• Skip to main content
  • Skip to primary sidebar
  • Skip to footer

Website of Steve Neff

  • BLOG
  • SHOP
  • MY ACCOUNT
  • RAVES
  • CONTACT

Search Neffmusic

You are here: Home / Reviews / Mouthpiece Reviews / Soprano Mouthpiece Reviews / Comparison of the Theo Wanne Gaia and the Gaia 2 Soprano Sax Mouthpieces

Comparison of the Theo Wanne Gaia and the Gaia 2 Soprano Sax Mouthpieces

April 7, 2017 by Steve 21 Comments

I did a review a few weeks back of the new Theo Wanne Gaia 2 soprano sax mouthpiece and have had a few people ask if I could make a comparison between the original Gaia mouthpiece and the Gaia 2 soprano mouthpiece. I have been playing the original Gaia for about seven years now and it has been one of my favorite soprano mouthpiece for volume and ease of play (I have also been playing the Gerber LC soprano mouthpiece for when I want a sweeter and warmer sound on the soprano sax). That being said, the Gaia 2 has me questioning my loyalty to my original Gaia ……  So, this comparison is as much for me as it is for those of you that have asked me for it.

Theo Wanne Gaia Soprano Saxophone Mouthpiece

First up is the original Gaia soprano mouthpiece.  For the sake of this review and comparison I am calling it the Gaia 1.  My favorite reed on this mouthpiece has been a Vandoren Java 3 1/2 soprano reed.  I have been using those for years and have been pretty happy with them on the Gaia 1.

For this comparison, I am making two clips of each mouthpiece and playing similar ideas.  One clip is with a Vandoren 3 1/2 reed and the other is with a Vandoren 3 reed.  This comparison is a bit skewed because even though both mouthpieces are 7 tip openings, the Gaia 1 feels most comfortable with the 3 1/2 reed while the Gaia 2 feels most comfortable with the 3 sized reed.  I decided that even though the Gaia 1 feels too soft with the 3 reed and the Gaia 2 feels too hard with the 3 1/2, that I would include those sound clips in this comparison also so that you could hear how the differences in reed strength effect the sound on both mouthpieces.

In the past, I have recorded my soprano clips with the mic pointed straight at the bell but many times that can sound overly bright and edgy when recording soprano so this time I recorded with the bell of the sax off center and a couple of feet away from the mic.  I think the recording is much better.

Feel free to listen to the clips below and please let me know what you think in the comments.  I have my own thoughts and observations but would love to hear what others think.   Thanks,   Steve

Theo Wanne Gaia Soprano Saxophone Mouthpiece

https://cdn.neffmusic.com/2017/Gaia1Hard.mp3

Theo Wanne Gaia  Soprano Saxophone Mouthpiece -Java 3 1/2 Reed(preferred reed)

https://cdn.neffmusic.com/2017/Gaia1Soft.mp3

Theo Wanne Gaia  Soprano Saxophone Mouthpiece-Java 3 Reed (feels too soft)

Theo Wanne Gaia 2 Soprano Saxophone Mouthpiece

https://cdn.neffmusic.com/2017/Gaia2Hard.mp3

Theo Wanne Gaia 2 Soprano Saxophone Mouthpiece-Java 3 1/2 Reed (feels too hard)

https://cdn.neffmusic.com/2017/Gaia2Soft.mp3

Theo Wanne Gaia 2 Soprano Saxophone Mouthpiece-Java 3 Reed (preferred reed)

To be honest, I woke up this morning and was going to send the Gaia 2 back as I have been happy with the original Gaia for the last 7 years.  At the last minute,  I decided to record them side by side.  Although the original Gaia is easy to play and has loads of power,  many times I find it a bit edgy and bright in the upper register.  The Gaia 2 seems warmer and fatter sounding to me.  It gives up a bit of the power of the original Gaia but now that I listen to the clip it sound much more pleasant and warm to me.  At this point, I am leaning towards keeping the Gaia 2 and replacing my Gaia 1.   What do you think?

The main comparison to make is the Gaia 1 3 1/2 reed compared to the Gaia 2 3 reed.  Those are the clips I am most comfortable on with both mouthpieces.   Thanks,   Steve

Filed Under: Soprano Mouthpiece Reviews Tagged With: best mouthpiece, comparison, Gaia, Gaia 2, sax mouthpiece, soprano saxophone, Theo Wanne

Steve

About Steve

Steve Neff has been playing and teaching saxophone and jazz improvisation around the New England area for over 30 years. He is the author of many best selling jazz improvisation methods as well as founding the popular jazz video lesson site Neffmusic.com.

Reader Interactions

Comments

  1. AvatarMark Gomez says

    April 7, 2017 at 3:07 pm

    I agree with you Steve. The original is a little brighter compared to the Gaia2. I say keep the Gaia 2 and say goodbye to the original. More color with Gaia and that’s what I prefer. Great job with comparisons! 🙂

    Reply
  2. AvatarHeath Watts says

    April 7, 2017 at 3:37 pm

    Hi Steve,
    I like the way you sound on both of them, but I agree about the edginess in your sound on the Gaia vs. the Gaia2. I tried a Gaia2 for a few hours during the last couple of days, but decided to send it back. The Gaia2 has a nice sound and the same range as the Gaia1, but I did not like the darkness of the piece. Both are easy to play and respond very well; however, I prefer to have more overtone sounds than the Gaia2 was providing. They are both great mouthpieces, and because the Gaia1 is no longer made, I’d recommend the Gaia2 to anyone who has not bought a Gaia1 previously. You and I play different setups and different types of music, so that could cause a difference in our perception about mouthpieces’ response. I play a size 11 with a Hemke 2 reed. Thanks for your review and the comparisons.
    Heath

    Reply
    • SteveSteve says

      April 7, 2017 at 3:50 pm

      Heath, Holy Cow! A size 11!! Yeah, that is like a totally different mouthpiece than a 7. That’s huge! Thanks for your input………Steve

      Reply
  3. AvatarBirDz says

    April 7, 2017 at 6:29 pm

    Hi Steve,

    I am using Gaia 1 (and preferred the 1 over 2) mine is #8. It has more projection, focus and very free blowing for me. And both still in a concept of “Haunted” sound on soprano. Legere Signature #3 suit me the best on Gaia 1 size 8 too. However, I use the metal Durga for soprano #8 more recently.

    From my opinion, I preferred your sound on Gaia 1 over 2 too.

    Many thanks,
    BirDz

    Reply
  4. AvatarGerry Smith says

    April 7, 2017 at 7:32 pm

    From the recordings I definitely prefer the Gaia 2.

    Reply
  5. AvatarRob Payne says

    April 7, 2017 at 8:38 pm

    They both sound good to me. I agree the Gaia 1 is a bit brighter. For my own taste I like the sound of the Gaia 2 a bit more, it sounds a bit more pleasant to me but that’s just a matter of personal taste. I’ve got several soprano mouthpieces that I’m trying out. I have a classic Morgan which I’m working with now. It plays every bit as easy as the Gaia 2 I have and for a fraction of the price. I also have Missing Link which has a very sweet sound ala Zoot Sims. I also have Ted Klum which is similar to the Morgan. In fact I like them all and will probably keep them all. I’m spending a lot of time on each, been playing the Morgan for about three months now and will spend many months on each. I may never decide which is better, they all play great with a nice sound and good intonation. After dropping one of my favorite tenor mouthpieces and chipping the tip rail I’ve decided that having several really good mouthpieces is not a bad thing at all. An interesting and embarrassing aside is when I put new batteries in my chromatic tuner (I use it to spot check preferring to develop my ear in other ways) I forgot to reset it to A440 and all of a sudden when checking myself with it my intonation had gone all to hell and I couldn’t figure out why until I noticed my tuner wasn’t set to A440. Panic attack! Even my flute’s intonation had mysteriously gone out the window, WTF! No woodwind plays perfectly in tune, my middle E on the saxophone usually tends to be a little sharp which I compensate for. One thing I practice for intonation on the sax is I do major triads starting with D Major beginning on middle D with a medium volume and play up the arpeggio increasing my volume with the loudest on the upper D. I find by listening carefully with my eyes closed I can tell when I’m in tune or not. I do this exercise up to F Major. Trust your ear but make sure your tuner is set to A440! Once I get to the highest note of the triad I open my eyes and look at the tuner (with practice I find I’m almost always good with the intonation) just to check myself and internalize that pitch so that I don’t need the tuner. This has always served me well. I can tell you though that by not having the tuner set to A440 it sure threw a monkey wrench in my confidence. It was like all of a sudden I couldn’t play any more. At any rate why not keep both? They both sound great and you never know what can happen like dropping one and chipping it. You’ll be glad you have another great mpc on hand.

    Reply
    • SteveSteve says

      April 7, 2017 at 10:12 pm

      That’s funny Rob. I did that once but it only lasted about half an hour. I went to tune up with my tuner and was really flat. What the heck! I have never been that flat. I had to push in so far it was ridiculous. I was totally confused as I knew I was wicked sharp. Finally, I looked at the tuner and the number on it was 444. Somehow I had pushed the calibration button without knowing………..

      Reply
  6. AvatarGerry Smith says

    April 8, 2017 at 12:08 am

    I did that once in a sax quartet rehearsal – it was very embarrassing! It’s encouraging to hear you’ve done it too!

    Reply
  7. AvatarAad Overeem says

    April 10, 2017 at 5:33 pm

    Hey Steve, both mouthpieces sound very good, a very slight difference in overtones, to my ears the Gaia 2 sounds a little bit warmer. But I prefer your sound with the Gerber LC! (Sounds more like a Slant Sig Link HR to me) By the way what soprano did you play?
    Did you ever try a Buescher series II or a Martin Handcraft? To my ears IMHO the Martin has the most beautiful sound. Thanks for your great and interesting reviews. All the best, Aad Overeem

    Reply
  8. AvatarHeath Watts says

    November 4, 2017 at 3:17 pm

    Hi Steve,
    I had tried Gaia2 and I didn’t like it as well as I like my Gaia1. I recently bought a used
    Gaia2 for a good price and I do like it. Unlike your experience, I find that my Gaia2 requires a slightly harder reed than my Gaia1 does. They both have a good range, blow easily, and are comfortable to play. Thanks for your excellent reviews of the Gaia1 and Gaia2. I’m working with Joe Giardullo at Soprano Planet to get a Metropolitan. I think that it’s going to be an excellent mouthpiece. I’m also intrigued by their Gerber LC, based on your reviews. I’m going to need a storage facility for my soprano sax mouthpieces! I hope you’re doing well. Best, Heath

    Reply
  9. AvatarErgin YILMAZ says

    November 23, 2017 at 4:00 pm

    With these records, i would prefer Gaia 2

    Reply
  10. AvatarErgin YILMAZ says

    November 23, 2017 at 4:48 pm

    Which java reeds, red or green box?

    Reply
    • SteveSteve says

      November 23, 2017 at 5:35 pm

      Green Java reeds

      Reply
  11. Avatarsaxmanpete says

    March 7, 2018 at 8:16 am

    have you tried Rigotti Gold on the Gaia?

    Reply
    • SteveSteve says

      March 7, 2018 at 8:50 am

      Pete, I haven’t ever tried Rigotti Gold soprano reeds. I was thinking of ordering some. Have you tried them? If so, do you what size would be similar to Java 3 1/2 soprano reeds?

      Reply
  12. AvatarGiuseppe says

    November 11, 2018 at 12:41 pm

    If you prefer a little more bright mouthpiece best the Gaia; if you prefer a little dark mouthpiece, best the Gaia 2.

    Reply
  13. AvatarGiuseppe says

    November 11, 2018 at 12:46 pm

    Green java reeds Vandoren? I hate them, in my opinion, and in my mouthpiece, they sound as plastic! Instead, in my opinion, the Java red plays very well. There is written french cut but, in reality, the cut is very short.

    Reply
  14. AvatarGiuseppe says

    November 11, 2018 at 12:51 pm

    Steve, now I realise that my opinion on green or red Java refers to the tenor; the soprano I does not play it and, therefore, could have a different response!

    Reply
  15. AvatarPAT ZICARI says

    December 25, 2018 at 11:21 am

    Being as I like a rounder sound, the Gaia 2 is the better sound…
    And I like the sound on the 3 1/2 better than the 3… do they make a 3 1/4???
    I’m using a Legere European Cut Signature Clarinet reed on my custom Yanigasawa HR… and right now Beta Testing Silverstein’s Alta synthetic… LOVE it…
    Clarinet is only one for Beta right now but they told me are going to have Alto reeds at Anaheim NAMM… now all I need is access to a ticket… lol. The group I used to get them from is no more… 🙁

    Reply
    • SteveSteve says

      December 26, 2018 at 9:58 am

      Hi Pat, I was invited to go to NAMM last year. I have never been to it. I turned it down at the time just because I feel like my normal everyday life is a mini-NAMM everyday. You should see how many mouthpieces are on my desk! Haha! Steve

      Reply
  16. AvatarBrian says

    November 19, 2020 at 2:15 pm

    Hi Steve. Though you did this comparison in April of 2017, I just stumbled on it. I like the way you sound with the Gaia 2 a little better than with the original Gaia. The original Gaia seems to emphasize frequencies in the 800 hz to 1600 hz range. The Gaia 2 sounds more balanced to my ear. Not darker. Just better balanced. Thanks for posting your comparisons.

    Reply

Leave a Reply Cancel reply

Your email address will not be published. Required fields are marked *

Primary Sidebar

Cart

Subscribe to the Neffmusic Newsletter for the latest reviews and best deals delivered straight to your inbox every month. Join now and you will also receive my 40 Ultimate Michael Brecker Licks free!

Select list(s) to subscribe to


Thanks for joining!


NEFFMUSIC PRINTED BOOKS

Testimonials

I am a music book junkie and I have to say that your books are the most clear, user friendly, and helpful books I own.  They are my absolute favorites and I only wish I had them years ago.  I wouldn’t change a thing about the experience I had in acquiring my degree at Berklee, but my playing has perhaps grown more in the time I’ve spent buried in your books and lessons.  Keep up the great work!!! Thanks, John
John
I want to say something about Steve Neff’s series of lessons, Beginner Jazz Improvisation. For a couple of years I tried many beginner lessons and my problem was that there was a gap between lessons that were fairly simple and ones that I was not quite ready for and my progress stalled out. That problem was solved with the series Beginner Jazz Improvisation. He guides you step by step along the way and builds a foundation for learning jazz and blues. He leaves no question about what to practice … Read more
Pete
Thank you so much for the great job you are doing to help further our jazz studies. Though I make my living as a repairer of musical instruments I am a student of jazz and have been fortunate enough to be involved with a big band and a combo for the last several years. As my children began to leave “the nest” I had decided to dedicate the next half of my life to a more serious study of the sax but I didn’t know exactly how I would go about doing this until a friend of mine turned me onto your si… Read more
Jon
Two years later I began a search for a sax teacher and happened to come across Steve Neff when I was searching YouTube for sax teachers.  I went to neffmusic.com and was very impressed with the lessons Steve Neff was offering.  The concept of selecting lessons was an approach that I thought was unique and purchased a few lessons.  I liked the lessons so much that I signed-up for a 6 month package. I was very happy with all the lessons I selected.  I also purchased Steve’s book Mastering the B… Read more
Michael
I’ve been downloading your lessons for 4 months now (20 lesson) and I have noticed tremendous growth in my playing thus far! I’m so happy that I stumbled upon your site!
Bob
I’ve been a member of Steve’s site for about six months now and the difference it has made to my playing is immeasurable. The (many) benefits of this membership are that you can have lessons at time convenient to you, they work out A LOT cheaper than face-to-face lessons with a teacher of the same calibre and you can replay them ad infinitum. I don’t know how many times have I had lessons in the past where I’ve ended up covering the same concepts when really a ‘replay’ of the last lesson would h… Read more
Nick
Steve- I joined your site this month and have downloaded 4 lessons and also purchased your new book and video on diatonic patterns. I just want to say I am very pleased with your approach and teaching techniques. I am getting back into playing after laying off for some time. The information you offer on your site is of great value and I am enjoying being a member. Thank you for what you are doing for the saxophone community.
Tony

I am enjoying your style of teaching, and you’ve done a great job with the videos….good sound quality and well constructed lessons.  Balances the more guitaristic material found on the majority of guitar based programs.  Jazz vocab is what I’m all about at this point in the journey.  I especially dig the fact that you’ve studied with Bergonzi…helps me see his voluminous output in a more bite sized way.

Milton
I’ve been having ‘ online’  lessons with Steve for a few months now. Being a teacher myself I had had some reservations with the idea at first and the practicalities of it .  Let me just say that my playing has taken a huge leaps forward while studying with Steve and continues to do so.Steve studied with some renowned player/teachers such as Bergonzi and Garzone– this in itself is invaluable but Steve teaches from his own books, which cover a a vast amount of  jazz language. Steve h… Read more
David
I have found your videos and publications inspiring and your contribution to the world of saxophone playing is immense. Paul
Paul
I am enjoying your style of teaching, and you’ve done a great job with the videos….good sound quality and well constructed lessons.  Balances the more guitaristic material found on the majority of guitar based programs.  Jazz vocab is what I’m all about at this point in the journey.   I especially dig the fact that you’ve studied with Bergonzi…helps me see his voluminous output in a more  bite sized way.
Milton
Just wanted to send you a quick note to say thank you for being you, your playing, your website and your desire to help others. I’m a professional musician in the US Army and I’ve visited your website almost every day since discovering it a couple of months ago. Your lessons are profound and easy to use. I’ve purchased most of your PDF books and now am starting to delve more into the video and audio lessons.  Thank you for being a great resource!
James
I’m an experienced player in the pop/soul/funk areas of music and, previously, classical.  Over the decades I’ve been playing, I’ve always felt that I could do what I needed in those styles of music.  However, recently I began to feel limited by my use of the same old licks. When I discovered Steve Neff’s website, and heard the audio examples based on the exercises in his books, I realized they were what I needed.  I purchased all of them and have been working on them since.  It’s very hard work… Read more
Paul
Hi Steve, I can’t express just how much I appreciate your teaching. My playing has improved so much over the past year since I have been studying and practicing with your lessons. It is possible to teach an old dog new tricks, these lessons are proof! Thanks, Michael Byington
Michael Byington
I want to let you know that your instructional material is transforming my playing.  It is an immense pleasure to learn and play now, and I can’t tell you how grateful I am. The instructional material I got from you is by far the best of any I own (and I have over 100 books, DVDs, and what not). I literally can’t thank you enough! Deric
Deric
Your major diatonic patterns book is great. I”m studying the first twenty patterns (first twenty pages) each day with different articulation each day and slowly increasing the tempo each week or so.  There is a noticeable improvement in finger coordination across all keys and its amazing how much more secure I feel on the difficult keys when attempting to play pieces with 5+ flats/sharps. I’m able to sort out the fingerings for these pieces now much more quickly than before, often in one or two … Read more
Geoff
By the way, BIG COMPLIMENTS to you, Steve! Not only are you a great player, you are also a great teacher! I, too, am a woodwinds player/teacher. I have new inspiration to play and teach because of you. The concepts and “thinking” is similar to what I already learned in College, but hearing you explain and PLAY the concepts REALLY MAKES THE DIFFERENCE! Also, your written patterns are more interesting than other books I have seen! Keep up the good work. I will be recommending your sit… Read more
I will be recommending your site to others!

Thank You Steve. I think that I will be busy for years. Thank You for your great contribution to jazz music. Your books, more than teaching “how to play jazz”, actually teach “how to speak jazz”. I wish I found your methods years ago.  

Jean-Eric
I just started looking at my lessons and I have to say, dude you are awesome.  I ABSOLUTELY will learn from you!  I started the tenor about 1 ½ yrs ago and have since picked up an alto, and more recently a soprano.  I spend most of the time on the tenor, followed by soprano, and have only gotten to the alto a few times.  I think I’ll be sticking with tenor.  I’m having a great time and hope one day to play well enough to get regular gigs.  I’ve been playing keys for about 35 years (… Read more
Wil
For anyone living in remote areas away from live jazz sax teachers, Neff is the way to go. In fact this is a great resource for anyone seriously interested in mastering the sax. I’ve never been disappointed in a lesson.
Oliver
Hey Steve, I’m a 22-year-old from Australia. I thought it would be worth saying. You’re an absolute legend. I can’t thank you enough. You have helped me rekindle my love for the saxophone and music as a whole. All the best for the future, your work doesn’t go unnoticed. PS. I am loving your devastating minor lines pdf.
Sapph
Absolutely the best learning experience in my 40 years of playing.These books are awesome!!
Alfred LaBella
I can see from your instructional videos that you are a fantastic teacher – one that can truly relate to all ages – humble yet very positive in approach – never coming across as superior and yet so totally capable of demonstrating the principles and techniques that you seek to impart to the students. I have gained so much confidence in my playing from “pouring over” time and again these invaluable lessons. Invaluable not only in musical content, but also in human interaction content. I am absolu… Read more
Ron
I can’t say enough about my membership at Neff Music. Steve has taken the mystery out of playing the saxophone well and improvising both jazz and rock music. Like most struggling players I have a load of all sorts of books on my shelf just gathering dust. Books that I didn’t understand or know how to put to use…or just have the time to go threw them. Steve’s lessons really simplify things and he puts it in a way that I can understand. They inspire me to keep pushing and having him as my guide or… Read more
Ken

Featured Video Lessons

  • Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book) Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book)
    Rated 5.00 out of 5
    $19.99 Original price was: $19.99.$14.99Current price is: $14.99.
  • The Secret to Modern Outside Jazz Lines Lesson-Minor The Secret to Modern Outside Jazz Lines Lesson-Minor $9.99
  • Creating Modern II-V-I Lines with Simple Pentatonics Lesson Creating Modern II-V-I Lines with Simple Pentatonics Lesson
    Rated 5.00 out of 5
    $9.99
  • The Best Embouchure for Tone, Intonation and Endurance Lesson The Best Embouchure for Tone, Intonation and Endurance Lesson
    Rated 4.91 out of 5
    $9.99
  • The Secret to Altissimo (no one has ever told you about before) Lesson The Secret to Altissimo (no one has ever told you about before) Lesson
    Rated 4.75 out of 5
    $9.99

Now over 600 video and audio lessons to choose from!

Free Lessons

  • Free Lesson on The New Ultimate II-V-I Primer-Major Keys
  • Free Video Lesson on Mastering Altered Pentatonics
  • Free Video Lesson on Mastering the Blues Scale Volume 1 & 2
  • Free Video Lesson on Mastering the Dominant Bebop Scale and Language Book 1 & 2
  • Free Video Lesson on Approach Note Velocity Book

Recent reviews

  • Bebop Scale-Altered Scale II-V-I Practice Lesson Bebop Scale-Altered Scale II-V-I Practice Lesson by Noah
  • Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book) Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book) by Andy
  • Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book) Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book)
    Rated 5 out of 5
    by Russ
  • Creating Modern II-V-I Lines with Simple Pentatonics Lesson Creating Modern II-V-I Lines with Simple Pentatonics Lesson
    Rated 5 out of 5
    by Timothy
  • The Best Embouchure for Tone, Intonation and Endurance Lesson The Best Embouchure for Tone, Intonation and Endurance Lesson
    Rated 5 out of 5
    by Ray Holland

Footer

Recent Comments

  • Gerrit Schwab on Les Becs d’Autan Florida Tenor Saxophone Mouthpiece Review
  • Dan on A Blast from the Past-Chromazone by Mike Stern Cover
  • Simon Howard on Les Becs d’Autan Florida Tenor Saxophone Mouthpiece Review
  • Cash Farrar on Vigilante NYII Tenor Saxophone Mouthpiece
  • Manny on Claude Lakey 7*3 Original Tenor Saxophone Mouthpiece Review

Top rated products

  • Mastering the Major Bebop Scale & Sound (Digital PDF Book) Mastering the Major Bebop Scale & Sound (Digital PDF Book)
    Rated 5.00 out of 5
    $14.99
  • Tune of the Week-Softly as a Morning Sunrise Lesson Tune of the Week-Softly as a Morning Sunrise Lesson
    Rated 5.00 out of 5
    $9.99
  • The Style of Dexter Gordon-Lady Bird Lesson 1 The Style of Dexter Gordon-Lady Bird Lesson 1
    Rated 5.00 out of 5
    $9.99
  • Tune of the Week-Days of Wine and Roses Lesson Tune of the Week-Days of Wine and Roses Lesson
    Rated 5.00 out of 5
    $9.99
  • Tune of the Week-Invitation Tune of the Week-Invitation
    Rated 5.00 out of 5
    $9.99

Product tags

alto sax alto saxophone approach notes audio lesson bebop scale beginner beginner saxophone blues blues licks blues patterns blues scale blues scales diminished scale dominant chords ear training fundamentals II-V-I improvisation jazz improvisation jazz lines jazz patterns jazz sax jazz saxophone jazz standard jazz standards licks Mastering the Blues Scale Michael Brecker modern improv modern improvisation online lesson patterns playing outside practice habits reading music sax basics sax lessons saxophone scales smooth jazz steve neff tenor sax tenor saxophone video lesson video lessons
  • Instagram
  • Facebook
  • Twitter
  • SUPPORT

Neffmusic © 2005–2025