• Skip to main content
  • Skip to primary sidebar
  • Skip to footer

Website of Steve Neff

  • BLOG
  • SHOP
  • MY ACCOUNT
  • RAVES
  • CONTACT

Search Neffmusic

You are here: Home / Reviews / Mouthpiece Reviews / Mouthpiece Cafe House Blend II Tenor Saxophone Mouthpiece Review

Mouthpiece Cafe House Blend II Tenor Saxophone Mouthpiece Review

January 12, 2017 by Steve 3 Comments

Today, I am reviewing another saxophone mouthpiece made by Brian Powell and Erik Greiffenhagen over at Mouthpiece Cafe.  If you have visited my site before you probably know that I hold Brian and Erik in pretty high regard.  They have both done tons of sax mouthpiece refacing jobs for me over the years with great results.  I have reviewed and tried many examples of their mouthpieces over the years and they are always top notch.

Actually, when I am on Ebay looking for my next sax mouthpiece purchase, I always perk up when I see a Florida Link mouthpiece that was refaced by Brian Powell or Erik Greiffenhagen.   Many players are looking for original Florida Otto Links but after playing a few that I ended up having to have refaced myself, I now would rather just buy one that has already been checked over, optimized and plays great right out of the box………my point being, that I trust the work that these two guys do.

Mouthpiece Cafe House Blend II Tenor Saxophone Mouthpiece

This Mouthpiece Cafe House Blend II was sent to me by an adult Skype student that asked me if I wanted to try it out.  He sent me this House Blend II as well as a beautiful Rafael Navarro Silver Bebop Special that I hope to review soon also.

The House Blend II is a 7 tip opening which is a little small for me as I usually play a 7*-8 but this mouthpiece didn’t feel small at all for me. Actually, it feels like I am playing a 7*.   I actually wondered if maybe they forgot to put the star on the 7.  I ended up making two clips of this one. One with a Rigotti Gold 3 medium reed and the other with a Rigotti Gold 3 1/2 medium reed.

Usually if I am trying a mouthpiece out and more than one size reed works great on it then I will do a sound clip of each just to hear what they sound like and see which reed I like better.   It’s interesting because sometimes the reed I like playing more isn’t the one I like the sound clip of the best.

Mouthpiece Cafe House Blend II Tenor Saxophone Mouthpiece

The House Blend II tenor mouthpiece looks great as I would expect from Brian and Erik’s work. This is a used mouthpiece so you can see some marks on the table from use.  The tip, table, rails and baffle look smooth and even.  The inside side rails are scooped out as they lead into the chamber.  The baffle looks pretty high to my eyes. The baffle heads aways from the tip at an angle and then the curve increases as it heads down into the chamber at a steeper pitch.  I would say the House Blend II has a large chamber similar in size to a hard rubber Otto Link.

Mouthpiece Cafe House Blend II Tenor Saxophone Mouthpiece

Here’s a description of the House Blend model tenor saxophone mouthpiece from the Mouthpiece Cafe website:

This unique mouthpiece was modeled after Erik’s own hand-made creation. It is unlike any other on the market and is exclusively made by Mouthpiece Cafe. It features a large chamber with a longer baffle and we think the tone will absolutely blow your mind.

The House Blend is designed to have the perfect balance of brightness and edge while maintaining the rich, full body sound you desire. This piece is extremely versatile and is great for most venues including jazz, R&B,Blues and even Rock.  This is a player’s mouthpiece for sure!

HB vs HB2

HB-the design concept for the original House Blend was to make a mouthpiece that had the basic tonal characteristics of a Slant Signature Link but with more power and dynamic range. Easily played ppp to fff, lush subtone or full bore. Sort of like a Link on steroids.

The HB2 has an even longer more aggressive baffle than the original HB, that combines the best combination of a shelf style mouthpiece and a long roll over baffle. Still easily controllable and able to be played with a wide dynamic flexibility.

We are currently offer this in the following tip openings: 6*(.095), 7*(.105), 8(.110)

Mouthpiece Cafe House Blend II Tenor Saxophone Mouthpiece

I have attached two sound clip demonstrations of the House Blend II.  One is with a Rigotti Gold 3 Medium reed and then for kicks I added one with a harder reed, a Rigotti Gold 3 1/2 Medium reed. Both reeds played great with the House Blend II mouthpiece.

For me, the House Blend is truly a blend between a classic Otto Link type sound and a high baffle mouthpiece.  It’s one of those mouthpieces that straddles the line right in the middle.  Great for straight ahead playing but can get more kick and power for other genres of music when needed.

It was great for subtoning (I love the subtone at 1:32 of the 3 medium clip).  I also got almost a classical vibe to it (at 2:00 of the 3 medium clip where I go into my version of an improvised classical tune……..a little corny but I think it sounds good.)

The Rigotti Gold 3 1/2 Medium clip wasn’t as spread but I thought the tone sounded a bit more substantial and thick.  It sounded a bit darker in my opinion.

Overall, I loved the buttery smoothness of the House Blend II. It seems like a very versatile mouthpiece and is on my list of tenor mouthpieces to suggest to high school and college students that have to play in a variety of styles and genres.

Although I felt like I could get a respectable volume from the 7,  I would be interested in trying this mouthpiece out in a 7* or 8 just for kicks.  I love the focus and pure tone of the 7 but would like to see if the 7* or 8 would keep the same focus and purity while allowing more air for volume.  If I was playing in a loud band with electric instruments like many of us do I would opt for the slightly larger tip I think but that is just me.   This one has a beautiful and gorgeous sound in my opinion.

If you are interested in trying a Mouthpiece Cafe House Blend II out you can contact Brian and Erik through the Mouthpiece Cafe Website .  Tell him Steve sent you………….Great work guys!!

Let me know what you think in the comments below. Thanks, Steve

https://cdn.neffmusic.com/2017/HouseBlendII.mp3

Mouthpiece Cafe House Blend II Tenor Saxophone Mouthpiece-Rigotti Gold 3 Medium Reed

https://cdn.neffmusic.com/2017/HBIIRG3halfMed.mp3

Mouthpiece Cafe House Blend II Tenor Saxophone Mouthpiece-Rigotti Gold 3 1/2 Medium Reed

Disclosure: I have not received any compensation or products for writing this review. I am borrowing this mouthpiece from a fellow saxophone player who was kind enough to let me borrow it. Regardless, I only review mouthpieces and other saxophone related products that I enjoy and believe will be a good choice for other saxophone players to try also.    Steve Neff

Filed Under: Mouthpiece Reviews, Tenor Medium Baffle Reviews, Tenor Mouthpiece Reviews Tagged With: Brian Powell, Erik Greiffenhagen, House Blend II, mouthpiece Cafe, saxophone mouthpiece, tenor sax

Steve

About Steve

Steve Neff has been playing and teaching saxophone and jazz improvisation around the New England area for over 30 years. He is the author of many best selling jazz improvisation methods as well as founding the popular jazz video lesson site Neffmusic.com.

Reader Interactions

Comments

  1. AvatarFilippo says

    January 15, 2017 at 12:32 am

    Thank you Steve for another great review. I have been enjoying my Mouthpiece Cafe House Blend II for while. I am amazed by its response and range of power and colors it offers while remaining extremely flexible and easy to play.

    On your SBA, the way you play it, it sounds amazing. Thanks for inspiring us.

    Reply
  2. AvatarDave says

    January 16, 2017 at 10:50 am

    I have an original HB tenor and agree that the craftsmanship is top-notch. If I’m not mistaken, these pieces are not hard rubber, but a resin blend of some kind, which might explain the relatively low price for a boutique quality mouthpiece. This doesn’t seem to get mentioned much, if true. I find it on the bright side and louder than your “average” hard rubber Link.

    Reply
  3. AvatarNaoki says

    April 22, 2017 at 6:04 pm

    Steve, I’ve been so curious about this piece! I’m currently playing a Saxquest “The Core” on tenor and it’s a great mouthpiece, but sometimes I want a piece with some more focus and projection. I’ve been thinking about the HB II and/or the Okutsu Traditional II. I know they’re both great pieces but how would you describe the differences?

    Thanks for providing such a great resource for all of us!

    btw, I’m currently playing a Mouthpiece Guys NYC 7 on alto and love it!

    Reply

Leave a Reply to Dave Cancel reply

Your email address will not be published. Required fields are marked *

Primary Sidebar

Steve Neff

Cart

Subscribe to the Neffmusic Newsletter for the latest reviews and best deals delivered straight to your inbox every month. Join now and you will also receive my 40 Ultimate Michael Brecker Licks free!

Select list(s) to subscribe to


Thanks for joining!


NEFFMUSIC PRINTED BOOKS

Testimonials

After reading your story I will never feel quite right about complaining about any of my MINOR health issues!!    God bless Steve and I really hope that your health doesn’t stop you from fulfilling your calling.    These books have been such a help to open up my jazz vocabulary…   Thanks so much for sharing your story and for providing these great teaching tools…   John Leclerc   Saxophonist / composer/ EWI player and professional working musician of 35 years….

John Leclerc
I just started looking at my lessons and I have to say, dude you are awesome.  I ABSOLUTELY will learn from you!  I started the tenor about 1 ½ yrs ago and have since picked up an alto, and more recently a soprano.  I spend most of the time on the tenor, followed by soprano, and have only gotten to the alto a few times.  I think I’ll be sticking with tenor.  I’m having a great time and hope one day to play well enough to get regular gigs.  I’ve been playing keys for about 35 years (… Read more
Wil
By the way, BIG COMPLIMENTS to you, Steve! Not only are you a great player, you are also a great teacher! I, too, am a woodwinds player/teacher. I have new inspiration to play and teach because of you. The concepts and “thinking” is similar to what I already learned in College, but hearing you explain and PLAY the concepts REALLY MAKES THE DIFFERENCE! Also, your written patterns are more interesting than other books I have seen! Keep up the good work. I will be recommending your sit… Read more
I will be recommending your site to others!
I am a music book junkie and I have to say that your books are the most clear, user friendly, and helpful books I own.  They are my absolute favorites and I only wish I had them years ago.  I wouldn’t change a thing about the experience I had in acquiring my degree at Berklee, but my playing has perhaps grown more in the time I’ve spent buried in your books and lessons.  Keep up the great work!!! Thanks, John
John

Never really had lessons before just kinda worked things out on my own. Was in a rut but your lessons are really helpful in opening melodic possibilities. Ur an awesome resource to the saxophone community. Thanks for sharing. 

Anthony

I want to thank you for your “Ultimate II-V-I Primer”  which has sent me off on a much better path to improvisation.  The primer and the four bound books I have will keep me busy for a long time.  I like your lessons for two reasons.  The lessons work and THEY ARE FUN.  Thanks again.

Robert

Robert
I bought Steve’s dominant bebop book and took a couple of online lesson from him. I really appreciated Steve’s careful listening of what I wanted to get done in a lesson and his clear, concise ideas on next steps to improve my playing and musical interpretation.  His mastering  the Dominant Bebop Scale has lots of exercises to use a scale that addresses the largest percentage of chords I come across in pop/blues music. The dominant V7.  Needless say it has improved my playing.  I teach and a… Read more
Keith
Just wanted to send you a quick note to say thank you for being you, your playing, your website and your desire to help others. I’m a professional musician in the US Army and I’ve visited your website almost every day since discovering it a couple of months ago. Your lessons are profound and easy to use. I’ve purchased most of your PDF books and now am starting to delve more into the video and audio lessons.  Thank you for being a great resource!
James

Mr. Neff,  I want to thank you for sharing your God-given talents through your on-line lessons.  My husband, Michael, is blind, but he is a great sax player and he has been enjoying your lessons for quite some time now.  It’s not unusual for me to hear “Hey, babe, listen to THIS!” – and he will cut loose on his sax, just thrilled at what he learned during his session with you.  His excitement warms my heart!  You have no idea how much you have poured into my husband.  You have opened musical … Read more

Carole B
I would like to say that in the last year my sax playing has progressed loads from your lessons. I have had a sax for about 20 years and dabbled with lessons from a few teachers and have learnt very little from them. As you have said in your lessons many teachers tell you to use the blues scale and leave it there, not even showing you the resolution points!!. I am now believing I can in time become a good improviser.
Thanks again,
Shane
Shane
I can see from your instructional videos that you are a fantastic teacher – one that can truly relate to all ages – humble yet very positive in approach – never coming across as superior and yet so totally capable of demonstrating the principles and techniques that you seek to impart to the students. I have gained so much confidence in my playing from “pouring over” time and again these invaluable lessons. Invaluable not only in musical content, but also in human interaction content. I am absolu… Read more
Ron
Hey Steve, I’m a 22-year-old from Australia. I thought it would be worth saying. You’re an absolute legend. I can’t thank you enough. You have helped me rekindle my love for the saxophone and music as a whole. All the best for the future, your work doesn’t go unnoticed. PS. I am loving your devastating minor lines pdf.
Sapph
I have found your videos and publications inspiring and your contribution to the world of saxophone playing is immense. Paul
Paul
Thank you for the wealth of helpful lessons you’ve provided over the years.  I truly feel as though it has improved my playing more than the 4 years I spent at Berklee… and that’s not a slight on the school as I loved my experience there.
John
John
Steve really changed my way of practicing: I got a whole lot of new ideas for my playing the tenor.  His lessons are really helpful, give a lot stuff to practice and give clear answers to complicated stuff.  Steve has a lot of humor and I wish I had laughed so much in my former days with the horn.  All topics, from Blues to Approach note are dealt with clearness that wet ones appetite to play and practice that great ideas.
Uwe

Steve, just a note to say thanks.

I’ve been playing a long time, but your material, laid out in such a thoughtful way, helps me to understand concepts in a new and deeper way.

You are a true gift to the jazz community.

60 lessons and going strong,

Kevin Ledbetter

Kevin Ledbetter
Hi Steve, I live in a gorgeous but rural area of Oregon-no music store within 80 miles. Your lessons are my lifeline!  Truly the best there are anywhere online. Love your playing. Love your teaching.  Thanks again. Ed
Ed Woodmansee
I just wanted to write a thank you note to you for this website. I play and teach saxophone, but I have always been intimidated by the gear aspect. Your website has helped me become a lot more knowledgable. Your knowledge is staggering! I’m telling all my students about your website. Pierre
Pierre
Steve- I joined your site this month and have downloaded 4 lessons and also purchased your new book and video on diatonic patterns. I just want to say I am very pleased with your approach and teaching techniques. I am getting back into playing after laying off for some time. The information you offer on your site is of great value and I am enjoying being a member. Thank you for what you are doing for the saxophone community.
Tony

Steve,  Just want to say thanks for all you are doing for all of us. I’ve learned more from you than anyone else in my 40 years of playing.

If you can give some tips on One Note Samba, Ceora, and Wave… that would be cool.  I really like learning how you apply your concepts to actual songs!

Have a great year,

Kevin Ledbetter

I've learned more from you than anyone else in my 40 years of playing.

Hi Steve,

First, I want to thank you for all of your great lessons. They are like a “For Dummies” version of all the books on my shelf. The lessons break things down into manageable pieces, and give me the confidence that I’m practicing the right pieces. I’m starting to make progress.   Thank You,   Kim

Kim
I’ve been a member of Steve’s site for about six months now and the difference it has made to my playing is immeasurable. The (many) benefits of this membership are that you can have lessons at time convenient to you, they work out A LOT cheaper than face-to-face lessons with a teacher of the same calibre and you can replay them ad infinitum. I don’t know how many times have I had lessons in the past where I’ve ended up covering the same concepts when really a ‘replay’ of the last lesson would h… Read more
Nick
I just joined Neff Music last month. I can’t tell you how excited I’ve been to be able to pick back up on lessons. I’ve been in a rut and you got me out! I’ve especially appreciated the Lesson Path section. It was so clear I knew exactly where to jump in and start. Many many thanks!
Karin
It is so refreshing to have a great player, who can provide lessons and examples in a manner which is understandable to most any enthusiastic saxophonist who is ready to improve. not just the, do this, do that, memorize this, memorize that… while all that is absolutely necessary, you go on to give reasons and examples to explain and validate why you have to do all of these things, the benefits, if you will… that is the key for me, you tell, explain, demonstrate, explain some more, you give perso… Read more
Cedric

Featured Video Lessons

  • Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book) Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book)
    Rated 5.00 out of 5
    $19.99 Original price was: $19.99.$14.99Current price is: $14.99.
  • The Secret to Modern Outside Jazz Lines Lesson-Minor The Secret to Modern Outside Jazz Lines Lesson-Minor $9.99
  • Creating Modern II-V-I Lines with Simple Pentatonics Lesson Creating Modern II-V-I Lines with Simple Pentatonics Lesson
    Rated 5.00 out of 5
    $9.99
  • The Best Embouchure for Tone, Intonation and Endurance Lesson The Best Embouchure for Tone, Intonation and Endurance Lesson
    Rated 4.91 out of 5
    $9.99
  • The Secret to Altissimo (no one has ever told you about before) Lesson The Secret to Altissimo (no one has ever told you about before) Lesson
    Rated 4.75 out of 5
    $9.99

Now over 600 video and audio lessons to choose from!

Free Lessons

  • Free Lesson on The New Ultimate II-V-I Primer-Major Keys
  • Free Video Lesson on Mastering Altered Pentatonics
  • Free Video Lesson on Mastering the Blues Scale Volume 1 & 2
  • Free Video Lesson on Mastering the Dominant Bebop Scale and Language Book 1 & 2
  • Free Video Lesson on Approach Note Velocity Book

Recent reviews

  • Practicing Double-Time Licks Lesson Practicing Double-Time Licks Lesson
    Rated 5 out of 5
    by Az Samad
  • Bebop Scale-Altered Scale II-V-I Practice Lesson Bebop Scale-Altered Scale II-V-I Practice Lesson by Noah
  • Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book) Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book) by Andy
  • Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book) Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book)
    Rated 5 out of 5
    by Russ
  • Creating Modern II-V-I Lines with Simple Pentatonics Lesson Creating Modern II-V-I Lines with Simple Pentatonics Lesson
    Rated 5 out of 5
    by Timothy

Footer

Recent Comments

  • Alejandro on Theo Wanne Durga 5 Gold Tenor Saxophone Mouthpiece Review
  • Pablo on Theo Wanne Brahma Gold Tenor Saxophone Mouthpiece Review
  • Andrew Bowie on Theo Wanne Brahma Gold Tenor Saxophone Mouthpiece Review
  • Mitch Paliga on Theo Wanne Brahma Gold Tenor Saxophone Mouthpiece Review
  • Steve on Theo Wanne Brahma Gold Tenor Saxophone Mouthpiece Review

Top rated products

  • Mastering the Major Bebop Scale & Sound (Digital PDF Book) Mastering the Major Bebop Scale & Sound (Digital PDF Book)
    Rated 5.00 out of 5
    $14.99
  • Tune of the Week-Softly as a Morning Sunrise Lesson Tune of the Week-Softly as a Morning Sunrise Lesson
    Rated 5.00 out of 5
    $9.99
  • The Style of Dexter Gordon-Lady Bird Lesson 1 The Style of Dexter Gordon-Lady Bird Lesson 1
    Rated 5.00 out of 5
    $9.99
  • Tune of the Week-Days of Wine and Roses Lesson Tune of the Week-Days of Wine and Roses Lesson
    Rated 5.00 out of 5
    $9.99
  • Tune of the Week-Invitation Tune of the Week-Invitation
    Rated 5.00 out of 5
    $9.99

Product tags

alto sax alto saxophone approach notes audio lesson bebop scale beginner beginner saxophone blues blues licks blues patterns blues scale blues scales diminished scale dominant chords ear training fundamentals II-V-I improvisation jazz improvisation jazz lines jazz patterns jazz sax jazz saxophone jazz standard jazz standards licks Mastering the Blues Scale Michael Brecker modern improv modern improvisation online lesson patterns playing outside practice habits reading music sax basics sax lessons saxophone scales smooth jazz steve neff tenor sax tenor saxophone video lesson video lessons
  • Instagram
  • Facebook
  • Twitter
  • SUPPORT

Neffmusic © 2005–2025