• Skip to main content
  • Skip to primary sidebar
  • Skip to footer

Website of Steve Neff

  • BLOG
  • SHOP
  • MY ACCOUNT
  • RAVES
  • CONTACT

Search Neffmusic

You are here: Home / Reviews / Mouthpiece Reviews / Soprano Mouthpiece Reviews / Comparison of the Theo Wanne Gaia and the Gaia 2 Soprano Sax Mouthpieces

Comparison of the Theo Wanne Gaia and the Gaia 2 Soprano Sax Mouthpieces

April 7, 2017 by Steve 21 Comments

I did a review a few weeks back of the new Theo Wanne Gaia 2 soprano sax mouthpiece and have had a few people ask if I could make a comparison between the original Gaia mouthpiece and the Gaia 2 soprano mouthpiece. I have been playing the original Gaia for about seven years now and it has been one of my favorite soprano mouthpiece for volume and ease of play (I have also been playing the Gerber LC soprano mouthpiece for when I want a sweeter and warmer sound on the soprano sax). That being said, the Gaia 2 has me questioning my loyalty to my original Gaia ……  So, this comparison is as much for me as it is for those of you that have asked me for it.

Theo Wanne Gaia Soprano Saxophone Mouthpiece

First up is the original Gaia soprano mouthpiece.  For the sake of this review and comparison I am calling it the Gaia 1.  My favorite reed on this mouthpiece has been a Vandoren Java 3 1/2 soprano reed.  I have been using those for years and have been pretty happy with them on the Gaia 1.

For this comparison, I am making two clips of each mouthpiece and playing similar ideas.  One clip is with a Vandoren 3 1/2 reed and the other is with a Vandoren 3 reed.  This comparison is a bit skewed because even though both mouthpieces are 7 tip openings, the Gaia 1 feels most comfortable with the 3 1/2 reed while the Gaia 2 feels most comfortable with the 3 sized reed.  I decided that even though the Gaia 1 feels too soft with the 3 reed and the Gaia 2 feels too hard with the 3 1/2, that I would include those sound clips in this comparison also so that you could hear how the differences in reed strength effect the sound on both mouthpieces.

In the past, I have recorded my soprano clips with the mic pointed straight at the bell but many times that can sound overly bright and edgy when recording soprano so this time I recorded with the bell of the sax off center and a couple of feet away from the mic.  I think the recording is much better.

Feel free to listen to the clips below and please let me know what you think in the comments.  I have my own thoughts and observations but would love to hear what others think.   Thanks,   Steve

Theo Wanne Gaia Soprano Saxophone Mouthpiece

https://cdn.neffmusic.com/2017/Gaia1Hard.mp3

Theo Wanne Gaia  Soprano Saxophone Mouthpiece -Java 3 1/2 Reed(preferred reed)

https://cdn.neffmusic.com/2017/Gaia1Soft.mp3

Theo Wanne Gaia  Soprano Saxophone Mouthpiece-Java 3 Reed (feels too soft)

Theo Wanne Gaia 2 Soprano Saxophone Mouthpiece

https://cdn.neffmusic.com/2017/Gaia2Hard.mp3

Theo Wanne Gaia 2 Soprano Saxophone Mouthpiece-Java 3 1/2 Reed (feels too hard)

https://cdn.neffmusic.com/2017/Gaia2Soft.mp3

Theo Wanne Gaia 2 Soprano Saxophone Mouthpiece-Java 3 Reed (preferred reed)

To be honest, I woke up this morning and was going to send the Gaia 2 back as I have been happy with the original Gaia for the last 7 years.  At the last minute,  I decided to record them side by side.  Although the original Gaia is easy to play and has loads of power,  many times I find it a bit edgy and bright in the upper register.  The Gaia 2 seems warmer and fatter sounding to me.  It gives up a bit of the power of the original Gaia but now that I listen to the clip it sound much more pleasant and warm to me.  At this point, I am leaning towards keeping the Gaia 2 and replacing my Gaia 1.   What do you think?

The main comparison to make is the Gaia 1 3 1/2 reed compared to the Gaia 2 3 reed.  Those are the clips I am most comfortable on with both mouthpieces.   Thanks,   Steve

Filed Under: Soprano Mouthpiece Reviews Tagged With: best mouthpiece, comparison, Gaia, Gaia 2, sax mouthpiece, soprano saxophone, Theo Wanne

Steve

About Steve

Steve Neff has been playing and teaching saxophone and jazz improvisation around the New England area for over 30 years. He is the author of many best selling jazz improvisation methods as well as founding the popular jazz video lesson site Neffmusic.com.

Reader Interactions

Comments

  1. AvatarMark Gomez says

    April 7, 2017 at 3:07 pm

    I agree with you Steve. The original is a little brighter compared to the Gaia2. I say keep the Gaia 2 and say goodbye to the original. More color with Gaia and that’s what I prefer. Great job with comparisons! 🙂

    Reply
  2. AvatarHeath Watts says

    April 7, 2017 at 3:37 pm

    Hi Steve,
    I like the way you sound on both of them, but I agree about the edginess in your sound on the Gaia vs. the Gaia2. I tried a Gaia2 for a few hours during the last couple of days, but decided to send it back. The Gaia2 has a nice sound and the same range as the Gaia1, but I did not like the darkness of the piece. Both are easy to play and respond very well; however, I prefer to have more overtone sounds than the Gaia2 was providing. They are both great mouthpieces, and because the Gaia1 is no longer made, I’d recommend the Gaia2 to anyone who has not bought a Gaia1 previously. You and I play different setups and different types of music, so that could cause a difference in our perception about mouthpieces’ response. I play a size 11 with a Hemke 2 reed. Thanks for your review and the comparisons.
    Heath

    Reply
    • SteveSteve says

      April 7, 2017 at 3:50 pm

      Heath, Holy Cow! A size 11!! Yeah, that is like a totally different mouthpiece than a 7. That’s huge! Thanks for your input………Steve

      Reply
  3. AvatarBirDz says

    April 7, 2017 at 6:29 pm

    Hi Steve,

    I am using Gaia 1 (and preferred the 1 over 2) mine is #8. It has more projection, focus and very free blowing for me. And both still in a concept of “Haunted” sound on soprano. Legere Signature #3 suit me the best on Gaia 1 size 8 too. However, I use the metal Durga for soprano #8 more recently.

    From my opinion, I preferred your sound on Gaia 1 over 2 too.

    Many thanks,
    BirDz

    Reply
  4. AvatarGerry Smith says

    April 7, 2017 at 7:32 pm

    From the recordings I definitely prefer the Gaia 2.

    Reply
  5. AvatarRob Payne says

    April 7, 2017 at 8:38 pm

    They both sound good to me. I agree the Gaia 1 is a bit brighter. For my own taste I like the sound of the Gaia 2 a bit more, it sounds a bit more pleasant to me but that’s just a matter of personal taste. I’ve got several soprano mouthpieces that I’m trying out. I have a classic Morgan which I’m working with now. It plays every bit as easy as the Gaia 2 I have and for a fraction of the price. I also have Missing Link which has a very sweet sound ala Zoot Sims. I also have Ted Klum which is similar to the Morgan. In fact I like them all and will probably keep them all. I’m spending a lot of time on each, been playing the Morgan for about three months now and will spend many months on each. I may never decide which is better, they all play great with a nice sound and good intonation. After dropping one of my favorite tenor mouthpieces and chipping the tip rail I’ve decided that having several really good mouthpieces is not a bad thing at all. An interesting and embarrassing aside is when I put new batteries in my chromatic tuner (I use it to spot check preferring to develop my ear in other ways) I forgot to reset it to A440 and all of a sudden when checking myself with it my intonation had gone all to hell and I couldn’t figure out why until I noticed my tuner wasn’t set to A440. Panic attack! Even my flute’s intonation had mysteriously gone out the window, WTF! No woodwind plays perfectly in tune, my middle E on the saxophone usually tends to be a little sharp which I compensate for. One thing I practice for intonation on the sax is I do major triads starting with D Major beginning on middle D with a medium volume and play up the arpeggio increasing my volume with the loudest on the upper D. I find by listening carefully with my eyes closed I can tell when I’m in tune or not. I do this exercise up to F Major. Trust your ear but make sure your tuner is set to A440! Once I get to the highest note of the triad I open my eyes and look at the tuner (with practice I find I’m almost always good with the intonation) just to check myself and internalize that pitch so that I don’t need the tuner. This has always served me well. I can tell you though that by not having the tuner set to A440 it sure threw a monkey wrench in my confidence. It was like all of a sudden I couldn’t play any more. At any rate why not keep both? They both sound great and you never know what can happen like dropping one and chipping it. You’ll be glad you have another great mpc on hand.

    Reply
    • SteveSteve says

      April 7, 2017 at 10:12 pm

      That’s funny Rob. I did that once but it only lasted about half an hour. I went to tune up with my tuner and was really flat. What the heck! I have never been that flat. I had to push in so far it was ridiculous. I was totally confused as I knew I was wicked sharp. Finally, I looked at the tuner and the number on it was 444. Somehow I had pushed the calibration button without knowing………..

      Reply
  6. AvatarGerry Smith says

    April 8, 2017 at 12:08 am

    I did that once in a sax quartet rehearsal – it was very embarrassing! It’s encouraging to hear you’ve done it too!

    Reply
  7. AvatarAad Overeem says

    April 10, 2017 at 5:33 pm

    Hey Steve, both mouthpieces sound very good, a very slight difference in overtones, to my ears the Gaia 2 sounds a little bit warmer. But I prefer your sound with the Gerber LC! (Sounds more like a Slant Sig Link HR to me) By the way what soprano did you play?
    Did you ever try a Buescher series II or a Martin Handcraft? To my ears IMHO the Martin has the most beautiful sound. Thanks for your great and interesting reviews. All the best, Aad Overeem

    Reply
  8. AvatarHeath Watts says

    November 4, 2017 at 3:17 pm

    Hi Steve,
    I had tried Gaia2 and I didn’t like it as well as I like my Gaia1. I recently bought a used
    Gaia2 for a good price and I do like it. Unlike your experience, I find that my Gaia2 requires a slightly harder reed than my Gaia1 does. They both have a good range, blow easily, and are comfortable to play. Thanks for your excellent reviews of the Gaia1 and Gaia2. I’m working with Joe Giardullo at Soprano Planet to get a Metropolitan. I think that it’s going to be an excellent mouthpiece. I’m also intrigued by their Gerber LC, based on your reviews. I’m going to need a storage facility for my soprano sax mouthpieces! I hope you’re doing well. Best, Heath

    Reply
  9. AvatarErgin YILMAZ says

    November 23, 2017 at 4:00 pm

    With these records, i would prefer Gaia 2

    Reply
  10. AvatarErgin YILMAZ says

    November 23, 2017 at 4:48 pm

    Which java reeds, red or green box?

    Reply
    • SteveSteve says

      November 23, 2017 at 5:35 pm

      Green Java reeds

      Reply
  11. Avatarsaxmanpete says

    March 7, 2018 at 8:16 am

    have you tried Rigotti Gold on the Gaia?

    Reply
    • SteveSteve says

      March 7, 2018 at 8:50 am

      Pete, I haven’t ever tried Rigotti Gold soprano reeds. I was thinking of ordering some. Have you tried them? If so, do you what size would be similar to Java 3 1/2 soprano reeds?

      Reply
  12. AvatarGiuseppe says

    November 11, 2018 at 12:41 pm

    If you prefer a little more bright mouthpiece best the Gaia; if you prefer a little dark mouthpiece, best the Gaia 2.

    Reply
  13. AvatarGiuseppe says

    November 11, 2018 at 12:46 pm

    Green java reeds Vandoren? I hate them, in my opinion, and in my mouthpiece, they sound as plastic! Instead, in my opinion, the Java red plays very well. There is written french cut but, in reality, the cut is very short.

    Reply
  14. AvatarGiuseppe says

    November 11, 2018 at 12:51 pm

    Steve, now I realise that my opinion on green or red Java refers to the tenor; the soprano I does not play it and, therefore, could have a different response!

    Reply
  15. AvatarPAT ZICARI says

    December 25, 2018 at 11:21 am

    Being as I like a rounder sound, the Gaia 2 is the better sound…
    And I like the sound on the 3 1/2 better than the 3… do they make a 3 1/4???
    I’m using a Legere European Cut Signature Clarinet reed on my custom Yanigasawa HR… and right now Beta Testing Silverstein’s Alta synthetic… LOVE it…
    Clarinet is only one for Beta right now but they told me are going to have Alto reeds at Anaheim NAMM… now all I need is access to a ticket… lol. The group I used to get them from is no more… 🙁

    Reply
    • SteveSteve says

      December 26, 2018 at 9:58 am

      Hi Pat, I was invited to go to NAMM last year. I have never been to it. I turned it down at the time just because I feel like my normal everyday life is a mini-NAMM everyday. You should see how many mouthpieces are on my desk! Haha! Steve

      Reply
  16. AvatarBrian says

    November 19, 2020 at 2:15 pm

    Hi Steve. Though you did this comparison in April of 2017, I just stumbled on it. I like the way you sound with the Gaia 2 a little better than with the original Gaia. The original Gaia seems to emphasize frequencies in the 800 hz to 1600 hz range. The Gaia 2 sounds more balanced to my ear. Not darker. Just better balanced. Thanks for posting your comparisons.

    Reply

Leave a Reply to Mark Gomez Cancel reply

Your email address will not be published. Required fields are marked *

Primary Sidebar

Cart

Subscribe to the Neffmusic Newsletter for the latest reviews and best deals delivered straight to your inbox every month. Join now and you will also receive my 40 Ultimate Michael Brecker Licks free!

Select list(s) to subscribe to


Thanks for joining!


NEFFMUSIC PRINTED BOOKS

Testimonials

Two years later I began a search for a sax teacher and happened to come across Steve Neff when I was searching YouTube for sax teachers.  I went to neffmusic.com and was very impressed with the lessons Steve Neff was offering.  The concept of selecting lessons was an approach that I thought was unique and purchased a few lessons.  I liked the lessons so much that I signed-up for a 6 month package. I was very happy with all the lessons I selected.  I also purchased Steve’s book Mastering the B… Read more
Michael

I must say again how much I appreciate all your material. Including the video tutorials. It help keep me focused and knowing what to aim for. And your laid back teaching style appeals to me too. 

Thanks

P

P

Hello Steve,

I have not received my alto yet but have already gone through 14 lessons. I love your approach, style, knowledge and competence. I now regret so much to have stayed away from playing the sax for the past 45-50 years…(I am 65).  But It is never too late to get back to your first love. After 23 years in compuer sciences and 22 years in finances…I am now back to music for the rest of my life.

Doing some research on the net, I found this:

http://forum.saxontheweb.net/showthread.php?1… Read more

Claude
Thank you so much for the great job you are doing to help further our jazz studies. Though I make my living as a repairer of musical instruments I am a student of jazz and have been fortunate enough to be involved with a big band and a combo for the last several years. As my children began to leave “the nest” I had decided to dedicate the next half of my life to a more serious study of the sax but I didn’t know exactly how I would go about doing this until a friend of mine turned me onto your si… Read more
Jon
I just joined Neff Music last month. I can’t tell you how excited I’ve been to be able to pick back up on lessons. I’ve been in a rut and you got me out! I’ve especially appreciated the Lesson Path section. It was so clear I knew exactly where to jump in and start. Many many thanks!
Karin
Your lessons on playing the blues is so clear . I have been through many books on blues playing and not one of them explains as clear as your lessons . Most of them say “Play the same blues scale over all three chords of a 12 bar blues ” Its very misleading .     Thanks
Martin
Thanks so much for putting all this great learning material out there. I don’t often have the time to take a lesson with a teacher, so the ability to download lessons is really invaluable. My playing has improved enormously (I think :)) – and the lessons are so varied there’s always something to be inspired by. Incredible value too!
Roger

Steve,

I have played for many years and have enjoyed going “back to the basics” in some of your lessons!  You have such a gift for explaining concepts.  As I have gotten older, some of the basic things have gotten muddled because I just play, not knowing why.  As I refresh myself with “why”, it increases my confidence and expands my playing.  Thank you so much for using your gift!  You are a blessing!

Julia
I just wanted to write a thank you note to you for this website. I play and teach saxophone, but I have always been intimidated by the gear aspect. Your website has helped me become a lot more knowledgable. Your knowledge is staggering! I’m telling all my students about your website. Pierre
Pierre
I want to let you know that your instructional material is transforming my playing.  It is an immense pleasure to learn and play now, and I can’t tell you how grateful I am. The instructional material I got from you is by far the best of any I own (and I have over 100 books, DVDs, and what not). I literally can’t thank you enough! Deric
Deric
I want to say something about Steve Neff’s series of lessons, Beginner Jazz Improvisation. For a couple of years I tried many beginner lessons and my problem was that there was a gap between lessons that were fairly simple and ones that I was not quite ready for and my progress stalled out. That problem was solved with the series Beginner Jazz Improvisation. He guides you step by step along the way and builds a foundation for learning jazz and blues. He leaves no question about what to practice … Read more
Pete

Hi Steve,

First, I want to thank you for all of your great lessons. They are like a “For Dummies” version of all the books on my shelf. The lessons break things down into manageable pieces, and give me the confidence that I’m practicing the right pieces. I’m starting to make progress.   Thank You,   Kim

Kim
I’ve been downloading your lessons for 4 months now (20 lesson) and I have noticed tremendous growth in my playing thus far! I’m so happy that I stumbled upon your site!
Bob
Hey Steve, My name is Jason Freese and I play keyboards and sax in the band Green Day.  I grew up taking sax lessons from Eric Marienthal when I was a kid and got out of it for a long time. I ran into you on youtube while searching for sax stuff. I bought a whole bunch of your lessons and have been loving it! Thanks! Here is my wikipedia so you can see the albums I’ve played on….Thanks again. It’s sparked my interest in practicing again.   Jason
Jason Freese (sax player for Green Day)
I’m an experienced player in the pop/soul/funk areas of music and, previously, classical.  Over the decades I’ve been playing, I’ve always felt that I could do what I needed in those styles of music.  However, recently I began to feel limited by my use of the same old licks. When I discovered Steve Neff’s website, and heard the audio examples based on the exercises in his books, I realized they were what I needed.  I purchased all of them and have been working on them since.  It’s very hard work… Read more
Paul
Hi Steve, I have been shedding your materials for quite a while now and I love them! They are extremely well organized and presented and there are tons of ’em! I really appreciate your methodical approach and find myself referring students to your resources often.  Thanks so much!  
Kenyon Carter
I’ve been a member of Steve’s site for about six months now and the difference it has made to my playing is immeasurable. The (many) benefits of this membership are that you can have lessons at time convenient to you, they work out A LOT cheaper than face-to-face lessons with a teacher of the same calibre and you can replay them ad infinitum. I don’t know how many times have I had lessons in the past where I’ve ended up covering the same concepts when really a ‘replay’ of the last lesson would h… Read more
Nick

Hello Steve, I’m getting so much out of your lessons and books, amazing how much one may think one knows, there is always a new frontier or new way to view something you think you had somewhat down. You have taken it all to a new level and am so grateful. Your lessons are so down to earth and understandable and clear!  Thanks so much Steve! Cheers, Eddie

Eddie Parente
Just to say thanks for your advice and lessons.  I’ve just read your amazing story.  I really appreciate what you do in regards to teaching.  I have bought a couple of your lessons and frankly they’re undersold.   I’ve learned much more with these two lessons than with 2 years of sax teachers.   Thanks so much………..
Mike
Hey Steve! I hope you and your family are well.  I’m just writing to say thank you so much for all the resources you have made available to the saxophone community. I have been using your material for many years and I always come back to it… in fact I just took a break from practicing to write this…( reviewing “CreatingModern II-V-I Lines with simple pentatonics”.) I am, and continue to be, one of your raving fans! Blessings to you and your family this holiday season! Wishing… Read more
Gerry Aylward
Thank you for the wealth of helpful lessons you’ve provided over the years.  I truly feel as though it has improved my playing more than the 4 years I spent at Berklee… and that’s not a slight on the school as I loved my experience there.
John
John

After reading your story I will never feel quite right about complaining about any of my MINOR health issues!!    God bless Steve and I really hope that your health doesn’t stop you from fulfilling your calling.    These books have been such a help to open up my jazz vocabulary…   Thanks so much for sharing your story and for providing these great teaching tools…   John Leclerc   Saxophonist / composer/ EWI player and professional working musician of 35 years….

John Leclerc
I have found your videos and publications inspiring and your contribution to the world of saxophone playing is immense. Paul
Paul
I like so many other subscribers feel so encouraged by Steve’s learning techniques; you will enjoy reading the comments of praise others have left as you too will feel that you share a common view and path. I feel very lucky to have come across Neffmusic and that feeling will remain with you as you search through a treasure trove of learning materials on offer, you will quickly find the lessons that you are suited to. You will instantly recognize the unparalleled quality of Steve’s teaching … Read more
Stephen

Featured Video Lessons

  • Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book) Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book)
    Rated 5.00 out of 5
    $19.99 Original price was: $19.99.$14.99Current price is: $14.99.
  • The Secret to Modern Outside Jazz Lines Lesson-Minor The Secret to Modern Outside Jazz Lines Lesson-Minor $9.99
  • Creating Modern II-V-I Lines with Simple Pentatonics Lesson Creating Modern II-V-I Lines with Simple Pentatonics Lesson
    Rated 5.00 out of 5
    $9.99
  • The Best Embouchure for Tone, Intonation and Endurance Lesson The Best Embouchure for Tone, Intonation and Endurance Lesson
    Rated 4.91 out of 5
    $9.99
  • The Secret to Altissimo (no one has ever told you about before) Lesson The Secret to Altissimo (no one has ever told you about before) Lesson
    Rated 4.75 out of 5
    $9.99

Now over 600 video and audio lessons to choose from!

Free Lessons

  • Free Lesson on The New Ultimate II-V-I Primer-Major Keys
  • Free Video Lesson on Mastering Altered Pentatonics
  • Free Video Lesson on Mastering the Blues Scale Volume 1 & 2
  • Free Video Lesson on Mastering the Dominant Bebop Scale and Language Book 1 & 2
  • Free Video Lesson on Approach Note Velocity Book

Recent reviews

  • Bebop Scale-Altered Scale II-V-I Practice Lesson Bebop Scale-Altered Scale II-V-I Practice Lesson by Noah
  • Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book) Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book) by Andy
  • Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book) Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book)
    Rated 5 out of 5
    by Russ
  • Creating Modern II-V-I Lines with Simple Pentatonics Lesson Creating Modern II-V-I Lines with Simple Pentatonics Lesson
    Rated 5 out of 5
    by Timothy
  • The Best Embouchure for Tone, Intonation and Endurance Lesson The Best Embouchure for Tone, Intonation and Endurance Lesson
    Rated 5 out of 5
    by Ray Holland

Footer

Recent Comments

  • Dino Govoni on Snake Oil for the Saxophone? The Buzz Oversized Neck Screw by Westcoast Sax
  • Mark White on Marc Jean Saxophone Ligature II Model 700 Review
  • Gerrit Schwab on Les Becs d’Autan Florida Tenor Saxophone Mouthpiece Review
  • Dan on A Blast from the Past-Chromazone by Mike Stern Cover
  • Simon Howard on Les Becs d’Autan Florida Tenor Saxophone Mouthpiece Review

Top rated products

  • Mastering the Major Bebop Scale & Sound (Digital PDF Book) Mastering the Major Bebop Scale & Sound (Digital PDF Book)
    Rated 5.00 out of 5
    $14.99
  • Tune of the Week-Softly as a Morning Sunrise Lesson Tune of the Week-Softly as a Morning Sunrise Lesson
    Rated 5.00 out of 5
    $9.99
  • The Style of Dexter Gordon-Lady Bird Lesson 1 The Style of Dexter Gordon-Lady Bird Lesson 1
    Rated 5.00 out of 5
    $9.99
  • Tune of the Week-Days of Wine and Roses Lesson Tune of the Week-Days of Wine and Roses Lesson
    Rated 5.00 out of 5
    $9.99
  • Tune of the Week-Invitation Tune of the Week-Invitation
    Rated 5.00 out of 5
    $9.99

Product tags

alto sax alto saxophone approach notes audio lesson bebop scale beginner beginner saxophone blues blues licks blues patterns blues scale blues scales diminished scale dominant chords ear training fundamentals II-V-I improvisation jazz improvisation jazz lines jazz patterns jazz sax jazz saxophone jazz standard jazz standards licks Mastering the Blues Scale Michael Brecker modern improv modern improvisation online lesson patterns playing outside practice habits reading music sax basics sax lessons saxophone scales smooth jazz steve neff tenor sax tenor saxophone video lesson video lessons
  • Instagram
  • Facebook
  • Twitter
  • SUPPORT

Neffmusic © 2005–2025