• Skip to main content
  • Skip to primary sidebar
  • Skip to footer

Website of Steve Neff

  • BLOG
  • SHOP
  • MY ACCOUNT
  • RAVES
  • CONTACT

Search Neffmusic

You are here: Home / Reviews / Mouthpiece Reviews / Alto Mouthpiece Reviews / Alto Medium Baffle Reviews / Phil-Tone Novella Alto Saxophone Mouthpiece Review

Phil-Tone Novella Alto Saxophone Mouthpiece Review

October 30, 2017 by Steve 12 Comments

Today I am reviewing another great alto saxophone mouthpiece made by Phil Engleman at Phil-Tone mouthpieces.  I have reviewed quite a few Phil-Tone sax mouthpieces on the site already and am always interested when Phil announces a new mouthpiece model.  A couple of months ago he announced that he had a new mouthpiece model called the Novella that was based off of the Selmer Soloist alto saxophone mouthpiece.  There is a “Jazz” model that I am reviewing today and a “Classic”model also.   Phil’s description of the “Jazz” model was that “it has a significant rollover baffle and is a seriously versatile lead alto piece. It has a nice warm buzz and more focus than a Meyer. It’s a ton of fun to play and even through the range. It is reminiscent of the Kenny Garrett vibe……..”

Here’s another quote from Phil about the new Novella alto sax mouthpiece from his website:

The Novella is inspired by the Short Shank Soloists.  It sports a horseshoe chamber and a beautifully hand sculpted rollover baffle and and incredibly responsive facing.  The Novella was inspired by the music of Kenny Garrett.  The Novella Jazz is an excellent choice for the player who wants the zip and pop of a great jazz alto piece along with the added focus made possibly by this design.-Phil Engleman 

Phil-Tone Novella Alto Saxophone Mouthpiece

The Phil-Tone Novella alto saxophone mouthpiece I received to review is hard rubber.  The exterior of the mouthpiece is pretty plain looking.  There is no engraving on it except “Novella” hand engraved on on side of the body and “Phil-Tone” hand engraved on the other side.  Phil’s mouthpieces usually have more engraving on them to represent the brand and model so I am thinking this might just be a prototype mouthpiece of the Novella.  The mouthpiece is a .076 tip opening.

Phil-Tone Novella Alto Saxophone Mouthpiece

The tip rail is very close in shape to my Rigotti Gold reeds and the table and rails look even and well made.  The baffle has a nice rollover to it and then the baffle heads straight down into the back of the chamber area.  The sidewalls are straight.  The baffle looks like it narrows a bit as it heads into the chamber because the sidewalls look to angle in a bit.

The Novella alto mouthpiece has a classic horseshoe shaped chamber reminiscent of the classic Selmer Soloist alto saxophone mouthpieces.

Phil-Tone Novella Alto Saxophone Mouthpiece

When I first played the Phil-Tone Novella alto mouthpiece it was with a Rigotti Gold 3 Medium reed.  I ended up recording on that same reed.  I found it to have a bright focused sound that got a bit more of that classic Kenny Garrett tone when pushed. At a soft or medium volume it had a nice bright bebop sound to it.

The .076 tip opening felt a little small for me on this mouthpiece.  I think I would prefer the .081 tip opening as I am generally more comfortable with an .080 tip.  I think the slightly bigger tip would allow me to put more air through the piece and be able to push it farther into that Kenny Garrett sound.  At the .076 tip opening the Garrett sound is in there if you listen to the recording but I think it would be even stronger with a more open tip.

Phil-Tone Novella Alto Saxophone Mouthpiece

The Phil-Tone Novella alto saxophone mouthpiece played easily for me.  It was smooth and even throughout the range of my alto and the intonation was good.  I found the middle D#,E and F to be slightly more sharp than on other large chamber alto mouthpieces but I believe that is due to the smaller more focused chamber of the Novella. Although a little sharper, the intonation is still easy to  control once you are used to it.

At the beginning of the sound clip I start with a little bit of a Kenny Garrett tune I remember.  I can’t remember the name or what album it is from but I’m pretty sure it is Kenny Garrett.  The “Garrett” tone is very unique in my opinion.  To me it has a bright hollowness to the sound that I would describe as almost having a “nasal” quality to it.  I see these qualities as what makes the tone so unique and special as not many people have this type of tone.

Phil-Tone Novella Alto Saxophone Mouthpiece

If you like the clips below and the Novella mouthpiece interests you contact Phil Engleman via his website at Phil-tone.com.   Phil is very knowledgeable about sax mouthpieces and will answer any questions you might have about the Novella or any of his other mouthpiece models.  Thanks for letting me try the Novella Phil!

https://cdn.neffmusic.com/2017/Novella5.mp3

 

Phil-Tone Novella Alto Saxophone Mouthpiece- Rigotti Gold 3 Medium Reed

Disclosure: I did not receive any compensation or products at the time this review was written. I borrowed this mouthpiece from Phil who was kind enough to let me try it for the review. Regardless, I only review mouthpieces and other saxophone related products that I enjoy and believe will be a good choice for other saxophone players to try also.    Steve Neff

Filed Under: Alto Medium Baffle Reviews, Alto Mouthpiece Reviews, Mouthpiece Reviews Tagged With: Alto Saxophone, Kenny Garrett, Phil Engleman, Phil-tone, review, sax mouthpiece, Selmer soloist

Steve

About Steve

Steve Neff has been playing and teaching saxophone and jazz improvisation around the New England area for over 30 years. He is the author of many best selling jazz improvisation methods as well as founding the popular jazz video lesson site Neffmusic.com.

Reader Interactions

Comments

  1. AvatarSimon says

    November 1, 2017 at 10:25 am

    The song is “Happy people” sounds great!

    Reply
  2. AvatarRob Stone says

    November 4, 2017 at 7:15 pm

    That piece sounds great! Wish you’d recorded some more upper register and altissimo stuff on it.

    Reply
  3. AvatarNaoki says

    December 9, 2017 at 12:20 am

    Oh man, this sounds awesome! I like the focus and brilliance without being bright in a harsh way. How does this compare to a Mouthpiece Cafe Espresso, which is supposed to also supposed to be along the lines of the vintage Soloist?

    Reply
    • SteveSteve says

      December 13, 2017 at 12:43 pm

      Naoki, I don’t think I have played the Espresso that I can remember so I can’t speak on that. Steve

      Reply
  4. AvatarArya Boustani says

    March 19, 2018 at 12:36 am

    Hi Steve,
    Sorry to post here. Didn’t know where to reach you. Have you tried Gottsu Sepia Tone alto mouthpiece? It sounds really good in the demo I heard in the web. It also has very good reviews. http://www.gottsu-japan.com/home-english/mouthpiece-en/

    Reply
    • SteveSteve says

      March 19, 2018 at 11:54 am

      Arya, No, I haven’t tried those mouthpieces yet. Steve

      Reply
  5. AvatarArya Boustani says

    March 20, 2018 at 2:41 pm

    There is also Ted Klum model alto mouthpiece. It was posted to Facebook in October 2017 so it’s been out for a few months. Very affordable for students that are looking for upgrading. I just ordered one with 5 tip opening, because of what I read about the tone concept, it can handle different genres. Ideally I like to find a mouthpiece that I can stick to for now while I’m going through Royal Music Conservatory books which has some classic jazz and some classical content. If you have a chance to review one of these, I would be curious to know what you think. Thanks.

    Reply
  6. AvatarArya Boustani says

    March 20, 2018 at 2:43 pm

    This is the link: https://www.tedklum.com/product/ted-klum-model-alto

    Reply
  7. AvatarJulio says

    December 7, 2018 at 9:58 am

    Happy holidays

    I tried to contact Phil Engleman and He answered or at least some one in his name that he is living in Paris

    I though that he live in Oregon

    Do you know if he move outside of USA

    Reply
    • SteveSteve says

      December 8, 2018 at 11:26 am

      Julio, Yes, he moved overseas to somewhere in France I believe. Good news for all the Europeans!!

      Reply
  8. AvatarJamie J says

    April 3, 2022 at 7:08 am

    Hi Steve, I notice you did a review of the vintage soloist (alto) a few years before this one. Would you happen to remember how they compare?

    Reply
    • SteveSteve says

      April 3, 2022 at 3:58 pm

      No, sorry, I don’t have any recollection of how the two compare. You will have to listen to the sound clips to get an idea of the differences between the two. Steve

      Reply

Leave a Reply to Rob Stone Cancel reply

Your email address will not be published. Required fields are marked *

Primary Sidebar

Cart

Subscribe to the Neffmusic Newsletter for the latest reviews and best deals delivered straight to your inbox every month. Join now and you will also receive my 40 Ultimate Michael Brecker Licks free!

Select list(s) to subscribe to


Thanks for joining!


NEFFMUSIC PRINTED BOOKS

Testimonials

Never really had lessons before just kinda worked things out on my own. Was in a rut but your lessons are really helpful in opening melodic possibilities. Ur an awesome resource to the saxophone community. Thanks for sharing. 

Anthony
Your lessons on playing the blues is so clear . I have been through many books on blues playing and not one of them explains as clear as your lessons . Most of them say “Play the same blues scale over all three chords of a 12 bar blues ” Its very misleading .     Thanks
Martin
I have been a member of Neffmusic for more than a year now and have enjoyed every minute of it! I have not only been going thru the Dominant Bebop Scale lessons and book (OUTSTANDING!) but the mouthpiece reviews, solo clips and transcriptions are very interesting. Steve approach to beginning and intermediate improv have given me many new pathways to teach my high school jazz ensemble students. Congratulations Steve, great product!
Craig
By the way, BIG COMPLIMENTS to you, Steve! Not only are you a great player, you are also a great teacher! I, too, am a woodwinds player/teacher. I have new inspiration to play and teach because of you. The concepts and “thinking” is similar to what I already learned in College, but hearing you explain and PLAY the concepts REALLY MAKES THE DIFFERENCE! Also, your written patterns are more interesting than other books I have seen! Keep up the good work. I will be recommending your sit… Read more
I will be recommending your site to others!
Absolutely the best learning experience in my 40 years of playing.These books are awesome!!
Alfred LaBella
I just started looking at my lessons and I have to say, dude you are awesome.  I ABSOLUTELY will learn from you!  I started the tenor about 1 ½ yrs ago and have since picked up an alto, and more recently a soprano.  I spend most of the time on the tenor, followed by soprano, and have only gotten to the alto a few times.  I think I’ll be sticking with tenor.  I’m having a great time and hope one day to play well enough to get regular gigs.  I’ve been playing keys for about 35 years (… Read more
Wil
Just a brief note to compliment you on your teaching skills and in particular for the honesty of your lessons.  I am a returning alto sax player in my 50’s and I was looking for a no nonsense, straight to the point kind of guidance. I had intended to email you with a few questions regarding the use of the bis key but then I noticed that there was a lesson on that specific topic and after viewing it,  all my questions were answered. I once took a group lesson with a well known professional sax … Read more
Patrick
Your major diatonic patterns book is great. I”m studying the first twenty patterns (first twenty pages) each day with different articulation each day and slowly increasing the tempo each week or so.  There is a noticeable improvement in finger coordination across all keys and its amazing how much more secure I feel on the difficult keys when attempting to play pieces with 5+ flats/sharps. I’m able to sort out the fingerings for these pieces now much more quickly than before, often in one or two … Read more
Geoff
I am a music book junkie and I have to say that your books are the most clear, user friendly, and helpful books I own.  They are my absolute favorites and I only wish I had them years ago.  I wouldn’t change a thing about the experience I had in acquiring my degree at Berklee, but my playing has perhaps grown more in the time I’ve spent buried in your books and lessons.  Keep up the great work!!! Thanks, John
John
I would like to say that in the last year my sax playing has progressed loads from your lessons. I have had a sax for about 20 years and dabbled with lessons from a few teachers and have learnt very little from them. As you have said in your lessons many teachers tell you to use the blues scale and leave it there, not even showing you the resolution points!!. I am now believing I can in time become a good improviser.
Thanks again,
Shane
Shane

Hello Steve,

I have not received my alto yet but have already gone through 14 lessons. I love your approach, style, knowledge and competence. I now regret so much to have stayed away from playing the sax for the past 45-50 years…(I am 65).  But It is never too late to get back to your first love. After 23 years in compuer sciences and 22 years in finances…I am now back to music for the rest of my life.

Doing some research on the net, I found this:

http://forum.saxontheweb.net/showthread.php?1… Read more

Claude
I can’t say enough about my membership at Neff Music. Steve has taken the mystery out of playing the saxophone well and improvising both jazz and rock music. Like most struggling players I have a load of all sorts of books on my shelf just gathering dust. Books that I didn’t understand or know how to put to use…or just have the time to go threw them. Steve’s lessons really simplify things and he puts it in a way that I can understand. They inspire me to keep pushing and having him as my guide or… Read more
Ken
Hi Steve, I can’t express just how much I appreciate your teaching. My playing has improved so much over the past year since I have been studying and practicing with your lessons. It is possible to teach an old dog new tricks, these lessons are proof! Thanks, Michael Byington
Michael Byington

After reading your story I will never feel quite right about complaining about any of my MINOR health issues!!    God bless Steve and I really hope that your health doesn’t stop you from fulfilling your calling.    These books have been such a help to open up my jazz vocabulary…   Thanks so much for sharing your story and for providing these great teaching tools…   John Leclerc   Saxophonist / composer/ EWI player and professional working musician of 35 years….

John Leclerc

Love your lessons!  I have been using your lesson packages for many months now, and am learning a lot.  It is so perfect for me with a very busy adult schedule and difficulty in taking jazz/improv music lessons from reputable instructors who live and hour or more away from me.

Lenore
It is so refreshing to have a great player, who can provide lessons and examples in a manner which is understandable to most any enthusiastic saxophonist who is ready to improve. not just the, do this, do that, memorize this, memorize that… while all that is absolutely necessary, you go on to give reasons and examples to explain and validate why you have to do all of these things, the benefits, if you will… that is the key for me, you tell, explain, demonstrate, explain some more, you give perso… Read more
Cedric
Steve really changed my way of practicing: I got a whole lot of new ideas for my playing the tenor.  His lessons are really helpful, give a lot stuff to practice and give clear answers to complicated stuff.  Steve has a lot of humor and I wish I had laughed so much in my former days with the horn.  All topics, from Blues to Approach note are dealt with clearness that wet ones appetite to play and practice that great ideas.
Uwe
I just wanted to write a thank you note to you for this website. I play and teach saxophone, but I have always been intimidated by the gear aspect. Your website has helped me become a lot more knowledgable. Your knowledge is staggering! I’m telling all my students about your website. Pierre
Pierre
Thanks so much for putting all this great learning material out there. I don’t often have the time to take a lesson with a teacher, so the ability to download lessons is really invaluable. My playing has improved enormously (I think :)) – and the lessons are so varied there’s always something to be inspired by. Incredible value too!
Roger

Hello Steve,

I just want to say thank you so much for your unbelievable work, it is just mind opening, thanks for sharing it.

Wolfgang from Berlin

Wolfgang from Berlin

Steve,

I have played for many years and have enjoyed going “back to the basics” in some of your lessons!  You have such a gift for explaining concepts.  As I have gotten older, some of the basic things have gotten muddled because I just play, not knowing why.  As I refresh myself with “why”, it increases my confidence and expands my playing.  Thank you so much for using your gift!  You are a blessing!

Julia
I’ve been having ‘ online’  lessons with Steve for a few months now. Being a teacher myself I had had some reservations with the idea at first and the practicalities of it .  Let me just say that my playing has taken a huge leaps forward while studying with Steve and continues to do so.Steve studied with some renowned player/teachers such as Bergonzi and Garzone– this in itself is invaluable but Steve teaches from his own books, which cover a a vast amount of  jazz language. Steve h… Read more
David

I must say again how much I appreciate all your material. Including the video tutorials. It help keep me focused and knowing what to aim for. And your laid back teaching style appeals to me too. 

Thanks

P

P

I want to thank you for your “Ultimate II-V-I Primer”  which has sent me off on a much better path to improvisation.  The primer and the four bound books I have will keep me busy for a long time.  I like your lessons for two reasons.  The lessons work and THEY ARE FUN.  Thanks again.

Robert

Robert

Featured Video Lessons

  • Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book) Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book)
    Rated 5.00 out of 5
    $19.99 Original price was: $19.99.$14.99Current price is: $14.99.
  • The Secret to Modern Outside Jazz Lines Lesson-Minor The Secret to Modern Outside Jazz Lines Lesson-Minor $9.99
  • Creating Modern II-V-I Lines with Simple Pentatonics Lesson Creating Modern II-V-I Lines with Simple Pentatonics Lesson
    Rated 5.00 out of 5
    $9.99
  • The Best Embouchure for Tone, Intonation and Endurance Lesson The Best Embouchure for Tone, Intonation and Endurance Lesson
    Rated 4.91 out of 5
    $9.99
  • The Secret to Altissimo (no one has ever told you about before) Lesson The Secret to Altissimo (no one has ever told you about before) Lesson
    Rated 4.75 out of 5
    $9.99

Now over 600 video and audio lessons to choose from!

Free Lessons

  • Free Lesson on The New Ultimate II-V-I Primer-Major Keys
  • Free Video Lesson on Mastering Altered Pentatonics
  • Free Video Lesson on Mastering the Blues Scale Volume 1 & 2
  • Free Video Lesson on Mastering the Dominant Bebop Scale and Language Book 1 & 2
  • Free Video Lesson on Approach Note Velocity Book

Recent reviews

  • Bebop Scale-Altered Scale II-V-I Practice Lesson Bebop Scale-Altered Scale II-V-I Practice Lesson by Noah
  • Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book) Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book) by Andy
  • Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book) Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book)
    Rated 5 out of 5
    by Russ
  • Creating Modern II-V-I Lines with Simple Pentatonics Lesson Creating Modern II-V-I Lines with Simple Pentatonics Lesson
    Rated 5 out of 5
    by Timothy
  • The Best Embouchure for Tone, Intonation and Endurance Lesson The Best Embouchure for Tone, Intonation and Endurance Lesson
    Rated 5 out of 5
    by Ray Holland

Footer

Recent Comments

  • Theodore on Amazing Charlie Parker Recording of Cherokee
  • Giuseppe C. on Les Becs d’Autan Florida Tenor Saxophone Mouthpiece Review
  • Paul Fessenden on Otto Link LA Tenor Saxophone Mouthpiece Review
  • Steve on Theo Wanne Gaia 2 Soprano Saxophone Mouthpiece Review
  • Steve on Les Becs d’Autan Florida Tenor Saxophone Mouthpiece Review

Top rated products

  • Mastering the Major Bebop Scale & Sound (Digital PDF Book) Mastering the Major Bebop Scale & Sound (Digital PDF Book)
    Rated 5.00 out of 5
    $14.99
  • Tune of the Week-Softly as a Morning Sunrise Lesson Tune of the Week-Softly as a Morning Sunrise Lesson
    Rated 5.00 out of 5
    $9.99
  • The Style of Dexter Gordon-Lady Bird Lesson 1 The Style of Dexter Gordon-Lady Bird Lesson 1
    Rated 5.00 out of 5
    $9.99
  • Tune of the Week-Days of Wine and Roses Lesson Tune of the Week-Days of Wine and Roses Lesson
    Rated 5.00 out of 5
    $9.99
  • Tune of the Week-Invitation Tune of the Week-Invitation
    Rated 5.00 out of 5
    $9.99

Product tags

alto sax alto saxophone approach notes audio lesson bebop scale beginner beginner saxophone blues blues licks blues patterns blues scale blues scales diminished scale dominant chords ear training fundamentals II-V-I improvisation jazz improvisation jazz lines jazz patterns jazz sax jazz saxophone jazz standard jazz standards licks Mastering the Blues Scale Michael Brecker modern improv modern improvisation online lesson patterns playing outside practice habits reading music sax basics sax lessons saxophone scales smooth jazz steve neff tenor sax tenor saxophone video lesson video lessons
  • Instagram
  • Facebook
  • Twitter
  • SUPPORT

Neffmusic © 2005–2025