• Skip to main content
  • Skip to primary sidebar
  • Skip to footer

Website of Steve Neff

  • BLOG
  • SHOP
  • MY ACCOUNT
  • RAVES
  • CONTACT

Search Neffmusic

You are here: Home / Reviews / Mouthpiece Reviews / Alto Mouthpiece Reviews / Alto High Baffle Reviews / Absolute Alto ST Saxophone Mouthpiece

Absolute Alto ST Saxophone Mouthpiece

December 18, 2013 by Steve 5 Comments

Today, I am reviewing a mouthpiece made by the Absolute company. These are made in Italy and this model is called the “Alto ST”.  There is also an Alto AL, Alto + and a Alto R model on their website. You can also find all these models for Baritone, Soprano and Tenor saxophones as well. This ST is made of stainless steel.  Below is a picture of many of the ST mouthpieces for all the saxophones.

Absolute Alto ST Saxophone Mouthpiece

All of these models are priced pretty reasonably. This model is about 282 US dollars. (the exchange rate is always changing so this price will fluctuate somewhat)

The mouthpiece looks great. The tip rails look very even and it has a smooth baffle that slopes down into a medium to large  chamber.  The transition from the baffle into the chamber has a Berg Larsen type scoop to it. The sidewalls are straight and even until they meet the circular medium chamber.

Absolute Alto ST Saxophone Mouthpiece

The tip opening on this mouthpiece is a 7* which is a .090 tip opening which surprised me because I have never been very comfortable with anything over .080 on alto yet I was very comfortable on this mouthpiece.   A Vandoren Java 3 reed played perfectly on it for me.  The Absolute ST alto mouthpiece comes with it’s own custom built ligature which is really nice. If you look at the picture below you will see that the ligature has 8 sides to it. These 8 sides match up perfectly with the 8 sides the mouthpiece has. It is next to impossible to have trouble with this ligature. You just slide it on in the position that fits the mouthpiece and then tighten. As you tighten the crew, the plates descend down onto the reed and clamp it to the table. It’s a very inventive and unique design in my opinion……….

Absolute Alto ST Saxophone Ligature

The Absolute Alto ST mouthpiece has an almost duckbill type design to the beak although it is not as extreme as some duckbill beaked mouthpieces I have played. It feels very comfortable to me.

Absolute Alto ST Saxophone Mouthpiece

The tone of the Absolute “Alto ST” is focused and brighter to me.  It’s tone has a nice bright bebop sound to it that can also cover the louder R&B type alto genres.

There was something about it’s tone and smoothness that made it very enjoyable to play.   in the clip below I am playing a solo by Phil Woods.  He played this over “The Summer Knows”.   I played this solo like crazy in high school and just found the transcription this week.  I don’t think I have played it in about 30 years!   (I played “The Summer Knows”  in my senior concert in high school because I loved that rendition by Phil Woods so much.  I think that is one of the greatest sax solos ever!!!  Check it out!  It’s on the Musique Du Bois  CD………..)  Anyways, back to the mouthpiece………

Absolute Alto ST Saxophone Mouthpiece

If you are interested in the Absolute “Alto ST” alto saxophone mouthpiece contact Marco at Absolutesax.com.  This is a great alto mouthpiece for those of you looking for this type of sound!!.

Let me know what you think in the comments below………….Thanks, Steve

Absolute Alto ST Saxophone Mouthpiece

https://public.neffmusic.com/AbsoluteSTAlto.mp3

Absolute Alto ST Saxophone Mouthpiece

 

Filed Under: Alto High Baffle Reviews, Alto Mouthpiece Reviews Tagged With: Absolute, Alto Saxophone, sax mouthpiece, ST

Steve

About Steve

Steve Neff has been playing and teaching saxophone and jazz improvisation around the New England area for over 30 years. He is the author of many best selling jazz improvisation methods as well as founding the popular jazz video lesson site Neffmusic.com.

Reader Interactions

Comments

  1. AvatarJason says

    January 9, 2014 at 10:19 pm

    I agree; Phil’s solo on “The Summer Knows” is still one of my all-time favorites. Sounds great as always, Steve.

    Reply
  2. AvatarSheryl says

    October 13, 2014 at 9:08 am

    This mouthpiece has a very nice sound. It doesn’t seem too bright or edgy for a metal mouthpiece. A bit warmer sounding than many other mouthpieces, not quite sure how to describe it. This may be another mouthpiece for me to consider.

    Reply
  3. AvatarGiuseppe Pino Scuro says

    August 29, 2020 at 1:59 pm

    Pino Scuro
    29. August 2020 19:58
    Thank you for your excellent review of the two Mouthpieces for alto sax. I have listened to A+ and ST several times, I think ST has convinced me more, so I will soon buy it. Thanks again, I wish you good work

    Reply
  4. AvatarConnor says

    April 23, 2024 at 12:17 am

    These seem to be some of the only stainless steel mouthpieces produced today (other than Lawton mouthpieces, but I’m not sure if they’re still in production) that are designed without a super high baffle, laser-focused sound design. Do you have any insights regarding other stainless steel mouthpieces that are designed to be more middle-of-the-road, flexible or darker mouthpieces?

    Reply
    • SteveSteve says

      April 23, 2024 at 7:48 am

      No, sorry. I don’t think I have played any other stainless steel alto mouthpieces that I can remember. The Ponzol mouthpieces are stainless steel but I have only tried the tenor mouthpieces.

      Reply

Leave a Reply to Steve Cancel reply

Your email address will not be published. Required fields are marked *

Primary Sidebar

Steve Neff

Cart


NEFFMUSIC PRINTED BOOKS

Testimonials

Thank you for all the educational information you provide.  I am a classically trained musician.  Professionally, I am a 4th and 5th grade band teacher.  I have played piano and sax for many years, but now I am starting to gig out more. I have always improvised by ear in the past. I have gotten by with my strong sense of pitch, rhythm and melodic contour. However, I want to go deeper. I want to play with a greater variety of melodic and rhythmic ideas to pull from.  I have studied to gain a … Read more
Ray
I’ve been having ‘ online’  lessons with Steve for a few months now. Being a teacher myself I had had some reservations with the idea at first and the practicalities of it .  Let me just say that my playing has taken a huge leaps forward while studying with Steve and continues to do so.Steve studied with some renowned player/teachers such as Bergonzi and Garzone– this in itself is invaluable but Steve teaches from his own books, which cover a a vast amount of  jazz language. Steve h… Read more
David
I have been a member of Neffmusic for more than a year now and have enjoyed every minute of it! I have not only been going thru the Dominant Bebop Scale lessons and book (OUTSTANDING!) but the mouthpiece reviews, solo clips and transcriptions are very interesting. Steve approach to beginning and intermediate improv have given me many new pathways to teach my high school jazz ensemble students. Congratulations Steve, great product!
Craig
I’m an experienced player in the pop/soul/funk areas of music and, previously, classical.  Over the decades I’ve been playing, I’ve always felt that I could do what I needed in those styles of music.  However, recently I began to feel limited by my use of the same old licks. When I discovered Steve Neff’s website, and heard the audio examples based on the exercises in his books, I realized they were what I needed.  I purchased all of them and have been working on them since.  It’s very hard work… Read more
Paul

Your material is great! I got your New Altissimo Lesson 6 months ago and I have learned more from that than in all my 44 years of playing! I appreciate your down to earth teaching method and I really appreciate the heart that you teach with. I have been a subscriber to your lessons for the past 6 months and I have learned a great deal. Over that period of time I have had some questions and you have never failed to respond. Thanks! I have already recommended your lessons to a number of players in… Read more

Michael Byington
Steve’s monthly lessons are entirely valuable. Without brow beating, he tells you all the stuff you deep down know you really should be working on, instead of just relying on the same old patterns. In spite of the fact that you’re taking a video lesson, Steve’s presentation is comfortable and “real”. In a little more than a year, he’s developed a library of lessons that seem to offer any player a lifetime’s worth of practice material. I’m just glad I stumbled upon it.… Read more
Grant
Absolutely the best learning experience in my 40 years of playing.These books are awesome!!
Alfred LaBella
I am a music book junkie and I have to say that your books are the most clear, user friendly, and helpful books I own.  They are my absolute favorites and I only wish I had them years ago.  I wouldn’t change a thing about the experience I had in acquiring my degree at Berklee, but my playing has perhaps grown more in the time I’ve spent buried in your books and lessons.  Keep up the great work!!! Thanks, John
John
I bought Steve’s dominant bebop book and took a couple of online lesson from him. I really appreciated Steve’s careful listening of what I wanted to get done in a lesson and his clear, concise ideas on next steps to improve my playing and musical interpretation.  His mastering  the Dominant Bebop Scale has lots of exercises to use a scale that addresses the largest percentage of chords I come across in pop/blues music. The dominant V7.  Needless say it has improved my playing.  I teach and a… Read more
Keith
I’ve been downloading your lessons for 4 months now (20 lesson) and I have noticed tremendous growth in my playing thus far! I’m so happy that I stumbled upon your site!
Bob
It is so refreshing to have a great player, who can provide lessons and examples in a manner which is understandable to most any enthusiastic saxophonist who is ready to improve. not just the, do this, do that, memorize this, memorize that… while all that is absolutely necessary, you go on to give reasons and examples to explain and validate why you have to do all of these things, the benefits, if you will… that is the key for me, you tell, explain, demonstrate, explain some more, you give perso… Read more
Cedric
Just wanted to send you a quick note to say thank you for being you, your playing, your website and your desire to help others. I’m a professional musician in the US Army and I’ve visited your website almost every day since discovering it a couple of months ago. Your lessons are profound and easy to use. I’ve purchased most of your PDF books and now am starting to delve more into the video and audio lessons.  Thank you for being a great resource!
James
For anyone living in remote areas away from live jazz sax teachers, Neff is the way to go. In fact this is a great resource for anyone seriously interested in mastering the sax. I’ve never been disappointed in a lesson.
Oliver
I just started looking at my lessons and I have to say, dude you are awesome.  I ABSOLUTELY will learn from you!  I started the tenor about 1 ½ yrs ago and have since picked up an alto, and more recently a soprano.  I spend most of the time on the tenor, followed by soprano, and have only gotten to the alto a few times.  I think I’ll be sticking with tenor.  I’m having a great time and hope one day to play well enough to get regular gigs.  I’ve been playing keys for about 35 years (… Read more
Wil

I must say again how much I appreciate all your material. Including the video tutorials. It help keep me focused and knowing what to aim for. And your laid back teaching style appeals to me too. 

Thanks

P

P
I would like to say that in the last year my sax playing has progressed loads from your lessons. I have had a sax for about 20 years and dabbled with lessons from a few teachers and have learnt very little from them. As you have said in your lessons many teachers tell you to use the blues scale and leave it there, not even showing you the resolution points!!. I am now believing I can in time become a good improviser.
Thanks again,
Shane
Shane

Steve, just a note to say thanks.

I’ve been playing a long time, but your material, laid out in such a thoughtful way, helps me to understand concepts in a new and deeper way.

You are a true gift to the jazz community.

60 lessons and going strong,

Kevin Ledbetter

Kevin Ledbetter
I have found your videos and publications inspiring and your contribution to the world of saxophone playing is immense. Paul
Paul
I just joined Neff Music last month. I can’t tell you how excited I’ve been to be able to pick back up on lessons. I’ve been in a rut and you got me out! I’ve especially appreciated the Lesson Path section. It was so clear I knew exactly where to jump in and start. Many many thanks!
Karin
Hey Steve, I’m a 22-year-old from Australia. I thought it would be worth saying. You’re an absolute legend. I can’t thank you enough. You have helped me rekindle my love for the saxophone and music as a whole. All the best for the future, your work doesn’t go unnoticed. PS. I am loving your devastating minor lines pdf.
Sapph
Just to say thanks for your advice and lessons.  I’ve just read your amazing story.  I really appreciate what you do in regards to teaching.  I have bought a couple of your lessons and frankly they’re undersold.   I’ve learned much more with these two lessons than with 2 years of sax teachers.   Thanks so much………..
Mike
I want to say something about Steve Neff’s series of lessons, Beginner Jazz Improvisation. For a couple of years I tried many beginner lessons and my problem was that there was a gap between lessons that were fairly simple and ones that I was not quite ready for and my progress stalled out. That problem was solved with the series Beginner Jazz Improvisation. He guides you step by step along the way and builds a foundation for learning jazz and blues. He leaves no question about what to practice … Read more
Pete
I have NEVER seen material like yours.  Amazing!!
Jerry
Thank you for the wealth of helpful lessons you’ve provided over the years.  I truly feel as though it has improved my playing more than the 4 years I spent at Berklee… and that’s not a slight on the school as I loved my experience there.
John
John

Featured Video Lessons

  • Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book) Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book)
    Rated 5.00 out of 5
    $19.99 Original price was: $19.99.$14.99Current price is: $14.99.
  • The Secret to Modern Outside Jazz Lines Lesson-Minor The Secret to Modern Outside Jazz Lines Lesson-Minor $9.99
  • Creating Modern II-V-I Lines with Simple Pentatonics Lesson Creating Modern II-V-I Lines with Simple Pentatonics Lesson
    Rated 5.00 out of 5
    $9.99
  • The Best Embouchure for Tone, Intonation and Endurance Lesson The Best Embouchure for Tone, Intonation and Endurance Lesson
    Rated 4.91 out of 5
    $9.99
  • The Secret to Altissimo (no one has ever told you about before) Lesson The Secret to Altissimo (no one has ever told you about before) Lesson
    Rated 4.75 out of 5
    $9.99

Now over 600 video and audio lessons to choose from!

Free Lessons

  • Free Lesson on The New Ultimate II-V-I Primer-Major Keys
  • Free Video Lesson on Mastering Altered Pentatonics
  • Free Video Lesson on Mastering the Blues Scale Volume 1 & 2
  • Free Video Lesson on Mastering the Dominant Bebop Scale and Language Book 1 & 2
  • Free Video Lesson on Approach Note Velocity Book

Recent reviews

  • Bebop Scale-Altered Scale II-V-I Practice Lesson Bebop Scale-Altered Scale II-V-I Practice Lesson by Noah
  • Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book) Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book) by Andy
  • Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book) Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book)
    Rated 5 out of 5
    by Russ
  • Creating Modern II-V-I Lines with Simple Pentatonics Lesson Creating Modern II-V-I Lines with Simple Pentatonics Lesson
    Rated 5 out of 5
    by Timothy
  • The Best Embouchure for Tone, Intonation and Endurance Lesson The Best Embouchure for Tone, Intonation and Endurance Lesson
    Rated 5 out of 5
    by Ray Holland

Footer

Recent Comments

  • James Ramsey on Joe Allard Overtone Exercise for Saxophone
  • Craig on Lamberson F Major Alto Saxophone Mouthpiece
  • Leo on Phil-Tone Tenor Mouthpiece
  • Randy Cosby on GetASax GS Supersonic 50s Dukoff 7* Tenor Saxophone Mouthpiece Review
  • Brian at GetASax on GetASax GS Supersonic 50s Dukoff 7* Tenor Saxophone Mouthpiece Review

Top rated products

  • Mastering the Major Bebop Scale & Sound (Digital PDF Book) Mastering the Major Bebop Scale & Sound (Digital PDF Book)
    Rated 5.00 out of 5
    $14.99
  • Tune of the Week-Softly as a Morning Sunrise Lesson Tune of the Week-Softly as a Morning Sunrise Lesson
    Rated 5.00 out of 5
    $9.99
  • The Style of Dexter Gordon-Lady Bird Lesson 1 The Style of Dexter Gordon-Lady Bird Lesson 1
    Rated 5.00 out of 5
    $9.99
  • Tune of the Week-Days of Wine and Roses Lesson Tune of the Week-Days of Wine and Roses Lesson
    Rated 5.00 out of 5
    $9.99
  • Tune of the Week-Invitation Tune of the Week-Invitation
    Rated 5.00 out of 5
    $9.99

Product tags

alto sax alto saxophone approach notes audio lesson bebop scale beginner beginner saxophone blues blues licks blues patterns blues scale blues scales diminished scale dominant chords ear training fundamentals II-V-I improvisation jazz improvisation jazz lines jazz patterns jazz sax jazz saxophone jazz standard jazz standards licks Mastering the Blues Scale Michael Brecker modern improv modern improvisation online lesson patterns playing outside practice habits reading music sax basics sax lessons saxophone scales smooth jazz steve neff tenor sax tenor saxophone video lesson video lessons
  • Instagram
  • Facebook
  • Twitter
  • SUPPORT

Neffmusic © 2005–2025