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You are here: Home / Archives for Reviews / Mouthpiece Reviews / Tenor Mouthpiece Reviews / Tenor Low Baffle Reviews

Tenor Low Baffle Reviews

Absolute “Tenorer” Tenor Saxophone Mouthpiece

August 22, 2013 by Steve 18 Comments

Today,  I am reviewing a mouthpiece made by the Absolute company.  These are made in Italy.  This model is called the “Tenorer”.  There is also a Tenor AL, Tenor ST and a Tenor + model on their website. You can also find all these models for Baritone,Alto and Soprano saxophones as well.  The AL model […]

Filed Under: Tenor Low Baffle Reviews, Tenor Mouthpiece Reviews Tagged With: Absolute, resin, sax mouthpiece, tenor saxophone

Drake Stubbie Tenor Saxophone Mouthpiece

August 20, 2013 by Steve 16 Comments

Today I am reviewing another great Aaron Drake mouthpiece called the “Stubbie”.  It is modeled after the Dukoff  “Stubbie” model from the 1950’s.  I don’t know much about the Dukoff  “Stubbies” and have never played one as of yet.  I’ll leave any facts about the original “Stubbie” model to the mouthpiece “gurus” and collectors out […]

Filed Under: Tenor Low Baffle Reviews, Tenor Mouthpiece Reviews Tagged With: aaron drake, Dukoff, sax mouthpiece, stubbie, tenor saxophone

Florida Double Ring Otto Link Tenor Saxophone Mouthpiece

July 26, 2013 by Steve 24 Comments

Today, I’m reviewing an old 1950’s Florida Double Ring Otto Link Tenor Saxophone Mouthpiece.  It was originally a 5 tip opening but was opened up to a 7 or .100 tip opening at some point.  These Florida double ring mouthpieces were made in the 1950’s by the Otto Link company.  This mouthpiece I have is […]

Filed Under: Tenor Low Baffle Reviews, Tenor Mouthpiece Reviews Tagged With: double ring, florida, otto link, review, sax mouthpiece, tenor saxophone

Ted Klum Focustone Standard Model Tenor Saxophone Mouthpiece

July 18, 2013 by Steve 11 Comments

Today, I m reviewing a Ted Klum Focustone Standard Model.  It has a .108 tip opening.  I am lucky that I could borrow this from a friend on SOTW (Sax on the Web).  This is one of his favorite mouthpieces but he let me have it for a few weeks so I could do a […]

Filed Under: Tenor Low Baffle Reviews, Tenor Mouthpiece Reviews Tagged With: Focustone, sax mouthpiece, Standard Model, Ted Klum, tenor saxophone

Rafael Navarro Maestra Marble Tenor Mouthpiece

March 7, 2013 by Steve 27 Comments

I have another Rafael Navarro tenor mouthpiece up for review today.  This is a marble Maestra 8.  I used a Rigotti Gold 2 1/2 strong reed on it with a Francois Louis Ultimate ligature. Like all of Rafael’s mouthpieces I have tried so far, this one is a work of art.  The mouthpiece looks so […]

Filed Under: Tenor Low Baffle Reviews, Tenor Mouthpiece Reviews Tagged With: Maestra, marble, Rafael Navarro, saxophone, tenor mouthpiece

Bari Hybrid Tenor Saxophone Mouthpiece

February 18, 2013 by Steve 20 Comments

Today, I am reviewing the Bari Hybrid tenor saxophone mouthpiece 7* (.105 tip opening). This mouthpiece has the gold band around it.  It is called a “hybrid” because it is a mix of hard rubber and gold plated brass. The front part of the mouthpiece is all hard rubber but the shank and bore of […]

Filed Under: Tenor Low Baffle Reviews, Tenor Mouthpiece Reviews Tagged With: Bari, Hybrid, review, saxophone mouthpiece, tenor sax

Rafael Navarro Maestra Metal Tenor Saxophone Mouthpiece

September 18, 2012 by Steve 26 Comments

This is a new metal tenor saxophone mouthpiece by Rafael Navarro. There has been a lot of “buzz” going on about the Navarro line of mouthpieces over the last few months.  As of this review,  Rafael has 3 models available for the tenor saxophone.  The Maestra, the Bahia and the Bob Mintzer Bebop Special.  All […]

Filed Under: Tenor Low Baffle Reviews, Tenor Mouthpiece Reviews Tagged With: Maestra, Rafael Navarro, review, sax mouthpiece, sound clip, tenor saxophone

Aizen Gold JazzMaster Tenor Saxophone Mouthpiece

March 22, 2012 by Steve 2 Comments

This is a new Aizen Gold JazzMaster tenor saxophone mouthpiece that I received in the mail a couple of weeks ago.  It is a 7* tip opening which is a .105.  If you follow my blog regularly, then you will already know that I have reviewed a number of  Aizen hard rubber mouthpieces for the […]

Filed Under: Tenor Low Baffle Reviews, Tenor Mouthpiece Reviews Tagged With: Aizen, gold, Jazzmaster, review, sax mouthpiece, tenor saxophone

Marmaduke Large Chamber Tenor Saxophone Mouthpiece

January 16, 2012 by Steve 10 Comments

Today, I am reviewing a new Marmaduke large chambered tenor saxophone mouthpiece that is made by Alex Miyatake in Japan.  This tenor mouthpiece  has a larger chamber than the first Marmaduke mouthpiece I reviewed here.  If you click on this link you can compare the clips to see how these two mouthpieces sound.  They were […]

Filed Under: Tenor Low Baffle Reviews, Tenor Mouthpiece Reviews Tagged With: Alex Miyatake, large chamber, Marmaduke, saxophone mouthpiece, tenor sax

Kanee Professional Series Florida Tenor Saxophone Mouthpiece

November 9, 2011 by Steve 9 Comments

Today I am reviewing a new Kanee  tenor saxophone mouthpiece.  This is called the “Florida” model and is in the Kanee professional series of mouthpieces. About a year ago, I reviewed  the Kanee O7 and V7 custom tenor mouthpieces.  These were great playing mouthpieces that were introduced to the market at a very affordable price. […]

Filed Under: Tenor Low Baffle Reviews, Tenor Mouthpiece Reviews Tagged With: florida, jazz mouthpiece, Kanee, mouthpieces, professional model, tenor saxophone

Lebayle LRII Tenor Saxophone Mouthpiece

August 15, 2011 by Steve 25 Comments

Today, I am reviewing a Fred Lebayle LRII tenor saxophone mouthpiece.  The last time I played a Lebayle tenor mouthpiece was about 8 years ago.  I bought a wood Lebayle Jazz mouthpiece to try.  The mouthpiece totally blew my mind.  I fell in love with it and was ecstatic to play it.  I played it […]

Filed Under: Tenor Low Baffle Reviews, Tenor Mouthpiece Reviews Tagged With: Fred Lebayle, LRII, sax mouthpiece, tenor saxophone

Ishimori Woodstone 7* Hard Rubber Tenor Sax Mouthpiece

August 15, 2011 by Steve 21 Comments

I have an Ishimori Woodstone hard rubber tenor sax mouthpiece to review and play for you today. This is a 7* tip opening (.105) hard rubber mouthpiece. I have been eagerly wanting to play one of these Ishimori mouthpieces for quite a while.  I reviewed an 8 tip last week and wanted to try a […]

Filed Under: Tenor Low Baffle Reviews, Tenor Mouthpiece Reviews Tagged With: hard rubber, Ishimori, saxophone mouthpiece, tenor sax, Woodstone

Ishimori Woodstone 8 Hard Rubber Tenor Saxophone Mouthpiece

August 6, 2011 by Steve 10 Comments

I have an Ishimori Woodstone hard rubber tenor sax mouthpiece to review and play for you today.  This is a 8 tip opening (.110) hard rubber mouthpiece.   I have been eagerly wanting to play one of these Ishimori mouthpieces for quite a while. Ishimori Woodstone Hard Rubber Tenor Saxophone Mouthpiece Over the past few months, […]

Filed Under: Tenor Low Baffle Reviews, Tenor Mouthpiece Reviews Tagged With: hard rubber, Ishimori, sax mouthpiece, super custom, tenor saxophone, traditional jazz, Woodstone

Theo Wanne Refaced Selmer Soloist Tenor Mouthpiece

May 1, 2011 by Steve 4 Comments

Here’s another clip of a great Selmer Soloist that Mark Sepinuck let me  try.  For those of you who don’t know Mark he is one of the premier dealers of high end mouthpieces.  If you look on ebay he goes by “10mfan”.  I met Mark years ago when he used to live up near Boston.  […]

Filed Under: Tenor Low Baffle Reviews, Tenor Mouthpiece Reviews Tagged With: sax mouthpiece, Selmer soloist, tenor saxophone, Theo Wanne

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Testimonials

Steve really changed my way of practicing: I got a whole lot of new ideas for my playing the tenor.  His lessons are really helpful, give a lot stuff to practice and give clear answers to complicated stuff.  Steve has a lot of humor and I wish I had laughed so much in my former days with the horn.  All topics, from Blues to Approach note are dealt with clearness that wet ones appetite to play and practice that great ideas.
Uwe
Just a brief note to compliment you on your teaching skills and in particular for the honesty of your lessons.  I am a returning alto sax player in my 50’s and I was looking for a no nonsense, straight to the point kind of guidance. I had intended to email you with a few questions regarding the use of the bis key but then I noticed that there was a lesson on that specific topic and after viewing it,  all my questions were answered. I once took a group lesson with a well known professional sax … Read more
Patrick

Hello Steve,

I just want to say thank you so much for your unbelievable work, it is just mind opening, thanks for sharing it.

Wolfgang from Berlin

Wolfgang from Berlin

Steve, just a note to say thanks.

I’ve been playing a long time, but your material, laid out in such a thoughtful way, helps me to understand concepts in a new and deeper way.

You are a true gift to the jazz community.

60 lessons and going strong,

Kevin Ledbetter

Kevin Ledbetter
I’ve been a member of Steve’s site for about six months now and the difference it has made to my playing is immeasurable. The (many) benefits of this membership are that you can have lessons at time convenient to you, they work out A LOT cheaper than face-to-face lessons with a teacher of the same calibre and you can replay them ad infinitum. I don’t know how many times have I had lessons in the past where I’ve ended up covering the same concepts when really a ‘replay’ of the last lesson would h… Read more
Nick
Two years later I began a search for a sax teacher and happened to come across Steve Neff when I was searching YouTube for sax teachers.  I went to neffmusic.com and was very impressed with the lessons Steve Neff was offering.  The concept of selecting lessons was an approach that I thought was unique and purchased a few lessons.  I liked the lessons so much that I signed-up for a 6 month package. I was very happy with all the lessons I selected.  I also purchased Steve’s book Mastering the B… Read more
Michael
It is so refreshing to have a great player, who can provide lessons and examples in a manner which is understandable to most any enthusiastic saxophonist who is ready to improve. not just the, do this, do that, memorize this, memorize that… while all that is absolutely necessary, you go on to give reasons and examples to explain and validate why you have to do all of these things, the benefits, if you will… that is the key for me, you tell, explain, demonstrate, explain some more, you give perso… Read more
Cedric
Your major diatonic patterns book is great. I”m studying the first twenty patterns (first twenty pages) each day with different articulation each day and slowly increasing the tempo each week or so.  There is a noticeable improvement in finger coordination across all keys and its amazing how much more secure I feel on the difficult keys when attempting to play pieces with 5+ flats/sharps. I’m able to sort out the fingerings for these pieces now much more quickly than before, often in one or two … Read more
Geoff
I can see from your instructional videos that you are a fantastic teacher – one that can truly relate to all ages – humble yet very positive in approach – never coming across as superior and yet so totally capable of demonstrating the principles and techniques that you seek to impart to the students. I have gained so much confidence in my playing from “pouring over” time and again these invaluable lessons. Invaluable not only in musical content, but also in human interaction content. I am absolu… Read more
Ron

Hi Steve,

First, I want to thank you for all of your great lessons. They are like a “For Dummies” version of all the books on my shelf. The lessons break things down into manageable pieces, and give me the confidence that I’m practicing the right pieces. I’m starting to make progress.   Thank You,   Kim

Kim
I’m an experienced player in the pop/soul/funk areas of music and, previously, classical.  Over the decades I’ve been playing, I’ve always felt that I could do what I needed in those styles of music.  However, recently I began to feel limited by my use of the same old licks. When I discovered Steve Neff’s website, and heard the audio examples based on the exercises in his books, I realized they were what I needed.  I purchased all of them and have been working on them since.  It’s very hard work… Read more
Paul
Your lessons on playing the blues is so clear . I have been through many books on blues playing and not one of them explains as clear as your lessons . Most of them say “Play the same blues scale over all three chords of a 12 bar blues ” Its very misleading .     Thanks
Martin
For anyone living in remote areas away from live jazz sax teachers, Neff is the way to go. In fact this is a great resource for anyone seriously interested in mastering the sax. I’ve never been disappointed in a lesson.
Oliver
Just wanted to send you a quick note to say thank you for being you, your playing, your website and your desire to help others. I’m a professional musician in the US Army and I’ve visited your website almost every day since discovering it a couple of months ago. Your lessons are profound and easy to use. I’ve purchased most of your PDF books and now am starting to delve more into the video and audio lessons.  Thank you for being a great resource!
James
I bought Steve’s dominant bebop book and took a couple of online lesson from him. I really appreciated Steve’s careful listening of what I wanted to get done in a lesson and his clear, concise ideas on next steps to improve my playing and musical interpretation.  His mastering  the Dominant Bebop Scale has lots of exercises to use a scale that addresses the largest percentage of chords I come across in pop/blues music. The dominant V7.  Needless say it has improved my playing.  I teach and a… Read more
Keith
I have NEVER seen material like yours.  Amazing!!
Jerry
I’ve been having ‘ online’  lessons with Steve for a few months now. Being a teacher myself I had had some reservations with the idea at first and the practicalities of it .  Let me just say that my playing has taken a huge leaps forward while studying with Steve and continues to do so.Steve studied with some renowned player/teachers such as Bergonzi and Garzone– this in itself is invaluable but Steve teaches from his own books, which cover a a vast amount of  jazz language. Steve h… Read more
David
Thank you for all the educational information you provide.  I am a classically trained musician.  Professionally, I am a 4th and 5th grade band teacher.  I have played piano and sax for many years, but now I am starting to gig out more. I have always improvised by ear in the past. I have gotten by with my strong sense of pitch, rhythm and melodic contour. However, I want to go deeper. I want to play with a greater variety of melodic and rhythmic ideas to pull from.  I have studied to gain a … Read more
Ray

I must say again how much I appreciate all your material. Including the video tutorials. It help keep me focused and knowing what to aim for. And your laid back teaching style appeals to me too. 

Thanks

P

P

Mr. Neff,  I want to thank you for sharing your God-given talents through your on-line lessons.  My husband, Michael, is blind, but he is a great sax player and he has been enjoying your lessons for quite some time now.  It’s not unusual for me to hear “Hey, babe, listen to THIS!” – and he will cut loose on his sax, just thrilled at what he learned during his session with you.  His excitement warms my heart!  You have no idea how much you have poured into my husband.  You have opened musical … Read more

Carole B
Hey Steve, I’m a 22-year-old from Australia. I thought it would be worth saying. You’re an absolute legend. I can’t thank you enough. You have helped me rekindle my love for the saxophone and music as a whole. All the best for the future, your work doesn’t go unnoticed. PS. I am loving your devastating minor lines pdf.
Sapph
I am enjoying your style of teaching, and you’ve done a great job with the videos….good sound quality and well constructed lessons.  Balances the more guitaristic material found on the majority of guitar based programs.  Jazz vocab is what I’m all about at this point in the journey.   I especially dig the fact that you’ve studied with Bergonzi…helps me see his voluminous output in a more  bite sized way.
Milton
I would like to say that in the last year my sax playing has progressed loads from your lessons. I have had a sax for about 20 years and dabbled with lessons from a few teachers and have learnt very little from them. As you have said in your lessons many teachers tell you to use the blues scale and leave it there, not even showing you the resolution points!!. I am now believing I can in time become a good improviser.
Thanks again,
Shane
Shane
Hey Steve! I hope you and your family are well.  I’m just writing to say thank you so much for all the resources you have made available to the saxophone community. I have been using your material for many years and I always come back to it… in fact I just took a break from practicing to write this…( reviewing “CreatingModern II-V-I Lines with simple pentatonics”.) I am, and continue to be, one of your raving fans! Blessings to you and your family this holiday season! Wishing… Read more
Gerry Aylward

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