• Skip to main content
  • Skip to primary sidebar
  • Skip to footer

Website of Steve Neff

  • BLOG
  • SHOP
  • MY ACCOUNT
  • RAVES
  • CONTACT

Search Neffmusic

You are here: Home / Reviews / Mouthpiece Reviews / Mouthpiece Cafe House Blend II Tenor Saxophone Mouthpiece Review

Mouthpiece Cafe House Blend II Tenor Saxophone Mouthpiece Review

January 12, 2017 by Steve 3 Comments

Today, I am reviewing another saxophone mouthpiece made by Brian Powell and Erik Greiffenhagen over at Mouthpiece Cafe.  If you have visited my site before you probably know that I hold Brian and Erik in pretty high regard.  They have both done tons of sax mouthpiece refacing jobs for me over the years with great results.  I have reviewed and tried many examples of their mouthpieces over the years and they are always top notch.

Actually, when I am on Ebay looking for my next sax mouthpiece purchase, I always perk up when I see a Florida Link mouthpiece that was refaced by Brian Powell or Erik Greiffenhagen.   Many players are looking for original Florida Otto Links but after playing a few that I ended up having to have refaced myself, I now would rather just buy one that has already been checked over, optimized and plays great right out of the box………my point being, that I trust the work that these two guys do.

Mouthpiece Cafe House Blend II Tenor Saxophone Mouthpiece

This Mouthpiece Cafe House Blend II was sent to me by an adult Skype student that asked me if I wanted to try it out.  He sent me this House Blend II as well as a beautiful Rafael Navarro Silver Bebop Special that I hope to review soon also.

The House Blend II is a 7 tip opening which is a little small for me as I usually play a 7*-8 but this mouthpiece didn’t feel small at all for me. Actually, it feels like I am playing a 7*.   I actually wondered if maybe they forgot to put the star on the 7.  I ended up making two clips of this one. One with a Rigotti Gold 3 medium reed and the other with a Rigotti Gold 3 1/2 medium reed.

Usually if I am trying a mouthpiece out and more than one size reed works great on it then I will do a sound clip of each just to hear what they sound like and see which reed I like better.   It’s interesting because sometimes the reed I like playing more isn’t the one I like the sound clip of the best.

Mouthpiece Cafe House Blend II Tenor Saxophone Mouthpiece

The House Blend II tenor mouthpiece looks great as I would expect from Brian and Erik’s work. This is a used mouthpiece so you can see some marks on the table from use.  The tip, table, rails and baffle look smooth and even.  The inside side rails are scooped out as they lead into the chamber.  The baffle looks pretty high to my eyes. The baffle heads aways from the tip at an angle and then the curve increases as it heads down into the chamber at a steeper pitch.  I would say the House Blend II has a large chamber similar in size to a hard rubber Otto Link.

Mouthpiece Cafe House Blend II Tenor Saxophone Mouthpiece

Here’s a description of the House Blend model tenor saxophone mouthpiece from the Mouthpiece Cafe website:

This unique mouthpiece was modeled after Erik’s own hand-made creation. It is unlike any other on the market and is exclusively made by Mouthpiece Cafe. It features a large chamber with a longer baffle and we think the tone will absolutely blow your mind.

The House Blend is designed to have the perfect balance of brightness and edge while maintaining the rich, full body sound you desire. This piece is extremely versatile and is great for most venues including jazz, R&B,Blues and even Rock.  This is a player’s mouthpiece for sure!

HB vs HB2

HB-the design concept for the original House Blend was to make a mouthpiece that had the basic tonal characteristics of a Slant Signature Link but with more power and dynamic range. Easily played ppp to fff, lush subtone or full bore. Sort of like a Link on steroids.

The HB2 has an even longer more aggressive baffle than the original HB, that combines the best combination of a shelf style mouthpiece and a long roll over baffle. Still easily controllable and able to be played with a wide dynamic flexibility.

We are currently offer this in the following tip openings: 6*(.095), 7*(.105), 8(.110)

Mouthpiece Cafe House Blend II Tenor Saxophone Mouthpiece

I have attached two sound clip demonstrations of the House Blend II.  One is with a Rigotti Gold 3 Medium reed and then for kicks I added one with a harder reed, a Rigotti Gold 3 1/2 Medium reed. Both reeds played great with the House Blend II mouthpiece.

For me, the House Blend is truly a blend between a classic Otto Link type sound and a high baffle mouthpiece.  It’s one of those mouthpieces that straddles the line right in the middle.  Great for straight ahead playing but can get more kick and power for other genres of music when needed.

It was great for subtoning (I love the subtone at 1:32 of the 3 medium clip).  I also got almost a classical vibe to it (at 2:00 of the 3 medium clip where I go into my version of an improvised classical tune……..a little corny but I think it sounds good.)

The Rigotti Gold 3 1/2 Medium clip wasn’t as spread but I thought the tone sounded a bit more substantial and thick.  It sounded a bit darker in my opinion.

Overall, I loved the buttery smoothness of the House Blend II. It seems like a very versatile mouthpiece and is on my list of tenor mouthpieces to suggest to high school and college students that have to play in a variety of styles and genres.

Although I felt like I could get a respectable volume from the 7,  I would be interested in trying this mouthpiece out in a 7* or 8 just for kicks.  I love the focus and pure tone of the 7 but would like to see if the 7* or 8 would keep the same focus and purity while allowing more air for volume.  If I was playing in a loud band with electric instruments like many of us do I would opt for the slightly larger tip I think but that is just me.   This one has a beautiful and gorgeous sound in my opinion.

If you are interested in trying a Mouthpiece Cafe House Blend II out you can contact Brian and Erik through the Mouthpiece Cafe Website .  Tell him Steve sent you………….Great work guys!!

Let me know what you think in the comments below. Thanks, Steve

https://cdn.neffmusic.com/2017/HouseBlendII.mp3

Mouthpiece Cafe House Blend II Tenor Saxophone Mouthpiece-Rigotti Gold 3 Medium Reed

https://cdn.neffmusic.com/2017/HBIIRG3halfMed.mp3

Mouthpiece Cafe House Blend II Tenor Saxophone Mouthpiece-Rigotti Gold 3 1/2 Medium Reed

Disclosure: I have not received any compensation or products for writing this review. I am borrowing this mouthpiece from a fellow saxophone player who was kind enough to let me borrow it. Regardless, I only review mouthpieces and other saxophone related products that I enjoy and believe will be a good choice for other saxophone players to try also.    Steve Neff

Filed Under: Mouthpiece Reviews, Tenor Medium Baffle Reviews, Tenor Mouthpiece Reviews Tagged With: Brian Powell, Erik Greiffenhagen, House Blend II, mouthpiece Cafe, saxophone mouthpiece, tenor sax

Steve

About Steve

Steve Neff has been playing and teaching saxophone and jazz improvisation around the New England area for over 30 years. He is the author of many best selling jazz improvisation methods as well as founding the popular jazz video lesson site Neffmusic.com.

Reader Interactions

Comments

  1. AvatarFilippo says

    January 15, 2017 at 12:32 am

    Thank you Steve for another great review. I have been enjoying my Mouthpiece Cafe House Blend II for while. I am amazed by its response and range of power and colors it offers while remaining extremely flexible and easy to play.

    On your SBA, the way you play it, it sounds amazing. Thanks for inspiring us.

    Reply
  2. AvatarDave says

    January 16, 2017 at 10:50 am

    I have an original HB tenor and agree that the craftsmanship is top-notch. If I’m not mistaken, these pieces are not hard rubber, but a resin blend of some kind, which might explain the relatively low price for a boutique quality mouthpiece. This doesn’t seem to get mentioned much, if true. I find it on the bright side and louder than your “average” hard rubber Link.

    Reply
  3. AvatarNaoki says

    April 22, 2017 at 6:04 pm

    Steve, I’ve been so curious about this piece! I’m currently playing a Saxquest “The Core” on tenor and it’s a great mouthpiece, but sometimes I want a piece with some more focus and projection. I’ve been thinking about the HB II and/or the Okutsu Traditional II. I know they’re both great pieces but how would you describe the differences?

    Thanks for providing such a great resource for all of us!

    btw, I’m currently playing a Mouthpiece Guys NYC 7 on alto and love it!

    Reply

Leave a Reply Cancel reply

Your email address will not be published. Required fields are marked *

Primary Sidebar

Steve Neff

Cart


NEFFMUSIC PRINTED BOOKS

Testimonials

Mr. Neff,  I want to thank you for sharing your God-given talents through your on-line lessons.  My husband, Michael, is blind, but he is a great sax player and he has been enjoying your lessons for quite some time now.  It’s not unusual for me to hear “Hey, babe, listen to THIS!” – and he will cut loose on his sax, just thrilled at what he learned during his session with you.  His excitement warms my heart!  You have no idea how much you have poured into my husband.  You have opened musical … Read more

Carole B
I just started looking at my lessons and I have to say, dude you are awesome.  I ABSOLUTELY will learn from you!  I started the tenor about 1 ½ yrs ago and have since picked up an alto, and more recently a soprano.  I spend most of the time on the tenor, followed by soprano, and have only gotten to the alto a few times.  I think I’ll be sticking with tenor.  I’m having a great time and hope one day to play well enough to get regular gigs.  I’ve been playing keys for about 35 years (… Read more
Wil
First, I’m really excited about your materials! This site is a vast resource for any aspiring (and maybe already inspired) jazz musicians. I’m not a sax player, I play mandolin and fiddle, but have been learning jazz and playing weekly with a quintet for the past 6 months and have been struggling with all of the issues you get into in your lessons. I bought several books and lessons and plan to continue with some others as soon as I organize my practice routine. Thanks again for a great site … Read more
Tony Galfano
I can see from your instructional videos that you are a fantastic teacher – one that can truly relate to all ages – humble yet very positive in approach – never coming across as superior and yet so totally capable of demonstrating the principles and techniques that you seek to impart to the students. I have gained so much confidence in my playing from “pouring over” time and again these invaluable lessons. Invaluable not only in musical content, but also in human interaction content. I am absolu… Read more
Ron
Hey Steve! I hope you and your family are well.  I’m just writing to say thank you so much for all the resources you have made available to the saxophone community. I have been using your material for many years and I always come back to it… in fact I just took a break from practicing to write this…( reviewing “CreatingModern II-V-I Lines with simple pentatonics”.) I am, and continue to be, one of your raving fans! Blessings to you and your family this holiday season! Wishing… Read more
Gerry Aylward
Hi Steve, I have been shedding your materials for quite a while now and I love them! They are extremely well organized and presented and there are tons of ’em! I really appreciate your methodical approach and find myself referring students to your resources often.  Thanks so much!  
Kenyon Carter
Hi Steve, I live in a gorgeous but rural area of Oregon-no music store within 80 miles. Your lessons are my lifeline!  Truly the best there are anywhere online. Love your playing. Love your teaching.  Thanks again. Ed
Ed Woodmansee
I would like to say that in the last year my sax playing has progressed loads from your lessons. I have had a sax for about 20 years and dabbled with lessons from a few teachers and have learnt very little from them. As you have said in your lessons many teachers tell you to use the blues scale and leave it there, not even showing you the resolution points!!. I am now believing I can in time become a good improviser.
Thanks again,
Shane
Shane
Just wanted to send you a quick note to say thank you for being you, your playing, your website and your desire to help others. I’m a professional musician in the US Army and I’ve visited your website almost every day since discovering it a couple of months ago. Your lessons are profound and easy to use. I’ve purchased most of your PDF books and now am starting to delve more into the video and audio lessons.  Thank you for being a great resource!
James
Hi Steve, I can’t express just how much I appreciate your teaching. My playing has improved so much over the past year since I have been studying and practicing with your lessons. It is possible to teach an old dog new tricks, these lessons are proof! Thanks, Michael Byington
Michael Byington
Steve’s monthly lessons are entirely valuable. Without brow beating, he tells you all the stuff you deep down know you really should be working on, instead of just relying on the same old patterns. In spite of the fact that you’re taking a video lesson, Steve’s presentation is comfortable and “real”. In a little more than a year, he’s developed a library of lessons that seem to offer any player a lifetime’s worth of practice material. I’m just glad I stumbled upon it.… Read more
Grant
Your major diatonic patterns book is great. I”m studying the first twenty patterns (first twenty pages) each day with different articulation each day and slowly increasing the tempo each week or so.  There is a noticeable improvement in finger coordination across all keys and its amazing how much more secure I feel on the difficult keys when attempting to play pieces with 5+ flats/sharps. I’m able to sort out the fingerings for these pieces now much more quickly than before, often in one or two … Read more
Geoff

Steve,  Just want to say thanks for all you are doing for all of us. I’ve learned more from you than anyone else in my 40 years of playing.

If you can give some tips on One Note Samba, Ceora, and Wave… that would be cool.  I really like learning how you apply your concepts to actual songs!

Have a great year,

Kevin Ledbetter

I've learned more from you than anyone else in my 40 years of playing.
Thank you so much for the great job you are doing to help further our jazz studies. Though I make my living as a repairer of musical instruments I am a student of jazz and have been fortunate enough to be involved with a big band and a combo for the last several years. As my children began to leave “the nest” I had decided to dedicate the next half of my life to a more serious study of the sax but I didn’t know exactly how I would go about doing this until a friend of mine turned me onto your si… Read more
Jon
I’ve been downloading your lessons for 4 months now (20 lesson) and I have noticed tremendous growth in my playing thus far! I’m so happy that I stumbled upon your site!
Bob
I am a music book junkie and I have to say that your books are the most clear, user friendly, and helpful books I own.  They are my absolute favorites and I only wish I had them years ago.  I wouldn’t change a thing about the experience I had in acquiring my degree at Berklee, but my playing has perhaps grown more in the time I’ve spent buried in your books and lessons.  Keep up the great work!!! Thanks, John
John

I want to thank you again, because, not only are you an inspiration to listen to, you are a fine teacher!

I have been teaching sax and other winds for over 20 years, and you give me that “push” to give my students more!

Mark Peotter

Mark Peotter
Hey Steve, I’m a 22-year-old from Australia. I thought it would be worth saying. You’re an absolute legend. I can’t thank you enough. You have helped me rekindle my love for the saxophone and music as a whole. All the best for the future, your work doesn’t go unnoticed. PS. I am loving your devastating minor lines pdf.
Sapph
I am enjoying your style of teaching, and you’ve done a great job with the videos….good sound quality and well constructed lessons.  Balances the more guitaristic material found on the majority of guitar based programs.  Jazz vocab is what I’m all about at this point in the journey.   I especially dig the fact that you’ve studied with Bergonzi…helps me see his voluminous output in a more  bite sized way.
Milton
I can’t say enough about my membership at Neff Music. Steve has taken the mystery out of playing the saxophone well and improvising both jazz and rock music. Like most struggling players I have a load of all sorts of books on my shelf just gathering dust. Books that I didn’t understand or know how to put to use…or just have the time to go threw them. Steve’s lessons really simplify things and he puts it in a way that I can understand. They inspire me to keep pushing and having him as my guide or… Read more
Ken

Steve, just a note to say thanks.

I’ve been playing a long time, but your material, laid out in such a thoughtful way, helps me to understand concepts in a new and deeper way.

You are a true gift to the jazz community.

60 lessons and going strong,

Kevin Ledbetter

Kevin Ledbetter

Hi Steve,

First, I want to thank you for all of your great lessons. They are like a “For Dummies” version of all the books on my shelf. The lessons break things down into manageable pieces, and give me the confidence that I’m practicing the right pieces. I’m starting to make progress.   Thank You,   Kim

Kim
Steve- I joined your site this month and have downloaded 4 lessons and also purchased your new book and video on diatonic patterns. I just want to say I am very pleased with your approach and teaching techniques. I am getting back into playing after laying off for some time. The information you offer on your site is of great value and I am enjoying being a member. Thank you for what you are doing for the saxophone community.
Tony

Hello Steve,

I just want to say thank you so much for your unbelievable work, it is just mind opening, thanks for sharing it.

Wolfgang from Berlin

Wolfgang from Berlin

Featured Video Lessons

  • Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book) Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book)
    Rated 5.00 out of 5
    $19.99 Original price was: $19.99.$14.99Current price is: $14.99.
  • The Secret to Modern Outside Jazz Lines Lesson-Minor The Secret to Modern Outside Jazz Lines Lesson-Minor $9.99
  • Creating Modern II-V-I Lines with Simple Pentatonics Lesson Creating Modern II-V-I Lines with Simple Pentatonics Lesson
    Rated 5.00 out of 5
    $9.99
  • The Best Embouchure for Tone, Intonation and Endurance Lesson The Best Embouchure for Tone, Intonation and Endurance Lesson
    Rated 4.91 out of 5
    $9.99
  • The Secret to Altissimo (no one has ever told you about before) Lesson The Secret to Altissimo (no one has ever told you about before) Lesson
    Rated 4.75 out of 5
    $9.99

Now over 600 video and audio lessons to choose from!

Free Lessons

  • Free Lesson on The New Ultimate II-V-I Primer-Major Keys
  • Free Video Lesson on Mastering Altered Pentatonics
  • Free Video Lesson on Mastering the Blues Scale Volume 1 & 2
  • Free Video Lesson on Mastering the Dominant Bebop Scale and Language Book 1 & 2
  • Free Video Lesson on Approach Note Velocity Book

Recent reviews

  • Bebop Scale-Altered Scale II-V-I Practice Lesson Bebop Scale-Altered Scale II-V-I Practice Lesson by Noah
  • Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book) Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book) by Andy
  • Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book) Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book)
    Rated 5 out of 5
    by Russ
  • Creating Modern II-V-I Lines with Simple Pentatonics Lesson Creating Modern II-V-I Lines with Simple Pentatonics Lesson
    Rated 5 out of 5
    by Timothy
  • The Best Embouchure for Tone, Intonation and Endurance Lesson The Best Embouchure for Tone, Intonation and Endurance Lesson
    Rated 5 out of 5
    by Ray Holland

Footer

Recent Comments

  • Leo on Phil-Tone Tenor Mouthpiece
  • Randy Cosby on GetASax GS Supersonic 50s Dukoff 7* Tenor Saxophone Mouthpiece Review
  • Brian at GetASax on GetASax GS Supersonic 50s Dukoff 7* Tenor Saxophone Mouthpiece Review
  • Brian at GetASax on GetASax GS Supersonic 50s Dukoff 7* Tenor Saxophone Mouthpiece Review
  • Steve on GetASax GS Supersonic 50s Dukoff 7* Tenor Saxophone Mouthpiece Review

Top rated products

  • Mastering the Major Bebop Scale & Sound (Digital PDF Book) Mastering the Major Bebop Scale & Sound (Digital PDF Book)
    Rated 5.00 out of 5
    $14.99
  • Tune of the Week-Softly as a Morning Sunrise Lesson Tune of the Week-Softly as a Morning Sunrise Lesson
    Rated 5.00 out of 5
    $9.99
  • The Style of Dexter Gordon-Lady Bird Lesson 1 The Style of Dexter Gordon-Lady Bird Lesson 1
    Rated 5.00 out of 5
    $9.99
  • Tune of the Week-Days of Wine and Roses Lesson Tune of the Week-Days of Wine and Roses Lesson
    Rated 5.00 out of 5
    $9.99
  • Tune of the Week-Invitation Tune of the Week-Invitation
    Rated 5.00 out of 5
    $9.99

Product tags

alto sax alto saxophone approach notes audio lesson bebop scale beginner beginner saxophone blues blues licks blues patterns blues scale blues scales diminished scale dominant chords ear training fundamentals II-V-I improvisation jazz improvisation jazz lines jazz patterns jazz sax jazz saxophone jazz standard jazz standards licks Mastering the Blues Scale Michael Brecker modern improv modern improvisation online lesson patterns playing outside practice habits reading music sax basics sax lessons saxophone scales smooth jazz steve neff tenor sax tenor saxophone video lesson video lessons
  • Instagram
  • Facebook
  • Twitter
  • SUPPORT

Neffmusic © 2005–2025