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florida link

KPoudavoff Zimberoff Dukoff Hollywood 6* with Dexter Gordon’s Facing Curve Tenor Saxophone Mouthpiece Review

February 16, 2023 by Steve 9 Comments

Today, I am reviewing another tenor saxophone mouthpiece made by a young mouthpiece maker, refacer and saxophone player from Russia named Kirill Poudavoff.  Kirill is a great young tenor sax player that is in his fourth semester at Berklee College of Music in Boston. Kirill sent me four 3-D printed examples of his tenor saxophone […]

Filed Under: Mouthpiece Reviews, Tenor Low Baffle Reviews, Tenor Mouthpiece Reviews Tagged With: copy, Dexter Gordon, double ring, Dukoff Hollywood, facing curve, florida link, Kirill Podavoff, KPoudavoff, otto link, replica, review, sax mouthpiece, tenor saxophone, Zimberoff

KPoudavoff Zimberoff Dukoff Hollywood 7* Copy Tenor Saxophone Mouthpiece Review

February 13, 2023 by Steve 7 Comments

Today, I am reviewing another tenor saxophone mouthpiece made by a young mouthpiece maker, refacer and saxophone player from Russia named Kirill Poudavoff.  Kirill is a great young tenor sax player that is in his fourth semester at Berklee College of Music in Boston. Kirill sent me four examples of his tenor saxophone mouthpieces made […]

Filed Under: Mouthpiece Reviews, Tenor Low Baffle Reviews, Tenor Mouthpiece Reviews Tagged With: copy, Dexter Gordon, double ring, Dukoff Hollywood, florida link, Kirill Podavoff, KPoudavoff, otto link, replica, review, sax mouthpiece, tenor saxophone, Zimberoff

KPoudavoff Florida Otto Link Copy Tenor Saxophone Mouthpiece Review

February 4, 2023 by Steve 16 Comments

Today, I am reviewing another great tenor saxophone mouthpiece made by a young mouthpiece maker, refacer and great saxophone player from Russia named Kirill Poudavoff.  Kirill is a great young tenor sax player that is in his fourth semester at Berklee College of Music in Boston. Kirill sent me four examples of his tenor saxophone […]

Filed Under: Mouthpiece Reviews, Tenor Medium Baffle Reviews, Tenor Mouthpiece Reviews Tagged With: copy, Dexter Gordon, double ring, Dukoff Hollywood, florida link, Kirill Podavoff, KPoudavoff, otto link, replica, review, sax mouthpiece, tenor saxophone, Zimberoff

KPoudavoff Florida Double Ring Otto Link Copy Tenor Saxophone Mouthpiece Review

February 3, 2023 by Steve 4 Comments

Today, I am reviewing the work of a young mouthpiece maker, refacer and great saxophone player from Russia named Kirill Poudavoff.  Kirill is a great young tenor sax player that is in his fourth semester at Berklee College of music in Boston. If you haven’t heard Kirill Poudavoff yet, check him out in the video […]

Filed Under: Mouthpiece Reviews, Tenor Low Baffle Reviews, Tenor Mouthpiece Reviews Tagged With: copy, Dexter Gordon, double ring, Dukoff Hollywood, florida link, Kirill Podavoff, KPoudavoff, otto link, replica, review, sax mouthpiece, tenor saxophone, Zimberoff

Phil-Tone & Theo Wanne Tribute Tenor Saxophone Mouthpiece

June 24, 2013 by Steve 32 Comments

Today, I am excited to review a new mouthpiece made by Phil Engleman and Theo Wanne.  Phil Engleman is the founder of Phil-Tone mouthpieces and I have reviewed a number of his mouthpieces in the past.  The Equinox,the Eclipse, the Solstice, etc…………… Phil contacted me a few months ago and said he was going to […]

Filed Under: Tenor Medium Baffle Reviews, Tenor Mouthpiece Reviews Tagged With: florida link, Phil Engleman, sax mouthpiece, tenor saxophone, Theo Wanne, Tribute

Florida Link Refaced by Erik Greiffenhagen

February 6, 2010 by Steve 27 Comments

Here is an incredible Florida Link  saxophone mouthpiece that was refaced by Erik Greiffenhagen from a 6 to a 7* (.105).  I bought this mouthpiece from Les Arbuckle about 6 weeks ago and have been playing it ever since.  Les came on SOTW (Sax on the Web) and said he had a link for sale […]

Filed Under: Tenor Low Baffle Reviews, Tenor Mouthpiece Reviews Tagged With: Erik Greiffenhagen, florida link, Les Arbuckle, otto link, saxophone mouthpiece, tenor

Ted Klum Focustone Tenor Mouthpiece

August 14, 2009 by Steve 5 Comments

I received this piece in a trade deal for one of my metal Florida Links.  It was a hard deal to make but I did it because I was so curious about the “Focustone” mouthpieces. I’ve tried Ted Klum’s work before down at Roberto’s in NYC years ago and once when Bob Ackerman came up […]

Filed Under: Tenor Low Baffle Reviews, Tenor Mouthpiece Reviews Tagged With: Bob Ackerman, florida link, Focustone, Ted Klum, tenor mouthpiece

Battle of the 3 Florida Link Tenor Mouthpieces

August 14, 2009 by Steve 11 Comments

I thought I would put up a comparison clip of 3  metal STM Florida  Otto Link tenor mouthpieces that I have.  The first one is a Florida Link 7*(no USA) that was refaced by someone. If I had to bet money on it I would say it’s Theo Wannes work.  It looks just like other […]

Filed Under: Tenor Mouthpiece Reviews Tagged With: Brian Powell, florida link, otto link, Tenor Mouthpiece Reviews, Theo Wanne

Great Theo Wanne Florida Link Tenor Mouthpiece

August 14, 2009 by Steve 6 Comments

This is a florida link from the 60’s.  It was originally an 8 but was worked on by Theo Wanne who closed it down to .100.    I’m really loving it.  I bought this from Mark Sepinuck(10mfan).  He posted on SOTW that he had a Florida Link that was by far the best Florida Link […]

Filed Under: Tenor Low Baffle Reviews, Tenor Mouthpiece Reviews Tagged With: florida link, tenor mouthpiece, Theo Wanne

Florida/Early Babbitt HR Link 7* Tenor Mouthpiece

August 13, 2009 by Steve 2 Comments

This is a piece I bought about 4 years ago.  I got caught up in the whole “slant” hard rubber link thing and I emailed a guy who had a slant.   He had just sold it but said he had this piece that was as good or better than any slant he had ever played.  […]

Filed Under: Tenor Medium Baffle Reviews, Tenor Mouthpiece Reviews Tagged With: early babbitt, florida link, Jon Van Wie, tenor mouthpiece

No USA Florida Link

January 4, 2009 by Steve 2 Comments

No USA Florida Link .105 This is a Florida Link I bought off ebay awhile ago.  I bought it because it was refaced and the seller didn’t know who had done it.  When I saw the pictures I  was pretty confident that it was Theo Wanne’s work. I can’t be 100% certain but I’ve had […]

Filed Under: Tenor Low Baffle Reviews, Tenor Mouthpiece Reviews Tagged With: florida link, no usa florida, Theo Wanne

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NEFFMUSIC PRINTED BOOKS

Testimonials

Absolutely the best learning experience in my 40 years of playing.These books are awesome!!
Alfred LaBella
Your major diatonic patterns book is great. I”m studying the first twenty patterns (first twenty pages) each day with different articulation each day and slowly increasing the tempo each week or so.  There is a noticeable improvement in finger coordination across all keys and its amazing how much more secure I feel on the difficult keys when attempting to play pieces with 5+ flats/sharps. I’m able to sort out the fingerings for these pieces now much more quickly than before, often in one or two … Read more
Geoff
I’ve been having ‘ online’  lessons with Steve for a few months now. Being a teacher myself I had had some reservations with the idea at first and the practicalities of it .  Let me just say that my playing has taken a huge leaps forward while studying with Steve and continues to do so.Steve studied with some renowned player/teachers such as Bergonzi and Garzone– this in itself is invaluable but Steve teaches from his own books, which cover a a vast amount of  jazz language. Steve h… Read more
David
Just wanted to send you a quick note to say thank you for being you, your playing, your website and your desire to help others. I’m a professional musician in the US Army and I’ve visited your website almost every day since discovering it a couple of months ago. Your lessons are profound and easy to use. I’ve purchased most of your PDF books and now am starting to delve more into the video and audio lessons.  Thank you for being a great resource!
James
I bought Steve’s dominant bebop book and took a couple of online lesson from him. I really appreciated Steve’s careful listening of what I wanted to get done in a lesson and his clear, concise ideas on next steps to improve my playing and musical interpretation.  His mastering  the Dominant Bebop Scale has lots of exercises to use a scale that addresses the largest percentage of chords I come across in pop/blues music. The dominant V7.  Needless say it has improved my playing.  I teach and a… Read more
Keith
I’m an experienced player in the pop/soul/funk areas of music and, previously, classical.  Over the decades I’ve been playing, I’ve always felt that I could do what I needed in those styles of music.  However, recently I began to feel limited by my use of the same old licks. When I discovered Steve Neff’s website, and heard the audio examples based on the exercises in his books, I realized they were what I needed.  I purchased all of them and have been working on them since.  It’s very hard work… Read more
Paul
Steve really changed my way of practicing: I got a whole lot of new ideas for my playing the tenor.  His lessons are really helpful, give a lot stuff to practice and give clear answers to complicated stuff.  Steve has a lot of humor and I wish I had laughed so much in my former days with the horn.  All topics, from Blues to Approach note are dealt with clearness that wet ones appetite to play and practice that great ideas.
Uwe

Steve,  Just want to say thanks for all you are doing for all of us. I’ve learned more from you than anyone else in my 40 years of playing.

If you can give some tips on One Note Samba, Ceora, and Wave… that would be cool.  I really like learning how you apply your concepts to actual songs!

Have a great year,

Kevin Ledbetter

I've learned more from you than anyone else in my 40 years of playing.
It is so refreshing to have a great player, who can provide lessons and examples in a manner which is understandable to most any enthusiastic saxophonist who is ready to improve. not just the, do this, do that, memorize this, memorize that… while all that is absolutely necessary, you go on to give reasons and examples to explain and validate why you have to do all of these things, the benefits, if you will… that is the key for me, you tell, explain, demonstrate, explain some more, you give perso… Read more
Cedric

Love your lessons!  I have been using your lesson packages for many months now, and am learning a lot.  It is so perfect for me with a very busy adult schedule and difficulty in taking jazz/improv music lessons from reputable instructors who live and hour or more away from me.

Lenore

Hello Steve,

I have not received my alto yet but have already gone through 14 lessons. I love your approach, style, knowledge and competence. I now regret so much to have stayed away from playing the sax for the past 45-50 years…(I am 65).  But It is never too late to get back to your first love. After 23 years in compuer sciences and 22 years in finances…I am now back to music for the rest of my life.

Doing some research on the net, I found this:

http://forum.saxontheweb.net/showthread.php?1… Read more

Claude
By the way, BIG COMPLIMENTS to you, Steve! Not only are you a great player, you are also a great teacher! I, too, am a woodwinds player/teacher. I have new inspiration to play and teach because of you. The concepts and “thinking” is similar to what I already learned in College, but hearing you explain and PLAY the concepts REALLY MAKES THE DIFFERENCE! Also, your written patterns are more interesting than other books I have seen! Keep up the good work. I will be recommending your sit… Read more
I will be recommending your site to others!
Just a brief note to compliment you on your teaching skills and in particular for the honesty of your lessons.  I am a returning alto sax player in my 50’s and I was looking for a no nonsense, straight to the point kind of guidance. I had intended to email you with a few questions regarding the use of the bis key but then I noticed that there was a lesson on that specific topic and after viewing it,  all my questions were answered. I once took a group lesson with a well known professional sax … Read more
Patrick

Never really had lessons before just kinda worked things out on my own. Was in a rut but your lessons are really helpful in opening melodic possibilities. Ur an awesome resource to the saxophone community. Thanks for sharing. 

Anthony

I must say again how much I appreciate all your material. Including the video tutorials. It help keep me focused and knowing what to aim for. And your laid back teaching style appeals to me too. 

Thanks

P

P
Two years later I began a search for a sax teacher and happened to come across Steve Neff when I was searching YouTube for sax teachers.  I went to neffmusic.com and was very impressed with the lessons Steve Neff was offering.  The concept of selecting lessons was an approach that I thought was unique and purchased a few lessons.  I liked the lessons so much that I signed-up for a 6 month package. I was very happy with all the lessons I selected.  I also purchased Steve’s book Mastering the B… Read more
Michael

After reading your story I will never feel quite right about complaining about any of my MINOR health issues!!    God bless Steve and I really hope that your health doesn’t stop you from fulfilling your calling.    These books have been such a help to open up my jazz vocabulary…   Thanks so much for sharing your story and for providing these great teaching tools…   John Leclerc   Saxophonist / composer/ EWI player and professional working musician of 35 years….

John Leclerc
I can see from your instructional videos that you are a fantastic teacher – one that can truly relate to all ages – humble yet very positive in approach – never coming across as superior and yet so totally capable of demonstrating the principles and techniques that you seek to impart to the students. I have gained so much confidence in my playing from “pouring over” time and again these invaluable lessons. Invaluable not only in musical content, but also in human interaction content. I am absolu… Read more
Ron

I want to thank you for your “Ultimate II-V-I Primer”  which has sent me off on a much better path to improvisation.  The primer and the four bound books I have will keep me busy for a long time.  I like your lessons for two reasons.  The lessons work and THEY ARE FUN.  Thanks again.

Robert

Robert
I want to let you know that your instructional material is transforming my playing.  It is an immense pleasure to learn and play now, and I can’t tell you how grateful I am. The instructional material I got from you is by far the best of any I own (and I have over 100 books, DVDs, and what not). I literally can’t thank you enough! Deric
Deric
I am enjoying your style of teaching, and you’ve done a great job with the videos….good sound quality and well constructed lessons.  Balances the more guitaristic material found on the majority of guitar based programs.  Jazz vocab is what I’m all about at this point in the journey.   I especially dig the fact that you’ve studied with Bergonzi…helps me see his voluminous output in a more  bite sized way.
Milton
Thank you for all the educational information you provide.  I am a classically trained musician.  Professionally, I am a 4th and 5th grade band teacher.  I have played piano and sax for many years, but now I am starting to gig out more. I have always improvised by ear in the past. I have gotten by with my strong sense of pitch, rhythm and melodic contour. However, I want to go deeper. I want to play with a greater variety of melodic and rhythmic ideas to pull from.  I have studied to gain a … Read more
Ray
Hi Steve, I can’t express just how much I appreciate your teaching. My playing has improved so much over the past year since I have been studying and practicing with your lessons. It is possible to teach an old dog new tricks, these lessons are proof! Thanks, Michael Byington
Michael Byington
I am a music book junkie and I have to say that your books are the most clear, user friendly, and helpful books I own.  They are my absolute favorites and I only wish I had them years ago.  I wouldn’t change a thing about the experience I had in acquiring my degree at Berklee, but my playing has perhaps grown more in the time I’ve spent buried in your books and lessons.  Keep up the great work!!! Thanks, John
John

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