• Skip to main content
  • Skip to primary sidebar
  • Skip to footer

Website of Steve Neff

  • BLOG
  • SHOP
  • MY ACCOUNT
  • RAVES
  • CONTACT

Search Neffmusic

You are here: Home / Reviews / Mouthpiece Reviews / Alto Mouthpiece Reviews / Alto Medium Baffle Reviews / Retro Revival New Yorker Alto Saxophone Mouthpiece Review

Retro Revival New Yorker Alto Saxophone Mouthpiece Review

July 16, 2016 by Steve 22 Comments

Today, I am reviewing the new Retro Revival New Yorker alto saxophone mouthpiece made by Joel Peskin (iReedMan) and Bob Sheppard.  Joel  and Bob have started a company called Retro Revival in which he produces exact copies of great vintage mouthpieces from the past.   His first two mouthpiece releases were for this New Yorker alto mouthpiece which is an exact copy of a New York Meyer Bros mouthpiece that Joel owns and the other is a metal tenor mouthpiece that is a copy of a great double ring Otto Link tenor mouthpiece.

For any of you that peruse Ebay regularly, you probably know that finding a NY Meyer Bros alto mouthpiece and a good condition double ring Otto Link can be a costly endeavor.  Both these mouthpieces can many times cost over 2000.00 each!  I think we would all be thankful if someone came up with a less costly alternative where we could get a mouthpiece of the same quality and playability for quite a bit less money.  The aim of these Retro Revival mouthpiece is just that!

Retro Revival New Yorker Alto Saxophone Mouthpiece 6 & 7

Joel was kind enough to send me a 6 and 7 sample of the Retro Revival New Yorker to review.  The mouthpieces came in a nice wooden box with a ligature and mouthpiece cap included (you can see them in the bottom picture on this page)

Upon inspection, the New Yorker appears to be well crafted.  It is faced by master mouthpiece craftsman Eric Falcon so I expected nothing less than perfection.  The table, rails and tip look beautiful.  The baffle is a rollover that descends into a medium sized chamber smoothly and evenly.

I was very curious to try these mouthpieces because I had tried a New York Meyer Bros mouthpiece years ago that was owned by Bob Ackerman.  This was a smaller tip opening piece of a 5 but it played great.  It had a beautiful pure singing quality to the tone.  I was very tempted to buy it but Mr. Ackerman wanted 450.00 for it as I remember and at the time I thought that was crazy so I passed.    Since these new Retro Revival pieces are supposedly exact copies of a great playing Meyer Bros mouthpiece I was very interested in trying them out.

 

Retro Revival New Yorker Alto Saxophone Mouthpiece

Here’s a quote from the  Retro Revival website about the New Yorker alto mouthpiece:

“The New Retro Revival “New Yorker” Alto Sax Mouthpiece is the real thing: an exact replica of the original Meyer Bros New York, the mouthpiece of choice for alto greats Cannonball Adderley, Phil Woods and many more. Partnered  with Master mouthpiece craftsman Eric Falcon, we have replicated this rare and sought after mouthpiece down to the smallest detail.

We all have experienced the risk, expense and frustration of searching for vintage mouthpieces on the internet. An original untouched Meyer Bros is indeed finding that needle in the haystack. The gamble on eBay is considerable. You can easily end up spending well over $2,000 on one that’s mediocre or unplayable, as shown on the photo on the left margin of a completed eBay auction.

With our Retro Revival mouthpiece, you can rest assure that we make every replica New Yorker to the highest standard of performance based on a lifetime of acquired knowledge and experience.

As lifelong professionals who share a passion for tone quality and performance, we joined together to apply decades of experience and knowledge to the development of an excellent yet affordable Meyer Bros replica for today’s alto players.

From our own extensive mouthpiece collections, we selected the best of the best to clone, painstakingly narrowing it down to ‘The One” – the Meyer that we all agreed delivered the fattest sound, fastest articulations, evenness of color and consistency of intonation.

We’re proud to offer a faithful reproduction of this rare mouthpiece in a model that meets the highest standards down to the smallest detail. We use the most advanced CAD technology and highest quality Vintage Formula German Rod Rubber. Each mouthpiece is meticulously hand finished and, most importantly, individually tested and approved by professionals.

We know you will be impressed with its consistency and play-ability. Most of all, we’re confident that you’ll be rewarded with years of enjoyment and artistic satisfaction playing the Retro Revival “New Yorker.”

Retro Revival New Yorker Alto Saxophone Mouthpiece

I had the two Retro Revival New Yorker mouthpieces for about 3 weeks and had a chance to do a lot of playing on them.   The morning of the recording of the sound clip I had worked with two Skype students on Charlie Parker’s Chi Chi and Parker’s Mood so you hear quite a bit of “Bird” melodies and licks interspersed within the sound clips as they were on my mind.

I recorded each mouthpiece with a slightly harder reed and a softer reed because I quite honestly could not figure out which I preferred.  For about a week, I kept going back and forth between the reeds and in the end I decided to spend a little extra time and record on both.

I also had a heck of a time trying to figure out which tip opening I liked better.   I had thought that it would be easy to decide but there were different aspects to each tip opening that I really enjoyed and it was very hard to choose. (Maybe if you have an opinion on which sounds better you can help me out in the comments below…….)

Retro Revival New Yorker Alto Saxophone Mouthpiece

The Retro Revival “New Yorker”   played great!   For me they had a classic bebop sound and tone.   Their intonation was good and they were smooth and even up and down the range of the horn.  As you listen to the clips, there will be times where I all of a sudden slow down and play long held out notes or melodies.   It was during these times that I really relished what the “New Yorker” alto sax mouthpieces brought to the table.   In my opinion, these mouthpieces have a very classic Meyer compact centered tone.   Sometimes when I refer to a classic Meyer tone I feel the reader can interpret that to mean “average” because Meyer mouthpieces are so common.  That is not the case!  When I say classic Meyer tone I am referring more to the sound of an amazing Meyer.   One that sings and whose tone sparkles and vibrates.   My first thought is of the sound of Phil Woods on “Warm Woods” or “Musique Du Bois”, two of the first albums I owned in high school.  ( I didn’t intentionally do this but I think the sound of these mouthpieces reminded me of Phil Woods so much that I played “The Summer Knows” a few times during the clips also which is from Musique Du Bois.  I didn’t realize this until right now as I’m writing……Cool!!)

As I listen back to the sound clips,  there are also bluesy type lines that are reminiscent of Cannonball’s sound  I think.   Cannonball was such a monster of tone that I can’t say I sound like Cannonball,  but once in awhile I hear a whisper of his tone coming through on the recording……..it’s in there I think……….

Retro Revival New Yorker Alto Saxophone Mouthpiece

 

I said the intonation was good but I would like to add that I think the centered core of the tone makes the “New Yorker” easier to hone in on the intonation.  On many of the mouthpieces I review I have to thing about intonation and whether I’m sharp or flat but the New Yorker pieces just seemed to be in the zone intonation wise for me.

There is a lot of material in these four sound clips but I repeated a lot of the same ideas and lines on purpose so you can get a good comparison between the 6 & 7 and perhaps how the different reeds play and sound on each mouthpiece.  I hope it helps many of you out in making a choice.

 

Retro Revival New Yorker Alto Saxophone Mouthpiece

Below is a picture from the Retro Revival website of the box, ligature and mouthpiece cap the New Yorker comes with.  They are a standard Rico “Harrison” style ligature and Rico cap.

Retro Revival New Yorker Alto Saxophone Mouthpiece

The Retro Revival New Yorker alto saxophone mouthpiece is a great playing mouthpiece that I really enjoyed playing and recording with.  In my opinion it is one of the best choices I have played for a vintage Meyer type sound without the high cost.  If you read this review, listen to the clips and decide the New Yorker mouthpiece is worth a try, you can purchase one on the Retro Revival mouthpiece website.

Congratulations to Joel Peskin, Bob Sheppard and Eric Falcon for making an excellent well crafted mouthpiece reminiscent of a great vintage Meyer Bros mouthpiece!  Great Job!

Let me know your thoughts in the comments below and if you get a Retro Revival New Yorker alto  saxophone mouthpiece be sure to come back and let us know what you think below……..Thanks!!  I’m off to listen to some Phil Woods on “Musique Du Bois”!!

https://cdn.neffmusic.com/2016/RRNY63Med.mp3

 

Retro Revival New Yorker Alto Saxophone Mouthpiece 6 with Rigotti Gold 3 Medium Reed

https://cdn.neffmusic.com/2016/RRNY63L.mp3

 

Retro Revival New Yorker Alto Saxophone Mouthpiece 6 with Rigotti Gold 3 Light Reed

https://cdn.neffmusic.com/2016/RRNY73L.mp3

 

Retro Revival New Yorker Alto Saxophone Mouthpiece 7 with Rigotti Gold 3 Light Reed

https://cdn.neffmusic.com/2016/RRNY72HalfStrong.mp3

 

Retro Revival New Yorker Alto Saxophone Mouthpiece 7 with Rigotti Gold 2 1/2 Strong Reed

Disclosure: I have not received any compensation or products for writing this review. I am borrowing these mouthpieces from Joel at Retro Revival who was kind enough to let me borrow them. Regardless, I only review mouthpieces and other saxophone related products that I enjoy and believe will be a good choice for other saxophone players to try also.    Steve Neff

Filed Under: Alto Medium Baffle Reviews, Alto Mouthpiece Reviews Tagged With: alto sax, Brothers, Joel Peskin, New York Meyer, New Yorker, Retro Revival, review, saxophone mouthpiece

Steve

About Steve

Steve Neff has been playing and teaching saxophone and jazz improvisation around the New England area for over 30 years. He is the author of many best selling jazz improvisation methods as well as founding the popular jazz video lesson site Neffmusic.com.

Reader Interactions

Comments

  1. AvatarJeffrey Todd says

    July 17, 2016 at 12:21 pm

    I would give the edge to the 6 with the softer reed, although the 7 with the softer reed is also a classic sound. Both are terrific. Even though Cannonball played a vintage Meyer 5, I feel that the 7 with the soft reed has some of the sonic “fatness” that he got. No pun intended. I am curious to see how this piece stacks up against other Meyer copies you have played. I’m going to go back and listen to them.

    Reply
  2. AvatarSteve Carmichael says

    July 18, 2016 at 3:27 pm

    While i like all of these set ups, the 7 with the softer reed really sounds authentic, without sounding dated. What i mean is, yes it has a Cannonball/WoodsVibe, i can hear it on current mainstream jazz. The upper pitches are more balanced with the mid and low pitches, a nice even scale. The 6 Was nice, but sounded thinner in the upper end. Also, sounded as if wasn’t locked in as much, tone wise.

    You always sound great on every piece! Thanks for Sharing. I see a 7 in my future.
    BTW, i play the Super D tenor piece (8* Rhodium plated)

    Reply
  3. AvatarJerry Pritchard says

    July 23, 2016 at 12:38 pm

    Steve, As always, you sound great on all of these mouthpieces. You sound more in control of the sound an intonation on these Retro Revival Meyer mouthpieces and have the kind of consistency of color and focus you have on tenor. I think you sounded best on the 6 with the harder reed, though the 7 with the stronger reed allowed you to have more flexibility and the ability to bend the notes and sound like Cannonball with all his subtle inflections and bluesi-ness. The 6s have a very compact sound with a solid core to the pitch and would probably be more all-round mouthpieces for playing in a big band or even some classical saxophone literature, but the 7s might allow for more individuality of sound. Again, you sound great on anything you play. I really appreciate your reviews.

    Reply
  4. AvatarSamtsax says

    August 11, 2016 at 4:18 pm

    Hey Steve,
    After reading your review and listening to your sound clip I ordered a Retro Revival New Yorker #7 of my own. It arrived a few days ago and it’s KILLIN’!!! It has surpassed all of my expectations in terms of tone, color, flexibility and response. Joel was amazing to deal with… a total pro in every respect. I’m 100% satisfied with my purchase and your review was instrumental in my decision making. Thanks so much for your great service to the saxophone community.

    Reply
    • SteveSteve says

      August 21, 2016 at 3:08 pm

      Samtsax,
      That is great to hear! I love it when I hear that someone has found a mouthpiece they consider “KILLIN'” with help from my site. No better feeling than finding that perfect piece for you! Congrats!

      Reply
  5. AvatarVincent Gaglio says

    August 25, 2016 at 9:34 pm

    Wow that is so awesome. You are just fantastic on the saxophone. Wow. Love the sound , I need one.

    Reply
  6. AvatarKarl Weiss says

    September 28, 2016 at 4:04 am

    Hello Steve!
    You sound very good on these mouthpieces!
    Is the openings of the new or old Meyer Mouthpieces
    identical with the retro mouthpieces?
    What is the difference between the old
    and new Meyer mouthpieces and
    Retro mouthpieces?
    Kind regards,
    Charlie

    Reply
    • SteveSteve says

      September 28, 2016 at 4:11 pm

      Charlie, I think the tip opening are the same as the Meyer tip openings. Since they are copies of old Meyers I would assume they are pretty close if not identical. I haven’t played or seen the originals they were copied from so I can’t testify to that………..

      Reply
  7. AvatarKarl Weiss says

    September 28, 2016 at 4:10 am

    Hi Steve,
    when did you test the Retro Revival Tenor Mouthpieces?
    Kind Regards,
    Charlie

    Reply
    • SteveSteve says

      September 28, 2016 at 4:09 pm

      Charlie, I didn’t try the Retro Revival tenor mouthpieces yet………..

      Reply
  8. AvatarVincent says

    October 21, 2016 at 9:16 pm

    Wow, nice, there are so so many pieces out there, love it. Love the sound . I am looking at the tip opening 6. Wow

    Reply
  9. AvatarVincent Gaglio says

    October 31, 2016 at 1:35 pm

    I am going to buy a Tip opening 6 today, There are so many MP’s out there and so may manufacturers. However, I am loving the sound out of these . I look forward to getting one

    Reply
  10. AvatarChris Andrews says

    December 11, 2016 at 2:21 am

    I would bet they copied a good ny meyer 5m. The 7 and 8 tip opening probably wouldnt be as authentic because meyer never made one past a 6. I figure the 5 tip is the best copy of the original facing. I just ordered one so we will see.

    Reply
  11. AvatarTito says

    February 10, 2017 at 7:38 pm

    Hi Steve, I have just ordered one of these after reading and especially listening to your review. They sound amazing in your hands, I hope they will do as well in mine. Thanks

    Reply
  12. AvatarMichael Bard says

    August 3, 2017 at 5:51 pm

    I bought the tenor model (darker one) and its a great piece.

    Reply
    • SteveSteve says

      August 5, 2017 at 4:47 pm

      That’s great to hear.  I’ve been wanting to try those Retro Revival tenor mouthpieces out.  Have heard nothing but good things about them………

      Reply
  13. Avatarninni digex says

    March 1, 2019 at 6:24 pm

    tip 7 reed 3

    Reply
  14. AvatarSammy says

    April 22, 2019 at 2:34 pm

    My personal like was the NY 6 tip opening with the with Rigotti Gold 3 Light Reed. I thought you expressed your feel and tone better on this mp. You seemed to be more comfortable with this set up. Of course your playing was great on all of them, I just liked this one better.I play a 105 7* tip opening on tenor and have been playing a 7 on alto but after listening to you clips I’m considering trying a 6 tip opening on alto. I just ordered a RR Slant 7 tip opening for my tenor, should be here in a few days. Thanks so much for your all your reviews.

    Reply
  15. AvatarGiuseppe says

    April 25, 2019 at 7:30 am

    I prefer the clip of the Retro Revival New Yorker Alto Saxophone Mouthpiece 6 with Rigotti Gold 3 Light Reed: seems to me more sonorous, brilliant and with a bigger, wider sound.

    Reply
  16. AvatarGiuseppe says

    April 25, 2019 at 7:34 am

    I also agree with what Chris Andrews writes about the N.Y. Meyer n. 5!

    Reply
  17. AvatarTito Fernández Pérez says

    April 25, 2019 at 10:20 am

    I ordered my alto Retro Revival New Yorker 6 one year ago and it gets the best hard rubber vintage sound. Unfortunately, I’m selling mine in Spain because I got used to my metal Beechler Bellite and not using it much.

    Reply
  18. AvatarNick says

    March 22, 2024 at 2:25 pm

    Highly recommend you try their Meyer “small” chamber. Just got mine in and folks who wants a little bit brighter and more brilliant are gonna jump on it.

    Reply

Leave a Reply to ninni digex Cancel reply

Your email address will not be published. Required fields are marked *

Primary Sidebar

Cart

Subscribe to the Neffmusic Newsletter for the latest reviews and best deals delivered straight to your inbox every month. Join now and you will also receive my 40 Ultimate Michael Brecker Licks free!

Select list(s) to subscribe to


Thanks for joining!


NEFFMUSIC PRINTED BOOKS

Testimonials

Steve, just a note to say thanks.

I’ve been playing a long time, but your material, laid out in such a thoughtful way, helps me to understand concepts in a new and deeper way.

You are a true gift to the jazz community.

60 lessons and going strong,

Kevin Ledbetter

Kevin Ledbetter
Hey Steve, My name is Jason Freese and I play keyboards and sax in the band Green Day.  I grew up taking sax lessons from Eric Marienthal when I was a kid and got out of it for a long time. I ran into you on youtube while searching for sax stuff. I bought a whole bunch of your lessons and have been loving it! Thanks! Here is my wikipedia so you can see the albums I’ve played on….Thanks again. It’s sparked my interest in practicing again.   Jason
Jason Freese (sax player for Green Day)
I just started looking at my lessons and I have to say, dude you are awesome.  I ABSOLUTELY will learn from you!  I started the tenor about 1 ½ yrs ago and have since picked up an alto, and more recently a soprano.  I spend most of the time on the tenor, followed by soprano, and have only gotten to the alto a few times.  I think I’ll be sticking with tenor.  I’m having a great time and hope one day to play well enough to get regular gigs.  I’ve been playing keys for about 35 years (… Read more
Wil
I just joined Neff Music last month. I can’t tell you how excited I’ve been to be able to pick back up on lessons. I’ve been in a rut and you got me out! I’ve especially appreciated the Lesson Path section. It was so clear I knew exactly where to jump in and start. Many many thanks!
Karin
Steve- I joined your site this month and have downloaded 4 lessons and also purchased your new book and video on diatonic patterns. I just want to say I am very pleased with your approach and teaching techniques. I am getting back into playing after laying off for some time. The information you offer on your site is of great value and I am enjoying being a member. Thank you for what you are doing for the saxophone community.
Tony
Steve really changed my way of practicing: I got a whole lot of new ideas for my playing the tenor.  His lessons are really helpful, give a lot stuff to practice and give clear answers to complicated stuff.  Steve has a lot of humor and I wish I had laughed so much in my former days with the horn.  All topics, from Blues to Approach note are dealt with clearness that wet ones appetite to play and practice that great ideas.
Uwe
I am enjoying your style of teaching, and you’ve done a great job with the videos….good sound quality and well constructed lessons.  Balances the more guitaristic material found on the majority of guitar based programs.  Jazz vocab is what I’m all about at this point in the journey.   I especially dig the fact that you’ve studied with Bergonzi…helps me see his voluminous output in a more  bite sized way.
Milton
I just wanted to write a thank you note to you for this website. I play and teach saxophone, but I have always been intimidated by the gear aspect. Your website has helped me become a lot more knowledgable. Your knowledge is staggering! I’m telling all my students about your website. Pierre
Pierre
Your lessons on playing the blues is so clear . I have been through many books on blues playing and not one of them explains as clear as your lessons . Most of them say “Play the same blues scale over all three chords of a 12 bar blues ” Its very misleading .     Thanks
Martin

I must say again how much I appreciate all your material. Including the video tutorials. It help keep me focused and knowing what to aim for. And your laid back teaching style appeals to me too. 

Thanks

P

P
Hi Steve, I can’t express just how much I appreciate your teaching. My playing has improved so much over the past year since I have been studying and practicing with your lessons. It is possible to teach an old dog new tricks, these lessons are proof! Thanks, Michael Byington
Michael Byington
Two years later I began a search for a sax teacher and happened to come across Steve Neff when I was searching YouTube for sax teachers.  I went to neffmusic.com and was very impressed with the lessons Steve Neff was offering.  The concept of selecting lessons was an approach that I thought was unique and purchased a few lessons.  I liked the lessons so much that I signed-up for a 6 month package. I was very happy with all the lessons I selected.  I also purchased Steve’s book Mastering the B… Read more
Michael
Hey Steve! I hope you and your family are well.  I’m just writing to say thank you so much for all the resources you have made available to the saxophone community. I have been using your material for many years and I always come back to it… in fact I just took a break from practicing to write this…( reviewing “CreatingModern II-V-I Lines with simple pentatonics”.) I am, and continue to be, one of your raving fans! Blessings to you and your family this holiday season! Wishing… Read more
Gerry Aylward
Just a brief note to compliment you on your teaching skills and in particular for the honesty of your lessons.  I am a returning alto sax player in my 50’s and I was looking for a no nonsense, straight to the point kind of guidance. I had intended to email you with a few questions regarding the use of the bis key but then I noticed that there was a lesson on that specific topic and after viewing it,  all my questions were answered. I once took a group lesson with a well known professional sax … Read more
Patrick
Thank you for the wealth of helpful lessons you’ve provided over the years.  I truly feel as though it has improved my playing more than the 4 years I spent at Berklee… and that’s not a slight on the school as I loved my experience there.
John
John
I’ve been downloading your lessons for 4 months now (20 lesson) and I have noticed tremendous growth in my playing thus far! I’m so happy that I stumbled upon your site!
Bob
For anyone living in remote areas away from live jazz sax teachers, Neff is the way to go. In fact this is a great resource for anyone seriously interested in mastering the sax. I’ve never been disappointed in a lesson.
Oliver
Hi Steve, I live in a gorgeous but rural area of Oregon-no music store within 80 miles. Your lessons are my lifeline!  Truly the best there are anywhere online. Love your playing. Love your teaching.  Thanks again. Ed
Ed Woodmansee
I like so many other subscribers feel so encouraged by Steve’s learning techniques; you will enjoy reading the comments of praise others have left as you too will feel that you share a common view and path. I feel very lucky to have come across Neffmusic and that feeling will remain with you as you search through a treasure trove of learning materials on offer, you will quickly find the lessons that you are suited to. You will instantly recognize the unparalleled quality of Steve’s teaching … Read more
Stephen
By the way, BIG COMPLIMENTS to you, Steve! Not only are you a great player, you are also a great teacher! I, too, am a woodwinds player/teacher. I have new inspiration to play and teach because of you. The concepts and “thinking” is similar to what I already learned in College, but hearing you explain and PLAY the concepts REALLY MAKES THE DIFFERENCE! Also, your written patterns are more interesting than other books I have seen! Keep up the good work. I will be recommending your sit… Read more
I will be recommending your site to others!
Your major diatonic patterns book is great. I”m studying the first twenty patterns (first twenty pages) each day with different articulation each day and slowly increasing the tempo each week or so.  There is a noticeable improvement in finger coordination across all keys and its amazing how much more secure I feel on the difficult keys when attempting to play pieces with 5+ flats/sharps. I’m able to sort out the fingerings for these pieces now much more quickly than before, often in one or two … Read more
Geoff
I can see from your instructional videos that you are a fantastic teacher – one that can truly relate to all ages – humble yet very positive in approach – never coming across as superior and yet so totally capable of demonstrating the principles and techniques that you seek to impart to the students. I have gained so much confidence in my playing from “pouring over” time and again these invaluable lessons. Invaluable not only in musical content, but also in human interaction content. I am absolu… Read more
Ron
Steve’s monthly lessons are entirely valuable. Without brow beating, he tells you all the stuff you deep down know you really should be working on, instead of just relying on the same old patterns. In spite of the fact that you’re taking a video lesson, Steve’s presentation is comfortable and “real”. In a little more than a year, he’s developed a library of lessons that seem to offer any player a lifetime’s worth of practice material. I’m just glad I stumbled upon it.… Read more
Grant
Hi Steve, I have been shedding your materials for quite a while now and I love them! They are extremely well organized and presented and there are tons of ’em! I really appreciate your methodical approach and find myself referring students to your resources often.  Thanks so much!  
Kenyon Carter

Featured Video Lessons

  • Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book) Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book)
    Rated 5.00 out of 5
    $19.99 Original price was: $19.99.$14.99Current price is: $14.99.
  • The Secret to Modern Outside Jazz Lines Lesson-Minor The Secret to Modern Outside Jazz Lines Lesson-Minor $9.99
  • Creating Modern II-V-I Lines with Simple Pentatonics Lesson Creating Modern II-V-I Lines with Simple Pentatonics Lesson
    Rated 5.00 out of 5
    $9.99
  • The Best Embouchure for Tone, Intonation and Endurance Lesson The Best Embouchure for Tone, Intonation and Endurance Lesson
    Rated 4.91 out of 5
    $9.99
  • The Secret to Altissimo (no one has ever told you about before) Lesson The Secret to Altissimo (no one has ever told you about before) Lesson
    Rated 4.75 out of 5
    $9.99

Now over 600 video and audio lessons to choose from!

Free Lessons

  • Free Lesson on The New Ultimate II-V-I Primer-Major Keys
  • Free Video Lesson on Mastering Altered Pentatonics
  • Free Video Lesson on Mastering the Blues Scale Volume 1 & 2
  • Free Video Lesson on Mastering the Dominant Bebop Scale and Language Book 1 & 2
  • Free Video Lesson on Approach Note Velocity Book

Recent reviews

  • Bebop Scale-Altered Scale II-V-I Practice Lesson Bebop Scale-Altered Scale II-V-I Practice Lesson by Noah
  • Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book) Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book) by Andy
  • Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book) Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book)
    Rated 5 out of 5
    by Russ
  • Creating Modern II-V-I Lines with Simple Pentatonics Lesson Creating Modern II-V-I Lines with Simple Pentatonics Lesson
    Rated 5 out of 5
    by Timothy
  • The Best Embouchure for Tone, Intonation and Endurance Lesson The Best Embouchure for Tone, Intonation and Endurance Lesson
    Rated 5 out of 5
    by Ray Holland

Footer

Recent Comments

  • Giuseppe C. on Otto Link Super Tone Master Florida V Tenor Saxophone Mouthpiece Review
  • Dino Govoni on Snake Oil for the Saxophone? The Buzz Oversized Neck Screw by Westcoast Sax
  • Mark White on Marc Jean Saxophone Ligature II Model 700 Review
  • Gerrit Schwab on Les Becs d’Autan Florida Tenor Saxophone Mouthpiece Review
  • Dan on A Blast from the Past-Chromazone by Mike Stern Cover

Top rated products

  • Mastering the Major Bebop Scale & Sound (Digital PDF Book) Mastering the Major Bebop Scale & Sound (Digital PDF Book)
    Rated 5.00 out of 5
    $14.99
  • Tune of the Week-Softly as a Morning Sunrise Lesson Tune of the Week-Softly as a Morning Sunrise Lesson
    Rated 5.00 out of 5
    $9.99
  • The Style of Dexter Gordon-Lady Bird Lesson 1 The Style of Dexter Gordon-Lady Bird Lesson 1
    Rated 5.00 out of 5
    $9.99
  • Tune of the Week-Days of Wine and Roses Lesson Tune of the Week-Days of Wine and Roses Lesson
    Rated 5.00 out of 5
    $9.99
  • Tune of the Week-Invitation Tune of the Week-Invitation
    Rated 5.00 out of 5
    $9.99

Product tags

alto sax alto saxophone approach notes audio lesson bebop scale beginner beginner saxophone blues blues licks blues patterns blues scale blues scales diminished scale dominant chords ear training fundamentals II-V-I improvisation jazz improvisation jazz lines jazz patterns jazz sax jazz saxophone jazz standard jazz standards licks Mastering the Blues Scale Michael Brecker modern improv modern improvisation online lesson patterns playing outside practice habits reading music sax basics sax lessons saxophone scales smooth jazz steve neff tenor sax tenor saxophone video lesson video lessons
  • Instagram
  • Facebook
  • Twitter
  • SUPPORT

Neffmusic © 2005–2025