Mastering the Blues Scale Michael Brecker modern improv modern improvisation online lesson patterns playing outside practice habits reading music sax basics sax lessons saxophone scales smooth jazz steve neff tenor sax tenor saxophone video lesson video lessons
  • Instagram
  • Facebook
  • Twitter
  • SUPPORT

Neffmusic © 2005–2025