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You are here: Home / NeffMusic News / Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book)

Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book)

March 26, 2023 by Steve 4 Comments

*BRAND NEW NEFFMUSIC BOOK*
Super excited to have finally finished this book. I have been working on this over a couple of years and am ecstatic about the content and it’s potential for students of jazz improvisation. Working on this material has radically changed my own playing and given me a new tool to use that’s sounds amazing over a blues and dominant chords. Check out the description and sound clips at the link below.-Steve

“Mastering the Dominant Pentatonic Sound over a Blues” is an exciting new improvisational concept I have been working on over the last year.  This book is a 444 page collection of my work on this dominant pentatonic concept and includes 52 blues exercises in all 12 keys.  The book also comes with a 113 minutes video lesson on the background of the concept, tips on how to practice the material as well as some demonstrations of some of the lines on the soprano saxophone.

Here are some examples of what the concept sounds like while improvising on a blues without any accompaniment on the tenor saxophone (there are more examples below). This whole solo is the dominant pentatonic concept but ideally you would obviously want to mix the concept into other concepts for more variation. It is pretty cool what shapes and patterns you can come up with using it………. Let me know if you have any questions. Steve

1.)These are a few one chorus samples from the book of exercises and etudes over the blues using the dominant pentatonic. (Some improv is thrown in on the last half of the clip.)

https://cdn.neffmusic.com/2023/DPBluesTenor-Patterns.mp3

2.)This is more freestyle improv using the concept over the chords of a blues more freely. All of this is using the dominant pentatonic material with the simple addition of the b3 grace note mixed into the dominant pentatonic to give it a more bluesy effect. Technically, nothing in this 3 minute track is a blues scale although it sure sounds like it. Hope this helps. This is really a powerful concept to get down with a ton of potential!

https://cdn.neffmusic.com/2023/DomPentBlues-BluesyTenor.mp3

 

The origins of this concept came from a lick that I picked up somewhere along my musical journey that I used quite regularly on an F7 chord.  I can’t even remember where I got this line from but it is a hip and modern sounding line that I absolutely love that uses the pentatonic scale of F,G,A,C and Eb over an F7 chord.  This pentatonic scale is commonly known as the minor 6th pentatonic scale if you were to start it on C but I found that basing the pentatonic off the root of the dominant chord was much easier for me so I relabeled this pentatonic as the “Dominant Pentatonic” which is based off of the root of the dominant chord.   I thought that if I dug this line so much, why don’t I try to use the concept it originates from over the whole blues progression and see where that leads.

Mastering the Dominant Pentatonic Sound over a Blues (PDF Digital Book)-19.99

Mastering the Dominant Pentatonic Sound over a Blues (Printed Version)-39.99

I began writing down a variety of patterns using the dominant pentatonic scale and applying them to the blues progression as well as tri-tone substitutions on a blues. I was shocked by how transformed my lines sounded over a 12-bar blues.  I was playing ideas and lines I had never played before in over 40 years of playing the saxophone.  The lines sound intervallic, flowing and modern.  Here are seven examples that I took from my mouthpiece reviews over the last year as I was working on the dominant pentatonic concept using a few of the dominant pentatonic exercises from the book on a blues:

https://cdn.neffmusic.com/2023/DomPentBlues3Alto.mp3

One Chorus of Exercise 1C from the Book and One Chorus Improvisation-Alto Sax (10MFan SuperNova Alto Mouthpiece Review)

 

https://cdn.neffmusic.com/2023/DomPentBlues4-Tenor.mp3

The Same Exercise 1C but Slower with some Improvisation-Tenor Sax (Otto Link Tone Edge Early Babbitt Connoisseur Series Tenor Saxophone Mouthpiece Review)

 

https://cdn.neffmusic.com/2023/Dominant%20Pent%20Blues%202-Soprano.mp3

Improvisation using the Dominant Pentatonic Concept on a Blues-Soprano Sax with Reverb (Ambika 3 Soprano Mouthpiece Review)

 

https://cdn.neffmusic.com/2023/DomPentBlues5-Alto.mp3

One Chorus of exercise 1C from the Book and some Improvisation using the concept-Alto Sax (GetASax GS NEW YORK Meyer Bros Alto Saxophone Mouthpiece Review)

 

https://cdn.neffmusic.com/2023/DomPantBlues6.mp3

Improvisation using the Dominant Pentatonic concept-Tenor Sax (Johannes Gerber Vintage Slant 7* Tenor Saxophone Mouthpiece Review)

 

https://cdn.neffmusic.com/2023/DomPentBlues7-Tenor.mp3

Improvisation using the Dominant Pentatonic concept mixed in with some other elements-Tenor Sax (Macsax Jalapeño 8* Gold Tenor Saxophone Mouthpiece Review)

 

https://cdn.neffmusic.com/2023/LambersonJ72021Blues.mp3

Improvisation using mostly the Dominant Pentatonic concept-Tenor Sax (Lamberson J7 Tenor Saxophone Mouthpiece Review)

This book is a 444 page collection of my work on this dominant pentatonic concept and includes 52 blues exercises in all 12 keys.  The book also comes with a 113 minutes video lesson on the background of the concept, tips on how to practice the material as well as some demonstrations of some of the lines on the soprano saxophone.  I think you will find it as transformational as I have.   Let me know what you think in the reviews section below once you get some time to work on it!    Steve

Mastering the Dominant Pentatonic Sound over a Blues (PDF Digital Book)-19.99

Mastering the Dominant Pentatonic Sound over a Blues (Printed Version)-39.99

Filed Under: NeffMusic News Tagged With: blues, dominant pentatonics, Jazz Improvisation, jazz method, minor sixth pentatonic, soloing, steve neff, video lesson

Steve

About Steve

Steve Neff has been playing and teaching saxophone and jazz improvisation around the New England area for over 30 years. He is the author of many best selling jazz improvisation methods as well as founding the popular jazz video lesson site Neffmusic.com.

Reader Interactions

Comments

  1. AvatarAz Samad says

    April 14, 2023 at 9:46 am

    I’ve studied using saxophonist Steve Neff’s material over the years. The cool thing about working with Steve’s material is that it’s always very organized and musical.

    This is the case with his latest work, Mastering the Dominant Pentatonic Sound over a Blues.

    In his own words:

    “Mastering the Dominant Pentatonic Sound over a Blues” is an exciting new improvisational concept I have been working on over the last few years. This book is a 444 page collection of my work on this dominant pentatonic concept and includes 52 blues exercises in all 12 keys. “

    The accompanying 73-minute video is an essential part of this eBook as it explains the origin and importance of this sound for him. Besides explaining the theory part, Steve also shares how he came about this particular sound.

    In a way, the video puts in context what you’re about to embark on.

    As I spent time practicing the material, I got a lot of mileage out of it. For one, I learned a new pentatonic scale that I’ve never explored to this extent. In addition to that I was exposed to Steve’s systematic approach to mastering a concept.

    Everything in the book is laid out clearly so that you can get the most out of your practice sessions. I don’t want to reveal too much, but let’s just say that if you dig this sound, you will certainly have more than enough practice ideas to get this into your blues soloing.

    The book itself is 452 pages and everything is written out in all 12 keys so that you can just open it up to the key of your choice and start working on the material. Steve also demonstrates different ways you can get deeper with the material so that you don’t get stuck sounding mechanical. The video is key to helping you get the most from this material. I strongly recommend watching the video first before working on the material in the book.

    I learned a lot from working on this and am really happy that the written range sits nicely on the guitar too. I do have to mention that since this book is written for all instruments, there is no tablature, everything is in standard notation. That being said, (for guitarists) if you do read standard music notation, you’re gonna get A LOT of good stuff for your practice sessions.

    In conclusion, this is a very well written and well organized book. If you find yourself repeating the same typical blues phrases in a twelve bar blues, Steve Neff is here to both take your worries away and make it even more fun for you to improvise on a blues. This book is strongly recommended especially if you already have the more typical blues licks and language under your fingers. This is for those who want to get new ideas but still be in that blues context. Check it out!

    Pros: Great material, very well organized and taught with a lot of love.
    Cons: None.
    TLDR: If you want to get out from more standard approaches to the blues, this book & video set is a good way to get new ideas, shapes, patterns and sounds into your playing.

    Az Samad-Guitar Teacher

    Reply
  2. AvatarLloyd Whitty says

    May 27, 2023 at 4:13 pm

    I’ve struggled for too many years trying to play chord changes. Even more so with dominant 7 chords. Just like reading a book increases your vocabulary, playing these patterns have given me more to say. This book has increased my playing ten fold. I learn something new new each time I open this book. Thank you so much Steve for helping me learn another language. Musically that is!

    Reply
  3. AvatarMurray Middleman says

    May 27, 2023 at 4:13 pm

    Excellent book for mastering the pentatonic scales in all the keys. Steve has outdone himself, in the comprehensive amount of ideas and organization in his new book. I highly recommend this book for any serious saxophonist who wants to improve their skills . Congratulations Steve . Murray Middleman , LosAngeles Saxophonist, Woodwinds Bandleader and Recording Artist

    Reply
  4. AvatarPaul says

    May 27, 2023 at 4:14 pm

    Greetings from England. My copy of your book has arrived and – my goodness! – I’m trying to get my head around the amount of work you’ve put into such a volume. I look forward to incorporating it into my practice; In the meantime, my congratulations to you on such a comprehensive volume of exercises in all 12 keys.

    Reply

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Thank you for all the educational information you provide.  I am a classically trained musician.  Professionally, I am a 4th and 5th grade band teacher.  I have played piano and sax for many years, but now I am starting to gig out more. I have always improvised by ear in the past. I have gotten by with my strong sense of pitch, rhythm and melodic contour. However, I want to go deeper. I want to play with a greater variety of melodic and rhythmic ideas to pull from.  I have studied to gain a … Read more
Ray

Hi Steve,

First, I want to thank you for all of your great lessons. They are like a “For Dummies” version of all the books on my shelf. The lessons break things down into manageable pieces, and give me the confidence that I’m practicing the right pieces. I’m starting to make progress.   Thank You,   Kim

Kim
Hey Steve, I’m a 22-year-old from Australia. I thought it would be worth saying. You’re an absolute legend. I can’t thank you enough. You have helped me rekindle my love for the saxophone and music as a whole. All the best for the future, your work doesn’t go unnoticed. PS. I am loving your devastating minor lines pdf.
Sapph
I can see from your instructional videos that you are a fantastic teacher – one that can truly relate to all ages – humble yet very positive in approach – never coming across as superior and yet so totally capable of demonstrating the principles and techniques that you seek to impart to the students. I have gained so much confidence in my playing from “pouring over” time and again these invaluable lessons. Invaluable not only in musical content, but also in human interaction content. I am absolu… Read more
Ron
Hi Steve, I live in a gorgeous but rural area of Oregon-no music store within 80 miles. Your lessons are my lifeline!  Truly the best there are anywhere online. Love your playing. Love your teaching.  Thanks again. Ed
Ed Woodmansee
Hi Steve, I can’t express just how much I appreciate your teaching. My playing has improved so much over the past year since I have been studying and practicing with your lessons. It is possible to teach an old dog new tricks, these lessons are proof! Thanks, Michael Byington
Michael Byington
First, I’m really excited about your materials! This site is a vast resource for any aspiring (and maybe already inspired) jazz musicians. I’m not a sax player, I play mandolin and fiddle, but have been learning jazz and playing weekly with a quintet for the past 6 months and have been struggling with all of the issues you get into in your lessons. I bought several books and lessons and plan to continue with some others as soon as I organize my practice routine. Thanks again for a great site … Read more
Tony Galfano
I have been a member of Neffmusic for more than a year now and have enjoyed every minute of it! I have not only been going thru the Dominant Bebop Scale lessons and book (OUTSTANDING!) but the mouthpiece reviews, solo clips and transcriptions are very interesting. Steve approach to beginning and intermediate improv have given me many new pathways to teach my high school jazz ensemble students. Congratulations Steve, great product!
Craig
I want to say something about Steve Neff’s series of lessons, Beginner Jazz Improvisation. For a couple of years I tried many beginner lessons and my problem was that there was a gap between lessons that were fairly simple and ones that I was not quite ready for and my progress stalled out. That problem was solved with the series Beginner Jazz Improvisation. He guides you step by step along the way and builds a foundation for learning jazz and blues. He leaves no question about what to practice … Read more
Pete
Two years later I began a search for a sax teacher and happened to come across Steve Neff when I was searching YouTube for sax teachers.  I went to neffmusic.com and was very impressed with the lessons Steve Neff was offering.  The concept of selecting lessons was an approach that I thought was unique and purchased a few lessons.  I liked the lessons so much that I signed-up for a 6 month package. I was very happy with all the lessons I selected.  I also purchased Steve’s book Mastering the B… Read more
Michael

Hello Steve,

I have not received my alto yet but have already gone through 14 lessons. I love your approach, style, knowledge and competence. I now regret so much to have stayed away from playing the sax for the past 45-50 years…(I am 65).  But It is never too late to get back to your first love. After 23 years in compuer sciences and 22 years in finances…I am now back to music for the rest of my life.

Doing some research on the net, I found this:

http://forum.saxontheweb.net/showthread.php?1… Read more

Claude
I have found your videos and publications inspiring and your contribution to the world of saxophone playing is immense. Paul
Paul

Thank You Steve. I think that I will be busy for years. Thank You for your great contribution to jazz music. Your books, more than teaching “how to play jazz”, actually teach “how to speak jazz”. I wish I found your methods years ago.  

Jean-Eric
Thank you for the wealth of helpful lessons you’ve provided over the years.  I truly feel as though it has improved my playing more than the 4 years I spent at Berklee… and that’s not a slight on the school as I loved my experience there.
John
John

Never really had lessons before just kinda worked things out on my own. Was in a rut but your lessons are really helpful in opening melodic possibilities. Ur an awesome resource to the saxophone community. Thanks for sharing. 

Anthony

Love your lessons!  I have been using your lesson packages for many months now, and am learning a lot.  It is so perfect for me with a very busy adult schedule and difficulty in taking jazz/improv music lessons from reputable instructors who live and hour or more away from me.

Lenore
Absolutely the best learning experience in my 40 years of playing.These books are awesome!!
Alfred LaBella
I can’t say enough about my membership at Neff Music. Steve has taken the mystery out of playing the saxophone well and improvising both jazz and rock music. Like most struggling players I have a load of all sorts of books on my shelf just gathering dust. Books that I didn’t understand or know how to put to use…or just have the time to go threw them. Steve’s lessons really simplify things and he puts it in a way that I can understand. They inspire me to keep pushing and having him as my guide or… Read more
Ken
Your major diatonic patterns book is great. I”m studying the first twenty patterns (first twenty pages) each day with different articulation each day and slowly increasing the tempo each week or so.  There is a noticeable improvement in finger coordination across all keys and its amazing how much more secure I feel on the difficult keys when attempting to play pieces with 5+ flats/sharps. I’m able to sort out the fingerings for these pieces now much more quickly than before, often in one or two … Read more
Geoff
I’ve been having ‘ online’  lessons with Steve for a few months now. Being a teacher myself I had had some reservations with the idea at first and the practicalities of it .  Let me just say that my playing has taken a huge leaps forward while studying with Steve and continues to do so.Steve studied with some renowned player/teachers such as Bergonzi and Garzone– this in itself is invaluable but Steve teaches from his own books, which cover a a vast amount of  jazz language. Steve h… Read more
David
I just wanted to write a thank you note to you for this website. I play and teach saxophone, but I have always been intimidated by the gear aspect. Your website has helped me become a lot more knowledgable. Your knowledge is staggering! I’m telling all my students about your website. Pierre
Pierre
I am enjoying your style of teaching, and you’ve done a great job with the videos….good sound quality and well constructed lessons.  Balances the more guitaristic material found on the majority of guitar based programs.  Jazz vocab is what I’m all about at this point in the journey.   I especially dig the fact that you’ve studied with Bergonzi…helps me see his voluminous output in a more  bite sized way.
Milton
I would like to say that in the last year my sax playing has progressed loads from your lessons. I have had a sax for about 20 years and dabbled with lessons from a few teachers and have learnt very little from them. As you have said in your lessons many teachers tell you to use the blues scale and leave it there, not even showing you the resolution points!!. I am now believing I can in time become a good improviser.
Thanks again,
Shane
Shane

I want to thank you again, because, not only are you an inspiration to listen to, you are a fine teacher!

I have been teaching sax and other winds for over 20 years, and you give me that “push” to give my students more!

Mark Peotter

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