• Skip to main content
  • Skip to primary sidebar
  • Skip to footer

Website of Steve Neff

  • BLOG
  • SHOP
  • MY ACCOUNT
  • RAVES
  • CONTACT

Search Neffmusic

You are here: Home / Reviews / Mouthpiece Reviews / Alto Mouthpiece Reviews / Bari Hybrid Alto Saxophone Mouthpiece

Bari Hybrid Alto Saxophone Mouthpiece

February 18, 2013 by Steve 8 Comments

Today, I am reviewing the Bari Hybrid alto saxophone mouthpiece 6 (.077 tip opening).  This mouthpiece has the gold band around it.  It is called a “hybrid” because it is a mix of hard rubber and gold plated brass.  The front part of the mouthpiece is all hard rubber but the shank and bore of the mouthpiece up to the chamber is brass.   Due to the brass shank, the shank end of the mouthpiece is much heavier than the hard rubber end of the mouthpiece.

Bari Hybrid Alto Saxophone Mouthpiece

This Bari Hybrid mouthpiece is a great example of a more affordable mouthpiece that is on the market that plays very well.  These have a retail price at WWBW of 124.99 right now.  Many times,  I have younger student looking for cheaper alternatives for step up mouthpieces that still play well.  Usually, the stock response for alto players is to get a Meyer or Vandoren V16.  This Bari Hybrid is another new alternative on the market.

Bari Hybrid Alto Saxophone Mouthpiece

The mouthpiece looks great from the top.  The engraving and gold band look terrific.  The rails, table, tip and baffle also looked good.  The chamber of the mouthpiece is a bit crooked and askew as you can see in the picture below.  If you are a stickler for perfection and symmetry this might bother you a bit.  I also received a 7 tip opening that had this same chamber look to it so maybe it is just how they make them.

Bari Hybrid Alto Saxophone Mouthpiece

This review is also a great example of how a mouthpiece doesn’t have to have a perfect looking chamber to sound great.  I thought this Bari Hybrid played great.   It had a brighter alto sound and the high notes  had some nice body to them.  The low notes subtoned beautifully and the intonation was very good.  The sound is full and focused with some bright edge in the tone. I think this would be a great step up mouthpiece for middle school or high school kids as well as adults looking for an affordable alto sax mouthpiece.

If I compare it to it’s competitors,  I would say it is louder, brighter and more focused than a Meyer medium chamber or Vandoren V16 medium chamber.  It would probably be more related to their small chambered mouthpieces.  This mouthpiece would sound great in a jazz band setting.

Bari Hybrid Alto Saxophone Mouthpiece

“WWBW”  is carrying the Bari Hybrid Alto Saxophone Mouthpiece.  If you like this Bari Hybrid mouthpiece’s look and sound, visit the WWBW website.  All the Bari products are made in the USA in Sarasota, Florida.

Let me know what you think in the comments below. Thanks, Steve

Audio Player
https://public.neffmusic.com/BariHybridAlto.mp3
00:00
00:00
00:00
Use Up/Down Arrow keys to increase or decrease volume.

Bari Hybrid Alto Saxophone Mouthpiece

  PS.   If you order from WWBW, I suggest ordering at least 3 mouthpieces of the mouthpiece you are interested in.   Many times with mass produced mouthpieces there are variation between mouthpiece of the same make and size.  If you order 3, you can choose the best one and then send the other 2 back for a refund (minus a small restocking fee). Make sure to check WWBW’s policy on mouthpiece returns first though.

 

 

Filed Under: Alto Mouthpiece Reviews Tagged With: alto sax, Bari, Hybrid, review, saxophone mouthpiece

Steve

About Steve

Steve Neff has been playing and teaching saxophone and jazz improvisation around the New England area for over 30 years. He is the author of many best selling jazz improvisation methods as well as founding the popular jazz video lesson site Neffmusic.com.

Reader Interactions

Comments

  1. Avatarong says

    February 20, 2013 at 9:45 am

    What about their Richie Cole one which is cheaper?

    Reply
    • stevesteve says

      February 20, 2013 at 2:27 pm

      I haven’t played that one yet…………….

      Reply
  2. Avatarong says

    February 20, 2013 at 6:46 pm

    I guess they will stop the product and replace it with new steel version?I actually email them about their classical mouthpiece but I think it will be gone as well.
    I hope you will review their Cyclone.

    Reply
  3. AvatarJeff says

    February 3, 2014 at 2:22 pm

    Did you play the 7 Tip opening and how did you like it?
    We bought the 6* Bari Hybrid Tenor after hearing it on your review and really like it. Using Vandoren Optimum Lig and ZZ 2.5 reeds for great sound. Considering one for the Alto and was wondering what would be a good tip opening to start with? I thought you had mentioned .65″ on Alto was comfortable in one of your reviews.

    Reply
    • SteveSteve says

      February 4, 2014 at 2:36 pm

      Jeff, I just played this 6 tip opening. I find .065 a little too closed for me on alto. I prefer a .073-.080 on alto usually. For younger students I usually suggest in the .070-.075 range.

      Reply
  4. AvatarGustavo Silva says

    May 14, 2014 at 10:03 am

    Hi Steve

    You consider this MPC Meyer-ish style?

    Thanks

    Gustavo

    Reply
    • SteveSteve says

      May 30, 2014 at 9:52 am

      Gustavo, Not really. I remember being louder and brighter than a typical Meyer. Maybe like a Meyer on steroids or something……..

      Reply
  5. AvatarGustavo Silva says

    June 19, 2014 at 4:39 pm

    kkkkkk

    Thank you Steve.

    Reply

Leave a Reply to ong Cancel reply

Your email address will not be published. Required fields are marked *

Primary Sidebar

Cart

Subscribe to the Neffmusic Newsletter for the latest reviews and best deals delivered straight to your inbox every month. Join now and you will also receive my 40 Ultimate Michael Brecker Licks free!

Select list(s) to subscribe to


Thanks for joining!


NEFFMUSIC PRINTED BOOKS

Testimonials

1 2 3 4 5
Steve- I joined your site this month and have downloaded 4 lessons and also purchased your new book and video on diatonic patterns. I just want to say I am very pleased with your approach and teaching techniques. I am getting back into playing after laying off for some time. The information you offer on your site is of great value and I am enjoying being a member. Thank you for what you are doing for the saxophone community.
Tony
1 2 3 4 5
Thank you for all the educational information you provide.  I am a classically trained musician.  Professionally, I am a 4th and 5th grade band teacher.  I have played piano and sax for many years, but now I am starting to gig out more. I have always improvised by ear in the past. I have gotten by with my strong sense of pitch, rhythm and melodic contour. However, I want to go deeper. I want to play with a greater variety of melodic and rhythmic ideas to pull from.  I have studied to gain a … Read more
Ray
1 2 3 4 5
I am a music book junkie and I have to say that your books are the most clear, user friendly, and helpful books I own.  They are my absolute favorites and I only wish I had them years ago.  I wouldn’t change a thing about the experience I had in acquiring my degree at Berklee, but my playing has perhaps grown more in the time I’ve spent buried in your books and lessons.  Keep up the great work!!! Thanks, John
John
1 2 3 4 5
I can see from your instructional videos that you are a fantastic teacher – one that can truly relate to all ages – humble yet very positive in approach – never coming across as superior and yet so totally capable of demonstrating the principles and techniques that you seek to impart to the students. I have gained so much confidence in my playing from “pouring over” time and again these invaluable lessons. Invaluable not only in musical content, but also in human interaction content. I am absolu… Read more
Ron
1 2 3 4 5
Hi Steve, I can’t express just how much I appreciate your teaching. My playing has improved so much over the past year since I have been studying and practicing with your lessons. It is possible to teach an old dog new tricks, these lessons are proof! Thanks, Michael Byington
Michael Byington
1 2 3 4 5
Steve really changed my way of practicing: I got a whole lot of new ideas for my playing the tenor.  His lessons are really helpful, give a lot stuff to practice and give clear answers to complicated stuff.  Steve has a lot of humor and I wish I had laughed so much in my former days with the horn.  All topics, from Blues to Approach note are dealt with clearness that wet ones appetite to play and practice that great ideas.
Uwe
1 2 3 4 5
Hey Steve, I’m a 22-year-old from Australia. I thought it would be worth saying. You’re an absolute legend. I can’t thank you enough. You have helped me rekindle my love for the saxophone and music as a whole. All the best for the future, your work doesn’t go unnoticed. PS. I am loving your devastating minor lines pdf.
Sapph
1 2 3 4 5
I am enjoying your style of teaching, and you’ve done a great job with the videos….good sound quality and well constructed lessons.  Balances the more guitaristic material found on the majority of guitar based programs.  Jazz vocab is what I’m all about at this point in the journey.   I especially dig the fact that you’ve studied with Bergonzi…helps me see his voluminous output in a more  bite sized way.
Milton
1 2 3 4 5
I’ve been a member of Steve’s site for about six months now and the difference it has made to my playing is immeasurable. The (many) benefits of this membership are that you can have lessons at time convenient to you, they work out A LOT cheaper than face-to-face lessons with a teacher of the same calibre and you can replay them ad infinitum. I don’t know how many times have I had lessons in the past where I’ve ended up covering the same concepts when really a ‘replay’ of the last lesson would h… Read more
Nick
1 2 3 4 5
Thanks so much for putting all this great learning material out there. I don’t often have the time to take a lesson with a teacher, so the ability to download lessons is really invaluable. My playing has improved enormously (I think :)) – and the lessons are so varied there’s always something to be inspired by. Incredible value too!
Roger
1 2 3 4 5

Hello Steve,

I just want to say thank you so much for your unbelievable work, it is just mind opening, thanks for sharing it.

Wolfgang from Berlin

Wolfgang from Berlin
1 2 3 4 5
Your major diatonic patterns book is great. I”m studying the first twenty patterns (first twenty pages) each day with different articulation each day and slowly increasing the tempo each week or so.  There is a noticeable improvement in finger coordination across all keys and its amazing how much more secure I feel on the difficult keys when attempting to play pieces with 5+ flats/sharps. I’m able to sort out the fingerings for these pieces now much more quickly than before, often in one or two … Read more
Geoff
1 2 3 4 5
I have found your videos and publications inspiring and your contribution to the world of saxophone playing is immense. Paul
Paul
1 2 3 4 5
First, I’m really excited about your materials! This site is a vast resource for any aspiring (and maybe already inspired) jazz musicians. I’m not a sax player, I play mandolin and fiddle, but have been learning jazz and playing weekly with a quintet for the past 6 months and have been struggling with all of the issues you get into in your lessons. I bought several books and lessons and plan to continue with some others as soon as I organize my practice routine. Thanks again for a great site … Read more
Tony Galfano
1 2 3 4 5

Hello Steve, I’m getting so much out of your lessons and books, amazing how much one may think one knows, there is always a new frontier or new way to view something you think you had somewhat down. You have taken it all to a new level and am so grateful. Your lessons are so down to earth and understandable and clear!  Thanks so much Steve! Cheers, Eddie

Eddie Parente
1 2 3 4 5

Steve, just a note to say thanks.

I’ve been playing a long time, but your material, laid out in such a thoughtful way, helps me to understand concepts in a new and deeper way.

You are a true gift to the jazz community.

60 lessons and going strong,

Kevin Ledbetter

Kevin Ledbetter
1 2 3 4 5
It is so refreshing to have a great player, who can provide lessons and examples in a manner which is understandable to most any enthusiastic saxophonist who is ready to improve. not just the, do this, do that, memorize this, memorize that… while all that is absolutely necessary, you go on to give reasons and examples to explain and validate why you have to do all of these things, the benefits, if you will… that is the key for me, you tell, explain, demonstrate, explain some more, you give perso… Read more
Cedric
1 2 3 4 5
Hey Steve, My name is Jason Freese and I play keyboards and sax in the band Green Day.  I grew up taking sax lessons from Eric Marienthal when I was a kid and got out of it for a long time. I ran into you on youtube while searching for sax stuff. I bought a whole bunch of your lessons and have been loving it! Thanks! Here is my wikipedia so you can see the albums I’ve played on….Thanks again. It’s sparked my interest in practicing again.   Jason
Jason Freese (sax player for Green Day)
1 2 3 4 5

Hello Steve,

I have not received my alto yet but have already gone through 14 lessons. I love your approach, style, knowledge and competence. I now regret so much to have stayed away from playing the sax for the past 45-50 years…(I am 65).  But It is never too late to get back to your first love. After 23 years in compuer sciences and 22 years in finances…I am now back to music for the rest of my life.

Doing some research on the net, I found this:

http://forum.saxontheweb.net/showthread.php?1… Read more

Claude
1 2 3 4 5
I would like to say that in the last year my sax playing has progressed loads from your lessons. I have had a sax for about 20 years and dabbled with lessons from a few teachers and have learnt very little from them. As you have said in your lessons many teachers tell you to use the blues scale and leave it there, not even showing you the resolution points!!. I am now believing I can in time become a good improviser.
Thanks again,
Shane
Shane
1 2 3 4 5

Never really had lessons before just kinda worked things out on my own. Was in a rut but your lessons are really helpful in opening melodic possibilities. Ur an awesome resource to the saxophone community. Thanks for sharing. 

Anthony
1 2 3 4 5

I want to thank you for your “Ultimate II-V-I Primer”  which has sent me off on a much better path to improvisation.  The primer and the four bound books I have will keep me busy for a long time.  I like your lessons for two reasons.  The lessons work and THEY ARE FUN.  Thanks again.

Robert

Robert
1 2 3 4 5

Steve,

I have played for many years and have enjoyed going “back to the basics” in some of your lessons!  You have such a gift for explaining concepts.  As I have gotten older, some of the basic things have gotten muddled because I just play, not knowing why.  As I refresh myself with “why”, it increases my confidence and expands my playing.  Thank you so much for using your gift!  You are a blessing!

Julia
1 2 3 4 5
Two years later I began a search for a sax teacher and happened to come across Steve Neff when I was searching YouTube for sax teachers.  I went to neffmusic.com and was very impressed with the lessons Steve Neff was offering.  The concept of selecting lessons was an approach that I thought was unique and purchased a few lessons.  I liked the lessons so much that I signed-up for a 6 month package. I was very happy with all the lessons I selected.  I also purchased Steve’s book Mastering the B… Read more
Michael
Start
Stop
NextPrev

Featured Video Lessons

  • Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book) Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book)
    Rated 5.00 out of 5
    $19.99 Original price was: $19.99.$14.99Current price is: $14.99.
  • The Secret to Modern Outside Jazz Lines Lesson-Minor The Secret to Modern Outside Jazz Lines Lesson-Minor $9.99
  • Creating Modern II-V-I Lines with Simple Pentatonics Lesson Creating Modern II-V-I Lines with Simple Pentatonics Lesson
    Rated 5.00 out of 5
    $9.99
  • The Best Embouchure for Tone, Intonation and Endurance Lesson The Best Embouchure for Tone, Intonation and Endurance Lesson
    Rated 4.91 out of 5
    $9.99
  • The Secret to Altissimo (no one has ever told you about before) Lesson The Secret to Altissimo (no one has ever told you about before) Lesson
    Rated 4.75 out of 5
    $9.99

Now over 600 video and audio lessons to choose from!

Free Lessons

  • Free Lesson on The New Ultimate II-V-I Primer-Major Keys
  • Free Video Lesson on Mastering Altered Pentatonics
  • Free Video Lesson on Mastering the Blues Scale Volume 1 & 2
  • Free Video Lesson on Mastering the Dominant Bebop Scale and Language Book 1 & 2
  • Free Video Lesson on Approach Note Velocity Book

Recent reviews

  • Bebop Scale-Altered Scale II-V-I Practice Lesson Bebop Scale-Altered Scale II-V-I Practice Lesson by Noah
  • Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book) Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book) by Andy
  • Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book) Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book)
    Rated 5 out of 5
    by Russ
  • Creating Modern II-V-I Lines with Simple Pentatonics Lesson Creating Modern II-V-I Lines with Simple Pentatonics Lesson
    Rated 5 out of 5
    by Timothy
  • The Best Embouchure for Tone, Intonation and Endurance Lesson The Best Embouchure for Tone, Intonation and Endurance Lesson
    Rated 5 out of 5
    by Ray Holland

Footer

Recent Comments

  • Steve on Revisiting a Lamberson J7 Tenor Saxophone Mouthpiece Review
  • Thor on Revisiting a Lamberson J7 Tenor Saxophone Mouthpiece Review
  • Perry on Will the Real Michael Brecker’s Sax Mouthpiece Please Stand Up?
  • Steve on Will the Real Michael Brecker’s Sax Mouthpiece Please Stand Up?
  • Perry on Will the Real Michael Brecker’s Sax Mouthpiece Please Stand Up?

Top rated products

  • Mastering the Major Bebop Scale & Sound (Digital PDF Book) Mastering the Major Bebop Scale & Sound (Digital PDF Book)
    Rated 5.00 out of 5
    $14.99
  • Tune of the Week-Softly as a Morning Sunrise Lesson Tune of the Week-Softly as a Morning Sunrise Lesson
    Rated 5.00 out of 5
    $9.99
  • The Style of Dexter Gordon-Lady Bird Lesson 1 The Style of Dexter Gordon-Lady Bird Lesson 1
    Rated 5.00 out of 5
    $9.99
  • Tune of the Week-Days of Wine and Roses Lesson Tune of the Week-Days of Wine and Roses Lesson
    Rated 5.00 out of 5
    $9.99
  • Tune of the Week-Invitation Tune of the Week-Invitation
    Rated 5.00 out of 5
    $9.99

Product tags

alto sax alto saxophone approach notes audio lesson bebop scale beginner beginner saxophone blues blues licks blues patterns blues scale blues scales diminished scale dominant chords ear training fundamentals II-V-I improvisation jazz improvisation jazz lines jazz patterns jazz sax jazz saxophone jazz standard jazz standards licks Mastering the Blues Scale Michael Brecker modern improv modern improvisation online lesson patterns playing outside practice habits reading music sax basics sax lessons saxophone scales smooth jazz steve neff tenor sax tenor saxophone video lesson video lessons
  • Instagram
  • Facebook
  • Twitter
  • SUPPORT

Neffmusic © 2005–2025