• Skip to main content
  • Skip to primary sidebar
  • Skip to footer

Website of Steve Neff

  • BLOG
  • SHOP
  • MY ACCOUNT
  • RAVES
  • CONTACT

Search Neffmusic

You are here: Home / Reviews / Mouthpiece Reviews / Alto Mouthpiece Reviews / Alto Medium Baffle Reviews / Macsax D Model Alto Saxophone Mouthpiece

Macsax D Model Alto Saxophone Mouthpiece

March 17, 2012 by Steve 9 Comments

Today, I am reviewing a new MacSax alto saxophone mouthpiece that is made by Eric Falcon. I have reviewed a number of other mouthpieces in the past that were made or refaced by Eric Falcon which I loved.  This mouthpiece is the D model and is made of hard rubber.

MacSax D Alto Saxophone Mouthpiece

Here is what is said about the MacSax D model on the MacSax website:

The new MACSAX ® D-Jazz Hard Rubber mouthpieces are designed to deliver the timeless sounds of the most sought after vintage pieces while delivering a more efficient contemporary feel.

Made from pure hard rubber, the D-Jazz benefits from an extensive amount of handcrafting. The table, facing, rails, and baffle are all carefully hand crafted. This delicate time consuming process leads to a mouthpiece with a rich and balanced sound that responds instantly and evenly.

The D-Jazz Alto mouthpiece features a medium chamber and a long, low baffle. This combination gives the piece a rich sound with strong projection when needed. The hand crafted facing assures a consistent and reed friendly feel.

The mouthpiece that I tried had a 6 tip opening.  I used a Woodtone #3 reed on it.  It played great right out of the box.  It has a slight rollover baffle at the tip.  I felt like the tone was very even and smooth sounding.  It had a nice bright ring to the sound that I really liked.  Something about the tone is very smooth and round sounding to me. The tone is focused and reminds me of a great playing vintage Meyer type sound.  The sound is easy to manipulate and control and the intonation is right on.  The tip and rails are perfect and hold to Eric Falcon’s high standards.

MacSax D Alto Saxophone Mouthpiece

Overall, I believe this is a great mouthpiece if you looking for a beautiful sound with some nice highs and “zing” in the tone. This would be great for straight ahead bebop type playing, lead alto in a big band or even more modern playing.   If your looking for that classic “vintage” Meyer type sound but can’t afford their price tag, this is a great alternative.  If your interested in trying one of these mouthpieces yourself, visit MacSax.com. and talk to Eric Falcon yourself.  Thanks so much to Eric and MacSax for sending me this MacSax D model alto mouthpiece to review.

MacSax D Alto Saxophone Mouthpiece

https://public.neffmusic.com/MacSaxDAlto%201.mp3

 

Filed Under: Alto Medium Baffle Reviews, Alto Mouthpiece Reviews Tagged With: alto sax, D model.hard rubber, Eric Falcon, MacSax, saxophone mouthpiece

Steve

About Steve

Steve Neff has been playing and teaching saxophone and jazz improvisation around the New England area for over 30 years. He is the author of many best selling jazz improvisation methods as well as founding the popular jazz video lesson site Neffmusic.com.

Reader Interactions

Comments

  1. AvatarDavid Smith says

    August 29, 2012 at 8:34 pm

    I have this MPC and a macsax alto sax.I like the sax better than my selmer
    SA 80 11.I am sure glad to here o f your long over do recovery.If you get a chance,do a review of the Ivan Meyer mouth pieces.www.ivanmeyer.com
    They are the best looking MPCs out there,and he sounds good on them.
    Thanks Dave

    Reply
  2. AvatarGraham Snell says

    September 16, 2012 at 4:12 pm

    Sounds good Steve but what are you using as your main Alto piece at the moment

    Reply
    • stevesteve says

      September 18, 2012 at 10:12 am

      I don’t really have a main piece on alto. It’s whatever I feel like playing in the moment. The pieces I play the most are a Ishimori Woodstone 6, Theo Wanne Gaia,JVW Meyer,SaxZ Sanborn and a Brian Powell V16. I love each of those for different reasons.

      Reply
  3. AvatarTyler says

    September 19, 2012 at 9:07 am

    I’ve been playing the D-Jazz alto mpc for about 4 months and I’m really liking it. The full body tone combined with the great projection is what a really love. The D shelved my NY Meyer, Acoustimax, and my V16. Thanks for the review!

    Reply
  4. AvatarDaniel says

    July 19, 2013 at 10:25 am

    Hi Steve, a question for you. I’ve been playing on a Meyer 5M hard rubber alto mouthpiece, and I’ve been interested in trying out this Macsax mouthpiece. What size tip do you recommend that may be close to the Meyer 5M?

    Reply
    • stevesteve says

      July 29, 2013 at 10:06 pm

      Daniel, if you play a 5 and like it I would go with the same. If you feel like you want more power or volume maybe try a 6 or 7………

      Reply
  5. AvatarDaniel says

    August 1, 2013 at 12:12 am

    Thank you so much! I will try it out. I highly appreciate it

    Reply
  6. AvatarJosiah says

    September 4, 2014 at 8:06 pm

    Thought this might be helpful to anyone interested in MACSAX alto mouthpieces.

    I emailed Eric about facings and this was the gist of his response:

    Tip openings:
    5 = .072″
    6 = .076″
    7 = .080″
    8 = .085″
    9 = .090″

    Reply
    • SteveSteve says

      September 5, 2014 at 9:26 am

      Great! Thanks for providing those tip openings Josiah. Steve

      Reply

Leave a Reply to Graham Snell Cancel reply

Your email address will not be published. Required fields are marked *

Primary Sidebar

Steve Neff

Cart

Subscribe to the Neffmusic Newsletter for the latest reviews and best deals delivered straight to your inbox every month. Join now and you will also receive my 40 Ultimate Michael Brecker Licks free!

Select list(s) to subscribe to


Thanks for joining!


NEFFMUSIC PRINTED BOOKS

Testimonials

By the way, BIG COMPLIMENTS to you, Steve! Not only are you a great player, you are also a great teacher! I, too, am a woodwinds player/teacher. I have new inspiration to play and teach because of you. The concepts and “thinking” is similar to what I already learned in College, but hearing you explain and PLAY the concepts REALLY MAKES THE DIFFERENCE! Also, your written patterns are more interesting than other books I have seen! Keep up the good work. I will be recommending your sit… Read more
I will be recommending your site to others!
I just started looking at my lessons and I have to say, dude you are awesome.  I ABSOLUTELY will learn from you!  I started the tenor about 1 ½ yrs ago and have since picked up an alto, and more recently a soprano.  I spend most of the time on the tenor, followed by soprano, and have only gotten to the alto a few times.  I think I’ll be sticking with tenor.  I’m having a great time and hope one day to play well enough to get regular gigs.  I’ve been playing keys for about 35 years (… Read more
Wil
Absolutely the best learning experience in my 40 years of playing.These books are awesome!!
Alfred LaBella

Steve, just a note to say thanks.

I’ve been playing a long time, but your material, laid out in such a thoughtful way, helps me to understand concepts in a new and deeper way.

You are a true gift to the jazz community.

60 lessons and going strong,

Kevin Ledbetter

Kevin Ledbetter
I can see from your instructional videos that you are a fantastic teacher – one that can truly relate to all ages – humble yet very positive in approach – never coming across as superior and yet so totally capable of demonstrating the principles and techniques that you seek to impart to the students. I have gained so much confidence in my playing from “pouring over” time and again these invaluable lessons. Invaluable not only in musical content, but also in human interaction content. I am absolu… Read more
Ron
Thanks so much for putting all this great learning material out there. I don’t often have the time to take a lesson with a teacher, so the ability to download lessons is really invaluable. My playing has improved enormously (I think :)) – and the lessons are so varied there’s always something to be inspired by. Incredible value too!
Roger

I am enjoying your style of teaching, and you’ve done a great job with the videos….good sound quality and well constructed lessons.  Balances the more guitaristic material found on the majority of guitar based programs.  Jazz vocab is what I’m all about at this point in the journey.  I especially dig the fact that you’ve studied with Bergonzi…helps me see his voluminous output in a more bite sized way.

Milton
I just joined Neff Music last month. I can’t tell you how excited I’ve been to be able to pick back up on lessons. I’ve been in a rut and you got me out! I’ve especially appreciated the Lesson Path section. It was so clear I knew exactly where to jump in and start. Many many thanks!
Karin

Love your lessons!  I have been using your lesson packages for many months now, and am learning a lot.  It is so perfect for me with a very busy adult schedule and difficulty in taking jazz/improv music lessons from reputable instructors who live and hour or more away from me.

Lenore
Steve- I joined your site this month and have downloaded 4 lessons and also purchased your new book and video on diatonic patterns. I just want to say I am very pleased with your approach and teaching techniques. I am getting back into playing after laying off for some time. The information you offer on your site is of great value and I am enjoying being a member. Thank you for what you are doing for the saxophone community.
Tony
Your lessons on playing the blues is so clear . I have been through many books on blues playing and not one of them explains as clear as your lessons . Most of them say “Play the same blues scale over all three chords of a 12 bar blues ” Its very misleading .     Thanks
Martin

Hello Steve,

I just want to say thank you so much for your unbelievable work, it is just mind opening, thanks for sharing it.

Wolfgang from Berlin

Wolfgang from Berlin
I am enjoying your style of teaching, and you’ve done a great job with the videos….good sound quality and well constructed lessons.  Balances the more guitaristic material found on the majority of guitar based programs.  Jazz vocab is what I’m all about at this point in the journey.   I especially dig the fact that you’ve studied with Bergonzi…helps me see his voluminous output in a more  bite sized way.
Milton
Your major diatonic patterns book is great. I”m studying the first twenty patterns (first twenty pages) each day with different articulation each day and slowly increasing the tempo each week or so.  There is a noticeable improvement in finger coordination across all keys and its amazing how much more secure I feel on the difficult keys when attempting to play pieces with 5+ flats/sharps. I’m able to sort out the fingerings for these pieces now much more quickly than before, often in one or two … Read more
Geoff
I would like to say that in the last year my sax playing has progressed loads from your lessons. I have had a sax for about 20 years and dabbled with lessons from a few teachers and have learnt very little from them. As you have said in your lessons many teachers tell you to use the blues scale and leave it there, not even showing you the resolution points!!. I am now believing I can in time become a good improviser.
Thanks again,
Shane
Shane
Hey Steve, I’m a 22-year-old from Australia. I thought it would be worth saying. You’re an absolute legend. I can’t thank you enough. You have helped me rekindle my love for the saxophone and music as a whole. All the best for the future, your work doesn’t go unnoticed. PS. I am loving your devastating minor lines pdf.
Sapph
Hi Steve, I can’t express just how much I appreciate your teaching. My playing has improved so much over the past year since I have been studying and practicing with your lessons. It is possible to teach an old dog new tricks, these lessons are proof! Thanks, Michael Byington
Michael Byington
I want to let you know that your instructional material is transforming my playing.  It is an immense pleasure to learn and play now, and I can’t tell you how grateful I am. The instructional material I got from you is by far the best of any I own (and I have over 100 books, DVDs, and what not). I literally can’t thank you enough! Deric
Deric
I have NEVER seen material like yours.  Amazing!!
Jerry
I have found your videos and publications inspiring and your contribution to the world of saxophone playing is immense. Paul
Paul

Hello Steve,

I have not received my alto yet but have already gone through 14 lessons. I love your approach, style, knowledge and competence. I now regret so much to have stayed away from playing the sax for the past 45-50 years…(I am 65).  But It is never too late to get back to your first love. After 23 years in compuer sciences and 22 years in finances…I am now back to music for the rest of my life.

Doing some research on the net, I found this:

http://forum.saxontheweb.net/showthread.php?1… Read more

Claude
Steve’s monthly lessons are entirely valuable. Without brow beating, he tells you all the stuff you deep down know you really should be working on, instead of just relying on the same old patterns. In spite of the fact that you’re taking a video lesson, Steve’s presentation is comfortable and “real”. In a little more than a year, he’s developed a library of lessons that seem to offer any player a lifetime’s worth of practice material. I’m just glad I stumbled upon it.… Read more
Grant

Steve,  Just want to say thanks for all you are doing for all of us. I’ve learned more from you than anyone else in my 40 years of playing.

If you can give some tips on One Note Samba, Ceora, and Wave… that would be cool.  I really like learning how you apply your concepts to actual songs!

Have a great year,

Kevin Ledbetter

I've learned more from you than anyone else in my 40 years of playing.

Thank You Steve. I think that I will be busy for years. Thank You for your great contribution to jazz music. Your books, more than teaching “how to play jazz”, actually teach “how to speak jazz”. I wish I found your methods years ago.  

Jean-Eric

Featured Video Lessons

  • Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book) Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book)
    Rated 5.00 out of 5
    $19.99 Original price was: $19.99.$14.99Current price is: $14.99.
  • The Secret to Modern Outside Jazz Lines Lesson-Minor The Secret to Modern Outside Jazz Lines Lesson-Minor $9.99
  • Creating Modern II-V-I Lines with Simple Pentatonics Lesson Creating Modern II-V-I Lines with Simple Pentatonics Lesson
    Rated 5.00 out of 5
    $9.99
  • The Best Embouchure for Tone, Intonation and Endurance Lesson The Best Embouchure for Tone, Intonation and Endurance Lesson
    Rated 4.91 out of 5
    $9.99
  • The Secret to Altissimo (no one has ever told you about before) Lesson The Secret to Altissimo (no one has ever told you about before) Lesson
    Rated 4.75 out of 5
    $9.99

Now over 600 video and audio lessons to choose from!

Free Lessons

  • Free Lesson on The New Ultimate II-V-I Primer-Major Keys
  • Free Video Lesson on Mastering Altered Pentatonics
  • Free Video Lesson on Mastering the Blues Scale Volume 1 & 2
  • Free Video Lesson on Mastering the Dominant Bebop Scale and Language Book 1 & 2
  • Free Video Lesson on Approach Note Velocity Book

Recent reviews

  • Practicing Double-Time Licks Lesson Practicing Double-Time Licks Lesson
    Rated 5 out of 5
    by Az Samad
  • Bebop Scale-Altered Scale II-V-I Practice Lesson Bebop Scale-Altered Scale II-V-I Practice Lesson by Noah
  • Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book) Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book) by Andy
  • Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book) Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book)
    Rated 5 out of 5
    by Russ
  • Creating Modern II-V-I Lines with Simple Pentatonics Lesson Creating Modern II-V-I Lines with Simple Pentatonics Lesson
    Rated 5 out of 5
    by Timothy

Footer

Recent Comments

  • Nick Ernest Palise on Theo Wanne Brahma Gold Tenor Saxophone Mouthpiece Review
  • Johnny Hedlund on The Boston Sax Shop Red Label Custom Tenor Saxophone Reeds Review
  • Darin on Revisiting a Lamberson J7 Tenor Saxophone Mouthpiece Review
  • John Demsher on Theo Wanne Brahma Gold Tenor Saxophone Mouthpiece Review
  • Angelo Yodice on The Boston Sax Shop Red Label Custom Tenor Saxophone Reeds Review

Top rated products

  • Mastering the Major Bebop Scale & Sound (Digital PDF Book) Mastering the Major Bebop Scale & Sound (Digital PDF Book)
    Rated 5.00 out of 5
    $14.99
  • Tune of the Week-Softly as a Morning Sunrise Lesson Tune of the Week-Softly as a Morning Sunrise Lesson
    Rated 5.00 out of 5
    $9.99
  • The Style of Dexter Gordon-Lady Bird Lesson 1 The Style of Dexter Gordon-Lady Bird Lesson 1
    Rated 5.00 out of 5
    $9.99
  • Tune of the Week-Days of Wine and Roses Lesson Tune of the Week-Days of Wine and Roses Lesson
    Rated 5.00 out of 5
    $9.99
  • Tune of the Week-Invitation Tune of the Week-Invitation
    Rated 5.00 out of 5
    $9.99

Product tags

alto sax alto saxophone approach notes audio lesson bebop scale beginner beginner saxophone blues blues licks blues patterns blues scale blues scales diminished scale dominant chords ear training fundamentals II-V-I improvisation jazz improvisation jazz lines jazz patterns jazz sax jazz saxophone jazz standard jazz standards licks Mastering the Blues Scale Michael Brecker modern improv modern improvisation online lesson patterns playing outside practice habits reading music sax basics sax lessons saxophone scales smooth jazz steve neff tenor sax tenor saxophone video lesson video lessons
  • Instagram
  • Facebook
  • Twitter
  • SUPPORT

Neffmusic © 2005–2025