• Skip to main content
  • Skip to primary sidebar
  • Skip to footer

Website of Steve Neff

  • BLOG
  • SHOP
  • MY ACCOUNT
  • RAVES
  • CONTACT

Search Neffmusic

You are here: Home / Reviews / Mouthpiece Reviews / Alto Mouthpiece Reviews / Alto High Baffle Reviews / Liu Shizhao Pearls Alto Saxophone Mouthpiece Review

Liu Shizhao Pearls Alto Saxophone Mouthpiece Review

November 10, 2017 by Steve 7 Comments

Last year,  I posted a review of a couple new saxophone mouthpieces from Liu Shizhao out of China.  He sent me a tenor saxophone mouthpiece prototype MB Prototype , an alto prototype and the Pilgrimage tenor sax mouthpiece that I was very impressed with and wrote reviews on.   This review is on another Liu Shizhao mouthpiece for the alto saxophone called the “Pearls” model.

Liu Shizhao Pearls Alto Saxophone Mouthpiece

The Shizhao Pearls alto sax model has a tip opening of .085.  It has a high baffle and small chamber in it that immediately reminds me of a Dukoff type mouthpiece design.  Of course, any of you sax players that were around in the 70’s and 80’s will probably immediately think of Dave Sanborn when you hear the words “alto sax” and “Dukoff”. He had that very individual “Sanborn” high baffle alto saxophone sound of that era.

The Shizhao Pearls alto sax mouthpiece looks well made and feels heavy in your hand like it is a solid piece of brass.  The model I have today has some mark and scratches on the table and chamber so I think this has gotten some playing time before i received it.

The table, rails, tip and baffle look well made and symmetrical.  The tip rail matches my Rigotti reeds perfectly.  The baffle looks to be straight and comes off of the tip rail at a steady angle until half way down the window where it hits an edge and then drops off more rapidly into the small chamber.  The chamber entrance has a bit of a squeeze to it and then opens up to the back of the chamber which is the same diameter as the bore.

Liu Shizhao Pearls Alto Saxophone Mouthpiece

The Shizhao Pearls model mouthpiece doesn’t have a bite plate but is all metal where the bite plate would be.  I have heard people complain about this because they like bite plates but I am indifferent to it.  Just put a mouthpiece pad on that area and you have an instant bite plate that you can change out any time you want or need to.

The mouthpiece is hand engraved with “Liu Shizhao” and “Pearls” handwritten on the shank with the number “014” on the bottom of the shank.  If years from now you are playing a Shizhao Pearls alto sax mouthpiece and it has “014” on the shank then you know it is the same mouthpiece from this review.  I personally like serial numbers on mouthpieces so you can know which mouthpiece is which very specifically.

Liu Shizhao Pearls Alto Saxophone Mouthpiece

I first tried the Shizhao Pearls mouthpiece with Rigotti Gold 2 1/2 medium saxophone reeds and they were way too soft, I then tried a 2 1/2 Strong and a 3 Light which were also both too soft.  I then tried a 3 Medium which felt too hard.  Lastly I tried another 3 Light and this one was perfect.  That is the one I used on the sound clip below.

Liu Shizhao Pearls Alto Saxophone Mouthpiece

The Shizhao Pearls alto sax mouthpiece played great for me.  It is a much brighter sound than I usually have on alto but is indeed reminiscent of that classic “Sanborn” sound for me.

As well as being bright, it is also very focused.  The tone is powerful and concentrated if that makes sense.  It does have some edge when pushed also.  I felt the notes could be bent easily which made expression easier.  The altissimo was easier for me than on many other alto mouthpieces but I don’t play up there too much on alto so take that for what it’s worth.

The intonation on this mouthpiece was terrific in my opinion and the mouthpiece played really smoothly and evenly throughout the range of the horn also.   At the end I play some faster bebop type lines and the notes are smooth and flowing in my opinion.

Liu Shizhao Pearls Alto Saxophone Mouthpiece

I’ve provided two samples of the same clip below.  One is a clip with added reverb and the other is a dry clip in a moderate sized room.  I think it’s important to add the reverb clip just so people can get a sense of what the sound is like with a little bit of that added affect since most studio recordings of Sanborn have some reverb added I believe.

I’m a little rusty on my Sanborn influenced licks but I threw a bunch of them into the sound clip as well as a few straight ahead lines at the end.

The Shizhao Pearls alto saxophone mouthpiece is right up there with some of the best high baffle alto mouthpieces I have played on.   To order one you can contact Liu Shizhao by email at saxproshop@gmail.com or you can usually also find these mouthpiece for sale on Ebay or on Liu Shizhao’s Facebook page.

Congratulations to Mr. Shizhao for making another excellent well crafted mouthpiece!  Great Job!

Let me know your thoughts in the comments below and if you get a Shizhao Pearls alto saxophone mouthpiece be sure to come back and let us know what you think below……..Thanks!!

https://cdn.neffmusic.com/2017/Pearls4Reverb.mp3

 

Liu Shizhao Pearls Alto Saxophone Mouthpiece-Added Reverb

https://cdn.neffmusic.com/2017/Pearls4.mp3

 

Liu Shizhao Pearls Alto Saxophone Mouthpiece-Dry

Disclosure: I received the sample mouthpiece mentioned above for free in the hope that I would try it and perhaps review it on my blog. Regardless, I only review mouthpieces that I enjoy playing and believe will be good for other saxophone players to try also.    Steve

Filed Under: Alto High Baffle Reviews, Alto Mouthpiece Reviews, Mouthpiece Reviews Tagged With: Alto Saxophone, jazz sax, Liu Shizhao, metal mouthpiece, Pearls, review

Steve

About Steve

Steve Neff has been playing and teaching saxophone and jazz improvisation around the New England area for over 30 years. He is the author of many best selling jazz improvisation methods as well as founding the popular jazz video lesson site Neffmusic.com.

Reader Interactions

Comments

  1. AvatarDon Roy says

    November 10, 2017 at 6:39 pm

    Give em what they want is how I see it.

    Reply
  2. AvatarDon Gutheil says

    November 10, 2017 at 9:26 pm

    Sanborn on steroids…

    Reply
  3. AvatarMark says

    November 10, 2017 at 10:25 pm

    Steve, what is the beak height and width feel like compared to a modern metal Otto Link STM alto mouthpiece or a modern Meyer hard rubber?

    Reply
    • SteveSteve says

      November 11, 2017 at 10:32 am

      Mark, The beak height feels similar to me. It is more narrow than a Meyer HR alto piece. It’s been years since I tried a metal Otto Link on alto so I’m not sure how it compares to that as far as width. Steve

      Reply
  4. AvatarRobert Stutchbury says

    October 15, 2018 at 12:21 pm

    Sounds nice what alto are you playing thanks Rob

    Reply
    • SteveSteve says

      October 15, 2018 at 12:42 pm

      Rob, That is a Selmer Reference 54 alto. Steve

      Reply
  5. AvatarGiuseppe says

    October 17, 2018 at 2:05 pm

    Wonderful!

    Reply

Leave a Reply to Robert Stutchbury Cancel reply

Your email address will not be published. Required fields are marked *

Primary Sidebar

Cart

Subscribe to the Neffmusic Newsletter for the latest reviews and best deals delivered straight to your inbox every month. Join now and you will also receive my 40 Ultimate Michael Brecker Licks free!

Select list(s) to subscribe to


Thanks for joining!


NEFFMUSIC PRINTED BOOKS

Testimonials

Your major diatonic patterns book is great. I”m studying the first twenty patterns (first twenty pages) each day with different articulation each day and slowly increasing the tempo each week or so.  There is a noticeable improvement in finger coordination across all keys and its amazing how much more secure I feel on the difficult keys when attempting to play pieces with 5+ flats/sharps. I’m able to sort out the fingerings for these pieces now much more quickly than before, often in one or two … Read more
Geoff
I want to let you know that your instructional material is transforming my playing.  It is an immense pleasure to learn and play now, and I can’t tell you how grateful I am. The instructional material I got from you is by far the best of any I own (and I have over 100 books, DVDs, and what not). I literally can’t thank you enough! Deric
Deric

Never really had lessons before just kinda worked things out on my own. Was in a rut but your lessons are really helpful in opening melodic possibilities. Ur an awesome resource to the saxophone community. Thanks for sharing. 

Anthony
I’ve been having ‘ online’  lessons with Steve for a few months now. Being a teacher myself I had had some reservations with the idea at first and the practicalities of it .  Let me just say that my playing has taken a huge leaps forward while studying with Steve and continues to do so.Steve studied with some renowned player/teachers such as Bergonzi and Garzone– this in itself is invaluable but Steve teaches from his own books, which cover a a vast amount of  jazz language. Steve h… Read more
David
I am enjoying your style of teaching, and you’ve done a great job with the videos….good sound quality and well constructed lessons.  Balances the more guitaristic material found on the majority of guitar based programs.  Jazz vocab is what I’m all about at this point in the journey.   I especially dig the fact that you’ve studied with Bergonzi…helps me see his voluminous output in a more  bite sized way.
Milton
I have been a member of Neffmusic for more than a year now and have enjoyed every minute of it! I have not only been going thru the Dominant Bebop Scale lessons and book (OUTSTANDING!) but the mouthpiece reviews, solo clips and transcriptions are very interesting. Steve approach to beginning and intermediate improv have given me many new pathways to teach my high school jazz ensemble students. Congratulations Steve, great product!
Craig

Thank You Steve. I think that I will be busy for years. Thank You for your great contribution to jazz music. Your books, more than teaching “how to play jazz”, actually teach “how to speak jazz”. I wish I found your methods years ago.  

Jean-Eric
Steve’s monthly lessons are entirely valuable. Without brow beating, he tells you all the stuff you deep down know you really should be working on, instead of just relying on the same old patterns. In spite of the fact that you’re taking a video lesson, Steve’s presentation is comfortable and “real”. In a little more than a year, he’s developed a library of lessons that seem to offer any player a lifetime’s worth of practice material. I’m just glad I stumbled upon it.… Read more
Grant
Hi Steve, I can’t express just how much I appreciate your teaching. My playing has improved so much over the past year since I have been studying and practicing with your lessons. It is possible to teach an old dog new tricks, these lessons are proof! Thanks, Michael Byington
Michael Byington
Your lessons on playing the blues is so clear . I have been through many books on blues playing and not one of them explains as clear as your lessons . Most of them say “Play the same blues scale over all three chords of a 12 bar blues ” Its very misleading .     Thanks
Martin
Hey Steve, I’m a 22-year-old from Australia. I thought it would be worth saying. You’re an absolute legend. I can’t thank you enough. You have helped me rekindle my love for the saxophone and music as a whole. All the best for the future, your work doesn’t go unnoticed. PS. I am loving your devastating minor lines pdf.
Sapph

Love your lessons!  I have been using your lesson packages for many months now, and am learning a lot.  It is so perfect for me with a very busy adult schedule and difficulty in taking jazz/improv music lessons from reputable instructors who live and hour or more away from me.

Lenore
I just started looking at my lessons and I have to say, dude you are awesome.  I ABSOLUTELY will learn from you!  I started the tenor about 1 ½ yrs ago and have since picked up an alto, and more recently a soprano.  I spend most of the time on the tenor, followed by soprano, and have only gotten to the alto a few times.  I think I’ll be sticking with tenor.  I’m having a great time and hope one day to play well enough to get regular gigs.  I’ve been playing keys for about 35 years (… Read more
Wil

Steve,

I have played for many years and have enjoyed going “back to the basics” in some of your lessons!  You have such a gift for explaining concepts.  As I have gotten older, some of the basic things have gotten muddled because I just play, not knowing why.  As I refresh myself with “why”, it increases my confidence and expands my playing.  Thank you so much for using your gift!  You are a blessing!

Julia

I must say again how much I appreciate all your material. Including the video tutorials. It help keep me focused and knowing what to aim for. And your laid back teaching style appeals to me too. 

Thanks

P

P

I am enjoying your style of teaching, and you’ve done a great job with the videos….good sound quality and well constructed lessons.  Balances the more guitaristic material found on the majority of guitar based programs.  Jazz vocab is what I’m all about at this point in the journey.  I especially dig the fact that you’ve studied with Bergonzi…helps me see his voluminous output in a more bite sized way.

Milton
I bought Steve’s dominant bebop book and took a couple of online lesson from him. I really appreciated Steve’s careful listening of what I wanted to get done in a lesson and his clear, concise ideas on next steps to improve my playing and musical interpretation.  His mastering  the Dominant Bebop Scale has lots of exercises to use a scale that addresses the largest percentage of chords I come across in pop/blues music. The dominant V7.  Needless say it has improved my playing.  I teach and a… Read more
Keith
It is so refreshing to have a great player, who can provide lessons and examples in a manner which is understandable to most any enthusiastic saxophonist who is ready to improve. not just the, do this, do that, memorize this, memorize that… while all that is absolutely necessary, you go on to give reasons and examples to explain and validate why you have to do all of these things, the benefits, if you will… that is the key for me, you tell, explain, demonstrate, explain some more, you give perso… Read more
Cedric

Hello Steve,

I just want to say thank you so much for your unbelievable work, it is just mind opening, thanks for sharing it.

Wolfgang from Berlin

Wolfgang from Berlin

Steve,  Just want to say thanks for all you are doing for all of us. I’ve learned more from you than anyone else in my 40 years of playing.

If you can give some tips on One Note Samba, Ceora, and Wave… that would be cool.  I really like learning how you apply your concepts to actual songs!

Have a great year,

Kevin Ledbetter

I've learned more from you than anyone else in my 40 years of playing.

Hello Steve, I’m getting so much out of your lessons and books, amazing how much one may think one knows, there is always a new frontier or new way to view something you think you had somewhat down. You have taken it all to a new level and am so grateful. Your lessons are so down to earth and understandable and clear!  Thanks so much Steve! Cheers, Eddie

Eddie Parente
I like so many other subscribers feel so encouraged by Steve’s learning techniques; you will enjoy reading the comments of praise others have left as you too will feel that you share a common view and path. I feel very lucky to have come across Neffmusic and that feeling will remain with you as you search through a treasure trove of learning materials on offer, you will quickly find the lessons that you are suited to. You will instantly recognize the unparalleled quality of Steve’s teaching … Read more
Stephen
Steve really changed my way of practicing: I got a whole lot of new ideas for my playing the tenor.  His lessons are really helpful, give a lot stuff to practice and give clear answers to complicated stuff.  Steve has a lot of humor and I wish I had laughed so much in my former days with the horn.  All topics, from Blues to Approach note are dealt with clearness that wet ones appetite to play and practice that great ideas.
Uwe
Thank you for all the educational information you provide.  I am a classically trained musician.  Professionally, I am a 4th and 5th grade band teacher.  I have played piano and sax for many years, but now I am starting to gig out more. I have always improvised by ear in the past. I have gotten by with my strong sense of pitch, rhythm and melodic contour. However, I want to go deeper. I want to play with a greater variety of melodic and rhythmic ideas to pull from.  I have studied to gain a … Read more
Ray

Featured Video Lessons

  • Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book) Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book)
    Rated 5.00 out of 5
    $19.99 Original price was: $19.99.$14.99Current price is: $14.99.
  • The Secret to Modern Outside Jazz Lines Lesson-Minor The Secret to Modern Outside Jazz Lines Lesson-Minor $9.99
  • Creating Modern II-V-I Lines with Simple Pentatonics Lesson Creating Modern II-V-I Lines with Simple Pentatonics Lesson
    Rated 5.00 out of 5
    $9.99
  • The Best Embouchure for Tone, Intonation and Endurance Lesson The Best Embouchure for Tone, Intonation and Endurance Lesson
    Rated 4.91 out of 5
    $9.99
  • The Secret to Altissimo (no one has ever told you about before) Lesson The Secret to Altissimo (no one has ever told you about before) Lesson
    Rated 4.75 out of 5
    $9.99

Now over 600 video and audio lessons to choose from!

Free Lessons

  • Free Lesson on The New Ultimate II-V-I Primer-Major Keys
  • Free Video Lesson on Mastering Altered Pentatonics
  • Free Video Lesson on Mastering the Blues Scale Volume 1 & 2
  • Free Video Lesson on Mastering the Dominant Bebop Scale and Language Book 1 & 2
  • Free Video Lesson on Approach Note Velocity Book

Recent reviews

  • Bebop Scale-Altered Scale II-V-I Practice Lesson Bebop Scale-Altered Scale II-V-I Practice Lesson by Noah
  • Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book) Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book) by Andy
  • Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book) Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book)
    Rated 5 out of 5
    by Russ
  • Creating Modern II-V-I Lines with Simple Pentatonics Lesson Creating Modern II-V-I Lines with Simple Pentatonics Lesson
    Rated 5 out of 5
    by Timothy
  • The Best Embouchure for Tone, Intonation and Endurance Lesson The Best Embouchure for Tone, Intonation and Endurance Lesson
    Rated 5 out of 5
    by Ray Holland

Footer

Recent Comments

  • Giuseppe C. on Les Becs d’Autan Florida Tenor Saxophone Mouthpiece Review
  • Paul Fessenden on Otto Link LA Tenor Saxophone Mouthpiece Review
  • Steve on Theo Wanne Gaia 2 Soprano Saxophone Mouthpiece Review
  • Steve on Les Becs d’Autan Florida Tenor Saxophone Mouthpiece Review
  • Pablo Lopez on 40 Michael Brecker Licks

Top rated products

  • Mastering the Major Bebop Scale & Sound (Digital PDF Book) Mastering the Major Bebop Scale & Sound (Digital PDF Book)
    Rated 5.00 out of 5
    $14.99
  • Tune of the Week-Softly as a Morning Sunrise Lesson Tune of the Week-Softly as a Morning Sunrise Lesson
    Rated 5.00 out of 5
    $9.99
  • The Style of Dexter Gordon-Lady Bird Lesson 1 The Style of Dexter Gordon-Lady Bird Lesson 1
    Rated 5.00 out of 5
    $9.99
  • Tune of the Week-Days of Wine and Roses Lesson Tune of the Week-Days of Wine and Roses Lesson
    Rated 5.00 out of 5
    $9.99
  • Tune of the Week-Invitation Tune of the Week-Invitation
    Rated 5.00 out of 5
    $9.99

Product tags

alto sax alto saxophone approach notes audio lesson bebop scale beginner beginner saxophone blues blues licks blues patterns blues scale blues scales diminished scale dominant chords ear training fundamentals II-V-I improvisation jazz improvisation jazz lines jazz patterns jazz sax jazz saxophone jazz standard jazz standards licks Mastering the Blues Scale Michael Brecker modern improv modern improvisation online lesson patterns playing outside practice habits reading music sax basics sax lessons saxophone scales smooth jazz steve neff tenor sax tenor saxophone video lesson video lessons
  • Instagram
  • Facebook
  • Twitter
  • SUPPORT

Neffmusic © 2005–2025