• Skip to main content
  • Skip to primary sidebar
  • Skip to footer

Website of Steve Neff

  • BLOG
  • SHOP
  • MY ACCOUNT
  • RAVES
  • CONTACT

Search Neffmusic

You are here: Home / Reviews / Mouthpiece Reviews / Kessler Custom 7* Tenor Saxophone Mouthpiece by Theo Wanne Review

Kessler Custom 7* Tenor Saxophone Mouthpiece by Theo Wanne Review

January 9, 2026 by Steve 1 Comment

Today, I will be reviewing the brand new and surprisingly affordable Kessler Custom 7* tenor saxophone mouthpiece made by Kessler & Sons music in Las Vegas in collaboration with Theo Wanne.  Dave Kessler of Kessler & Sons Music reached out to me in August asking if I would be interested in reviewing his new line of custom saxophone mouthpieces that he had designed and made in collaboration with Theo Wanne.   Unfortunately, at the time, I couldn’t commit to reviewing them, but now, five months later, I am excited to try these new Kessler Custom saxophone mouthpieces.  Dave Kessler sent me a Kessler Custom 7* tenor saxophone mouthpiece, a Kessler Custom 7 alto saxophone mouthpiece and a Kessler Custom 7 soprano saxophone mouthpiece to try out.

Kessler Custom 7* Tenor Saxophone Mouthpiece by Theo Wanne

Here is some information about the Kessler Custom saxophone mouthpieces from the Kessler & Sons website:

Our Kessler Custom brand launched in 2005 in order to provide musicians with high quality, affordable performance instruments and accessories. Theo Wanne Mouthpieces are considered the highest quality and performance sax mouthpieces ever made. So as part of our Kessler Custom brand’s 20th anniversary in 2025, we reached out to Theo’s team to develop a new line of Kessler Custom saxophone mouthpieces to meet the needs of musicians while still offering exception value. That’s how the Kessler Custom by Theo Wanne mouthpiece line was born!

Built on Theo’s exceptional “Additive Manufacturing Process” or “A.M.P.”, which is similar to the concept of 3D Printing, but at a much higher quality level / resolution, these mouthpieces offer the most exceptional value (in our biased opinion) available on the market today. This isn’t your basic 3D printed mouthpiece – these are mouthpieces that rival CNC manufacturing at a fraction of the cost!

Kessler Custom by Theo Wanne Mouthpieces
Jazz Tenor Sax Mouthpiece

“We have worked with Theo for a long time and have always wanted to do a collaboration mouthpiece, but the concept of high performance at an affordable price is paramount to our Kessler Custom branding. While Theo’s mouthpieces are truly on a different level than the rest, they also sat at the upper echelon in price! That all changed in late 2024 with the Theo Wanne Essentials Series of mouthpieces. This new line of mouthpiece from Theo brings incredible quality and affordability. That’s when we realized that it was time for the Kessler Custom by Theo Wanne mouthpiece line to finally come to life! Introducing the Kessler Custom by Theo Wanne Jazz Tenor Sax Mouthpiece!

We worked with Theo and his team to create this new model. This is not just a standard Essentials Series model rebranded, but a unique model based around a specific performance concept that we worked with Theo’s team to develop for the modern player.

Kessler / Wanne Design
This is not a “copy” of anything specific, but it is heavily influenced by vintage Otto Link sound concepts. Plainly put, we wanted a quick responding, focused tonal core that didn’t break apart under pressure. We also wanted this to pair well with modern market trends like synthetic reeds (don’t worry, it works great with cane reeds too). So all facets of the mouthpiece – tip, baffle, facing curve, chamber – were all designed for this concept and the end result is an affordable performance jazz tenor sax mouthpiece for all performance levels.

Available in 3 facing options:

    • 5*: .085″
    • 6*: .095″
    • 7*: .105″

Ligature Bundle
Your ligature makes a big difference in performance. So it is important to us that you get the right ligature for your new mouthpiece to fit your desired performance. We offer 3 ligature bundle options with the mouthpiece:

  • Rovner Dark Ligature
    Due to the perfectly flat table (instead of a concave table), the Rovner Dark ligature works really well with the mouthpiece to produce a mellow, but responsive tone. Additionally, customers can find that inverting the Rovner ligature (placing the screw on the reed side of the mouthpiece) can actually add a little richer tonal core to the setup as well. So if you test and don’t love the ligature with the screw on top, then simply flip it around and test it out with the screw on the reed side. Trust us, it works!
  • D’Addario H-Ligature
    If you prefer the quickest response, the D’Addario H-Ligature is a great option for performance. An inverted metal ligature, 24k Gold plated, these offer minimal reed contact for as much vibration as possible. The only draw-back to the H-Ligature is that it can scuff / scratch the mouthpiece’s textured exterior. So if you choose the H-Ligature, make sure to be careful not to damage the mouthpiece during testing.
  • Rovner VERSA-X
    Based on the heavy mass concept of the original VERSA model, the VERSA-X offers a dark, rich tonal core with exceptional response and versatility. The X model integrates the “Mass Loaded Resonating Ribs” into the ligature to simplify its use. The original VERSA model allows for the customer to change out how much weight is present, but those weights can fall out… so the VERSA-X model eliminates that issue.
  • No Ligature
    You can also opt for no ligature if you prefer at a small discount.
  • Reed Preference
    This mouthpiece is pretty reed friendly thanks to the quality of Theo’s manufacturing. We do find that if you are using cane reeds, that a thicker hearted / thicker vamp cut works better than a thinner cut. Synthetics also work VERY well with the design due to the perfectly flat table. This helps to eliminate some of the “buzz” that some mouthpieces get from synthetic reeds.
  • Cane Reed Recommendations:
    • Vandoren: V16, ZZ, Traditional
    • D’Addario: Jazz Select, Reserve, Hemke, Plasticover
  • Synthetic Reed Recommendations:
    • Legere: American Cut & Signature Cut
    • D’Addario VENN (Gen 2) and Fibracell also work well

    Kessler Custom 7* Tenor Saxophone Mouthpiece by Theo Wanne

    The Kessler Custom 7* tenor saxophone mouthpiece was shipped well packaged and protected.  The mouthpiece comes in a Kessler & Sons designed box with stylish printing on it with all the details of the mouthpiece inside.  Inside the box, the Kessler Custom 7* tenor saxophone mouthpiece is wrapped in a soft white material to protect it during shipping.  The ligature (four choices listed above: Rovner Dark, Rovner Versa-X, D’Addario H Ligature and no ligature) and cap you select is included in the box with the mouthpiece.

    Kessler Custom 7* Tenor Saxophone Mouthpiece Box

    The Kessler Custom 7* tenor saxophone mouthpiece I received came with a Rovner Versa-X ligature and mouthpiece cap.  Due to the fact that I am only reviewing the mouthpiece, I decided to not use the Rovner Vera-X ligature provided but instead used a Boston Sax Shop ligature that I have used on many other hard rubber tenor sax mouthpiece reviews just to keep the variables constant from review to review.  Although, I sometimes use other ligatures on my reviews, I tend to try using ligatures that I don’t feel change or impact the tone too much unless I have to.  (*I will try the Rovner Versa-X later and add to the review if I find the Versa-X makes a huge difference…..)

    The Kessler Custom 7* tenor saxophone mouthpiece is similar in size to a standard hard rubber tenor saxophone mouthpiece like a hard rubber Otto Link and all the ligatures that fit a standard hard rubber Otto Link sized mouthpiece should work on the Kessler Custom 7* tenor saxophone mouthpiece.

    Kessler Custom 7* Tenor Saxophone Mouthpiece by Theo Wanne

    The Kessler Custom 7* tenor saxophone mouthpiece material is the same black AMP material that the Theo Wanne Essentials saxophone mouthpiece line are made of.  In the description of the AMP material,  it is describes as a “proprietary bio-safe polymer”.  Regardless of the materials name, the material the Kessler Custom mouthpieces are made of looks and feels solid and stable.  Theo describes the material as having a similar weight and density when compared to hard rubber.

    On the body of the mouthpiece is engraved “Kessler Custom by Theo Wanne” on the top of the mouthpiece body.  Beneath the table on the shank of the mouthpiece is engraved the tip opening of 7*.  This 7* tip opening equates to a .105 tip opening.

    Kessler Custom 7* Tenor Saxophone Mouthpiece by Theo Wanne

    The Kessler Custom 7* tenor saxophone mouthpiece tip, rails, baffle, table and chamber all look well crafted, symmetrical and even. The side rails and tip rails are precise and thin near the tip.  The table looks flat, even and well made although the reed does hang off the rear of the table slightly.

    The Kessler Custom 7* tenor saxophone mouthpiece has what I would describe as a medium rollover baffle.   The baffle is at a medium height for about 1/2 an inch and then it rolls over gently to descend at a great angle towards the large chamber.  Once the baffle reaches the chamber entrance,  there is a line you can see where the floor of the chamber is a little deeper than the descending baffle height.  I describe the chamber as a large chamber because it looks very similar to my hard rubber Early Babbitt Otto Link chamber which I have always described as a large chamber as well.

    The sidewalls are scooped out nicely for almost the whole length of the sidewalls distance from the tip to the chamber entrance. The bottom of the chamber floor is scooped out smoothly so that the chamber floor is slightly lower than the bore of the mouthpiece. The roof of the chamber is nice and thin under the mouthpiece table (much thinner than my Early Babbitt Otto Link tenor saxophone mouthpiece).

    Kessler Custom 7* Tenor Saxophone Mouthpiece by Theo Wanne

    The Kessler Custom 7* tenor saxophone mouthpiece played great with a variety of reeds and passed the suction test with every tenor saxophone reed that I tried on it.  I gravitated to the strength #3 reeds which in my opinion were the perfect strength on the Kessler Custom tenor saxophone mouthpiece.  I ended up recording with a Boston Sax Shop #3 Silver Label tenor saxophone reed which I think paired perfectly with the Kessler Custom tenor sax mouthpiece.

    The Kessler Custom 7* tenor saxophone mouthpiece had what I would describe as a tone that sat on the brighter side of the dark to bright tone spectrum while still remaining warm sounding to my ears.  When I played at a more medium volume, I felt like the tone leaned to the right of middle of that tone spectrum but when I pushed the air more forcefully, the tone leaned even brighter on that tone spectrum.

    The tone was full, rich and had that buttery smoothness to the tone that I describe encountering with some mouthpieces I have reviewed.  I usually connect that “buttery smoothness” to darker sounding mouthpieces but the Kessler Custom tenor saxophone mouthpiece somehow attains a brighter version of this “buttery smoothness”.   I know that is a weird way to describe a tone but that is always what comes to my mind.  It basically means that the tone has a round smoothness to the tone that, when coupled with the evenness and smoothness between the notes, makes the fast lines sound legato and fat making the lines flow really smoothly.

    Kessler Custom 7* Tenor Saxophone Mouthpiece by Theo Wanne

     

    The intonation of the Kessler Custom 7* tenor saxophone mouthpiece was excellent on my Selmer SBA tenor saxophone.  All the notes seemed in-tune without any major adjustments needed on my part to tame the intonation of any notes.

    The Kessler Custom 7* tenor saxophone mouthpiece had a good amount of power and volume available to it.  I would rate it as a 7-8 on my 1-10 volume scale for saxophone mouthpieces.  When compared to a typical hard rubber Otto Link tenor sax mouthpiece, the Kessler Custom 7* tenor saxophone mouthpiece has more power, volume and brightness because of that medium high rollover baffle.  A better comparison for volume purposes might be comparing it to an Early Babbitt Otto Link as they had higher rollover baffles as well.

    Kessler Custom 7* Tenor Saxophone Mouthpiece by Theo Wanne

    The Kessler Custom 7* tenor saxophone mouthpiece performed great in the altissimo range of the saxophone and the low notes were nice and fat sounding and could be sub-toned easily to produce a beautiful lush sound down low.  The notes could be easy manipulated and shaped to be expressive and bluesy sounding.

    The articulation was clean and crisp and the Kessler Custom 7* tenor saxophone mouthpiece performed well on fast jazz lines while applying articulation.  As I described above, that smooth and fat tone coupled with the evenness of scale throughout the range really allowed the fast lines to sound very smooth and flowing.

    Kessler Custom 7* Tenor Saxophone Mouthpiece by Theo Wanne

    On the sound clips below, I try to give a good range and variety of tenor saxophone sounds and textures so that you can hear how the Kessler Custom 7* tenor saxophone mouthpiece performs in different styles.  I demonstrate the sound of the Kessler Custom 7* tenor saxophone mouthpiece with all my usual lines and melodies so if you want to compare it to my other sound clips and reviews, you should be able to find many of the same lines to compare this sound clip to.

    The first sound clip is recorded with no effects on a BSS (Boston Sax Shop) #3 silver label tenor saxophone reed.

    The second sound clip is the same as the first clip with a little reverb added to the mix.  I will add that I absolutely loved the sound of the Kessler Custom tenor saxophone mouthpiece with that reverb added to the mix so wanted to include some clips with reverb as well.  I feel like the reverb gives more softness to the bright overtones in the tone.

    The third sound clip is a clip of me playing the simple melody of “When I Fall in Love” with reverb added.

    The fourth sound clip is of some altissimo playing with some reverb added so you can hear how the mouthpiece sounds in that range of the saxophone with reverb.  I am using the same BSS #3 silver label tenor saxophone reed for all the sound clips.

    Kessler Custom 7* Tenor Saxophone Mouthpiece by Theo Wanne

    In my opinion, the Kessler Custom 7* tenor saxophone mouthpiece is a fabulous budget friendly tenor saxophone mouthpiece for those looking for a beautifully focused and rich sounding tenor saxophone tone that is well rounded and versatile.  The Kessler Custom 7* tenor saxophone mouthpiece gives the player a sound full of rich character and brighter overtones that can be fat and lush sounding while also giving a good amount of brightness and power when pushed harder for more modern music.   The Kessler Custom 7* tenor saxophone mouthpiece is a great affordable choice for jazz, big band, small group settings or contemporary music. This is a great tenor saxophone mouthpiece choice for any professional or student who needs a tenor sax mouthpiece that can cover all those bases.

    Kessler & Sons and Theo Wanne and his team have done a terrific job designing a versatile tenor saxophone mouthpiece perfect for jazz tenor saxophonists while still being relatively affordable compared to most of the other options out on the market today.  Dave Kessler tells me that these new Kessler Custom saxophone mouthpieces are included as stock saxophone mouthpieces with all the Kessler Custom saxophones they sell and that many customers have been very happy with the pairing of these excellent Kessler Custom mouthpieces included with their saxophones.

    If you like the sound and look of the Kessler Custom 7* tenor saxophone mouthpiece by Kessler & Sons Music and Theo Wanne, you can find them at the Kessler & Sons Music website.

    If you are lucky enough to play a Kessler Custom 7* tenor saxophone mouthpiece or have any other thoughts or comments, I would love to hear what you think in the comments below.  Thanks,  Steve

    Kessler Custom 7* Tenor Saxophone Mouthpiece by Theo Wanne with BSS #3 Silver Label Reed

    https://cdn.neffmusic.com/2026/01/KesslerCTenor7Star.mp3

    Kessler Custom 7* Tenor Saxophone Mouthpiece by Theo Wanne – No Effects – BSS (Boston Sax Shop) #3 Silver Label Reed

    https://cdn.neffmusic.com/2026/01/KesslerCTenor7Star-Reverb.mp3

    Kessler Custom 7* Tenor Saxophone Mouthpiece by Theo Wanne – Same Clip as Above with Reverb Added – BSS (Boston Sax Shop) #3 Silver Label Reed

    https://cdn.neffmusic.com/2026/01/KesslerCTenor-WhenIFall-Altissimo.mp3

    Kessler Custom 7* Tenor Saxophone Mouthpiece by Theo Wanne – When I Fall in Love Melody with Reverb Added –  BSS (Boston Sax Shop) #3 Silver Label Reed

    https://cdn.neffmusic.com/2026/01/KesslerCTenor7Star-Altissimo-Reverb.mp3

    Kessler Custom 7* Tenor Saxophone Mouthpiece by Theo Wanne – Altissimo with Reverb Added – BSS (Boston Sax Shop) #3 Silver Label Reed

    Disclosure: I was sent three of the Kessler Custom mouthpieces (Tenor 7*, Alto 7, Soprano 7) for free in the hope that I would try them and perhaps review them on my blog here at Neffmusic.  I also make an affiliate commission on any BSS (Boston Sax Shop) reeds purchased through the links on this review without any extra cost to you.  Regardless, I only review mouthpieces that I enjoy playing and believe will be good for other saxophone players to try as well. Steve

Filed Under: Mouthpiece Reviews, Tenor Medium Baffle Reviews, Tenor Mouthpiece Reviews Tagged With: custom, Kessler, review, sax mouthpiece, tenor saxophone, Theo Wanne

Steve

About Steve

Steve Neff has been playing and teaching saxophone and jazz improvisation around the New England area for over 30 years. He is the author of many best selling jazz improvisation methods as well as founding the popular jazz video lesson site Neffmusic.com.

Reader Interactions

Comments

  1. AvatarFrank Greco says

    January 10, 2026 at 2:09 pm

    Beautiful Steve!

    Reply

Leave a Reply Cancel reply

Your email address will not be published. Required fields are marked *

Primary Sidebar

Steve Neff

Cart

Subscribe to the Neffmusic Newsletter for the latest reviews and best deals delivered straight to your inbox every month. Join now and you will also receive my 40 Ultimate Michael Brecker Licks free!

Select list(s) to subscribe to


Thanks for joining!


NEFFMUSIC PRINTED BOOKS

Testimonials

I have found your videos and publications inspiring and your contribution to the world of saxophone playing is immense. Paul
Paul
I have NEVER seen material like yours.  Amazing!!
Jerry
Thank you so much for the great job you are doing to help further our jazz studies. Though I make my living as a repairer of musical instruments I am a student of jazz and have been fortunate enough to be involved with a big band and a combo for the last several years. As my children began to leave “the nest” I had decided to dedicate the next half of my life to a more serious study of the sax but I didn’t know exactly how I would go about doing this until a friend of mine turned me onto your si… Read more
Jon
Hey Steve! I hope you and your family are well.  I’m just writing to say thank you so much for all the resources you have made available to the saxophone community. I have been using your material for many years and I always come back to it… in fact I just took a break from practicing to write this…( reviewing “CreatingModern II-V-I Lines with simple pentatonics”.) I am, and continue to be, one of your raving fans! Blessings to you and your family this holiday season! Wishing… Read more
Gerry Aylward
Steve- I joined your site this month and have downloaded 4 lessons and also purchased your new book and video on diatonic patterns. I just want to say I am very pleased with your approach and teaching techniques. I am getting back into playing after laying off for some time. The information you offer on your site is of great value and I am enjoying being a member. Thank you for what you are doing for the saxophone community.
Tony
I would like to say that in the last year my sax playing has progressed loads from your lessons. I have had a sax for about 20 years and dabbled with lessons from a few teachers and have learnt very little from them. As you have said in your lessons many teachers tell you to use the blues scale and leave it there, not even showing you the resolution points!!. I am now believing I can in time become a good improviser.
Thanks again,
Shane
Shane
Steve’s monthly lessons are entirely valuable. Without brow beating, he tells you all the stuff you deep down know you really should be working on, instead of just relying on the same old patterns. In spite of the fact that you’re taking a video lesson, Steve’s presentation is comfortable and “real”. In a little more than a year, he’s developed a library of lessons that seem to offer any player a lifetime’s worth of practice material. I’m just glad I stumbled upon it.… Read more
Grant

Love your lessons!  I have been using your lesson packages for many months now, and am learning a lot.  It is so perfect for me with a very busy adult schedule and difficulty in taking jazz/improv music lessons from reputable instructors who live and hour or more away from me.

Lenore
I bought Steve’s dominant bebop book and took a couple of online lesson from him. I really appreciated Steve’s careful listening of what I wanted to get done in a lesson and his clear, concise ideas on next steps to improve my playing and musical interpretation.  His mastering  the Dominant Bebop Scale has lots of exercises to use a scale that addresses the largest percentage of chords I come across in pop/blues music. The dominant V7.  Needless say it has improved my playing.  I teach and a… Read more
Keith
Two years later I began a search for a sax teacher and happened to come across Steve Neff when I was searching YouTube for sax teachers.  I went to neffmusic.com and was very impressed with the lessons Steve Neff was offering.  The concept of selecting lessons was an approach that I thought was unique and purchased a few lessons.  I liked the lessons so much that I signed-up for a 6 month package. I was very happy with all the lessons I selected.  I also purchased Steve’s book Mastering the B… Read more
Michael

Steve, just a note to say thanks.

I’ve been playing a long time, but your material, laid out in such a thoughtful way, helps me to understand concepts in a new and deeper way.

You are a true gift to the jazz community.

60 lessons and going strong,

Kevin Ledbetter

Kevin Ledbetter
I’ve been having ‘ online’  lessons with Steve for a few months now. Being a teacher myself I had had some reservations with the idea at first and the practicalities of it .  Let me just say that my playing has taken a huge leaps forward while studying with Steve and continues to do so.Steve studied with some renowned player/teachers such as Bergonzi and Garzone– this in itself is invaluable but Steve teaches from his own books, which cover a a vast amount of  jazz language. Steve h… Read more
David
Just to say thanks for your advice and lessons.  I’ve just read your amazing story.  I really appreciate what you do in regards to teaching.  I have bought a couple of your lessons and frankly they’re undersold.   I’ve learned much more with these two lessons than with 2 years of sax teachers.   Thanks so much………..
Mike
I just wanted to write a thank you note to you for this website. I play and teach saxophone, but I have always been intimidated by the gear aspect. Your website has helped me become a lot more knowledgable. Your knowledge is staggering! I’m telling all my students about your website. Pierre
Pierre
Hi Steve, I have been shedding your materials for quite a while now and I love them! They are extremely well organized and presented and there are tons of ’em! I really appreciate your methodical approach and find myself referring students to your resources often.  Thanks so much!  
Kenyon Carter

Hello Steve, I’m getting so much out of your lessons and books, amazing how much one may think one knows, there is always a new frontier or new way to view something you think you had somewhat down. You have taken it all to a new level and am so grateful. Your lessons are so down to earth and understandable and clear!  Thanks so much Steve! Cheers, Eddie

Eddie Parente
I can’t say enough about my membership at Neff Music. Steve has taken the mystery out of playing the saxophone well and improvising both jazz and rock music. Like most struggling players I have a load of all sorts of books on my shelf just gathering dust. Books that I didn’t understand or know how to put to use…or just have the time to go threw them. Steve’s lessons really simplify things and he puts it in a way that I can understand. They inspire me to keep pushing and having him as my guide or… Read more
Ken

Hello Steve,

I just want to say thank you so much for your unbelievable work, it is just mind opening, thanks for sharing it.

Wolfgang from Berlin

Wolfgang from Berlin
I want to let you know that your instructional material is transforming my playing.  It is an immense pleasure to learn and play now, and I can’t tell you how grateful I am. The instructional material I got from you is by far the best of any I own (and I have over 100 books, DVDs, and what not). I literally can’t thank you enough! Deric
Deric
Just a brief note to compliment you on your teaching skills and in particular for the honesty of your lessons.  I am a returning alto sax player in my 50’s and I was looking for a no nonsense, straight to the point kind of guidance. I had intended to email you with a few questions regarding the use of the bis key but then I noticed that there was a lesson on that specific topic and after viewing it,  all my questions were answered. I once took a group lesson with a well known professional sax … Read more
Patrick
Just wanted to send you a quick note to say thank you for being you, your playing, your website and your desire to help others. I’m a professional musician in the US Army and I’ve visited your website almost every day since discovering it a couple of months ago. Your lessons are profound and easy to use. I’ve purchased most of your PDF books and now am starting to delve more into the video and audio lessons.  Thank you for being a great resource!
James
Hey Steve, I’m a 22-year-old from Australia. I thought it would be worth saying. You’re an absolute legend. I can’t thank you enough. You have helped me rekindle my love for the saxophone and music as a whole. All the best for the future, your work doesn’t go unnoticed. PS. I am loving your devastating minor lines pdf.
Sapph

I must say again how much I appreciate all your material. Including the video tutorials. It help keep me focused and knowing what to aim for. And your laid back teaching style appeals to me too. 

Thanks

P

P

I am enjoying your style of teaching, and you’ve done a great job with the videos….good sound quality and well constructed lessons.  Balances the more guitaristic material found on the majority of guitar based programs.  Jazz vocab is what I’m all about at this point in the journey.  I especially dig the fact that you’ve studied with Bergonzi…helps me see his voluminous output in a more bite sized way.

Milton

Featured Video Lessons

  • Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book) Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book)
    Rated 5.00 out of 5
    $19.99 Original price was: $19.99.$14.99Current price is: $14.99.
  • The Secret to Modern Outside Jazz Lines Lesson-Minor The Secret to Modern Outside Jazz Lines Lesson-Minor $9.99
  • Creating Modern II-V-I Lines with Simple Pentatonics Lesson Creating Modern II-V-I Lines with Simple Pentatonics Lesson
    Rated 5.00 out of 5
    $9.99
  • The Best Embouchure for Tone, Intonation and Endurance Lesson The Best Embouchure for Tone, Intonation and Endurance Lesson
    Rated 4.91 out of 5
    $9.99
  • Devastating Dominant Lines for Jazz and Funk Soloing (Digital PDF Book) Devastating Dominant Lines for Jazz and Funk Soloing (Digital PDF Book)
    Rated 5.00 out of 5
    $14.99
  • Mastering the Minor ii-7b5 V7b9 Bebop Scale (Digital PDF Book) Mastering the Minor ii-7b5 V7b9 Bebop Scale (Digital PDF Book)
    Rated 5.00 out of 5
    $14.99

Now over 600 video and audio lessons to choose from!

Free Lessons

  • Free Lesson on The New Ultimate II-V-I Primer-Major Keys
  • Free Video Lesson on Mastering Altered Pentatonics
  • Free Video Lesson on Mastering the Blues Scale Volume 1 & 2
  • Free Video Lesson on Mastering the Dominant Bebop Scale and Language Book 1 & 2
  • Free Video Lesson on Approach Note Velocity Book

Recent reviews

  • Practicing Double-Time Licks Lesson Practicing Double-Time Licks Lesson
    Rated 5 out of 5
    by Az Samad
  • Bebop Scale-Altered Scale II-V-I Practice Lesson Bebop Scale-Altered Scale II-V-I Practice Lesson by Noah
  • Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book) Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book) by Andy
  • Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book) Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book)
    Rated 5 out of 5
    by Russ
  • Creating Modern II-V-I Lines with Simple Pentatonics Lesson Creating Modern II-V-I Lines with Simple Pentatonics Lesson
    Rated 5 out of 5
    by Timothy
  • Sale! Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book)

    Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book)

    Rated 5.00 out of 5
    $19.99 Original price was: $19.99.$14.99Current price is: $14.99.
    Add to cart
  • Sale! Mastering Altered Pentatonics (Digital PDF Book)

    Mastering Altered Pentatonics (Digital PDF Book)

    Rated 4.67 out of 5
    $26.98 Original price was: $26.98.$14.99Current price is: $14.99.
    Add to cart
  • Mastering Major Diatonic Patterns (Digital PDF Book)

    Mastering Major Diatonic Patterns (Digital PDF Book)

    Rated 5.00 out of 5
    $14.99
    Add to cart
  • Devastating Dominant Lines for Jazz and Funk Soloing (Digital PDF Book)

    Devastating Dominant Lines for Jazz and Funk Soloing (Digital PDF Book)

    Rated 5.00 out of 5
    $14.99
    Add to cart
  • Devastating Minor Lines for Jazz and Funk Soloing (Digital PDF Book)

    Devastating Minor Lines for Jazz and Funk Soloing (Digital PDF Book)

    Rated 5.00 out of 5
    $14.99
    Add to cart
  • Creating Modern II-V-I Lines with Simple Pentatonics Lesson

    Creating Modern II-V-I Lines with Simple Pentatonics Lesson

    Rated 5.00 out of 5
    $9.99
    Add to cart
  • Mastering the Blues Scale Vol. 1-Minor Chords (Digital PDF Book)

    Mastering the Blues Scale Vol. 1-Minor Chords (Digital PDF Book)

    Rated 5.00 out of 5
    $14.99
    Add to cart
  • Mastering the Blues Scale Vol. 2-Dominant Chords (Digital PDF Book)

    Mastering the Blues Scale Vol. 2-Dominant Chords (Digital PDF Book)

    Rated 5.00 out of 5
    $14.99
    Add to cart
  • Mastering the Dominant Bebop Scale (Digital PDF Book)

    Mastering the Dominant Bebop Scale (Digital PDF Book)

    Rated 5.00 out of 5
    $14.99
    Add to cart
  • Mastering the Dominant Bebop Scale-Book 2 (Digital PDF Book)

    Mastering the Dominant Bebop Scale-Book 2 (Digital PDF Book)

    Rated 5.00 out of 5
    $14.99
    Add to cart
  • Mastering the Major Bebop Scale & Sound (Digital PDF Book)

    Mastering the Major Bebop Scale & Sound (Digital PDF Book)

    Rated 5.00 out of 5
    $14.99
    Add to cart
  • Mastering the Minor ii-7b5 V7b9 Bebop Scale (Digital PDF Book)

    Mastering the Minor ii-7b5 V7b9 Bebop Scale (Digital PDF Book)

    Rated 5.00 out of 5
    $14.99
    Add to cart
  • The Best Embouchure for Tone, Intonation and Endurance Lesson

    The Best Embouchure for Tone, Intonation and Endurance Lesson

    Rated 4.91 out of 5
    $9.99
    Add to cart
  • The Best Major II-V-I Patterns (Digital PDF Book)

    The Best Major II-V-I Patterns (Digital PDF Book)

    Rated 4.94 out of 5
    $14.99
    Add to cart
  • The Best Minor II-V-I Patterns (Digital PDF Book)

    The Best Minor II-V-I Patterns (Digital PDF Book)

    Rated 5.00 out of 5
    $14.99
    Add to cart
  • The New Ultimate II-V-I Primer-Major Keys (Digital PDF Book)

    The New Ultimate II-V-I Primer-Major Keys (Digital PDF Book)

    Rated 5.00 out of 5
    $14.99
    Add to cart

Footer

Recent Comments

  • Frank Greco on Kessler Custom 7* Tenor Saxophone Mouthpiece by Theo Wanne Review
  • Marc on Theo Wanne Brahma Gold Tenor Saxophone Mouthpiece Review
  • Giuseppe C. on Gottsu Sepia Tone Jazz Metal Tenor Saxophone Mouthpiece Review
  • Darin on Phil-Tone Rift Tenor Saxophone Mouthpiece Review
  • Darin on Revisiting a Lamberson J7 Tenor Saxophone Mouthpiece Review

Top rated products

  • Mastering the Major Bebop Scale & Sound (Digital PDF Book) Mastering the Major Bebop Scale & Sound (Digital PDF Book)
    Rated 5.00 out of 5
    $14.99
  • Tune of the Week-Softly as a Morning Sunrise Lesson Tune of the Week-Softly as a Morning Sunrise Lesson
    Rated 5.00 out of 5
    $9.99
  • The Style of Dexter Gordon-Lady Bird Lesson 1 The Style of Dexter Gordon-Lady Bird Lesson 1
    Rated 5.00 out of 5
    $9.99
  • Tune of the Week-Days of Wine and Roses Lesson Tune of the Week-Days of Wine and Roses Lesson
    Rated 5.00 out of 5
    $9.99
  • Tune of the Week-Invitation Tune of the Week-Invitation
    Rated 5.00 out of 5
    $9.99

Product tags

alto sax alto saxophone approach notes audio lesson bebop scale beginner beginner saxophone blues blues licks blues patterns blues scale blues scales diminished scale dominant chords ear training fundamentals II-V-I improvisation jazz improvisation jazz lines jazz patterns jazz sax jazz saxophone jazz standard jazz standards licks Mastering the Blues Scale Michael Brecker modern improv modern improvisation online lesson patterns playing outside practice habits reading music sax basics sax lessons saxophone scales smooth jazz steve neff tenor sax tenor saxophone video lesson video lessons
  • Instagram
  • Facebook
  • Twitter
  • SUPPORT

Neffmusic © 2005–2026