• Skip to main content
  • Skip to primary sidebar
  • Skip to footer

Website of Steve Neff

  • BLOG
  • SHOP
  • MY ACCOUNT
  • RAVES
  • CONTACT

Search Neffmusic

You are here: Home / Jazz Videos / The Ultimate Alto Sax Sound-Jesse Davis

The Ultimate Alto Sax Sound-Jesse Davis

March 3, 2010 by Steve 10 Comments

I love Jesse Davis! I listen to tenor saxophone players about 80% of the time but when I want to listen to an alto saxophone player Jesse Davis is usually my first choice.  If you don’t know him check out this video of “The Very Thought of You”…….He has an amazing sound that is huge,fat and soulful.  I love how melodic his improvising is. If you don’t know the jazz language you would do well to transcribe him.  He has the perfect blend of blues with bebop. Feeling with technique.  Enjoy!

Filed Under: Jazz Videos Tagged With: Alto Saxophone, Jesse Davis

Steve

About Steve

Steve Neff has been playing and teaching saxophone and jazz improvisation around the New England area for over 30 years. He is the author of many best selling jazz improvisation methods as well as founding the popular jazz video lesson site Neffmusic.com.

Reader Interactions

Comments

  1. AvatarPaul Maine says

    March 4, 2010 at 10:00 am

    Until I read your blog article today,I had not heard of Jesse Davis. I love his playing and am going to buy some of his music after I finish my blog comment!

    Reply
  2. AvatarMelchi says

    March 9, 2010 at 7:53 pm

    Thanks for this, Steve. I hadn’t ever heard of Jesse Davis either.

    Reply
  3. AvatarJoseph says

    March 16, 2010 at 2:22 pm

    Great post…I studied with Jesse when he still lived in NY and he is my favorite alto player around. Though I play tenor, I always seem to go back to his sound and phrasing as inspiration….the best.

    Reply
  4. Avatarfrank b says

    April 24, 2010 at 4:52 pm

    Have to agree 100% Jesse b the man today on alto. Check out this solo. The lick he plays starting at 3:19 makes the bass player smile — and me too. His cd recording of The Very Thought of You is PERFECT!
    http://www.youtube.com/watch?v=2Dqg13BEBGE&feature=PlayList&p=A2D32543C851942E&playnext=1&playnext_from=PL&index=27

    Reply
  5. AvatarFrank says

    April 26, 2010 at 11:10 pm

    Also note –as with many sax players from New Orleans, Jesse plays with a double lip embouchure

    Watch here
    http://www.youtube.com/watch?v=kKB-6EF6JuA&feature=related

    Reply
  6. Avatarfrank battaglia says

    May 4, 2011 at 4:46 pm

    BTW– one of the my favorite recordings of “The Very Thought of You” is pianist Kenny Baron’s version on the CD Table for Two– just great combo of beauty and swing. AND the cd has the GREAT Bob Sheppard playing like Trane on “Say It Over and Over Again” (Ballads CD) and also tracks on soprano ( the best today)and great flute (first heard it I thought it was Hubert Laws– big fat low register
    Great musicians make great music!
    Highly reco this cd but it is sometimes hard to find because limited pressing as Breast Cancer Society charity

    Reply
  7. AvatarArya Boustani says

    February 23, 2018 at 12:52 pm

    Hi Steve,
    Is there any particular path of learning regarding embouchure or setup to be able to create this delicate yet warm tone? Is it tighter rounder embouchure, squeezing a bit more toward the back of the mouthpiece, fatter lower lip contact, etc. etc. What can be said? I’m trying to get this classic kind of alto tone, and I don’t know if it is the setup or embouchure or both. Mouthpiece, reed, sax body can be replaced but without proper and specific embouchure training (and what happened in the mouth, throat, etc.) this could be an unending search. I appreciate your comment.

    Reply
    • SteveSteve says

      February 23, 2018 at 1:09 pm

      Arya, When I hear the words “tighter” and “squeezing” it makes me think of squashing the sound and restricting it. I just had a Skype lesson with a student and the whole hour we were talking about shaping the sound. The embouchure has to just be tight enough to keep air from leaking. There is really no need for more tightness and in fact that can hamper the reed from working efficiently. I’m a big fan of the fat bottom lip rolled out a little bit. I talk about that and demonstrate in my “a Mature Embouchure” lesson. I am also big into subtone and do it all the time when I am playing. I also have a lesson on that called “The art of Subtone”. The combination of those two things makes the bottom of the embouchure like a pillow on the reed and makes the sound fatter and warmer. Before you look for different equipment I would see how working with your embouchure and subtone can afffect the tone. Steve

      Reply
  8. AvatarArya Boustani says

    February 23, 2018 at 1:28 pm

    Thanks Steve. For sure. I’ll look into that further. I know embouchure is the main variable in this path of shaping the tone. I just like to find that kind of delicate and warm tone at the same time. When I use my subtone kind embouchure, it definitely becomes warmer but I loose some the focus of the tone that is a contributor of that cute and delicate character. I’m trying to find some particular embouchure techniques to have that combination of subtone (warmth) but with enough core and focus. The other issue is that my refaced Meyer spills out quite an edge when pushed (more like Sanborn kind of tone). What I hear from Jesse Davis, the tone stays with that classic jazz warmth even it it is pushed. Is that also embouchure or to some extend the mouthpiece? I’m interested in your lessons. I’ll check them out. Thanks again.

    Reply
    • AvatarKenneth Reed says

      February 27, 2021 at 5:29 pm

      Use warm air from the back of your throat instead of cold air
      .

      Reply

Leave a Reply to frank battaglia Cancel reply

Your email address will not be published. Required fields are marked *

Primary Sidebar

Steve Neff

Cart


NEFFMUSIC PRINTED BOOKS

Testimonials

Thank you for all the educational information you provide.  I am a classically trained musician.  Professionally, I am a 4th and 5th grade band teacher.  I have played piano and sax for many years, but now I am starting to gig out more. I have always improvised by ear in the past. I have gotten by with my strong sense of pitch, rhythm and melodic contour. However, I want to go deeper. I want to play with a greater variety of melodic and rhythmic ideas to pull from.  I have studied to gain a … Read more
Ray
I’ve been having ‘ online’  lessons with Steve for a few months now. Being a teacher myself I had had some reservations with the idea at first and the practicalities of it .  Let me just say that my playing has taken a huge leaps forward while studying with Steve and continues to do so.Steve studied with some renowned player/teachers such as Bergonzi and Garzone– this in itself is invaluable but Steve teaches from his own books, which cover a a vast amount of  jazz language. Steve h… Read more
David
I have been a member of Neffmusic for more than a year now and have enjoyed every minute of it! I have not only been going thru the Dominant Bebop Scale lessons and book (OUTSTANDING!) but the mouthpiece reviews, solo clips and transcriptions are very interesting. Steve approach to beginning and intermediate improv have given me many new pathways to teach my high school jazz ensemble students. Congratulations Steve, great product!
Craig
I’m an experienced player in the pop/soul/funk areas of music and, previously, classical.  Over the decades I’ve been playing, I’ve always felt that I could do what I needed in those styles of music.  However, recently I began to feel limited by my use of the same old licks. When I discovered Steve Neff’s website, and heard the audio examples based on the exercises in his books, I realized they were what I needed.  I purchased all of them and have been working on them since.  It’s very hard work… Read more
Paul

Your material is great! I got your New Altissimo Lesson 6 months ago and I have learned more from that than in all my 44 years of playing! I appreciate your down to earth teaching method and I really appreciate the heart that you teach with. I have been a subscriber to your lessons for the past 6 months and I have learned a great deal. Over that period of time I have had some questions and you have never failed to respond. Thanks! I have already recommended your lessons to a number of players in… Read more

Michael Byington
Steve’s monthly lessons are entirely valuable. Without brow beating, he tells you all the stuff you deep down know you really should be working on, instead of just relying on the same old patterns. In spite of the fact that you’re taking a video lesson, Steve’s presentation is comfortable and “real”. In a little more than a year, he’s developed a library of lessons that seem to offer any player a lifetime’s worth of practice material. I’m just glad I stumbled upon it.… Read more
Grant
Absolutely the best learning experience in my 40 years of playing.These books are awesome!!
Alfred LaBella
I am a music book junkie and I have to say that your books are the most clear, user friendly, and helpful books I own.  They are my absolute favorites and I only wish I had them years ago.  I wouldn’t change a thing about the experience I had in acquiring my degree at Berklee, but my playing has perhaps grown more in the time I’ve spent buried in your books and lessons.  Keep up the great work!!! Thanks, John
John
I bought Steve’s dominant bebop book and took a couple of online lesson from him. I really appreciated Steve’s careful listening of what I wanted to get done in a lesson and his clear, concise ideas on next steps to improve my playing and musical interpretation.  His mastering  the Dominant Bebop Scale has lots of exercises to use a scale that addresses the largest percentage of chords I come across in pop/blues music. The dominant V7.  Needless say it has improved my playing.  I teach and a… Read more
Keith
I’ve been downloading your lessons for 4 months now (20 lesson) and I have noticed tremendous growth in my playing thus far! I’m so happy that I stumbled upon your site!
Bob
It is so refreshing to have a great player, who can provide lessons and examples in a manner which is understandable to most any enthusiastic saxophonist who is ready to improve. not just the, do this, do that, memorize this, memorize that… while all that is absolutely necessary, you go on to give reasons and examples to explain and validate why you have to do all of these things, the benefits, if you will… that is the key for me, you tell, explain, demonstrate, explain some more, you give perso… Read more
Cedric
Just wanted to send you a quick note to say thank you for being you, your playing, your website and your desire to help others. I’m a professional musician in the US Army and I’ve visited your website almost every day since discovering it a couple of months ago. Your lessons are profound and easy to use. I’ve purchased most of your PDF books and now am starting to delve more into the video and audio lessons.  Thank you for being a great resource!
James
For anyone living in remote areas away from live jazz sax teachers, Neff is the way to go. In fact this is a great resource for anyone seriously interested in mastering the sax. I’ve never been disappointed in a lesson.
Oliver
I just started looking at my lessons and I have to say, dude you are awesome.  I ABSOLUTELY will learn from you!  I started the tenor about 1 ½ yrs ago and have since picked up an alto, and more recently a soprano.  I spend most of the time on the tenor, followed by soprano, and have only gotten to the alto a few times.  I think I’ll be sticking with tenor.  I’m having a great time and hope one day to play well enough to get regular gigs.  I’ve been playing keys for about 35 years (… Read more
Wil

I must say again how much I appreciate all your material. Including the video tutorials. It help keep me focused and knowing what to aim for. And your laid back teaching style appeals to me too. 

Thanks

P

P
I would like to say that in the last year my sax playing has progressed loads from your lessons. I have had a sax for about 20 years and dabbled with lessons from a few teachers and have learnt very little from them. As you have said in your lessons many teachers tell you to use the blues scale and leave it there, not even showing you the resolution points!!. I am now believing I can in time become a good improviser.
Thanks again,
Shane
Shane

Steve, just a note to say thanks.

I’ve been playing a long time, but your material, laid out in such a thoughtful way, helps me to understand concepts in a new and deeper way.

You are a true gift to the jazz community.

60 lessons and going strong,

Kevin Ledbetter

Kevin Ledbetter
I have found your videos and publications inspiring and your contribution to the world of saxophone playing is immense. Paul
Paul
I just joined Neff Music last month. I can’t tell you how excited I’ve been to be able to pick back up on lessons. I’ve been in a rut and you got me out! I’ve especially appreciated the Lesson Path section. It was so clear I knew exactly where to jump in and start. Many many thanks!
Karin
Hey Steve, I’m a 22-year-old from Australia. I thought it would be worth saying. You’re an absolute legend. I can’t thank you enough. You have helped me rekindle my love for the saxophone and music as a whole. All the best for the future, your work doesn’t go unnoticed. PS. I am loving your devastating minor lines pdf.
Sapph
Just to say thanks for your advice and lessons.  I’ve just read your amazing story.  I really appreciate what you do in regards to teaching.  I have bought a couple of your lessons and frankly they’re undersold.   I’ve learned much more with these two lessons than with 2 years of sax teachers.   Thanks so much………..
Mike
I want to say something about Steve Neff’s series of lessons, Beginner Jazz Improvisation. For a couple of years I tried many beginner lessons and my problem was that there was a gap between lessons that were fairly simple and ones that I was not quite ready for and my progress stalled out. That problem was solved with the series Beginner Jazz Improvisation. He guides you step by step along the way and builds a foundation for learning jazz and blues. He leaves no question about what to practice … Read more
Pete
I have NEVER seen material like yours.  Amazing!!
Jerry
Thank you for the wealth of helpful lessons you’ve provided over the years.  I truly feel as though it has improved my playing more than the 4 years I spent at Berklee… and that’s not a slight on the school as I loved my experience there.
John
John

Featured Video Lessons

  • Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book) Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book)
    Rated 5.00 out of 5
    $19.99 Original price was: $19.99.$14.99Current price is: $14.99.
  • The Secret to Modern Outside Jazz Lines Lesson-Minor The Secret to Modern Outside Jazz Lines Lesson-Minor $9.99
  • Creating Modern II-V-I Lines with Simple Pentatonics Lesson Creating Modern II-V-I Lines with Simple Pentatonics Lesson
    Rated 5.00 out of 5
    $9.99
  • The Best Embouchure for Tone, Intonation and Endurance Lesson The Best Embouchure for Tone, Intonation and Endurance Lesson
    Rated 4.91 out of 5
    $9.99
  • The Secret to Altissimo (no one has ever told you about before) Lesson The Secret to Altissimo (no one has ever told you about before) Lesson
    Rated 4.75 out of 5
    $9.99

Now over 600 video and audio lessons to choose from!

Free Lessons

  • Free Lesson on The New Ultimate II-V-I Primer-Major Keys
  • Free Video Lesson on Mastering Altered Pentatonics
  • Free Video Lesson on Mastering the Blues Scale Volume 1 & 2
  • Free Video Lesson on Mastering the Dominant Bebop Scale and Language Book 1 & 2
  • Free Video Lesson on Approach Note Velocity Book

Recent reviews

  • Bebop Scale-Altered Scale II-V-I Practice Lesson Bebop Scale-Altered Scale II-V-I Practice Lesson by Noah
  • Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book) Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book) by Andy
  • Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book) Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book)
    Rated 5 out of 5
    by Russ
  • Creating Modern II-V-I Lines with Simple Pentatonics Lesson Creating Modern II-V-I Lines with Simple Pentatonics Lesson
    Rated 5 out of 5
    by Timothy
  • The Best Embouchure for Tone, Intonation and Endurance Lesson The Best Embouchure for Tone, Intonation and Endurance Lesson
    Rated 5 out of 5
    by Ray Holland

Footer

Recent Comments

  • James Ramsey on Joe Allard Overtone Exercise for Saxophone
  • Craig on Lamberson F Major Alto Saxophone Mouthpiece
  • Leo on Phil-Tone Tenor Mouthpiece
  • Randy Cosby on GetASax GS Supersonic 50s Dukoff 7* Tenor Saxophone Mouthpiece Review
  • Brian at GetASax on GetASax GS Supersonic 50s Dukoff 7* Tenor Saxophone Mouthpiece Review

Top rated products

  • Mastering the Major Bebop Scale & Sound (Digital PDF Book) Mastering the Major Bebop Scale & Sound (Digital PDF Book)
    Rated 5.00 out of 5
    $14.99
  • Tune of the Week-Softly as a Morning Sunrise Lesson Tune of the Week-Softly as a Morning Sunrise Lesson
    Rated 5.00 out of 5
    $9.99
  • The Style of Dexter Gordon-Lady Bird Lesson 1 The Style of Dexter Gordon-Lady Bird Lesson 1
    Rated 5.00 out of 5
    $9.99
  • Tune of the Week-Days of Wine and Roses Lesson Tune of the Week-Days of Wine and Roses Lesson
    Rated 5.00 out of 5
    $9.99
  • Tune of the Week-Invitation Tune of the Week-Invitation
    Rated 5.00 out of 5
    $9.99

Product tags

alto sax alto saxophone approach notes audio lesson bebop scale beginner beginner saxophone blues blues licks blues patterns blues scale blues scales diminished scale dominant chords ear training fundamentals II-V-I improvisation jazz improvisation jazz lines jazz patterns jazz sax jazz saxophone jazz standard jazz standards licks Mastering the Blues Scale Michael Brecker modern improv modern improvisation online lesson patterns playing outside practice habits reading music sax basics sax lessons saxophone scales smooth jazz steve neff tenor sax tenor saxophone video lesson video lessons
  • Instagram
  • Facebook
  • Twitter
  • SUPPORT

Neffmusic © 2005–2025