• Skip to main content
  • Skip to primary sidebar
  • Skip to footer

Website of Steve Neff

  • BLOG
  • SHOP
  • MY ACCOUNT
  • RAVES
  • CONTACT

Search Neffmusic

You are here: Home / Reviews / Mouthpiece Reviews / Alto Mouthpiece Reviews / Alto Medium Baffle Reviews / Greg Wier GW 7M Alto Mouthpiece

Greg Wier GW 7M Alto Mouthpiece

August 13, 2009 by Steve 16 Comments

This is a great alto mouthpiece that I bought from Greg Wier.  I’ve seen all of his mouthpieces on ebay for quite some time now and have wondered how they are. I trialed one of his tenor mouthpieces awhile ago and was very impressed with it.  This alto mouthpiece is terrific also.  It’s got that really great Meyer sound to it. Very focused sound with some nice edge to it but it still sounds nice and fat to me.  I love playing this piece in a big room.  It just sings. It’s a little brighter than I normally like on alto but I’m finding that it is a “pretty” kind of bright and it gives it a very lively sound.  I’m really digging this piece.  This is one of my favorite pieces I’ve tried.  Here’s Greg’s email address in case you are interested in his pieces. gregwier@netscape.com Listen………

https://www.neffmusic.com/images/mp3/GW%207M.mp3

Filed Under: Alto Medium Baffle Reviews, Alto Mouthpiece Reviews Tagged With: alto mouthpiece, greg wier

Steve

About Steve

Steve Neff has been playing and teaching saxophone and jazz improvisation around the New England area for over 30 years. He is the author of many best selling jazz improvisation methods as well as founding the popular jazz video lesson site Neffmusic.com.

Reader Interactions

Comments

  1. AvatarMike says

    December 25, 2009 at 9:03 pm

    Hey Steve, you ever send a GW piece to a refacer? I find that his pieces play significantly better than how they should in consideration to imperfections. I’m wondering how one will play fully done. I think I’ll send my 7M to someone but I want to know if it went that way for you. Thanks

    Reply
    • stevesteve says

      December 25, 2009 at 9:40 pm

      Nope. The 3 GW pieces I’ve had all played great. No need to send them for any work. I don’t see any imperfections on mine or the other ones I have had.

      Reply
  2. AvatarMike says

    December 26, 2009 at 12:36 am

    Also another question (completely irrelevant):
    What microphone setup do you use for recordings, and where do you set the mic when you record?

    A relevant question:
    Do you find your 7M has a bit of a resistance? I find that it plays fine but there is a little bit of a drag when I start playing on it. From there on I can play faster.

    Thanks

    Reply
    • stevesteve says

      December 26, 2009 at 8:53 pm

      I use a M-Audio MicroTrack. I put the mic about 12-24 inches from the bell. I don’t find any resistance with my 7M. Steve

      Reply
  3. AvatarAtanas says

    January 25, 2010 at 3:08 am

    How much are GW mpc’c and how long it takes to get them?Realy dig this sound!Currently looking for alto and tenor HR mpc.I like HR!Like your playing,Steve!Give me some advice on HR mpc’s!Thanks,Atanas

    Reply
    • stevesteve says

      January 25, 2010 at 3:36 pm

      I’m not sure you have to contact Greg Weir to find out. He’s on ebay a lot. They are great mouthpieces for the price.

      Reply
  4. AvatarMike says

    February 28, 2010 at 12:20 am

    Don’t know if this is to late Atanas, but they are $119 (if you email him he’ll even customize it to your liking for FREE!). It takes a little over a week to get them if memory serves right. Its just standard, cheap, ebay shipping.

    BTW Steve, which Microtrack do you have? Are you using the $150, $190, or $250 one? (vocal, audio, pro audio)

    Also, have you compared it to something like the Zoom H2? I’m really wondering how each one fares.

    Reply
    • stevesteve says

      February 28, 2010 at 12:27 am

      I bought it when they first came out. It just says M-Audio Microtrack 24/96. Nothing else. I think it was 399.00 when i got it years ago.

      Reply
  5. AvatarJustin says

    June 9, 2010 at 7:38 am

    You don’t say which reeds you are using on any of the alto reviews Steve. Do you use Java 2 1/2 on these to. I like the nice bright sound you get on the GW.

    Reply
    • stevesteve says

      June 9, 2010 at 7:47 am

      Yes Java 2 1/2 and sometimes Java 3’s.

      Reply
  6. AvatarDavid says

    April 17, 2015 at 11:13 am

    Hi Steve, thanks for this mpc review. These reviews are a fantastic resource. I recently got an NY alto mpc from Greg. It is wonderful. I never tried an original Meyer, but if they play like this then I understand what all the fuss is about. The GW piece makes such a range of textures available up and down the horn. There is a golden edge to the higher notes. Like you say Steve, it really sings. So thanks for putting me to this.

    Reply
    • SteveSteve says

      April 18, 2015 at 9:29 am

      That’s great to hear David. I love it when someone like you finds the perfect mouthpiece for themselves and my reviews helped in the process……..Take Care, Steve

      Reply
  7. AvatarDarrell says

    October 25, 2015 at 10:56 pm

    I have bought 4 MP’s from Greg Wier, Meyer 5M copy, a Gregory 4H-18 copy, a King Bari copy and a modified Dukoff 6. Except for the Dukoff (I found I simply don’t like Dukoff’s) all his MP’s are wonderful to play and sound great.

    Reply
  8. AvatarDarrell Hamilton says

    August 19, 2016 at 1:09 am

    I recently dug up my old Link STM tenor 7 that was stuffy. I sent it to Greg and he turned it into monster that practically played itself. I highly recommend his work. Not only grade A quality but best bang for the buck..

    Reply
    • SteveSteve says

      August 21, 2016 at 2:58 pm

      That’s great to hear Darrell. Greg does great work judging from the pieces of his that I have played………

      Reply
  9. AvatarGary R says

    September 20, 2016 at 11:53 pm

    After reading your reviews on Greg Wier tenor and alto mouthpieces, I found an alto and tenor available for sale and picked them up. Both are terrific mouthpieces, but they are totally different. The tenor must be the “Indian Rubber” model because it plays LOUD and bright. I used it on stage playing a run of “A Night with Janis Joplin” and it was great. The alto mouthpiece is a much darker and softer sound. I’ll be playing a run of “Chicago” and it will be perfect for that gig. I really appreciate the info on your reviews of these pieces, plus your playing on the sound clips.

    Reply

Leave a Reply to Steve Cancel reply

Your email address will not be published. Required fields are marked *

Primary Sidebar

Cart

Subscribe to the Neffmusic Newsletter for the latest reviews and best deals delivered straight to your inbox every month. Join now and you will also receive my 40 Ultimate Michael Brecker Licks free!

Select list(s) to subscribe to


Thanks for joining!


NEFFMUSIC PRINTED BOOKS

Testimonials

I want to let you know that your instructional material is transforming my playing.  It is an immense pleasure to learn and play now, and I can’t tell you how grateful I am. The instructional material I got from you is by far the best of any I own (and I have over 100 books, DVDs, and what not). I literally can’t thank you enough! Deric
Deric
Steve really changed my way of practicing: I got a whole lot of new ideas for my playing the tenor.  His lessons are really helpful, give a lot stuff to practice and give clear answers to complicated stuff.  Steve has a lot of humor and I wish I had laughed so much in my former days with the horn.  All topics, from Blues to Approach note are dealt with clearness that wet ones appetite to play and practice that great ideas.
Uwe

Mr. Neff,  I want to thank you for sharing your God-given talents through your on-line lessons.  My husband, Michael, is blind, but he is a great sax player and he has been enjoying your lessons for quite some time now.  It’s not unusual for me to hear “Hey, babe, listen to THIS!” – and he will cut loose on his sax, just thrilled at what he learned during his session with you.  His excitement warms my heart!  You have no idea how much you have poured into my husband.  You have opened musical … Read more

Carole B
Just to say thanks for your advice and lessons.  I’ve just read your amazing story.  I really appreciate what you do in regards to teaching.  I have bought a couple of your lessons and frankly they’re undersold.   I’ve learned much more with these two lessons than with 2 years of sax teachers.   Thanks so much………..
Mike

I am enjoying your style of teaching, and you’ve done a great job with the videos….good sound quality and well constructed lessons.  Balances the more guitaristic material found on the majority of guitar based programs.  Jazz vocab is what I’m all about at this point in the journey.  I especially dig the fact that you’ve studied with Bergonzi…helps me see his voluminous output in a more bite sized way.

Milton
Absolutely the best learning experience in my 40 years of playing.These books are awesome!!
Alfred LaBella

Your material is great! I got your New Altissimo Lesson 6 months ago and I have learned more from that than in all my 44 years of playing! I appreciate your down to earth teaching method and I really appreciate the heart that you teach with. I have been a subscriber to your lessons for the past 6 months and I have learned a great deal. Over that period of time I have had some questions and you have never failed to respond. Thanks! I have already recommended your lessons to a number of players in… Read more

Michael Byington

I want to thank you again, because, not only are you an inspiration to listen to, you are a fine teacher!

I have been teaching sax and other winds for over 20 years, and you give me that “push” to give my students more!

Mark Peotter

Mark Peotter
Your lessons on playing the blues is so clear . I have been through many books on blues playing and not one of them explains as clear as your lessons . Most of them say “Play the same blues scale over all three chords of a 12 bar blues ” Its very misleading .     Thanks
Martin
I like so many other subscribers feel so encouraged by Steve’s learning techniques; you will enjoy reading the comments of praise others have left as you too will feel that you share a common view and path. I feel very lucky to have come across Neffmusic and that feeling will remain with you as you search through a treasure trove of learning materials on offer, you will quickly find the lessons that you are suited to. You will instantly recognize the unparalleled quality of Steve’s teaching … Read more
Stephen
It is so refreshing to have a great player, who can provide lessons and examples in a manner which is understandable to most any enthusiastic saxophonist who is ready to improve. not just the, do this, do that, memorize this, memorize that… while all that is absolutely necessary, you go on to give reasons and examples to explain and validate why you have to do all of these things, the benefits, if you will… that is the key for me, you tell, explain, demonstrate, explain some more, you give perso… Read more
Cedric
I just joined Neff Music last month. I can’t tell you how excited I’ve been to be able to pick back up on lessons. I’ve been in a rut and you got me out! I’ve especially appreciated the Lesson Path section. It was so clear I knew exactly where to jump in and start. Many many thanks!
Karin

I want to thank you for your “Ultimate II-V-I Primer”  which has sent me off on a much better path to improvisation.  The primer and the four bound books I have will keep me busy for a long time.  I like your lessons for two reasons.  The lessons work and THEY ARE FUN.  Thanks again.

Robert

Robert

Steve, just a note to say thanks.

I’ve been playing a long time, but your material, laid out in such a thoughtful way, helps me to understand concepts in a new and deeper way.

You are a true gift to the jazz community.

60 lessons and going strong,

Kevin Ledbetter

Kevin Ledbetter
I can’t say enough about my membership at Neff Music. Steve has taken the mystery out of playing the saxophone well and improvising both jazz and rock music. Like most struggling players I have a load of all sorts of books on my shelf just gathering dust. Books that I didn’t understand or know how to put to use…or just have the time to go threw them. Steve’s lessons really simplify things and he puts it in a way that I can understand. They inspire me to keep pushing and having him as my guide or… Read more
Ken
I would like to say that in the last year my sax playing has progressed loads from your lessons. I have had a sax for about 20 years and dabbled with lessons from a few teachers and have learnt very little from them. As you have said in your lessons many teachers tell you to use the blues scale and leave it there, not even showing you the resolution points!!. I am now believing I can in time become a good improviser.
Thanks again,
Shane
Shane
Hey Steve, I’m a 22-year-old from Australia. I thought it would be worth saying. You’re an absolute legend. I can’t thank you enough. You have helped me rekindle my love for the saxophone and music as a whole. All the best for the future, your work doesn’t go unnoticed. PS. I am loving your devastating minor lines pdf.
Sapph
I am enjoying your style of teaching, and you’ve done a great job with the videos….good sound quality and well constructed lessons.  Balances the more guitaristic material found on the majority of guitar based programs.  Jazz vocab is what I’m all about at this point in the journey.   I especially dig the fact that you’ve studied with Bergonzi…helps me see his voluminous output in a more  bite sized way.
Milton
I have found your videos and publications inspiring and your contribution to the world of saxophone playing is immense. Paul
Paul
By the way, BIG COMPLIMENTS to you, Steve! Not only are you a great player, you are also a great teacher! I, too, am a woodwinds player/teacher. I have new inspiration to play and teach because of you. The concepts and “thinking” is similar to what I already learned in College, but hearing you explain and PLAY the concepts REALLY MAKES THE DIFFERENCE! Also, your written patterns are more interesting than other books I have seen! Keep up the good work. I will be recommending your sit… Read more
I will be recommending your site to others!
Your major diatonic patterns book is great. I”m studying the first twenty patterns (first twenty pages) each day with different articulation each day and slowly increasing the tempo each week or so.  There is a noticeable improvement in finger coordination across all keys and its amazing how much more secure I feel on the difficult keys when attempting to play pieces with 5+ flats/sharps. I’m able to sort out the fingerings for these pieces now much more quickly than before, often in one or two … Read more
Geoff
First, I’m really excited about your materials! This site is a vast resource for any aspiring (and maybe already inspired) jazz musicians. I’m not a sax player, I play mandolin and fiddle, but have been learning jazz and playing weekly with a quintet for the past 6 months and have been struggling with all of the issues you get into in your lessons. I bought several books and lessons and plan to continue with some others as soon as I organize my practice routine. Thanks again for a great site … Read more
Tony Galfano

Steve,  Just want to say thanks for all you are doing for all of us. I’ve learned more from you than anyone else in my 40 years of playing.

If you can give some tips on One Note Samba, Ceora, and Wave… that would be cool.  I really like learning how you apply your concepts to actual songs!

Have a great year,

Kevin Ledbetter

I've learned more from you than anyone else in my 40 years of playing.
For anyone living in remote areas away from live jazz sax teachers, Neff is the way to go. In fact this is a great resource for anyone seriously interested in mastering the sax. I’ve never been disappointed in a lesson.
Oliver

Featured Video Lessons

  • Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book) Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book)
    Rated 5.00 out of 5
    $19.99 Original price was: $19.99.$14.99Current price is: $14.99.
  • The Secret to Modern Outside Jazz Lines Lesson-Minor The Secret to Modern Outside Jazz Lines Lesson-Minor $9.99
  • Creating Modern II-V-I Lines with Simple Pentatonics Lesson Creating Modern II-V-I Lines with Simple Pentatonics Lesson
    Rated 5.00 out of 5
    $9.99
  • The Best Embouchure for Tone, Intonation and Endurance Lesson The Best Embouchure for Tone, Intonation and Endurance Lesson
    Rated 4.91 out of 5
    $9.99
  • The Secret to Altissimo (no one has ever told you about before) Lesson The Secret to Altissimo (no one has ever told you about before) Lesson
    Rated 4.75 out of 5
    $9.99

Now over 600 video and audio lessons to choose from!

Free Lessons

  • Free Lesson on The New Ultimate II-V-I Primer-Major Keys
  • Free Video Lesson on Mastering Altered Pentatonics
  • Free Video Lesson on Mastering the Blues Scale Volume 1 & 2
  • Free Video Lesson on Mastering the Dominant Bebop Scale and Language Book 1 & 2
  • Free Video Lesson on Approach Note Velocity Book

Recent reviews

  • Bebop Scale-Altered Scale II-V-I Practice Lesson Bebop Scale-Altered Scale II-V-I Practice Lesson by Noah
  • Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book) Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book) by Andy
  • Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book) Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book)
    Rated 5 out of 5
    by Russ
  • Creating Modern II-V-I Lines with Simple Pentatonics Lesson Creating Modern II-V-I Lines with Simple Pentatonics Lesson
    Rated 5 out of 5
    by Timothy
  • The Best Embouchure for Tone, Intonation and Endurance Lesson The Best Embouchure for Tone, Intonation and Endurance Lesson
    Rated 5 out of 5
    by Ray Holland

Footer

Recent Comments

  • Steve on Revisiting a Lamberson J7 Tenor Saxophone Mouthpiece Review
  • Thor on Revisiting a Lamberson J7 Tenor Saxophone Mouthpiece Review
  • Perry on Will the Real Michael Brecker’s Sax Mouthpiece Please Stand Up?
  • Steve on Will the Real Michael Brecker’s Sax Mouthpiece Please Stand Up?
  • Perry on Will the Real Michael Brecker’s Sax Mouthpiece Please Stand Up?

Top rated products

  • Mastering the Major Bebop Scale & Sound (Digital PDF Book) Mastering the Major Bebop Scale & Sound (Digital PDF Book)
    Rated 5.00 out of 5
    $14.99
  • Tune of the Week-Softly as a Morning Sunrise Lesson Tune of the Week-Softly as a Morning Sunrise Lesson
    Rated 5.00 out of 5
    $9.99
  • The Style of Dexter Gordon-Lady Bird Lesson 1 The Style of Dexter Gordon-Lady Bird Lesson 1
    Rated 5.00 out of 5
    $9.99
  • Tune of the Week-Days of Wine and Roses Lesson Tune of the Week-Days of Wine and Roses Lesson
    Rated 5.00 out of 5
    $9.99
  • Tune of the Week-Invitation Tune of the Week-Invitation
    Rated 5.00 out of 5
    $9.99

Product tags

alto sax alto saxophone approach notes audio lesson bebop scale beginner beginner saxophone blues blues licks blues patterns blues scale blues scales diminished scale dominant chords ear training fundamentals II-V-I improvisation jazz improvisation jazz lines jazz patterns jazz sax jazz saxophone jazz standard jazz standards licks Mastering the Blues Scale Michael Brecker modern improv modern improvisation online lesson patterns playing outside practice habits reading music sax basics sax lessons saxophone scales smooth jazz steve neff tenor sax tenor saxophone video lesson video lessons
  • Instagram
  • Facebook
  • Twitter
  • SUPPORT

Neffmusic © 2005–2025