• Skip to main content
  • Skip to primary sidebar
  • Skip to footer

Website of Steve Neff

  • BLOG
  • SHOP
  • MY ACCOUNT
  • RAVES
  • CONTACT

Search Neffmusic

You are here: Home / Reviews / Mouthpiece Reviews / Mouthpiece Cafe House Blend II Tenor Saxophone Mouthpiece Review

Mouthpiece Cafe House Blend II Tenor Saxophone Mouthpiece Review

January 12, 2017 by Steve 3 Comments

Today, I am reviewing another saxophone mouthpiece made by Brian Powell and Erik Greiffenhagen over at Mouthpiece Cafe.  If you have visited my site before you probably know that I hold Brian and Erik in pretty high regard.  They have both done tons of sax mouthpiece refacing jobs for me over the years with great results.  I have reviewed and tried many examples of their mouthpieces over the years and they are always top notch.

Actually, when I am on Ebay looking for my next sax mouthpiece purchase, I always perk up when I see a Florida Link mouthpiece that was refaced by Brian Powell or Erik Greiffenhagen.   Many players are looking for original Florida Otto Links but after playing a few that I ended up having to have refaced myself, I now would rather just buy one that has already been checked over, optimized and plays great right out of the box………my point being, that I trust the work that these two guys do.

Mouthpiece Cafe House Blend II Tenor Saxophone Mouthpiece

This Mouthpiece Cafe House Blend II was sent to me by an adult Skype student that asked me if I wanted to try it out.  He sent me this House Blend II as well as a beautiful Rafael Navarro Silver Bebop Special that I hope to review soon also.

The House Blend II is a 7 tip opening which is a little small for me as I usually play a 7*-8 but this mouthpiece didn’t feel small at all for me. Actually, it feels like I am playing a 7*.   I actually wondered if maybe they forgot to put the star on the 7.  I ended up making two clips of this one. One with a Rigotti Gold 3 medium reed and the other with a Rigotti Gold 3 1/2 medium reed.

Usually if I am trying a mouthpiece out and more than one size reed works great on it then I will do a sound clip of each just to hear what they sound like and see which reed I like better.   It’s interesting because sometimes the reed I like playing more isn’t the one I like the sound clip of the best.

Mouthpiece Cafe House Blend II Tenor Saxophone Mouthpiece

The House Blend II tenor mouthpiece looks great as I would expect from Brian and Erik’s work. This is a used mouthpiece so you can see some marks on the table from use.  The tip, table, rails and baffle look smooth and even.  The inside side rails are scooped out as they lead into the chamber.  The baffle looks pretty high to my eyes. The baffle heads aways from the tip at an angle and then the curve increases as it heads down into the chamber at a steeper pitch.  I would say the House Blend II has a large chamber similar in size to a hard rubber Otto Link.

Mouthpiece Cafe House Blend II Tenor Saxophone Mouthpiece

Here’s a description of the House Blend model tenor saxophone mouthpiece from the Mouthpiece Cafe website:

This unique mouthpiece was modeled after Erik’s own hand-made creation. It is unlike any other on the market and is exclusively made by Mouthpiece Cafe. It features a large chamber with a longer baffle and we think the tone will absolutely blow your mind.

The House Blend is designed to have the perfect balance of brightness and edge while maintaining the rich, full body sound you desire. This piece is extremely versatile and is great for most venues including jazz, R&B,Blues and even Rock.  This is a player’s mouthpiece for sure!

HB vs HB2

HB-the design concept for the original House Blend was to make a mouthpiece that had the basic tonal characteristics of a Slant Signature Link but with more power and dynamic range. Easily played ppp to fff, lush subtone or full bore. Sort of like a Link on steroids.

The HB2 has an even longer more aggressive baffle than the original HB, that combines the best combination of a shelf style mouthpiece and a long roll over baffle. Still easily controllable and able to be played with a wide dynamic flexibility.

We are currently offer this in the following tip openings: 6*(.095), 7*(.105), 8(.110)

Mouthpiece Cafe House Blend II Tenor Saxophone Mouthpiece

I have attached two sound clip demonstrations of the House Blend II.  One is with a Rigotti Gold 3 Medium reed and then for kicks I added one with a harder reed, a Rigotti Gold 3 1/2 Medium reed. Both reeds played great with the House Blend II mouthpiece.

For me, the House Blend is truly a blend between a classic Otto Link type sound and a high baffle mouthpiece.  It’s one of those mouthpieces that straddles the line right in the middle.  Great for straight ahead playing but can get more kick and power for other genres of music when needed.

It was great for subtoning (I love the subtone at 1:32 of the 3 medium clip).  I also got almost a classical vibe to it (at 2:00 of the 3 medium clip where I go into my version of an improvised classical tune……..a little corny but I think it sounds good.)

The Rigotti Gold 3 1/2 Medium clip wasn’t as spread but I thought the tone sounded a bit more substantial and thick.  It sounded a bit darker in my opinion.

Overall, I loved the buttery smoothness of the House Blend II. It seems like a very versatile mouthpiece and is on my list of tenor mouthpieces to suggest to high school and college students that have to play in a variety of styles and genres.

Although I felt like I could get a respectable volume from the 7,  I would be interested in trying this mouthpiece out in a 7* or 8 just for kicks.  I love the focus and pure tone of the 7 but would like to see if the 7* or 8 would keep the same focus and purity while allowing more air for volume.  If I was playing in a loud band with electric instruments like many of us do I would opt for the slightly larger tip I think but that is just me.   This one has a beautiful and gorgeous sound in my opinion.

If you are interested in trying a Mouthpiece Cafe House Blend II out you can contact Brian and Erik through the Mouthpiece Cafe Website .  Tell him Steve sent you………….Great work guys!!

Let me know what you think in the comments below. Thanks, Steve

https://cdn.neffmusic.com/2017/HouseBlendII.mp3

Mouthpiece Cafe House Blend II Tenor Saxophone Mouthpiece-Rigotti Gold 3 Medium Reed

https://cdn.neffmusic.com/2017/HBIIRG3halfMed.mp3

Mouthpiece Cafe House Blend II Tenor Saxophone Mouthpiece-Rigotti Gold 3 1/2 Medium Reed

Disclosure: I have not received any compensation or products for writing this review. I am borrowing this mouthpiece from a fellow saxophone player who was kind enough to let me borrow it. Regardless, I only review mouthpieces and other saxophone related products that I enjoy and believe will be a good choice for other saxophone players to try also.    Steve Neff

Filed Under: Mouthpiece Reviews, Tenor Medium Baffle Reviews, Tenor Mouthpiece Reviews Tagged With: Brian Powell, Erik Greiffenhagen, House Blend II, mouthpiece Cafe, saxophone mouthpiece, tenor sax

Steve

About Steve

Steve Neff has been playing and teaching saxophone and jazz improvisation around the New England area for over 30 years. He is the author of many best selling jazz improvisation methods as well as founding the popular jazz video lesson site Neffmusic.com.

Reader Interactions

Comments

  1. AvatarFilippo says

    January 15, 2017 at 12:32 am

    Thank you Steve for another great review. I have been enjoying my Mouthpiece Cafe House Blend II for while. I am amazed by its response and range of power and colors it offers while remaining extremely flexible and easy to play.

    On your SBA, the way you play it, it sounds amazing. Thanks for inspiring us.

    Reply
  2. AvatarDave says

    January 16, 2017 at 10:50 am

    I have an original HB tenor and agree that the craftsmanship is top-notch. If I’m not mistaken, these pieces are not hard rubber, but a resin blend of some kind, which might explain the relatively low price for a boutique quality mouthpiece. This doesn’t seem to get mentioned much, if true. I find it on the bright side and louder than your “average” hard rubber Link.

    Reply
  3. AvatarNaoki says

    April 22, 2017 at 6:04 pm

    Steve, I’ve been so curious about this piece! I’m currently playing a Saxquest “The Core” on tenor and it’s a great mouthpiece, but sometimes I want a piece with some more focus and projection. I’ve been thinking about the HB II and/or the Okutsu Traditional II. I know they’re both great pieces but how would you describe the differences?

    Thanks for providing such a great resource for all of us!

    btw, I’m currently playing a Mouthpiece Guys NYC 7 on alto and love it!

    Reply

Leave a Reply Cancel reply

Your email address will not be published. Required fields are marked *

Primary Sidebar

Steve Neff has been playing and teaching saxophone and jazz improvisation around the New England area for over 35 years. He is the author of many best selling jazz improvisation methods, numerous saxophone related reviews, as well as founding the popular jazz video lesson site Neffmusic.com.

Cart

Subscribe to the Neffmusic Newsletter for the latest reviews and best deals delivered straight to your inbox every month. Join now and you will also receive my 40 Ultimate Michael Brecker Licks free!

Select list(s) to subscribe to


Thanks for joining!


NEFFMUSIC PRINTED BOOKS

Testimonials

I just started looking at my lessons and I have to say, dude you are awesome.  I ABSOLUTELY will learn from you!  I started the tenor about 1 ½ yrs ago and have since picked up an alto, and more recently a soprano.  I spend most of the time on the tenor, followed by soprano, and have only gotten to the alto a few times.  I think I’ll be sticking with tenor.  I’m having a great time and hope one day to play well enough to get regular gigs.  I’ve been playing keys for about 35 years (… Read more
Wil

Mr. Neff,  I want to thank you for sharing your God-given talents through your on-line lessons.  My husband, Michael, is blind, but he is a great sax player and he has been enjoying your lessons for quite some time now.  It’s not unusual for me to hear “Hey, babe, listen to THIS!” – and he will cut loose on his sax, just thrilled at what he learned during his session with you.  His excitement warms my heart!  You have no idea how much you have poured into my husband.  You have opened musical … Read more

Carole B
Your major diatonic patterns book is great. I”m studying the first twenty patterns (first twenty pages) each day with different articulation each day and slowly increasing the tempo each week or so.  There is a noticeable improvement in finger coordination across all keys and its amazing how much more secure I feel on the difficult keys when attempting to play pieces with 5+ flats/sharps. I’m able to sort out the fingerings for these pieces now much more quickly than before, often in one or two … Read more
Geoff
Hi Steve, I live in a gorgeous but rural area of Oregon-no music store within 80 miles. Your lessons are my lifeline!  Truly the best there are anywhere online. Love your playing. Love your teaching.  Thanks again. Ed
Ed Woodmansee
First, I’m really excited about your materials! This site is a vast resource for any aspiring (and maybe already inspired) jazz musicians. I’m not a sax player, I play mandolin and fiddle, but have been learning jazz and playing weekly with a quintet for the past 6 months and have been struggling with all of the issues you get into in your lessons. I bought several books and lessons and plan to continue with some others as soon as I organize my practice routine. Thanks again for a great site … Read more
Tony Galfano
Absolutely the best learning experience in my 40 years of playing.These books are awesome!!
Alfred LaBella

After reading your story I will never feel quite right about complaining about any of my MINOR health issues!!    God bless Steve and I really hope that your health doesn’t stop you from fulfilling your calling.    These books have been such a help to open up my jazz vocabulary…   Thanks so much for sharing your story and for providing these great teaching tools…   John Leclerc   Saxophonist / composer/ EWI player and professional working musician of 35 years….

John Leclerc

I want to thank you for your “Ultimate II-V-I Primer”  which has sent me off on a much better path to improvisation.  The primer and the four bound books I have will keep me busy for a long time.  I like your lessons for two reasons.  The lessons work and THEY ARE FUN.  Thanks again.

Robert

Robert
Hi Steve, I can’t express just how much I appreciate your teaching. My playing has improved so much over the past year since I have been studying and practicing with your lessons. It is possible to teach an old dog new tricks, these lessons are proof! Thanks, Michael Byington
Michael Byington
I bought Steve’s dominant bebop book and took a couple of online lesson from him. I really appreciated Steve’s careful listening of what I wanted to get done in a lesson and his clear, concise ideas on next steps to improve my playing and musical interpretation.  His mastering  the Dominant Bebop Scale has lots of exercises to use a scale that addresses the largest percentage of chords I come across in pop/blues music. The dominant V7.  Needless say it has improved my playing.  I teach and a… Read more
Keith
Hey Steve, I’m a 22-year-old from Australia. I thought it would be worth saying. You’re an absolute legend. I can’t thank you enough. You have helped me rekindle my love for the saxophone and music as a whole. All the best for the future, your work doesn’t go unnoticed. PS. I am loving your devastating minor lines pdf.
Sapph

I am enjoying your style of teaching, and you’ve done a great job with the videos….good sound quality and well constructed lessons.  Balances the more guitaristic material found on the majority of guitar based programs.  Jazz vocab is what I’m all about at this point in the journey.  I especially dig the fact that you’ve studied with Bergonzi…helps me see his voluminous output in a more bite sized way.

Milton

Hello Steve, I’m getting so much out of your lessons and books, amazing how much one may think one knows, there is always a new frontier or new way to view something you think you had somewhat down. You have taken it all to a new level and am so grateful. Your lessons are so down to earth and understandable and clear!  Thanks so much Steve! Cheers, Eddie

Eddie Parente
I’ve been a member of Steve’s site for about six months now and the difference it has made to my playing is immeasurable. The (many) benefits of this membership are that you can have lessons at time convenient to you, they work out A LOT cheaper than face-to-face lessons with a teacher of the same calibre and you can replay them ad infinitum. I don’t know how many times have I had lessons in the past where I’ve ended up covering the same concepts when really a ‘replay’ of the last lesson would h… Read more
Nick

Your material is great! I got your New Altissimo Lesson 6 months ago and I have learned more from that than in all my 44 years of playing! I appreciate your down to earth teaching method and I really appreciate the heart that you teach with. I have been a subscriber to your lessons for the past 6 months and I have learned a great deal. Over that period of time I have had some questions and you have never failed to respond. Thanks! I have already recommended your lessons to a number of players in… Read more

Michael Byington
Just a brief note to compliment you on your teaching skills and in particular for the honesty of your lessons.  I am a returning alto sax player in my 50’s and I was looking for a no nonsense, straight to the point kind of guidance. I had intended to email you with a few questions regarding the use of the bis key but then I noticed that there was a lesson on that specific topic and after viewing it,  all my questions were answered. I once took a group lesson with a well known professional sax … Read more
Patrick
Steve’s monthly lessons are entirely valuable. Without brow beating, he tells you all the stuff you deep down know you really should be working on, instead of just relying on the same old patterns. In spite of the fact that you’re taking a video lesson, Steve’s presentation is comfortable and “real”. In a little more than a year, he’s developed a library of lessons that seem to offer any player a lifetime’s worth of practice material. I’m just glad I stumbled upon it.… Read more
Grant
Two years later I began a search for a sax teacher and happened to come across Steve Neff when I was searching YouTube for sax teachers.  I went to neffmusic.com and was very impressed with the lessons Steve Neff was offering.  The concept of selecting lessons was an approach that I thought was unique and purchased a few lessons.  I liked the lessons so much that I signed-up for a 6 month package. I was very happy with all the lessons I selected.  I also purchased Steve’s book Mastering the B… Read more
Michael
I like so many other subscribers feel so encouraged by Steve’s learning techniques; you will enjoy reading the comments of praise others have left as you too will feel that you share a common view and path. I feel very lucky to have come across Neffmusic and that feeling will remain with you as you search through a treasure trove of learning materials on offer, you will quickly find the lessons that you are suited to. You will instantly recognize the unparalleled quality of Steve’s teaching … Read more
Stephen
I am enjoying your style of teaching, and you’ve done a great job with the videos….good sound quality and well constructed lessons.  Balances the more guitaristic material found on the majority of guitar based programs.  Jazz vocab is what I’m all about at this point in the journey.   I especially dig the fact that you’ve studied with Bergonzi…helps me see his voluminous output in a more  bite sized way.
Milton
I want to say something about Steve Neff’s series of lessons, Beginner Jazz Improvisation. For a couple of years I tried many beginner lessons and my problem was that there was a gap between lessons that were fairly simple and ones that I was not quite ready for and my progress stalled out. That problem was solved with the series Beginner Jazz Improvisation. He guides you step by step along the way and builds a foundation for learning jazz and blues. He leaves no question about what to practice … Read more
Pete
I am a music book junkie and I have to say that your books are the most clear, user friendly, and helpful books I own.  They are my absolute favorites and I only wish I had them years ago.  I wouldn’t change a thing about the experience I had in acquiring my degree at Berklee, but my playing has perhaps grown more in the time I’ve spent buried in your books and lessons.  Keep up the great work!!! Thanks, John
John

Hello Steve,

I just want to say thank you so much for your unbelievable work, it is just mind opening, thanks for sharing it.

Wolfgang from Berlin

Wolfgang from Berlin

Steve, just a note to say thanks.

I’ve been playing a long time, but your material, laid out in such a thoughtful way, helps me to understand concepts in a new and deeper way.

You are a true gift to the jazz community.

60 lessons and going strong,

Kevin Ledbetter

Kevin Ledbetter

Featured Video Lessons

  • Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book) Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book)
    Rated 5.00 out of 5
    $19.99 Original price was: $19.99.$14.99Current price is: $14.99.
  • The Secret to Modern Outside Jazz Lines Lesson-Minor The Secret to Modern Outside Jazz Lines Lesson-Minor $9.99
  • Creating Modern II-V-I Lines with Simple Pentatonics Lesson Creating Modern II-V-I Lines with Simple Pentatonics Lesson
    Rated 5.00 out of 5
    $9.99
  • The Best Embouchure for Tone, Intonation and Endurance Lesson The Best Embouchure for Tone, Intonation and Endurance Lesson
    Rated 4.91 out of 5
    $9.99
  • The Secret to Altissimo (no one has ever told you about before) Lesson The Secret to Altissimo (no one has ever told you about before) Lesson
    Rated 4.75 out of 5
    $9.99

Now over 600 video and audio lessons to choose from!

Free Lessons

  • Free Lesson on The New Ultimate II-V-I Primer-Major Keys
  • Free Video Lesson on Mastering Altered Pentatonics
  • Free Video Lesson on Mastering the Blues Scale Volume 1 & 2
  • Free Video Lesson on Mastering the Dominant Bebop Scale and Language Book 1 & 2
  • Free Video Lesson on Approach Note Velocity Book

Recent reviews

  • Bebop Scale-Altered Scale II-V-I Practice Lesson Bebop Scale-Altered Scale II-V-I Practice Lesson by Noah
  • Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book) Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book) by Andy
  • Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book) Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book)
    Rated 5 out of 5
    by Russ
  • Creating Modern II-V-I Lines with Simple Pentatonics Lesson Creating Modern II-V-I Lines with Simple Pentatonics Lesson
    Rated 5 out of 5
    by Timothy
  • The Best Embouchure for Tone, Intonation and Endurance Lesson The Best Embouchure for Tone, Intonation and Endurance Lesson
    Rated 5 out of 5
    by Ray Holland

Footer

Recent Comments

  • Peter van Raak on Otto Link Tone Edge Early Babbitt Connoisseur Series Tenor Saxophone Mouthpiece Review
  • Steve on Otto Link LA Tenor Saxophone Mouthpiece Review
  • Don Nicholson on Otto Link LA Tenor Saxophone Mouthpiece Review
  • Steve on Otto Link Tone Edge Early Babbitt Connoisseur Series Tenor Saxophone Mouthpiece Review
  • Peter van Raak on Otto Link Tone Edge Early Babbitt Connoisseur Series Tenor Saxophone Mouthpiece Review

Top rated products

  • Mastering the Major Bebop Scale & Sound (Digital PDF Book) Mastering the Major Bebop Scale & Sound (Digital PDF Book)
    Rated 5.00 out of 5
    $14.99
  • Tune of the Week-Softly as a Morning Sunrise Lesson Tune of the Week-Softly as a Morning Sunrise Lesson
    Rated 5.00 out of 5
    $9.99
  • The Style of Dexter Gordon-Lady Bird Lesson 1 The Style of Dexter Gordon-Lady Bird Lesson 1
    Rated 5.00 out of 5
    $9.99
  • Tune of the Week-Days of Wine and Roses Lesson Tune of the Week-Days of Wine and Roses Lesson
    Rated 5.00 out of 5
    $9.99
  • Tune of the Week-Invitation Tune of the Week-Invitation
    Rated 5.00 out of 5
    $9.99

Product tags

alto sax alto saxophone approach notes audio lesson bebop scale beginner beginner saxophone blues blues licks blues patterns blues scale blues scales diminished scale dominant chords ear training fundamentals II-V-I improvisation jazz improvisation jazz lines jazz patterns jazz sax jazz saxophone jazz standard jazz standards licks Mastering the Blues Scale Michael Brecker modern improv modern improvisation online lesson patterns playing outside practice habits reading music sax basics sax lessons saxophone scales smooth jazz steve neff tenor sax tenor saxophone video lesson video lessons
  • Instagram
  • Facebook
  • Twitter
  • SUPPORT

Neffmusic © 2005–2025