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You are here: Home / Archives for Reviews / Mouthpiece Reviews

Mouthpiece Reviews

Phil-Tone & Theo Wanne Tribute Tenor Saxophone Mouthpiece

June 24, 2013 by Steve 32 Comments

Today, I am excited to review a new mouthpiece made by Phil Engleman and Theo Wanne.  Phil Engleman is the founder of Phil-Tone mouthpieces and I have reviewed a number of his mouthpieces in the past.  The Equinox,the Eclipse, the Solstice, etc…………… Phil contacted me a few months ago and said he was going to […]

Filed Under: Tenor Medium Baffle Reviews, Tenor Mouthpiece Reviews Tagged With: florida link, Phil Engleman, sax mouthpiece, tenor saxophone, Theo Wanne, Tribute

Barone Hollywood Tenor Saxophone Mouthpiece 2000

June 21, 2013 by Steve 6 Comments

Today, I am reviewing a mouthpiece made by Phil Barone.  This  mouthpiece is the Hollywood model and it was made back in 2000 so it is an older model.  I have been a big fan of Phil Barone’s mouthpieces ever since I went to see Jerry Bergonzi play at the Acton Jazz Cafe years ago.  […]

Filed Under: Tenor Medium Baffle Reviews, Tenor Mouthpiece Reviews Tagged With: Hollywood, Phil Barone, review, sax mouthpiece, tenor saxophone

Drake “Jerry Bergonzi” Tenor Saxophone Mouthpiece

April 6, 2013 by Steve 16 Comments

Today,  I am reviewing a mouthpiece made by Aaron Drake of Drake Mouthpieces.  This  new mouthpiece is the Jerry Bergonzi model.  I have been a fan of Jerry Bergonzi’s since my first days at Berklee College of Music in Boston (1986).  Up until that time, I had only been an alto sax player.  I had […]

Filed Under: Tenor Medium Baffle Reviews, Tenor Mouthpiece Reviews Tagged With: aaron drake, hard rubber, jerry bergonzi, saxophone mouthpiece, tenor sax

Vintage Selmer Soloist Alto Saxophone Mouthpiece

March 20, 2013 by Steve 29 Comments

Ever since the 1980’s I have been a big fan of Kenny Garrett.  I can’t remember the first time I  heard  him but I remember having a record in the 80’s entitled “Introducing Kenny Garrett” that I loved. (I was an alto sax player back then)  Soon after this, I remember also hearing Mr. Garrett […]

Filed Under: Alto Medium Baffle Reviews, Alto Mouthpiece Reviews Tagged With: alto sax.saxophone mouthpiece, James Bunte, Kenny Garrett, Selmer soloist, Vintage

Rafael Navarro Maestra Soprano Saxophone Mouthpiece

March 8, 2013 by Steve 5 Comments

I have another Rafael Navarro mouthpiece up for review today.  This is a hard rubber Maestra 6* soprano saxophone mouthpiece.  I used a Vandoren Java 2 1/2 reed on it with a Vandoren Optimum metal ligature.  My soprano sax is a Yamaha YSS-62. Like all of Rafael’s mouthpieces I have tried so far, this one […]

Filed Under: Soprano Mouthpiece Reviews Tagged With: Maestra, Rafael Navarro, saxophone, soprano mouthpiece

Rafael Navarro Maestra Marble Tenor Mouthpiece

March 7, 2013 by Steve 27 Comments

I have another Rafael Navarro tenor mouthpiece up for review today.  This is a marble Maestra 8.  I used a Rigotti Gold 2 1/2 strong reed on it with a Francois Louis Ultimate ligature. Like all of Rafael’s mouthpieces I have tried so far, this one is a work of art.  The mouthpiece looks so […]

Filed Under: Tenor Low Baffle Reviews, Tenor Mouthpiece Reviews Tagged With: Maestra, marble, Rafael Navarro, saxophone, tenor mouthpiece

Bari Hybrid Tenor Saxophone Mouthpiece

February 18, 2013 by Steve 20 Comments

Today, I am reviewing the Bari Hybrid tenor saxophone mouthpiece 7* (.105 tip opening). This mouthpiece has the gold band around it.  It is called a “hybrid” because it is a mix of hard rubber and gold plated brass. The front part of the mouthpiece is all hard rubber but the shank and bore of […]

Filed Under: Tenor Low Baffle Reviews, Tenor Mouthpiece Reviews Tagged With: Bari, Hybrid, review, saxophone mouthpiece, tenor sax

Bari Hybrid Alto Saxophone Mouthpiece

February 18, 2013 by Steve 8 Comments

Today, I am reviewing the Bari Hybrid alto saxophone mouthpiece 6 (.077 tip opening).  This mouthpiece has the gold band around it.  It is called a “hybrid” because it is a mix of hard rubber and gold plated brass.  The front part of the mouthpiece is all hard rubber but the shank and bore of […]

Filed Under: Alto Mouthpiece Reviews Tagged With: alto sax, Bari, Hybrid, review, saxophone mouthpiece

Ishimori Woodstone Super Custom Medium Small Chambered Alto Saxophone Mouthpiece

February 11, 2013 by Steve 10 Comments

I have another Ishimori Woodstone  alto saxophone mouthpiece to review and play today.  This alto mouthpiece is the hard rubber  “Super Custom” traditional jazz medium small chamber model in a 6 tip opening.  About a year and a half ago,  I did a review of the medium chamber Wood Stone alto mouthpiece which I loved!   […]

Filed Under: Alto Medium Baffle Reviews, Alto Mouthpiece Reviews Tagged With: Alto Saxophone, Ishimori, jazz sax, medium small chamber, Wood Stone

PMS Guardala Michael Brecker II Tenor Mouthpiece

January 9, 2013 by Steve 18 Comments

OK, It looks like January is high baffle, powerhouse, mouthpieces on steroids month so far. For this review I’m playing a PMS Michael Brecker II Tenor Saxophone Mouthpiece.  My last review was of the “Fat Boy” version of this mouthpiece.  This is the regular version from PMS. Supposedly, Mr. Guardala sold the rights to his […]

Filed Under: Tenor High Baffle Reviews, Tenor Mouthpiece Reviews Tagged With: Dave Guardala, jazz saxophone, MBII, Michael Brecker, PMS, sax mouthpiece

PMS Guardala Brecker II Fat Boy Tenor Mouthpiece

January 8, 2013 by Steve 7 Comments

OK,   It looks like January is high baffle, powerhouse, mouthpieces on steroids month so far.  For this review I’m playing a PMS Michael Brecker II Fat Boy Tenor Saxophone Mouthpiece.  Now, if that long name confuses you, you are not alone.  Anything connected to Dave Guardala is going to be a bit confusing  (I won’t […]

Filed Under: Tenor High Baffle Reviews, Tenor Mouthpiece Reviews Tagged With: Dave Guardala, fat boy, Michael Brecker, PMS, tenor mouthpiece, tenor saxophone

Drake Pete Christieb Tenor Mouthpiece

January 8, 2013 by Steve 26 Comments

This is a new hard rubber tenor saxophone mouthpiece by Aaron Drake.  Aaron has started a new series of mouthpieces called the “Masters” series  where he copies the favorite mouthpieces of the great players alive today.  So far, he has made mouthpieces for Dave Liebman, Jerry Bergonzi and Pete Christlieb. I have been a fan […]

Filed Under: Tenor High Baffle Reviews, Tenor Mouthpiece Reviews Tagged With: aaron drake, high baffle, Pete Christlieb, review, saxophone mouthpiece, tenor sax

Macsax Bob Sheppard Tenor Saxophone Mouthpiece

November 13, 2012 by Steve 10 Comments

Today, I am reviewing a new MacSax tenor saxophone mouthpiece that is made by Eric Falcon.  I have reviewed a number of other mouthpieces in the past that were made or refaced by Eric Falcon including the LA, FJIII tenor mouthpiece and Bob Sheppard alto mouthpiece which were all great. This mouthpiece is the Bob […]

Filed Under: Tenor Medium Baffle Reviews, Tenor Mouthpiece Reviews Tagged With: Bob Sheppard, Eric Falcon, MacSax, saxophone, tenor mouthpiece

Macsax Bob Sheppard Alto Saxophone Mouthpiece

November 12, 2012 by Steve 9 Comments

Today, I am reviewing a new MacSax alto saxophone mouthpiece that is made by Eric Falcon.  I have reviewed a number of other mouthpieces in the past that were made or refaced by Eric Falcon including the LA and FJIII tenor mouthpieces which were both great.  This mouthpiece is the Bob Sheppard alto saxophone model.  […]

Filed Under: Alto Medium Baffle Reviews, Alto Mouthpiece Reviews Tagged With: Alto Saxophone, Bob Sheppard, Eric Falcon, MacSax, sax mouthpiece

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Testimonials

Absolutely the best learning experience in my 40 years of playing.These books are awesome!!
Alfred LaBella

Hello Steve,

I have not received my alto yet but have already gone through 14 lessons. I love your approach, style, knowledge and competence. I now regret so much to have stayed away from playing the sax for the past 45-50 years…(I am 65).  But It is never too late to get back to your first love. After 23 years in compuer sciences and 22 years in finances…I am now back to music for the rest of my life.

Doing some research on the net, I found this:

http://forum.saxontheweb.net/showthread.php?1… Read more

Claude
I just started looking at my lessons and I have to say, dude you are awesome.  I ABSOLUTELY will learn from you!  I started the tenor about 1 ½ yrs ago and have since picked up an alto, and more recently a soprano.  I spend most of the time on the tenor, followed by soprano, and have only gotten to the alto a few times.  I think I’ll be sticking with tenor.  I’m having a great time and hope one day to play well enough to get regular gigs.  I’ve been playing keys for about 35 years (… Read more
Wil

Thank You Steve. I think that I will be busy for years. Thank You for your great contribution to jazz music. Your books, more than teaching “how to play jazz”, actually teach “how to speak jazz”. I wish I found your methods years ago.  

Jean-Eric
Hi Steve, I can’t express just how much I appreciate your teaching. My playing has improved so much over the past year since I have been studying and practicing with your lessons. It is possible to teach an old dog new tricks, these lessons are proof! Thanks, Michael Byington
Michael Byington
I’ve been downloading your lessons for 4 months now (20 lesson) and I have noticed tremendous growth in my playing thus far! I’m so happy that I stumbled upon your site!
Bob
Your major diatonic patterns book is great. I”m studying the first twenty patterns (first twenty pages) each day with different articulation each day and slowly increasing the tempo each week or so.  There is a noticeable improvement in finger coordination across all keys and its amazing how much more secure I feel on the difficult keys when attempting to play pieces with 5+ flats/sharps. I’m able to sort out the fingerings for these pieces now much more quickly than before, often in one or two … Read more
Geoff

Steve, just a note to say thanks.

I’ve been playing a long time, but your material, laid out in such a thoughtful way, helps me to understand concepts in a new and deeper way.

You are a true gift to the jazz community.

60 lessons and going strong,

Kevin Ledbetter

Kevin Ledbetter

Hello Steve,

I just want to say thank you so much for your unbelievable work, it is just mind opening, thanks for sharing it.

Wolfgang from Berlin

Wolfgang from Berlin
I just wanted to write a thank you note to you for this website. I play and teach saxophone, but I have always been intimidated by the gear aspect. Your website has helped me become a lot more knowledgable. Your knowledge is staggering! I’m telling all my students about your website. Pierre
Pierre
Just a brief note to compliment you on your teaching skills and in particular for the honesty of your lessons.  I am a returning alto sax player in my 50’s and I was looking for a no nonsense, straight to the point kind of guidance. I had intended to email you with a few questions regarding the use of the bis key but then I noticed that there was a lesson on that specific topic and after viewing it,  all my questions were answered. I once took a group lesson with a well known professional sax … Read more
Patrick
I bought Steve’s dominant bebop book and took a couple of online lesson from him. I really appreciated Steve’s careful listening of what I wanted to get done in a lesson and his clear, concise ideas on next steps to improve my playing and musical interpretation.  His mastering  the Dominant Bebop Scale has lots of exercises to use a scale that addresses the largest percentage of chords I come across in pop/blues music. The dominant V7.  Needless say it has improved my playing.  I teach and a… Read more
Keith

Hello Steve, I’m getting so much out of your lessons and books, amazing how much one may think one knows, there is always a new frontier or new way to view something you think you had somewhat down. You have taken it all to a new level and am so grateful. Your lessons are so down to earth and understandable and clear!  Thanks so much Steve! Cheers, Eddie

Eddie Parente
Steve really changed my way of practicing: I got a whole lot of new ideas for my playing the tenor.  His lessons are really helpful, give a lot stuff to practice and give clear answers to complicated stuff.  Steve has a lot of humor and I wish I had laughed so much in my former days with the horn.  All topics, from Blues to Approach note are dealt with clearness that wet ones appetite to play and practice that great ideas.
Uwe
By the way, BIG COMPLIMENTS to you, Steve! Not only are you a great player, you are also a great teacher! I, too, am a woodwinds player/teacher. I have new inspiration to play and teach because of you. The concepts and “thinking” is similar to what I already learned in College, but hearing you explain and PLAY the concepts REALLY MAKES THE DIFFERENCE! Also, your written patterns are more interesting than other books I have seen! Keep up the good work. I will be recommending your sit… Read more
I will be recommending your site to others!
I am enjoying your style of teaching, and you’ve done a great job with the videos….good sound quality and well constructed lessons.  Balances the more guitaristic material found on the majority of guitar based programs.  Jazz vocab is what I’m all about at this point in the journey.   I especially dig the fact that you’ve studied with Bergonzi…helps me see his voluminous output in a more  bite sized way.
Milton

Never really had lessons before just kinda worked things out on my own. Was in a rut but your lessons are really helpful in opening melodic possibilities. Ur an awesome resource to the saxophone community. Thanks for sharing. 

Anthony
I have found your videos and publications inspiring and your contribution to the world of saxophone playing is immense. Paul
Paul
Your lessons on playing the blues is so clear . I have been through many books on blues playing and not one of them explains as clear as your lessons . Most of them say “Play the same blues scale over all three chords of a 12 bar blues ” Its very misleading .     Thanks
Martin
I’m an experienced player in the pop/soul/funk areas of music and, previously, classical.  Over the decades I’ve been playing, I’ve always felt that I could do what I needed in those styles of music.  However, recently I began to feel limited by my use of the same old licks. When I discovered Steve Neff’s website, and heard the audio examples based on the exercises in his books, I realized they were what I needed.  I purchased all of them and have been working on them since.  It’s very hard work… Read more
Paul
Thank you so much for the great job you are doing to help further our jazz studies. Though I make my living as a repairer of musical instruments I am a student of jazz and have been fortunate enough to be involved with a big band and a combo for the last several years. As my children began to leave “the nest” I had decided to dedicate the next half of my life to a more serious study of the sax but I didn’t know exactly how I would go about doing this until a friend of mine turned me onto your si… Read more
Jon
I’ve been having ‘ online’  lessons with Steve for a few months now. Being a teacher myself I had had some reservations with the idea at first and the practicalities of it .  Let me just say that my playing has taken a huge leaps forward while studying with Steve and continues to do so.Steve studied with some renowned player/teachers such as Bergonzi and Garzone– this in itself is invaluable but Steve teaches from his own books, which cover a a vast amount of  jazz language. Steve h… Read more
David

Love your lessons!  I have been using your lesson packages for many months now, and am learning a lot.  It is so perfect for me with a very busy adult schedule and difficulty in taking jazz/improv music lessons from reputable instructors who live and hour or more away from me.

Lenore
Hey Steve, I’m a 22-year-old from Australia. I thought it would be worth saying. You’re an absolute legend. I can’t thank you enough. You have helped me rekindle my love for the saxophone and music as a whole. All the best for the future, your work doesn’t go unnoticed. PS. I am loving your devastating minor lines pdf.
Sapph

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