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You are here: Home / Sax Lessons / Sax Articulation / Basic Jazz Articulation for the Saxophone Lesson 2
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Basic Jazz Articulation for the Saxophone Lesson 2

Basic Jazz Articulation for the Saxophone Lesson 2

$9.99

SKU: 119 Category: Sax Articulation Tags: articulation, sax lesson, saxophone, tonguing, video lesson
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Description

If you want to learn how to play jazz saxophone, you can’t afford to overlook this essential lesson. Proper Jazz Articulation is what makes your lines swing. If you’re just beginning to learn to play jazz, or perhaps you’re a self taught player who’s always struggled with getting your playing to sound authentic and convincing, this lesson will set you on the right path.

I start with the very basics and guide you through learning to swing, just as I would if you were sitting in the studio next to me. I talk you through the difference between playing in a classical style and playing swinging jazz. I demonstrate these ideas on my saxophone as I explain them, so you can hear exactly what proper jazz articulation sounds like as you learn to do it too. I talk about the most effective way to tongue, or articulate the notes, to achieve the proper swing feel.

This is a continuation of the “Basic Jazz Articulation” lesson.  I know from experience that it takes many students  quite a few lessons to nail down the concept of jazz articulation.  In this lesson I repeat some of the thoughts from lesson 1 as well as adding some new insights and a fresh perspective to the topic.  I demonstrate on Donna Lee on a Virtuoso tenor sax and JVW STM link.  Practice the ideas in this lesson with my lesson on Improving your Time and Improving your Swing with 2&4 and soon you’ll be playing with that authentic swing feel. (29 minute video)

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Lesson Sample

https://public.neffmusic.com/Basic%20Jazz%20Articulation%20Part%202%20clip.mp4

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Testimonials

Just a brief note to compliment you on your teaching skills and in particular for the honesty of your lessons.  I am a returning alto sax player in my 50’s and I was looking for a no nonsense, straight to the point kind of guidance. I had intended to email you with a few questions regarding the use of the bis key but then I noticed that there was a lesson on that specific topic and after viewing it,  all my questions were answered. I once took a group lesson with a well known professional sax … Read more
Patrick

Mr. Neff,  I want to thank you for sharing your God-given talents through your on-line lessons.  My husband, Michael, is blind, but he is a great sax player and he has been enjoying your lessons for quite some time now.  It’s not unusual for me to hear “Hey, babe, listen to THIS!” – and he will cut loose on his sax, just thrilled at what he learned during his session with you.  His excitement warms my heart!  You have no idea how much you have poured into my husband.  You have opened musical … Read more

Carole B

After reading your story I will never feel quite right about complaining about any of my MINOR health issues!!    God bless Steve and I really hope that your health doesn’t stop you from fulfilling your calling.    These books have been such a help to open up my jazz vocabulary…   Thanks so much for sharing your story and for providing these great teaching tools…   John Leclerc   Saxophonist / composer/ EWI player and professional working musician of 35 years….

John Leclerc
Hey Steve! I hope you and your family are well.  I’m just writing to say thank you so much for all the resources you have made available to the saxophone community. I have been using your material for many years and I always come back to it… in fact I just took a break from practicing to write this…( reviewing “CreatingModern II-V-I Lines with simple pentatonics”.) I am, and continue to be, one of your raving fans! Blessings to you and your family this holiday season! Wishing… Read more
Gerry Aylward
First, I’m really excited about your materials! This site is a vast resource for any aspiring (and maybe already inspired) jazz musicians. I’m not a sax player, I play mandolin and fiddle, but have been learning jazz and playing weekly with a quintet for the past 6 months and have been struggling with all of the issues you get into in your lessons. I bought several books and lessons and plan to continue with some others as soon as I organize my practice routine. Thanks again for a great site … Read more
Tony Galfano
Your major diatonic patterns book is great. I”m studying the first twenty patterns (first twenty pages) each day with different articulation each day and slowly increasing the tempo each week or so.  There is a noticeable improvement in finger coordination across all keys and its amazing how much more secure I feel on the difficult keys when attempting to play pieces with 5+ flats/sharps. I’m able to sort out the fingerings for these pieces now much more quickly than before, often in one or two … Read more
Geoff
Hey Steve, I’m a 22-year-old from Australia. I thought it would be worth saying. You’re an absolute legend. I can’t thank you enough. You have helped me rekindle my love for the saxophone and music as a whole. All the best for the future, your work doesn’t go unnoticed. PS. I am loving your devastating minor lines pdf.
Sapph
Absolutely the best learning experience in my 40 years of playing.These books are awesome!!
Alfred LaBella
Hey Steve, My name is Jason Freese and I play keyboards and sax in the band Green Day.  I grew up taking sax lessons from Eric Marienthal when I was a kid and got out of it for a long time. I ran into you on youtube while searching for sax stuff. I bought a whole bunch of your lessons and have been loving it! Thanks! Here is my wikipedia so you can see the albums I’ve played on….Thanks again. It’s sparked my interest in practicing again.   Jason
Jason Freese (sax player for Green Day)

Thank You Steve. I think that I will be busy for years. Thank You for your great contribution to jazz music. Your books, more than teaching “how to play jazz”, actually teach “how to speak jazz”. I wish I found your methods years ago.  

Jean-Eric

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