• Skip to main content
  • Skip to primary sidebar
  • Skip to footer

Website of Steve Neff

  • BLOG
  • SHOP
  • MY ACCOUNT
  • RAVES
  • CONTACT

Search Neffmusic

You are here: Home / Reviews / Mouthpiece Reviews / Tenor Mouthpiece Reviews / Tenor Low Baffle Reviews / Ralph Morgan MLL 8* Tenor Saxophone Mouthpiece

Ralph Morgan MLL 8* Tenor Saxophone Mouthpiece

April 7, 2010 by Steve 21 Comments

This a Ralph Morgan MLL 8* tenor saxophone mouthpiece.  This use to be a ML model but the owner of the piece sent it to Erik Greiffenhagen to have the chamber made larger so now it is a MLL model.  The tip opening of this mouthpiece is an 8* which for a Morgan is a .105.  With the larger chamber I have to admit that I like this mouthpiece even more than when it was an ML.  It has a big sound and the mouthpiece feels like it is vibrating when I play it.  You would think with the bigger chamber it would be less powerful and darker but it feels more powerful to me.  The bottom range notes are just lush and full sounding with a nice crispness to them.  There seems to be a husky full quality to the notes that I love. The upper range rings nicely and it plays very smoothly and evenly all over the horn.

I wish I could spend more time with this piece but I have to send it back to the owner. This would be a great all round mouthpiece for all styles of music.  I could get pretty darn loud with it.   I think I will have to order one of these………… Let me know what you think. Steve

Audio Player
https://www.neffmusic.com/images/mp3/Morgan%20MLL.mp3
00:00
00:00
00:00
Use Up/Down Arrow keys to increase or decrease volume.

Filed Under: Tenor Low Baffle Reviews, Tenor Mouthpiece Reviews Tagged With: Erik Greiffenhagen, Morgan MLL, Ralph Morgan, tenor mouthpiece

Steve

About Steve

Steve Neff has been playing and teaching saxophone and jazz improvisation around the New England area for over 30 years. He is the author of many best selling jazz improvisation methods as well as founding the popular jazz video lesson site Neffmusic.com.

Reader Interactions

Comments

  1. AvatarEric says

    May 3, 2010 at 10:57 pm

    Wow! I love that sound. I just emailed Eirk G to ask about having my Morgan 7M opened up in a similar fashion. I’ve never really been happy with the medium chamber. It just sounds too thin to my ears. It’s got good core, but not enough depth – especially in the low end of my horn.

    Reply
  2. AvatarZach says

    June 28, 2010 at 3:29 pm

    i noticed the same thing with my morgan, it sounds great and is really easy to play but compared to a good link it just seems like the sound is not nearly as fat and complex. would getting the chamber enlarged make the sound fatter? ive been thinking about either getting the morgan refaced or saving up some money for an early babbitt hr link.

    Reply
    • stevesteve says

      June 28, 2010 at 10:38 pm

      Which Morgan do you have? I don’t really like the M’s that much but prefer the L chambers. The MLL was terrific. Big, fat juicy sound with lots of character.

      Reply
  3. Avatarzach says

    June 29, 2010 at 6:39 pm

    i actually have an 8L .100 that i switched to from a 7* .105 otto link hr. the morgan sounds less fat and i guess you could say more focused. could this be a result of the smaller tip opening or is it more likely the size/shape of the chamber?
    apparently the morgan has a more oval shaped chamber, while the links chamber is circular.

    Reply
    • stevesteve says

      June 29, 2010 at 7:37 pm

      i think it is both. the smaller tip gives it a more focused and centered sound and the Morgan L does seem slightly smaller in chamber than the Links i have owned.

      Reply
  4. AvatarJackLi says

    February 20, 2011 at 10:30 pm

    Hi Steve,
    Do you remember how does the Marc Jean Ligature fit on the piece? I’m thinking of getting a lig for the Morgan but it has a slimmer profile so I’m not sure whether I should get a standard size rubber Tenor lig or buy a custom fit one from Marc?
    Thanks,
    Jack

    Reply
    • stevesteve says

      February 21, 2011 at 7:58 pm

      No, sorry I don’t remember. I’m not even sure if I had the Morgan and the Narc Jean at the same time…………

      Reply
  5. AvatarJackLi says

    February 21, 2011 at 11:46 pm

    Thanks anyway Steve, and your clip above did say you had the Marc Jean but of course this clip was made a while back….

    I do have another quick question though Steve, did you ever play any Morgan Alto mouthpieces?
    Thanks for the great site,
    Jack

    Reply
    • stevesteve says

      February 22, 2011 at 3:37 pm

      Oh OK. I must have had the MJ lig then but I don’t remember if I tried it on the Morgan MLL?? Sorry. I don’t think I’ve played a Morgan alto mouthpiece yet. I might of way back but don’t remember specifically. I do vaguelly remember trying an Excaliber and thinking it was way to bright for my alto but that’s all I can remember. I don’t think I tried another one since then. I would like to.

      Reply
  6. AvatarRaymond Johnson says

    October 10, 2011 at 11:51 pm

    This is the current piece I play on. I find it very fluid mouthpiece and it is able to blend very well in horn ensembles and with vocalists. Although, I’ve found it to be a little limiting in funk and rock settings where it gets covered up by electric guitar and keys. Thanks for the review and sound clips!

    Reply
  7. AvatarDenis says

    July 19, 2012 at 12:01 pm

    it is better to 9M or 9ML ?

    Reply
    • stevesteve says

      July 19, 2012 at 4:58 pm

      Denis, I like the ML much more than the M model. It has a bigger thicker sound to my ears.

      Reply
  8. AvatarDenis says

    July 20, 2012 at 2:36 am

    thank you for help, Steve

    Reply
  9. AvatarDenis says

    July 26, 2012 at 3:29 pm

    hello, Steve. tell me please what to pay my attention, what is better?
    RPC 115B Tenor
    Theo Wanne – Brahma 9 HR Tenor
    Morga 9ML
    thank you for help

    Reply
    • stevesteve says

      August 3, 2012 at 11:30 am

      I can’t say which of these is better for you as they all have different sounds and play different. All 3 are great mouthpieces. You have to try them for yourself to decide which one you like the best.

      Reply
  10. AvatarAustin Zhang says

    January 13, 2013 at 7:41 pm

    Could you compare this and the Bunte TM42?

    Reply
    • stevesteve says

      January 18, 2013 at 9:44 am

      It would be hard to compare these two mouthpieces just because it has been so long since I played both of them. They were both easy to play. I remember the Morgan had a bigger more spread sound to it. The TM42 had more of a direct focused sound.

      Reply
  11. AvatarSon o' Sonny says

    August 28, 2013 at 6:42 pm

    Just to make sure I understand your post from 6-29-2010… you say that the Morgan L (the largest-chambered Morgan) seems slightly smaller in chamber than the Links you’ve owned? And thinner (less “fat”) sound as well?

    Reply
    • stevesteve says

      September 7, 2013 at 3:24 pm

      Yes, that is how I feel about the Morgans in general. I do think the MLL had a chamber that was enlarged so I got a bigger fatter sound out of it. The MLL is larger than a Morgan L from what I remember although it has been a long time so you might want to check with the mouthpiece guys to confirm this……….

      Reply
  12. AvatarPhil says

    September 29, 2016 at 9:08 pm

    Say – Looks like Morgan has updated their line, any new reviews in the pipeline? The’ve got the “Excalibur”, and the “Jazz” and the “Vintage”…

    Reply
    • SteveSteve says

      October 7, 2016 at 11:11 am

      Phil, Actually, Junkdude just contacted me about reviewing some Morgan pieces. I think they are sending an Excaliber alto mouthpiece for me to review. Last time I tried one was in the early 2000-2003 range I think so I am excited about trying one again. Back in the day these Morgan pieces had quite the “buzz” about them. Steve

      Reply

Leave a Reply Cancel reply

Your email address will not be published. Required fields are marked *

Primary Sidebar

Cart

Subscribe to the Neffmusic Newsletter for the latest reviews and best deals delivered straight to your inbox every month. Join now and you will also receive my 40 Ultimate Michael Brecker Licks free!

Select list(s) to subscribe to


Thanks for joining!


NEFFMUSIC PRINTED BOOKS

Testimonials

1 2 3 4 5
I want to let you know that your instructional material is transforming my playing.  It is an immense pleasure to learn and play now, and I can’t tell you how grateful I am. The instructional material I got from you is by far the best of any I own (and I have over 100 books, DVDs, and what not). I literally can’t thank you enough! Deric
Deric
1 2 3 4 5
Steve really changed my way of practicing: I got a whole lot of new ideas for my playing the tenor.  His lessons are really helpful, give a lot stuff to practice and give clear answers to complicated stuff.  Steve has a lot of humor and I wish I had laughed so much in my former days with the horn.  All topics, from Blues to Approach note are dealt with clearness that wet ones appetite to play and practice that great ideas.
Uwe
1 2 3 4 5

Mr. Neff,  I want to thank you for sharing your God-given talents through your on-line lessons.  My husband, Michael, is blind, but he is a great sax player and he has been enjoying your lessons for quite some time now.  It’s not unusual for me to hear “Hey, babe, listen to THIS!” – and he will cut loose on his sax, just thrilled at what he learned during his session with you.  His excitement warms my heart!  You have no idea how much you have poured into my husband.  You have opened musical … Read more

Carole B
1 2 3 4 5
Just to say thanks for your advice and lessons.  I’ve just read your amazing story.  I really appreciate what you do in regards to teaching.  I have bought a couple of your lessons and frankly they’re undersold.   I’ve learned much more with these two lessons than with 2 years of sax teachers.   Thanks so much………..
Mike
1 2 3 4 5

I am enjoying your style of teaching, and you’ve done a great job with the videos….good sound quality and well constructed lessons.  Balances the more guitaristic material found on the majority of guitar based programs.  Jazz vocab is what I’m all about at this point in the journey.  I especially dig the fact that you’ve studied with Bergonzi…helps me see his voluminous output in a more bite sized way.

Milton
1 2 3 4 5
Absolutely the best learning experience in my 40 years of playing.These books are awesome!!
Alfred LaBella
1 2 3 4 5

Your material is great! I got your New Altissimo Lesson 6 months ago and I have learned more from that than in all my 44 years of playing! I appreciate your down to earth teaching method and I really appreciate the heart that you teach with. I have been a subscriber to your lessons for the past 6 months and I have learned a great deal. Over that period of time I have had some questions and you have never failed to respond. Thanks! I have already recommended your lessons to a number of players in… Read more

Michael Byington
1 2 3 4 5

I want to thank you again, because, not only are you an inspiration to listen to, you are a fine teacher!

I have been teaching sax and other winds for over 20 years, and you give me that “push” to give my students more!

Mark Peotter

Mark Peotter
1 2 3 4 5
Your lessons on playing the blues is so clear . I have been through many books on blues playing and not one of them explains as clear as your lessons . Most of them say “Play the same blues scale over all three chords of a 12 bar blues ” Its very misleading .     Thanks
Martin
1 2 3 4 5
I like so many other subscribers feel so encouraged by Steve’s learning techniques; you will enjoy reading the comments of praise others have left as you too will feel that you share a common view and path. I feel very lucky to have come across Neffmusic and that feeling will remain with you as you search through a treasure trove of learning materials on offer, you will quickly find the lessons that you are suited to. You will instantly recognize the unparalleled quality of Steve’s teaching … Read more
Stephen
1 2 3 4 5
It is so refreshing to have a great player, who can provide lessons and examples in a manner which is understandable to most any enthusiastic saxophonist who is ready to improve. not just the, do this, do that, memorize this, memorize that… while all that is absolutely necessary, you go on to give reasons and examples to explain and validate why you have to do all of these things, the benefits, if you will… that is the key for me, you tell, explain, demonstrate, explain some more, you give perso… Read more
Cedric
1 2 3 4 5
I just joined Neff Music last month. I can’t tell you how excited I’ve been to be able to pick back up on lessons. I’ve been in a rut and you got me out! I’ve especially appreciated the Lesson Path section. It was so clear I knew exactly where to jump in and start. Many many thanks!
Karin
1 2 3 4 5

I want to thank you for your “Ultimate II-V-I Primer”  which has sent me off on a much better path to improvisation.  The primer and the four bound books I have will keep me busy for a long time.  I like your lessons for two reasons.  The lessons work and THEY ARE FUN.  Thanks again.

Robert

Robert
1 2 3 4 5

Steve, just a note to say thanks.

I’ve been playing a long time, but your material, laid out in such a thoughtful way, helps me to understand concepts in a new and deeper way.

You are a true gift to the jazz community.

60 lessons and going strong,

Kevin Ledbetter

Kevin Ledbetter
1 2 3 4 5
I can’t say enough about my membership at Neff Music. Steve has taken the mystery out of playing the saxophone well and improvising both jazz and rock music. Like most struggling players I have a load of all sorts of books on my shelf just gathering dust. Books that I didn’t understand or know how to put to use…or just have the time to go threw them. Steve’s lessons really simplify things and he puts it in a way that I can understand. They inspire me to keep pushing and having him as my guide or… Read more
Ken
1 2 3 4 5
I would like to say that in the last year my sax playing has progressed loads from your lessons. I have had a sax for about 20 years and dabbled with lessons from a few teachers and have learnt very little from them. As you have said in your lessons many teachers tell you to use the blues scale and leave it there, not even showing you the resolution points!!. I am now believing I can in time become a good improviser.
Thanks again,
Shane
Shane
1 2 3 4 5
Hey Steve, I’m a 22-year-old from Australia. I thought it would be worth saying. You’re an absolute legend. I can’t thank you enough. You have helped me rekindle my love for the saxophone and music as a whole. All the best for the future, your work doesn’t go unnoticed. PS. I am loving your devastating minor lines pdf.
Sapph
1 2 3 4 5
I am enjoying your style of teaching, and you’ve done a great job with the videos….good sound quality and well constructed lessons.  Balances the more guitaristic material found on the majority of guitar based programs.  Jazz vocab is what I’m all about at this point in the journey.   I especially dig the fact that you’ve studied with Bergonzi…helps me see his voluminous output in a more  bite sized way.
Milton
1 2 3 4 5
I have found your videos and publications inspiring and your contribution to the world of saxophone playing is immense. Paul
Paul
1 2 3 4 5
By the way, BIG COMPLIMENTS to you, Steve! Not only are you a great player, you are also a great teacher! I, too, am a woodwinds player/teacher. I have new inspiration to play and teach because of you. The concepts and “thinking” is similar to what I already learned in College, but hearing you explain and PLAY the concepts REALLY MAKES THE DIFFERENCE! Also, your written patterns are more interesting than other books I have seen! Keep up the good work. I will be recommending your sit… Read more
I will be recommending your site to others!
1 2 3 4 5
Your major diatonic patterns book is great. I”m studying the first twenty patterns (first twenty pages) each day with different articulation each day and slowly increasing the tempo each week or so.  There is a noticeable improvement in finger coordination across all keys and its amazing how much more secure I feel on the difficult keys when attempting to play pieces with 5+ flats/sharps. I’m able to sort out the fingerings for these pieces now much more quickly than before, often in one or two … Read more
Geoff
1 2 3 4 5
First, I’m really excited about your materials! This site is a vast resource for any aspiring (and maybe already inspired) jazz musicians. I’m not a sax player, I play mandolin and fiddle, but have been learning jazz and playing weekly with a quintet for the past 6 months and have been struggling with all of the issues you get into in your lessons. I bought several books and lessons and plan to continue with some others as soon as I organize my practice routine. Thanks again for a great site … Read more
Tony Galfano
1 2 3 4 5

Steve,  Just want to say thanks for all you are doing for all of us. I’ve learned more from you than anyone else in my 40 years of playing.

If you can give some tips on One Note Samba, Ceora, and Wave… that would be cool.  I really like learning how you apply your concepts to actual songs!

Have a great year,

Kevin Ledbetter

I've learned more from you than anyone else in my 40 years of playing.
1 2 3 4 5
For anyone living in remote areas away from live jazz sax teachers, Neff is the way to go. In fact this is a great resource for anyone seriously interested in mastering the sax. I’ve never been disappointed in a lesson.
Oliver
Start
Stop
NextPrev

Featured Video Lessons

  • Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book) Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book)
    Rated 5.00 out of 5
    $19.99 Original price was: $19.99.$14.99Current price is: $14.99.
  • The Secret to Modern Outside Jazz Lines Lesson-Minor The Secret to Modern Outside Jazz Lines Lesson-Minor $9.99
  • Creating Modern II-V-I Lines with Simple Pentatonics Lesson Creating Modern II-V-I Lines with Simple Pentatonics Lesson
    Rated 5.00 out of 5
    $9.99
  • The Best Embouchure for Tone, Intonation and Endurance Lesson The Best Embouchure for Tone, Intonation and Endurance Lesson
    Rated 4.91 out of 5
    $9.99
  • The Secret to Altissimo (no one has ever told you about before) Lesson The Secret to Altissimo (no one has ever told you about before) Lesson
    Rated 4.75 out of 5
    $9.99

Now over 600 video and audio lessons to choose from!

Free Lessons

  • Free Lesson on The New Ultimate II-V-I Primer-Major Keys
  • Free Video Lesson on Mastering Altered Pentatonics
  • Free Video Lesson on Mastering the Blues Scale Volume 1 & 2
  • Free Video Lesson on Mastering the Dominant Bebop Scale and Language Book 1 & 2
  • Free Video Lesson on Approach Note Velocity Book

Recent reviews

  • Bebop Scale-Altered Scale II-V-I Practice Lesson Bebop Scale-Altered Scale II-V-I Practice Lesson by Noah
  • Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book) Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book) by Andy
  • Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book) Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book)
    Rated 5 out of 5
    by Russ
  • Creating Modern II-V-I Lines with Simple Pentatonics Lesson Creating Modern II-V-I Lines with Simple Pentatonics Lesson
    Rated 5 out of 5
    by Timothy
  • The Best Embouchure for Tone, Intonation and Endurance Lesson The Best Embouchure for Tone, Intonation and Endurance Lesson
    Rated 5 out of 5
    by Ray Holland

Footer

Recent Comments

  • Steve on Revisiting a Lamberson J7 Tenor Saxophone Mouthpiece Review
  • Thor on Revisiting a Lamberson J7 Tenor Saxophone Mouthpiece Review
  • Perry on Will the Real Michael Brecker’s Sax Mouthpiece Please Stand Up?
  • Steve on Will the Real Michael Brecker’s Sax Mouthpiece Please Stand Up?
  • Perry on Will the Real Michael Brecker’s Sax Mouthpiece Please Stand Up?

Top rated products

  • Mastering the Major Bebop Scale & Sound (Digital PDF Book) Mastering the Major Bebop Scale & Sound (Digital PDF Book)
    Rated 5.00 out of 5
    $14.99
  • Tune of the Week-Softly as a Morning Sunrise Lesson Tune of the Week-Softly as a Morning Sunrise Lesson
    Rated 5.00 out of 5
    $9.99
  • The Style of Dexter Gordon-Lady Bird Lesson 1 The Style of Dexter Gordon-Lady Bird Lesson 1
    Rated 5.00 out of 5
    $9.99
  • Tune of the Week-Days of Wine and Roses Lesson Tune of the Week-Days of Wine and Roses Lesson
    Rated 5.00 out of 5
    $9.99
  • Tune of the Week-Invitation Tune of the Week-Invitation
    Rated 5.00 out of 5
    $9.99

Product tags

alto sax alto saxophone approach notes audio lesson bebop scale beginner beginner saxophone blues blues licks blues patterns blues scale blues scales diminished scale dominant chords ear training fundamentals II-V-I improvisation jazz improvisation jazz lines jazz patterns jazz sax jazz saxophone jazz standard jazz standards licks Mastering the Blues Scale Michael Brecker modern improv modern improvisation online lesson patterns playing outside practice habits reading music sax basics sax lessons saxophone scales smooth jazz steve neff tenor sax tenor saxophone video lesson video lessons
  • Instagram
  • Facebook
  • Twitter
  • SUPPORT

Neffmusic © 2005–2025