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You are here: Home / Reviews / Mouthpiece Reviews / Theo Wanne Lakshmi Gold Tenor Saxophone Mouthpiece Review

Theo Wanne Lakshmi Gold Tenor Saxophone Mouthpiece Review

June 3, 2022 by Steve 42 Comments

Today, I am excited to be reviewing a brand new “top secret” tenor saxophone mouthpiece by Theo Wanne called the Lakshmi. This Lakshmi gold tenor saxophone mouthpiece has a 7*  tip opening and is being released here (Lakshmi page) by Theo Wanne at the same time as I am posting this review today.  I have been so excited about this mouthpiece over the last two weeks but was asked to not post anything about it until today’s release date.  I am so thrilled to finally be able to post this review……….

Theo Wanne Lakshmi 7* Gold Tenor Saxophone Mouthpiece

A few weeks ago, I knew nothing about this new mouthpiece by Theo Wanne, then I received an email asking me if I would be interested in reviewing it for the Lakshmi mouthpiece release on June 3rd. Here is how the Lakshmi was described by the crew at Theo Wanne in that email:

For the straight-ahead tenor players out there, we’re proud to release our first new Pro-Line model in 7 years, the LAKSHMI:

Theo’s storied history as the vintage mouthpiece refacer to some of the world’s greatest players was the inspiration for this model. The LAKSHMI is the ultimate VINTAGE sound, with all of Theo’s new technology built in. This model is for all the vintage Otto Link fans out there craving the very best dark, balanced, straight-ahead, yet full-bodied CORE vintage sound! Prototypes for this new model have been circulating amongst amazing players from New York, Boston, Los Angeles, Vancouver and Berklee, and the overwhelming consensus is, if you play jazz, you need to play the LAKSHMI. Available in gold-plated brass and in sizes 6*, 7*, 8 and 9.

Wow!  With a description like that, I had to give this Theo Wanne Lakshmi tenor saxophone mouthpiece a try for myself………..

Theo Wanne Lakshmi 7* Gold Tenor Saxophone Mouthpiece

The Theo Wanne Lakshmi 7* tenor sax mouthpiece was shipped with the usual high standards of the Theo Wanne mouthpiece company.  The Lakshmi mouthpiece comes in a perfectly designed box with stylish gold printing on it with all the details about the Lakshmi tenor sax mouthpiece inside.  Inside the box is a beautiful black leatherette Theo Wanne mouthpiece case with the Lakshmi 7* tenor saxophone mouthpiece well protected inside.

The Lakshmi 7* tenor sax mouthpiece has a built in ligature included called the “Liberty Ligature” (I call it the Enlightened Ligature in the sound clip by mistake)  that is already attached to the mouthpiece. The Lakshmi tenor sax mouthpiece comes with a detailed information card with specific directions on how to adjust the built in ligature, the affects on the saxophone tone when the ligature is in different positions and directions on how to change the pressure plates on the ligature.

The Lakshmi 7* mouthpiece comes with a reed replacer cap which is on the mouthpiece where the reed goes and the ligature is tightened down on the reed replacer cap to protect the mouthpiece in shipping and when you are not playing it.

Although the reed replacer cap is a cool idea, the Lakshmi 7* tenor mouthpiece does not come with a “regular” mouthpiece cap that you slide on the mouthpiece over the reed and around the ligature. At the time of this review, there is a page on the Theo Wanne website that has new Theo Wanne mouthpiece caps for sale .  Theo sent me one of these new mouthpiece caps to try out and like all of the Theo Wanne products, this mouthpiece cap is a quality mouthpiece cap.  It is strong, durable and fits on all the metal Theo Wanne tenor mouthpieces perfectly!   Maybe, it is just the fact that Theo has kept us waiting for like 10-15 years for a mouthpiece cap, but I have to say, this mouthpiece cap gave me such a sense of relief, completion and satisfaction to put over the Lakshmi mouthpiece that I now feel like my life is complete. It fits like a glove and I could go and have lunch knowing that my Theo Wanne Lakshmi mouthpiece and reed were well protected……….

Theo Wanne Lakshmi 7* Gold Tenor Saxophone Mouthpiece

As you can see above, the Liberty ligature on the Gold Lakshmi 7* tenor saxophone mouthpiece is connected to the mouthpiece through screws on the ligature that tighten into holes on the sides of the Lakshmi tenor mouthpiece.  The mouthpiece comes with a hex screwdriver that can be used to loosen these screws and move the ligature forward or backwards in relation to the reed and mouthpiece table.

The Lakshmi tenor sax mouthpiece has five positions (holes) that can be used to adjust the ligature.  I personally like the ligature in the middle hole setting as it puts the ligature plate towards the rear of the saxophone reed allowing the reed to vibrate and flex freely but not so far back that I feel it might not put enough pressure on the body of the reed to seal.  This is where I kept the ligature for the duration of my playing time on the Lakshmi tenor saxophone mouthpiece.

Theo Wanne Lakshmi 7* Gold Tenor Saxophone Mouthpiece

The Theo Wanne Lakshmi tenor saxophone mouthpiece is beautifully made and has a perfect looking symmetry and balance to it just like all of the Theo Wanne mouthpieces.  The mouthpiece engraving is as perfect as can be.  Not a flaw or mistake anywhere.  On the top of the body of the Lakshmi tenor saxophone mouthpiece is cool engraving of a person’s face with a nose ring.  The shank of the mouthpiece is engraved with “Theo Wanne” and “Made in USA”.

Each Theo Wanne mouthpiece has a unique serial number on the shank which I really love as I know which mouthpiece is mine and if I decide to sell a mouthpiece everyone knows from the serial number that this is the mouthpiece I reviewed on my site.

Each Theo Wanne mouthpiece comes with a bite plate that has a rubber Theo Wanne rubber patch on it.  These patches can be reordered and replaced when they get worn out and I have to admit that this is the first Theo Wanne metal mouthpiece I have tried without using an extra rubber bite pad on it.  Usually, I am afraid of hurting the mouthpiece in any way but this time, I decided to live on the edge and use the built in bite patch.   I figure I can always order another one if I need to replace it.

Theo Wanne Lakshmi 7* Gold Tenor Saxophone Mouthpiece

The tip, rails, baffle, table and chamber all look perfect. Smooth, even, symmetrical, …….flawless.   When it comes to perfection, the standard doesn’t get much higher than Theo Wanne saxophone mouthpieces.  I have reviewed quite a few Theo Wanne mouthpieces over the years and it is quite rare to see any imperfections of any kind.

The window of the Lakshmi tenor sax mouthpiece is a bit larger than other tenor sax mouthpiece windows on my shelf.  Comparing it to a handful of designer mouthpieces, the Lakshmi window is larger than all of them.  The window is also quite a bit larger when comparing it to other metal Otto Link mouthpieces of various vintages.  This extra window area allows more of the reed to freely vibrate and respond while playing, in my opinion.

The sidewalls of the Lakshmi tenor sax mouthpiece are scooped out as they head towards the chamber that Theo Wanne describes as a “large-stadium” chamber.  Here is how Theo Wanne describes the “Large-Stadium” chamber on his website:

A BIG Vintage Large Chamber Sound with incredible Focus and Core.   Not too bright, or too dark, but the perfect balance.    The Lakshmi tenor saxophone mouthpiece uses a unique and proprietary Elongated-Roll-Over-Baffle™, as well as Theo’s new Large-Stadium Chamber™.    The Large-Stadium Chamber™ is a technologically advanced version of a traditional large chamber, combining True-Large Chamber sections with Medium Chamber sections for a focus and core that is incredible while maintaining the full, rich sound of a True-Large-Chamber.   The name comes from the shape of the chamber, which approximates the shape of a sports stadium.  The LAKSHMI projects very well, but never sounds harsh or thin, just a big vintage tenor sound Dexter Gordon would be proud of.  It is the evolution of the traditional Otto Link style vintage sound.”-Theo Wanne

Theo Wanne Lakshmi 7* Gold Tenor Saxophone Mouthpiece

Reading the description of the Large-Stadium chamber above, I tried to eyeball how big the Lakshmi chamber was compared to my Theo Wanne Gaia 3 and Gaia 4 mouthpieces I have on hand.  I really had a hard time trying to compare the two chambers and couldn’t measure by eye if they were the same or if the Lakshmi was slightly smaller.  I asked Theo about this size comparison and he responded,   “The Stadium Chamber is as large as the GAIA 4 chamber in some areas, but smaller in others.”   I assume this “stadium” chamber design has an impact on the focus and core sound of this mouthpiece as I will write about later in the review.

The Lakshmi mouthpiece chamber is slightly bigger in diameter than the bore of the mouthpiece and the bottom floor of the chamber is scooped out to make it a little bit lower than the bore.  The roof of the mouthpiece chamber is nice and thin.

The Lakshmi mouthpiece baffle is a lower baffle than the Theo Wanne Gaia 3 and Gaia 4 model tenor sax mouthpiece baffles and looks to be a little higher initially than the baffle of the Ambika 3 tenor saxophone mouthpiece.  The first 1/4 inch of baffle is a medium high, slightly angled and flat baffle.  I don’t see any rollover or curve to the baffle at all.  After the medium shelf baffle, the baffle meets a straight edge and then descends at a greater angle until it reaches a scooped out edge where the Lakshmi mouthpiece chamber starts.

Theo Wanne Lakshmi 7* Gold Tenor Saxophone Mouthpiece

The Theo Wanne Lakshmi 7* tenor saxophone mouthpiece played absolutely fantastic with the first reed I put on it which was a Roberto’s Winds 3 Soft tenor saxophone reed.  This was a pleasant surprise for me because I have had a hard times with saxophone reeds lately as I have found them to be either too soft or too hard.  The Roberto’s Winds 3 soft reed was in my opinion, the absolute perfect strength reed for this Lakshmi tenor sax mouthpiece.  The Roberto’s Winds reed felt hard enough to blow against and get a full, hearty tenor saxophone tone, but it was soft enough to be expressive and shapeable if that makes sense.

The day of the recording, the Roberto’s Winds reed I had been using felt like it was nearing the end of the reed’s life, so I put another Roberto’s Winds 3 Soft reed on and to my surprise, it played just as good, if not better, than the first reed did.  That second reed is the reed I recorded the sound clips with.

The tone on the Theo Wanne Lakshmi tenor sax mouthpiece was full bodied, rich and complex sounding.  The Lakshmi leans to the darker and warmer side of a tenor saxophone tone but has enough sparkle and brightness to the tone to make it interesting and “alive” sounding.  This complex and rich tone is special in that I found myself just holding out random notes and listening to the colors and layers of each note as I played.  It was really quite interesting and fascinating.

One aspect about the Lakshmi tenor saxophone mouthpiece that I noticed is that the more air I put through the mouthpiece, the fuller and more rich the tone sounded to me.  It has this huge fat sound full of texture and complexity in the tone, but I also found it to be incredibly focused sounding which I absolutely loved.  I found this fascinating as most mouthpiece I have played seem to get brighter and edgier when pushed, but although those qualities can be useful, many times they take away from the rich, complex, lush and grainy tenor sax tone that I find so beautiful.  I did not feel this way about the Theo Wanne Lakshmi tenor sax mouthpiece.  The more I pushed it with air, the more the tone grew in fullness as well as richness, complexity and character.

Theo Wanne Lakshmi 7* Gold Tenor Saxophone Mouthpiece

Another positive to the Lakshmi tenor saxophone mouthpiece is that it has excellent intonation.  The middle range of the sax, which is usually sharp on my Selmer SBA tenor saxophone (D,D#,E) was much more in-tune and a couple times, I found myself voicing these notes lower out of habit when I didn’t need to.  They were already in tune.  This was a pleasant surprise!

Another positive quality to the Theo Wanne Lakshmi tenor sax mouthpiece is that I found all the notes throughout the range of the saxophone to be thick and full sounding. There were no thin notes to be found and if I found a note to be a little thin it was not the fault of the mouthpiece as adding just a little more air filled out the note and thickened it up nicely.

The Lakshmi played incredibly even throughout the range of the tenor saxophone when playing at full volume or softly and the evenness of notes made fast playing sound and feel really smooth and flowing.

The low notes on the Lakshmi were a joy to play.  These notes were thick and full and sounded great when sub-toned.  The altissimo range was easy to produce and the notes in that higher range of the saxophone just popped out really easily while still being fat and round sounding.

Theo Wanne Lakshmi 7* Gold Tenor Saxophone Mouthpiece

One of the most exciting thoughts to share about the new Theo Wanne Lakshmi tenor saxophone mouthpiece is my impression that my discoveries with this tenor sax mouthpiece up to this review are only the tip of the ice berg.  The Lakshmi tenor saxophone mouthpiece gives me the sense and impression that playing it is the start of an interesting and rewarding journey.  I think these thoughts lend to the fact that the tone of the Lakshmi mouthpiece is so rich, layered and complex, that I feel like there are depths to explore within the tone if that makes sense.

Bottom line, ideally, a sax player’s main love should be their own tone and the Theo Wanne Lakshmi tenor sax mouthpiece really delivers in that regard. Every time I have played this mouthpiece during the last two weeks, I have been captivated by it’s sound.  Sometime I just play one note and then stop and smile shaking my head.  That is the best feeling in the world for a sax player, in my opinion.

Theo Wanne Lakshmi 7* Gold Tenor Saxophone Mouthpiece

On the sound clip below, I try to give a good range and variety of saxophone sounds and textures so that you can hear how the Theo Wanne Lakshmi 7* tenor saxophone mouthpiece performs in different styles.  I demonstrate the sound of the Lakshmi tenor mouthpiece with all my usual lines and melodies so if you want to compare it to my other sound clips and reviews, you should be able to find many of the same lines to compare this sound clip to.

This is a longer sound clip and honestly, I recorded two of them that were both about 30 minutes each.  I was just having so much fun playing this mouthpiece.  I had a wicked hard time editing this clip down to under 6 minutes and I didn’t even get to the second sound clip.

I did add a second short sound clip of some of my altissimo lines from the first clip with some reverb added.  I’m not sure if this was needed, but I think it might help some of you who want an idea of how this mouthpiece might sound when pushed harder in a big hall or through a PA with reverb added.

Theo Wanne Lakshmi 7* Gold Tenor Saxophone Mouthpiece

In my opinion, the Theo Wanne Lakshmi 7* tenor saxophone mouthpiece is a terrific metal tenor saxophone mouthpiece for those looking for a classic, warm, hearty, focused, vintage Otto Link type tenor saxophone tone that can still be incredibly powerful.  I honestly loved the warmth and tonal complexity, but what I loved along with it, was the power that I could get out of this Lakshmi tenor sax mouthpiece.  This mouthpiece could take all of the air I could give it and produce an incredibly powerful tenor saxophone sound.

I really love this Theo Wanne Lakshmi tenor saxophone mouthpiece.  I have to be honest, I have been looking for a mouthpiece like this for years.  A mouthpiece that can give the warmth and complexity of tone of a “killer” Otto Link but also deliver the volume, power and focus that so many of us need in a modern setting.  The Lakshmi doesn’t do this by multiplying the brights with a high baffle like many mouthpieces do but by what I believe  is a balance in the design that allows the Theo Wanne Lakshmi to really travel the path between the “classic” Otto Link sound but also deliver more power and focus than most Otto Link metal mouthpieces I have tried can deliver.   Well done Theo Wanne!

Theo Wanne Lakshmi 7* Gold Tenor Saxophone Mouthpiece

If you like the sound and look of the Theo Wanne Lakshmi 7* tenor saxophone mouthpiece, you can find them at Theo Wanne’s website. I have agreed to be an affiliate for Theo Wanne so if you purchase a Lakshmi tenor saxophone mouthpiece from this link, neffmusic.com will receive a small commission on the sale. (This helps to support my site and keep the saxophone related reviews, articles and transcriptions coming to you…..).

If you are lucky enough to play a Theo Wanne Lakshmi tenor saxophone mouthpiece or have any other thoughts or comments, I would love to hear what you think in the comments below.  Thanks,   Steve

https://cdn.neffmusic.com/2022/Lakshmi2.mp3

Theo Wanne Lakshmi 7* Gold Tenor Saxophone Mouthpiece-Roberto’s Winds 3 Soft Reed-No Effects Added

https://cdn.neffmusic.com/2022/LakshmiAltissimoReverb.mp3

Altissimo Clip with Reverb-Theo Wanne Lakshmi 7* Gold Tenor Saxophone Mouthpiece-Roberto’s Winds 3 Soft Reed-Reverb Added

Disclosure: I received the sample mouthpiece reviewed above for free in the hope that I would try it and perhaps review it on my blog. If you purchase a Theo Wanne Lakshmi tenor sax mouthpiece through the link I provided in the review, I will receive a small commission that helps to support my work here at neffmusic.com. Regardless, I only review mouthpieces that I enjoy playing and believe will be good for other saxophone players to try also. Steve

Filed Under: Mouthpiece Reviews, Tenor Medium Baffle Reviews, Tenor Mouthpiece Reviews Tagged With: gold, Lakshmi, review, sax mouthpiece, tenor saxophone, Theo Wanne

Steve

About Steve

Steve Neff has been playing and teaching saxophone and jazz improvisation around the New England area for over 30 years. He is the author of many best selling jazz improvisation methods as well as founding the popular jazz video lesson site Neffmusic.com.

Reader Interactions

Comments

  1. AvatarBenjamin Allen says

    June 3, 2022 at 1:04 pm

    Great review, Steve!

    Reply
  2. AvatarMark Rybiski says

    June 3, 2022 at 2:44 pm

    My only qualm Steve is you sound pretty good regardless of which tenor mouthpiece you are reviewing. That stated, this is as good as it gets and you sound like you found “the holy grail”, right in the pocket with this mouthpiece.

    Reply
  3. AvatarBill G says

    June 3, 2022 at 6:06 pm

    Kind of a Blue Lou vibe on the altissimo

    Reply
  4. AvatarJared says

    June 3, 2022 at 8:31 pm

    The sound and inside remind me of the old Francois Louis silver pieces with the sphere chamber.

    You sound really comfortable on this piece!!!

    Reply
  5. AvatarHumberto Ardila says

    June 3, 2022 at 10:35 pm

    Steve :
    It would be very useful if you can post another photo of the mouthpiece, like the last one you posted ( vertical View) that shows the window, to have the dimensión of the window related to the length of the mouthpiece.
    Accordying to the position of the pressure plate, is it more beneficial to place the pressure plate in the same position as the Lakshmi on every mouthpiece ( Otto Link, for example) in order to have the Reed vibrate more ?
    “(I personally like the ligature in the middle hole setting as it puts the ligature plate towards the rear of the saxophone reed allowing the reed to vibrate and flex freely)”
    My Otto Link STM has a 40 mm window . Could you tell us what is the measure of the Lakshmi window ?
    I was hearing your audio clip , with very good headphones and you get a full Tone, warmth, and as you said , in the way Dexter Gordon produced. Congratulations…!

    Reply
    • SteveSteve says

      June 3, 2022 at 10:55 pm

      From what I can tell, the Lakshmi window measures 1 3/4 inches which is approximately 45 mm. I do place my ligatures on metal Otto Links towards the rear of the table so I am thinking it is around the same position as on the Lakshmi.

      Reply
  6. AvatarMike H says

    June 4, 2022 at 12:04 am

    Great Steve that is tempting for sure, personally would like to compare to the AMMA 8 that I already have had for 10 +years.
    And interesting to see absence of ‘shark gill surface treatment’ on the baffle.
    Do you have a view on this cf Gaia 3/4 ?
    Thanks for all the reviews and help.
    Mike

    Reply
    • SteveSteve says

      June 4, 2022 at 6:57 am

      Do you have a view on this cf Gaia 3/4 ?

      Might be too early in the morning for me but what does cf stand for?

      Reply
    • SteveSteve says

      June 6, 2022 at 9:13 am

      Mike, I just recorded the Gaia 4 a few days ago. Hope to post a review this week.

      Reply
  7. AvatarMike H says

    June 4, 2022 at 9:38 am

    My apology Steve .. was sloppy of me
    cf. ‘compared to.
    Mike

    Reply
  8. AvatarClive says

    June 6, 2022 at 7:02 am

    compare
    The abbreviation cf. (short for the Latin: confer/conferatur, both meaning ‘compare’) is used in writing to refer the reader to other material to make a comparison with the topic being discussed.

    Cf. – Wikipediahttps://en.wikipedia.org › wiki › Cf.

    Reply
  9. AvatarAndy Geiger says

    June 8, 2022 at 1:23 pm

    Steve,

    I got the Lakshmi 7* yesterday and put it right on the horn. I am stunned by this mouthpiece. Great sound, just right resistance, intonation excellent. Wow!

    I have moved the ligature around and I also like it in the middle setting. Have tried D’Addario 2H, BSS 3, and Nexus 3 reeds, and they all work well with this set-up. Cannonball Global Series Big Bell and BSS Heritage Neck.

    I am truly amazed by the Lakshmi.

    Reply
    • SteveSteve says

      June 8, 2022 at 2:58 pm

      That’s great to hear! I’m glad you are stunned and amazed by it like I was……

      Reply
  10. AvatarOskar says

    June 9, 2022 at 9:57 am

    Volume on scale 1-10?

    Reply
  11. AvatarMarc says

    June 9, 2022 at 10:58 am

    It will be interesting indeed to compare this one to the Gaia4 …
    I still believe you sound best on the Navarro bebop special metal tenor mouthpiece.

    Reply
  12. AvatarErick Daniel Guevara López says

    June 9, 2022 at 11:21 pm

    Thanks Steve for the review, they are very helpful and very well done.
    I’m looking forward to the Gaia 4 review, I’m interested in comparing it to the Gaia 3 version and this new Lakshmi mouthpiece. Cheers.

    Reply
  13. AvatarAndrew Bowie says

    June 14, 2022 at 11:47 am

    Hi Steve, How does this compare with the Gaia Metal 3? I’ve decided the Gaia doesn’t quite ‘sing’ enough for me, if you know what I mean, so I’ve been playing the Retro Revival Super D New York, which I love, but your sound on and praise for the Lakshmi (and previous experience where your recommendations have been spot on), makes me interested! Do I need a new tenor piece, no, but that’s never stopped me.

    Reply
  14. AvatarBob Doherty says

    June 24, 2022 at 8:43 am

    You always sound great but that is, by far, the best you have ever sounded. You should keep that mouthpiece!

    I would love to try one but too bad it’s prohibitively expensive.

    Bob

    Reply
  15. AvatarAndrew Bowie says

    July 5, 2022 at 10:55 am

    You win again, Steve, and my bank balance loses! The Lakshmi arrived today, and it is exactly as you characterised it. We both are looking for a jazz piece with the virtues of a Link that can hold its own when things get loud, without getting hard, or edgy. The Lakshmi is the best instantiation of this I’ve had so far. It has projection, warmth, body, and brightness when you want it. The lower register is huge, and the palm key notes are not at all thin. I couldn’t be more pleased. Thanks, as ever, for the great info you offer. The pleasure of trying and liking new mouthpieces never seems to diminish for me (or, I suspect, for you!).

    Reply
    • SteveSteve says

      July 5, 2022 at 11:15 am

      That’s so great to hear Andrew. I’m glad you love it.

      I actually started a new habit where I keep a mouthpiece journal. When a mouthpiece completely blows me away on a certain playing session, I open the journal and write about the experience. I am doing this because a lot of these experiences are lost in time and at some point I think about selling a certain mouthpiece with no recollection of how completely amazing it was at certain times. This has helped me appreciate those moments more and to appreciate and remember the connection from me, through the mouthpiece and into the saxophone.

      Reply
  16. AvatarAndrew Bowie says

    July 5, 2022 at 12:30 pm

    That’s a nice idea! I like thinking back through all the mouthpieces I’ve used (lots of which I still do use). I gave up worrying that I have a silly number some time ago! I may sell some eventually, but I retired on a very good pension, so no rush. I’m a philosopher by trade, and the fascination and pleasure of getting a certain sound via the connection between one’s body and a mouthpiece, etc., is something that changed the way I think about quite a few issues.

    Reply
    • AvatarAndrew Bowie says

      July 13, 2022 at 12:15 pm

      From first gig on the Lakshmi, marked 10/7/22 (3 of the tracks are on alto with Gaia 3). https://soundcloud.com/andy-bowie

      Reply
      • SteveSteve says

        July 13, 2022 at 2:22 pm

        Sounds great! I checked out Lonnie’s Lament and Like Someone in Love.

        Reply
        • AvatarAndrew Bowie says

          July 14, 2022 at 11:08 am

          Thanks! And thanks again for the review. This really is the best mouthpiece yet for tenor: it makes me want to go and practice.

          Reply
  17. AvatarGiuseppe C. says

    July 14, 2022 at 6:31 am

    Hi Steve,
    as far as my opinion counts, regarding your doubt whether to prefer Gaia 3, Gaia 4 or Lakshmi, for what I hear through the computer, I would choose Lakshmi.
    Giuseppe.

    Reply
    • SteveSteve says

      July 14, 2022 at 9:25 am

      Thanks for the feedback, Giuseppe.

      Reply
  18. AvatarROGER SALLES says

    July 27, 2022 at 2:38 pm

    Hi Steve,
    great review and spot on. I have had this mouthpiece for about a month and I can`t stop playing it, I took this mouthpiece to a top 40 gig last weekend and it just did a marvelous job playing mainly Pop, R&B and some jazz as well. At home I only practice jazz and this thing is out of this world I think I have quit looking for that perfect mouthpiece now.
    Thank you Steve

    Reply
    • SteveSteve says

      July 27, 2022 at 2:45 pm

      That’s great to hear, Roger. No better feeling that a mouthpiece that can sound amazing on jazz stuff at home but still “bring it” on a loud commercial typer gig.

      Reply
  19. AvatarTony Riley says

    July 3, 2023 at 11:52 am

    Have just bought the Lakshmi Steve and going to try it in a big band rehearsal tonight. My usual mouthpiece is an Eric Marienthal signature mouthpiece, more strident and edgy. If I find the Lakshmi projects enough I will definitely keep it. It has a classic straight ahead tenor sound. Thanks for the review. Tony

    Reply
    • SteveSteve says

      July 4, 2023 at 3:04 pm

      Let us know how it goes. I’m curious if you find it has the power and volume you would need in a big band setting or not.

      Reply
      • AvatarTony Riley says

        August 7, 2023 at 3:46 am

        Hi Steve – It does have power but at the moment I’m reverting to my high baffle Retro Revival mouthpiece for big band playing. It has a bit more power and edge. I do, however, prefer the sound of the Lakshmi mouthpiece. It does have that Dexter Gordon sound which I really like.
        Have you tried it in a big band situation? Tony

        Reply
        • SteveSteve says

          August 7, 2023 at 7:45 am

          Hi Tony, No, I haven’t played in a big band setting with it yet. What high baffle Retro Revival are you talking about?

          Reply
        • AvatarTony Riley says

          August 7, 2023 at 11:42 am

          My high baffle Retro Revival mouthpiece is the Eric Marienthal 7* signature mouthpiece.

          Reply
  20. AvatarAlex says

    August 6, 2023 at 11:50 am

    Thanks for the thorough review Steve. I really like the focus and core to this piece. I’m not a fan of excessive buzz, which I hear in a lot of modern mouthpieces, especially those in the Otto Link vein. I’d be interested to hear you on the new TW Brahma to compare the two. Any chance you’ll be reviewing it?

    Reply
    • SteveSteve says

      August 6, 2023 at 2:50 pm

      Thanks, Alex. I hope to review the Theo Wanne Brahma at some point but have to finish reviewing the mouthpieces I already have sitting on my desk first. Steve

      Reply
      • AvatarAlexandra Willats says

        August 11, 2023 at 10:32 am

        Good to know, thank you. I look forward to the review!

        Reply
  21. AvatarYann says

    August 14, 2023 at 11:15 am

    Tried one, love the sound but had to pull it out too much for tuning so the low notes were totally out of tune , I can’t play this one .

    Reply
    • SteveSteve says

      August 25, 2023 at 8:39 pm

      That sounds strange. I didn’t have any issues at all with the intonation in the lower register or the high register.

      Reply
  22. AvatarGrahame Easthope says

    February 29, 2024 at 6:41 pm

    Just bought a 6* Lakshmi. It arrived today. Left the ligature in the middle position. Put on an unfiled Vandoren Java 3. Perfect.
    Packed up the horn. Went and did a gig.
    This mouthpiece is astonishing.
    Looking forward to finding out what I can really do with it.

    Reply
    • AvatarGrahame Easthope says

      March 3, 2024 at 7:18 am

      Update. I’ve now done four gigs on the Lakshmi.
      I’m still using the first Vandoren Java 3 reed I put on this mouthpiece. No desire or need to switch reeds since the very first note on the horn with this mouthpiece 😳

      Reply
  23. AvatarMark White says

    December 27, 2024 at 1:08 pm

    Steve,
    This Lakshmi mouthpiece is now my favorite mouthpiece. I have the 7* and the 8 now in this mouthpiece. The high notes sound just as great on the 8 and the lower notes sound even better with more spread. I just uploaded a couple of videos of me playing this mouthpiece on YouTube. I used the 7* in these two videos.
    Here are the links: https://youtu.be/zLbLFMA84J0 (When I Fall in Love)
    https://youtu.be/kedg2dDjdzw (When You Wish Upon a Star)

    Reply
  24. AvatarIan says

    March 22, 2025 at 12:27 pm

    I would be so seriously interested in this mouthpiece if there wasn’t a goofy picture of a Hindu god on it. I wonder if Theo would play a mouthpiece with a picture of Jesus Christ on it? In a world where sadly everything seems to be tied to an agenda, I would just like to make music, plain and simple.

    Reply

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Testimonials

I just joined Neff Music last month. I can’t tell you how excited I’ve been to be able to pick back up on lessons. I’ve been in a rut and you got me out! I’ve especially appreciated the Lesson Path section. It was so clear I knew exactly where to jump in and start. Many many thanks!
Karin
Hi Steve, I have been shedding your materials for quite a while now and I love them! They are extremely well organized and presented and there are tons of ’em! I really appreciate your methodical approach and find myself referring students to your resources often.  Thanks so much!  
Kenyon Carter
I would like to say that in the last year my sax playing has progressed loads from your lessons. I have had a sax for about 20 years and dabbled with lessons from a few teachers and have learnt very little from them. As you have said in your lessons many teachers tell you to use the blues scale and leave it there, not even showing you the resolution points!!. I am now believing I can in time become a good improviser.
Thanks again,
Shane
Shane

Love your lessons!  I have been using your lesson packages for many months now, and am learning a lot.  It is so perfect for me with a very busy adult schedule and difficulty in taking jazz/improv music lessons from reputable instructors who live and hour or more away from me.

Lenore
I have been a member of Neffmusic for more than a year now and have enjoyed every minute of it! I have not only been going thru the Dominant Bebop Scale lessons and book (OUTSTANDING!) but the mouthpiece reviews, solo clips and transcriptions are very interesting. Steve approach to beginning and intermediate improv have given me many new pathways to teach my high school jazz ensemble students. Congratulations Steve, great product!
Craig

Steve,

I have played for many years and have enjoyed going “back to the basics” in some of your lessons!  You have such a gift for explaining concepts.  As I have gotten older, some of the basic things have gotten muddled because I just play, not knowing why.  As I refresh myself with “why”, it increases my confidence and expands my playing.  Thank you so much for using your gift!  You are a blessing!

Julia
Hey Steve, I’m a 22-year-old from Australia. I thought it would be worth saying. You’re an absolute legend. I can’t thank you enough. You have helped me rekindle my love for the saxophone and music as a whole. All the best for the future, your work doesn’t go unnoticed. PS. I am loving your devastating minor lines pdf.
Sapph
Steve’s monthly lessons are entirely valuable. Without brow beating, he tells you all the stuff you deep down know you really should be working on, instead of just relying on the same old patterns. In spite of the fact that you’re taking a video lesson, Steve’s presentation is comfortable and “real”. In a little more than a year, he’s developed a library of lessons that seem to offer any player a lifetime’s worth of practice material. I’m just glad I stumbled upon it.… Read more
Grant
Thank you so much for the great job you are doing to help further our jazz studies. Though I make my living as a repairer of musical instruments I am a student of jazz and have been fortunate enough to be involved with a big band and a combo for the last several years. As my children began to leave “the nest” I had decided to dedicate the next half of my life to a more serious study of the sax but I didn’t know exactly how I would go about doing this until a friend of mine turned me onto your si… Read more
Jon
I am a music book junkie and I have to say that your books are the most clear, user friendly, and helpful books I own.  They are my absolute favorites and I only wish I had them years ago.  I wouldn’t change a thing about the experience I had in acquiring my degree at Berklee, but my playing has perhaps grown more in the time I’ve spent buried in your books and lessons.  Keep up the great work!!! Thanks, John
John
I bought Steve’s dominant bebop book and took a couple of online lesson from him. I really appreciated Steve’s careful listening of what I wanted to get done in a lesson and his clear, concise ideas on next steps to improve my playing and musical interpretation.  His mastering  the Dominant Bebop Scale has lots of exercises to use a scale that addresses the largest percentage of chords I come across in pop/blues music. The dominant V7.  Needless say it has improved my playing.  I teach and a… Read more
Keith
I like so many other subscribers feel so encouraged by Steve’s learning techniques; you will enjoy reading the comments of praise others have left as you too will feel that you share a common view and path. I feel very lucky to have come across Neffmusic and that feeling will remain with you as you search through a treasure trove of learning materials on offer, you will quickly find the lessons that you are suited to. You will instantly recognize the unparalleled quality of Steve’s teaching … Read more
Stephen
I want to let you know that your instructional material is transforming my playing.  It is an immense pleasure to learn and play now, and I can’t tell you how grateful I am. The instructional material I got from you is by far the best of any I own (and I have over 100 books, DVDs, and what not). I literally can’t thank you enough! Deric
Deric
Thank you for the wealth of helpful lessons you’ve provided over the years.  I truly feel as though it has improved my playing more than the 4 years I spent at Berklee… and that’s not a slight on the school as I loved my experience there.
John
John
Steve really changed my way of practicing: I got a whole lot of new ideas for my playing the tenor.  His lessons are really helpful, give a lot stuff to practice and give clear answers to complicated stuff.  Steve has a lot of humor and I wish I had laughed so much in my former days with the horn.  All topics, from Blues to Approach note are dealt with clearness that wet ones appetite to play and practice that great ideas.
Uwe

Steve,  Just want to say thanks for all you are doing for all of us. I’ve learned more from you than anyone else in my 40 years of playing.

If you can give some tips on One Note Samba, Ceora, and Wave… that would be cool.  I really like learning how you apply your concepts to actual songs!

Have a great year,

Kevin Ledbetter

I've learned more from you than anyone else in my 40 years of playing.

I want to thank you again, because, not only are you an inspiration to listen to, you are a fine teacher!

I have been teaching sax and other winds for over 20 years, and you give me that “push” to give my students more!

Mark Peotter

Mark Peotter
Your major diatonic patterns book is great. I”m studying the first twenty patterns (first twenty pages) each day with different articulation each day and slowly increasing the tempo each week or so.  There is a noticeable improvement in finger coordination across all keys and its amazing how much more secure I feel on the difficult keys when attempting to play pieces with 5+ flats/sharps. I’m able to sort out the fingerings for these pieces now much more quickly than before, often in one or two … Read more
Geoff
I am enjoying your style of teaching, and you’ve done a great job with the videos….good sound quality and well constructed lessons.  Balances the more guitaristic material found on the majority of guitar based programs.  Jazz vocab is what I’m all about at this point in the journey.   I especially dig the fact that you’ve studied with Bergonzi…helps me see his voluminous output in a more  bite sized way.
Milton

I must say again how much I appreciate all your material. Including the video tutorials. It help keep me focused and knowing what to aim for. And your laid back teaching style appeals to me too. 

Thanks

P

P
I have found your videos and publications inspiring and your contribution to the world of saxophone playing is immense. Paul
Paul

Your material is great! I got your New Altissimo Lesson 6 months ago and I have learned more from that than in all my 44 years of playing! I appreciate your down to earth teaching method and I really appreciate the heart that you teach with. I have been a subscriber to your lessons for the past 6 months and I have learned a great deal. Over that period of time I have had some questions and you have never failed to respond. Thanks! I have already recommended your lessons to a number of players in… Read more

Michael Byington
By the way, BIG COMPLIMENTS to you, Steve! Not only are you a great player, you are also a great teacher! I, too, am a woodwinds player/teacher. I have new inspiration to play and teach because of you. The concepts and “thinking” is similar to what I already learned in College, but hearing you explain and PLAY the concepts REALLY MAKES THE DIFFERENCE! Also, your written patterns are more interesting than other books I have seen! Keep up the good work. I will be recommending your sit… Read more
I will be recommending your site to others!

Hi Steve,

First, I want to thank you for all of your great lessons. They are like a “For Dummies” version of all the books on my shelf. The lessons break things down into manageable pieces, and give me the confidence that I’m practicing the right pieces. I’m starting to make progress.   Thank You,   Kim

Kim

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