• Skip to main content
  • Skip to primary sidebar
  • Skip to footer

Website of Steve Neff

  • BLOG
  • SHOP
  • MY ACCOUNT
  • RAVES
  • CONTACT

Search Neffmusic

You are here: Home / Reviews / Mouthpiece Reviews / Alto Mouthpiece Reviews / Alto Medium Baffle Reviews / D’Addario Select Jazz Alto Saxophone Mouthpiece

D’Addario Select Jazz Alto Saxophone Mouthpiece

September 12, 2014 by Steve 24 Comments

Today,  I am reviewing a new mouthpiece from D’Addario called the Select Jazz alto saxophone mouthpiece.    I heard about the D’Addario Select Jazz model from a friend of mine who ordered one from Sax Quest and was blown away by it.  His email and raves were enough to rouse my curiosity and review one of these so here it is……………..

D’Addario Select Jazz Alto Saxophone Mouthpiece

The D’Addario Select Jazz is advertised as being a mouthpiece that captures the feel and tone of the legendary mouthpieces from years past………. Here is a snippet from the Saxquest website about the D’Addario Select Jazz mouthpiece:

Saxquest is super pumped to be able to present the latest in great hard rubber mouthpieces for alto sax.  This is the new Select Jazz Alto Sax mouthpiece by D’ Addario. We have been play testing these pieces extensively and put them side by side with our best vintage Meyer’s and have been blown away every time. These pieces are made from high quality rod hard rubber. Their build features a medium opened chamber with a medium facing length, available in 3 facing sizes 5, 6 and 7.  
 
The Select Jazz mouthpiece plays with a strong and very rich core sound. Its full warmth is consistent and balanced across the entire range of the instrument. The low end response as well as the ease and clarity of the altissimo register is notably exceptional. Its superb flexibility allows the piece to be used in a multitude of musical situations. Rather you are looking for a warm jazz sound or are in need of more cut for lead work the Select Jazz is a fine choice.  
 
Listed Below are the Mouthpiece spec by D’Addario 
 
-D5M .073” (1.86mm)
-D6M .078” (1.98mm)
-D7M .083” (2.10mm)
  • 100% precision-milled, vintage-inspired jazz mouthpieces
  • The Select Jazz line is milled not molded, from solid rod rubber, using D’Addario’s precise computer-controlled mouthpiece-making technology
  • Classic sound and response, with even intonation across the entire range of the saxophone
  • Features medium chambers and facing lengths
  • Available in three tip openings: 5, 6, and 7

The Select Jazz alto saxophone mouthpiece looks great to the eye. The side rails and tip are nicely cut and even.  The D7M model that I have looks to have what I would call a medium-low rollover baffle on it.  The baffle slides down smoothly into what I would consider a medium small chamber. (It looks a little smaller than a JVW Meyer medium chamber as I compare the mouthpieces side by side)  The side rails are slightly scooped out and look smooth and even.  The roof of the chamber is thicker and also similar to my JVW Meyer as I compare it by eye.

D’Addario Select Jazz Alto Saxophone Mouthpiece

The D’Addario Select Jazz played well with a Java 2 1/2 reed on it.  The .083 tip seemed to favor a softer reed for me.  I tried a few 3’s of different brands but they felt too stiff for my tastes.   I used a Vandoren Optimum metal ligature on the sound test also.

For me,  the Select Jazz had a classic Meyer sound to it.   It definitely leaned to the brighter side of tone for me.  The tone had a nice tight core to it and a dryness and lightness to it.   I had no problem getting a classic bebop sound out of this mouthpiece.  It was smooth throughout the range of the horn and the intonation was excellent.   I could get a respectful volume out of the Select Jazz also which is nice.

D’Addario Select Jazz Alto Saxophone Mouthpiece

My only negative about the Select Jazz is that the bore of the mouthpiece is smaller than most alto mouthpiece bores.  I have probably 10 alto mouthpiece in my office now and they all fit on my alto neck pretty similarly.  The Select Jazz is quite a bit tighter.  This is nothing a little cork grease won’t fix but is kind of a pain if you plan on playing other mouthpieces. (My fix in case you don’t know it is to dip the cork into boiling water for 2 seconds.  The heat expands the cork back to it’s original size……..)

D’Addario Select Jazz Alto Saxophone Mouthpiece

I think D’Addario has done a great job recreating a great Meyer vibe at a reasonable price.   At this moment, the Select Jazz alto mouthpiece is retailed at 149.00 at  Saxquest.com.   That is a great price for this mouthpiece in my opinion.   I wish I could have had a mouthpiece like this to choose from when I was a student in high school many years ago.

I haven’t tried the 5 and 6 Select Jazz but I am also curious as to how they compare and play.   I would imagine that they are a bit brighter and even more focused sounding.  I would have no problems recommending this alto mouthpiece to some of my high school alto students looking for that next step up mouthpiece…………..

D’Addario Select Jazz Alto Saxophone Mouthpiece

If you like the sound of the D’Addario Select Jazz alto saxophone mouthpiece clip below and the mouthpiece catches your interest then give it a try.  You can get more information and purchase the D’Addario Select Jazz to try at www.saxquest.com Tell them Steve sent you………….!!

Let me know what you think in the comments below. Thanks, Steve

https://public.neffmusic.com/SJ7.mp3

D’Addario Select Jazz Alto Saxophone Mouthpiece

Filed Under: Alto Medium Baffle Reviews, Alto Mouthpiece Reviews, Mouthpiece Reviews Tagged With: Alto Saxophone, D'Addario, jazz sax, mouthpiece, Select Jazz, vintage meyer

Steve

About Steve

Steve Neff has been playing and teaching saxophone and jazz improvisation around the New England area for over 30 years. He is the author of many best selling jazz improvisation methods as well as founding the popular jazz video lesson site Neffmusic.com.

Reader Interactions

Comments

  1. AvatarLarry Weintraub says

    September 17, 2014 at 5:55 pm

    Steve: This mpc definitely has a Meyer type sound to it. It sounds like you could play lead in a big band, or 2nd alto. In addition it sounds like it is a good combo mpc in both the bebop and swing styles.

    In addition this mpc is only $149.00 so it is relatively inexpensive. This makes it a good choice for high school or college student or even a pro looking for a inexpensive good choice of a alto mpc.

    Reply
    • SteveSteve says

      September 22, 2014 at 9:45 am

      I agree Larry. Thanks for commenting. If you play one feel free to come back and let us know what you think……. Steve

      Reply
  2. AvatarCameron Ross says

    February 10, 2015 at 10:54 pm

    I bought one of these at SaxQuest a few months ago (D6M). I was able to get a great sound with a V16 size 3. It’s on the bright side with a great core sound. Response is great from the bottom to the top of the horn.

    Reply
  3. AvatarErik Cloud says

    March 20, 2015 at 1:11 pm

    I have the 5M, .73 tip opening. Best MP I’ve played. I think it blows away other MP’s in the $300-$500 range. My biggest complaint with some of the other companies trying to replicate the vintage NY Meyer sound is that the all sound thin to me. They’re missing a richness to their sound. This D’Addario is an excellent piece.

    Reply
    • SteveSteve says

      March 24, 2015 at 9:55 am

      That’s great Erik. I’m glad you are digging the mouthpiece…………

      Reply
  4. AvatarErik Cloud says

    March 20, 2015 at 1:12 pm

    Hey Steve, here are some guys from Rico playing the D’Addario and talking about the piece. https://youtu.be/HbtGE_MjyUw

    Reply
  5. AvatarDaniel Sgattoni says

    January 29, 2016 at 9:46 pm

    Did you use java green box or red filed reeds in this test?

    Reply
    • SteveSteve says

      January 29, 2016 at 10:26 pm

      Daniel,
      If they were Vandorens then it was the Java Green Box. I hate the red box Javas. I have no idea why but every time I try the red box Javas I can’t stand them………..

      Reply
  6. AvatarBob Sanders says

    August 1, 2017 at 12:40 pm

    I have played tenor for years and decided to obtain an alto. I purchased a vintage Buescher 400 from Saxquest and decided to try
    the Select Jazz mpc along with the vandoren Java 21/2 green box reed. I have always used metal on my tenor and decided to try
    something different on the alto. Glad I did. Love the sound and wished I had this mpc ten years ago on a Selmer series 80 I think?
    Put a Bobby Dukoff D7 silverite mpc on it and it was nothing short of awful!

    Reply
  7. AvatarMark Corazza says

    December 28, 2017 at 12:48 am

    Great mouthpiece, relatively free blowing with rich sound. Much better than many other more expensive mouthpieces. My only gripe is that I had to send it off to have the bore increased so I can use it along with other mouthpieces. This one squeezes the cork down so every other mouthpiece is too loose.

    Reply
    • SteveSteve says

      January 11, 2018 at 10:11 am

      Mark, Yes, I agree about the bore. I really hope they fix that! I don’t have one now for that reason. I can’t play and review other pieces if I have a piece that crushes the cork down to nothing every time I use it……Steve

      Reply
  8. AvatarEgil Furre says

    January 3, 2018 at 4:43 pm

    I just got a brand new Alto D’addario D7M Jazz Select on my refacing workbench. I haven’t played it yet but startet to measure it and found that it has a perfect flat table and facing curve. I have never seen any mpc that perfect directly from the factory.

    Reply
    • SteveSteve says

      January 11, 2018 at 10:03 am

      Egil, Thanks for sharing that. That is a good sign. I hope they continue to keep their quality and standards that high. Steve

      Reply
  9. AvatarSteve Buckley says

    January 3, 2019 at 5:34 pm

    I would like to get a mouthpiece to replace a 1980’s Otto Link 6*. Which D’addario would you recommend as the closest match, 6 or 7?
    Steve Buckley

    Reply
    • SteveSteve says

      January 5, 2019 at 12:08 pm

      Steve, You could go either way. I think a 6* Otto Link alto mouthpiece is .080 (according to Theo Wanne’s tip opening chart) The D’Addario 6 is .078 I believe and the 7 is .083 from what I have read online. Me personally, I would go with the 6 as .080 is the top tip opening I feel comfortable with (I can go higher if the baffle is high though). Either way, both are pretty close. Steve

      Reply
  10. AvatarAlexandra Willats says

    October 2, 2019 at 7:18 am

    Hi. Does anyone know if they’ve resolved the small bore issue? I’ve got a Yanagisawa AW010 and want to be sure it will fit, without modifying my sax!

    Reply
    • AvatarLars Ullitz says

      January 27, 2021 at 10:27 am

      Hi. Sorry to say, but the bore issue is still the same.

      Reply
  11. AvatarGlen Manby says

    March 22, 2021 at 3:34 pm

    Hi Steve, pleased to report that D’Addario seem to have resolved the small bore issue: the D5M I just received in the post today has a pretty normal size bore – in fact, it is ever so slightly looser than my 2 Meyers and my Drake Phil Woods!!

    Reply
    • AvatarKen Tyler says

      April 13, 2021 at 9:49 am

      Hi, Yes, I can second that – the bore on my new D6M is just fine.

      Reply
      • AvatarEric Raeburn says

        April 24, 2021 at 8:23 am

        Ken–
        Where did you get your “fixed bore” D6M? WWBW has them on sale; I’m considering taking the plunge.
        Thanks,
        Eric

        Reply
    • AvatarWarren Anderson says

      February 6, 2022 at 10:13 am

      Note that WWBW used pieces are the best deal going, in my opinion. I’ve bought several Level 2 and they were in perfect condition, at a substantial discount.
      My recent SJ D5M was fine overall on the cork but I did sand a chamfer onto the bore at the butt. The stock factory sharp angle creates a crisp step-off ledge on the cork which limits tuning with any other piece.
      I didn’t trust a factory piece that was CNC milled with no hand finish so I sent mine to Mojo and he assessed that it was perfect as-was, needed no tweaking at all. Pretty good endorsement of the D’Addario manufacturing process, I believe.

      Reply
  12. AvatarAndy Bald says

    July 3, 2023 at 1:30 pm

    Hi Steve

    As always you sound great on this mouthpiece!
    Previous comments have mentioned the bore issue has been rectified – I can also confirm this is the case – & as such the mouthpiece goes very easily onto the crook cork.
    You might be interested to know, that the D6M, which is what I have & I believe is probably closer to the tip opening you usually favour, plays super great, allowing for a really crisp articulation with a nice amount of resistance, that some of the higher priced, hand made mouthpieces available don’t always have, which in my case makes me play too much ahead of the beat – it’s all subjective of course, but the slicker they are, the less controllable they seem to play for me.
    A nano second more time to think and react is a good thing for musical creativity also!

    All the best, I hope everything is going well for you

    cheers

    Andy

    Reply
    • SteveSteve says

      July 4, 2023 at 3:03 pm

      Thanks for coming by and adding to the discussion, Andy. You have me curious about the D6M now…….

      Reply
      • AvatarAndy Bald says

        July 4, 2023 at 3:28 pm

        Hi again Steve

        You are very welcome, I reckon you should scratch that itch, after all you never know….

        Cheers
        Andy

        Reply

Leave a Reply to Steve Cancel reply

Your email address will not be published. Required fields are marked *

Primary Sidebar

Cart

Subscribe to the Neffmusic Newsletter for the latest reviews and best deals delivered straight to your inbox every month. Join now and you will also receive my 40 Ultimate Michael Brecker Licks free!

Select list(s) to subscribe to


Thanks for joining!


NEFFMUSIC PRINTED BOOKS

Testimonials

I am enjoying your style of teaching, and you’ve done a great job with the videos….good sound quality and well constructed lessons.  Balances the more guitaristic material found on the majority of guitar based programs.  Jazz vocab is what I’m all about at this point in the journey.  I especially dig the fact that you’ve studied with Bergonzi…helps me see his voluminous output in a more bite sized way.

Milton

Hello Steve,

I just want to say thank you so much for your unbelievable work, it is just mind opening, thanks for sharing it.

Wolfgang from Berlin

Wolfgang from Berlin
Two years later I began a search for a sax teacher and happened to come across Steve Neff when I was searching YouTube for sax teachers.  I went to neffmusic.com and was very impressed with the lessons Steve Neff was offering.  The concept of selecting lessons was an approach that I thought was unique and purchased a few lessons.  I liked the lessons so much that I signed-up for a 6 month package. I was very happy with all the lessons I selected.  I also purchased Steve’s book Mastering the B… Read more
Michael
I’ve been downloading your lessons for 4 months now (20 lesson) and I have noticed tremendous growth in my playing thus far! I’m so happy that I stumbled upon your site!
Bob

Thank You Steve. I think that I will be busy for years. Thank You for your great contribution to jazz music. Your books, more than teaching “how to play jazz”, actually teach “how to speak jazz”. I wish I found your methods years ago.  

Jean-Eric
Thank you for all the educational information you provide.  I am a classically trained musician.  Professionally, I am a 4th and 5th grade band teacher.  I have played piano and sax for many years, but now I am starting to gig out more. I have always improvised by ear in the past. I have gotten by with my strong sense of pitch, rhythm and melodic contour. However, I want to go deeper. I want to play with a greater variety of melodic and rhythmic ideas to pull from.  I have studied to gain a … Read more
Ray
I have found your videos and publications inspiring and your contribution to the world of saxophone playing is immense. Paul
Paul
I would like to say that in the last year my sax playing has progressed loads from your lessons. I have had a sax for about 20 years and dabbled with lessons from a few teachers and have learnt very little from them. As you have said in your lessons many teachers tell you to use the blues scale and leave it there, not even showing you the resolution points!!. I am now believing I can in time become a good improviser.
Thanks again,
Shane
Shane
I am a music book junkie and I have to say that your books are the most clear, user friendly, and helpful books I own.  They are my absolute favorites and I only wish I had them years ago.  I wouldn’t change a thing about the experience I had in acquiring my degree at Berklee, but my playing has perhaps grown more in the time I’ve spent buried in your books and lessons.  Keep up the great work!!! Thanks, John
John
Just wanted to send you a quick note to say thank you for being you, your playing, your website and your desire to help others. I’m a professional musician in the US Army and I’ve visited your website almost every day since discovering it a couple of months ago. Your lessons are profound and easy to use. I’ve purchased most of your PDF books and now am starting to delve more into the video and audio lessons.  Thank you for being a great resource!
James
Just to say thanks for your advice and lessons.  I’ve just read your amazing story.  I really appreciate what you do in regards to teaching.  I have bought a couple of your lessons and frankly they’re undersold.   I’ve learned much more with these two lessons than with 2 years of sax teachers.   Thanks so much………..
Mike
Thanks so much for putting all this great learning material out there. I don’t often have the time to take a lesson with a teacher, so the ability to download lessons is really invaluable. My playing has improved enormously (I think :)) – and the lessons are so varied there’s always something to be inspired by. Incredible value too!
Roger
Hey Steve, I’m a 22-year-old from Australia. I thought it would be worth saying. You’re an absolute legend. I can’t thank you enough. You have helped me rekindle my love for the saxophone and music as a whole. All the best for the future, your work doesn’t go unnoticed. PS. I am loving your devastating minor lines pdf.
Sapph
Hi Steve, I can’t express just how much I appreciate your teaching. My playing has improved so much over the past year since I have been studying and practicing with your lessons. It is possible to teach an old dog new tricks, these lessons are proof! Thanks, Michael Byington
Michael Byington

Steve, just a note to say thanks.

I’ve been playing a long time, but your material, laid out in such a thoughtful way, helps me to understand concepts in a new and deeper way.

You are a true gift to the jazz community.

60 lessons and going strong,

Kevin Ledbetter

Kevin Ledbetter
Steve really changed my way of practicing: I got a whole lot of new ideas for my playing the tenor.  His lessons are really helpful, give a lot stuff to practice and give clear answers to complicated stuff.  Steve has a lot of humor and I wish I had laughed so much in my former days with the horn.  All topics, from Blues to Approach note are dealt with clearness that wet ones appetite to play and practice that great ideas.
Uwe
I can see from your instructional videos that you are a fantastic teacher – one that can truly relate to all ages – humble yet very positive in approach – never coming across as superior and yet so totally capable of demonstrating the principles and techniques that you seek to impart to the students. I have gained so much confidence in my playing from “pouring over” time and again these invaluable lessons. Invaluable not only in musical content, but also in human interaction content. I am absolu… Read more
Ron
It is so refreshing to have a great player, who can provide lessons and examples in a manner which is understandable to most any enthusiastic saxophonist who is ready to improve. not just the, do this, do that, memorize this, memorize that… while all that is absolutely necessary, you go on to give reasons and examples to explain and validate why you have to do all of these things, the benefits, if you will… that is the key for me, you tell, explain, demonstrate, explain some more, you give perso… Read more
Cedric
First, I’m really excited about your materials! This site is a vast resource for any aspiring (and maybe already inspired) jazz musicians. I’m not a sax player, I play mandolin and fiddle, but have been learning jazz and playing weekly with a quintet for the past 6 months and have been struggling with all of the issues you get into in your lessons. I bought several books and lessons and plan to continue with some others as soon as I organize my practice routine. Thanks again for a great site … Read more
Tony Galfano
I want to say something about Steve Neff’s series of lessons, Beginner Jazz Improvisation. For a couple of years I tried many beginner lessons and my problem was that there was a gap between lessons that were fairly simple and ones that I was not quite ready for and my progress stalled out. That problem was solved with the series Beginner Jazz Improvisation. He guides you step by step along the way and builds a foundation for learning jazz and blues. He leaves no question about what to practice … Read more
Pete
I like so many other subscribers feel so encouraged by Steve’s learning techniques; you will enjoy reading the comments of praise others have left as you too will feel that you share a common view and path. I feel very lucky to have come across Neffmusic and that feeling will remain with you as you search through a treasure trove of learning materials on offer, you will quickly find the lessons that you are suited to. You will instantly recognize the unparalleled quality of Steve’s teaching … Read more
Stephen
I can’t say enough about my membership at Neff Music. Steve has taken the mystery out of playing the saxophone well and improvising both jazz and rock music. Like most struggling players I have a load of all sorts of books on my shelf just gathering dust. Books that I didn’t understand or know how to put to use…or just have the time to go threw them. Steve’s lessons really simplify things and he puts it in a way that I can understand. They inspire me to keep pushing and having him as my guide or… Read more
Ken
I am enjoying your style of teaching, and you’ve done a great job with the videos….good sound quality and well constructed lessons.  Balances the more guitaristic material found on the majority of guitar based programs.  Jazz vocab is what I’m all about at this point in the journey.   I especially dig the fact that you’ve studied with Bergonzi…helps me see his voluminous output in a more  bite sized way.
Milton
Steve’s monthly lessons are entirely valuable. Without brow beating, he tells you all the stuff you deep down know you really should be working on, instead of just relying on the same old patterns. In spite of the fact that you’re taking a video lesson, Steve’s presentation is comfortable and “real”. In a little more than a year, he’s developed a library of lessons that seem to offer any player a lifetime’s worth of practice material. I’m just glad I stumbled upon it.… Read more
Grant

Featured Video Lessons

  • Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book) Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book)
    Rated 5.00 out of 5
    $19.99 Original price was: $19.99.$14.99Current price is: $14.99.
  • The Secret to Modern Outside Jazz Lines Lesson-Minor The Secret to Modern Outside Jazz Lines Lesson-Minor $9.99
  • Creating Modern II-V-I Lines with Simple Pentatonics Lesson Creating Modern II-V-I Lines with Simple Pentatonics Lesson
    Rated 5.00 out of 5
    $9.99
  • The Best Embouchure for Tone, Intonation and Endurance Lesson The Best Embouchure for Tone, Intonation and Endurance Lesson
    Rated 4.91 out of 5
    $9.99
  • The Secret to Altissimo (no one has ever told you about before) Lesson The Secret to Altissimo (no one has ever told you about before) Lesson
    Rated 4.75 out of 5
    $9.99

Now over 600 video and audio lessons to choose from!

Free Lessons

  • Free Lesson on The New Ultimate II-V-I Primer-Major Keys
  • Free Video Lesson on Mastering Altered Pentatonics
  • Free Video Lesson on Mastering the Blues Scale Volume 1 & 2
  • Free Video Lesson on Mastering the Dominant Bebop Scale and Language Book 1 & 2
  • Free Video Lesson on Approach Note Velocity Book

Recent reviews

  • Bebop Scale-Altered Scale II-V-I Practice Lesson Bebop Scale-Altered Scale II-V-I Practice Lesson by Noah
  • Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book) Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book) by Andy
  • Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book) Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book)
    Rated 5 out of 5
    by Russ
  • Creating Modern II-V-I Lines with Simple Pentatonics Lesson Creating Modern II-V-I Lines with Simple Pentatonics Lesson
    Rated 5 out of 5
    by Timothy
  • The Best Embouchure for Tone, Intonation and Endurance Lesson The Best Embouchure for Tone, Intonation and Endurance Lesson
    Rated 5 out of 5
    by Ray Holland

Footer

Recent Comments

  • Steve on Will the Real Michael Brecker’s Sax Mouthpiece Please Stand Up?
  • Perry on Will the Real Michael Brecker’s Sax Mouthpiece Please Stand Up?
  • Dominique on Otto Link Super Tone Master Florida V Tenor Saxophone Mouthpiece Review
  • Felipe on Drake Jerry Bergonzi Master Series Power Resonance 7* Tenor Saxophone Mouthpiece Review
  • Steve on Ted Klum Focustone Standard Model Tenor Saxophone Mouthpiece

Top rated products

  • Mastering the Major Bebop Scale & Sound (Digital PDF Book) Mastering the Major Bebop Scale & Sound (Digital PDF Book)
    Rated 5.00 out of 5
    $14.99
  • Tune of the Week-Softly as a Morning Sunrise Lesson Tune of the Week-Softly as a Morning Sunrise Lesson
    Rated 5.00 out of 5
    $9.99
  • The Style of Dexter Gordon-Lady Bird Lesson 1 The Style of Dexter Gordon-Lady Bird Lesson 1
    Rated 5.00 out of 5
    $9.99
  • Tune of the Week-Days of Wine and Roses Lesson Tune of the Week-Days of Wine and Roses Lesson
    Rated 5.00 out of 5
    $9.99
  • Tune of the Week-Invitation Tune of the Week-Invitation
    Rated 5.00 out of 5
    $9.99

Product tags

alto sax alto saxophone approach notes audio lesson bebop scale beginner beginner saxophone blues blues licks blues patterns blues scale blues scales diminished scale dominant chords ear training fundamentals II-V-I improvisation jazz improvisation jazz lines jazz patterns jazz sax jazz saxophone jazz standard jazz standards licks Mastering the Blues Scale Michael Brecker modern improv modern improvisation online lesson patterns playing outside practice habits reading music sax basics sax lessons saxophone scales smooth jazz steve neff tenor sax tenor saxophone video lesson video lessons
  • Instagram
  • Facebook
  • Twitter
  • SUPPORT

Neffmusic © 2005–2025