• Skip to main content
  • Skip to primary sidebar
  • Skip to footer

Website of Steve Neff

  • BLOG
  • SHOP
  • MY ACCOUNT
  • RAVES
  • CONTACT

Search Neffmusic

You are here: Home / Reviews / Mouthpiece Reviews / Tenor Mouthpiece Reviews / Tenor Low Baffle Reviews / Ishimori Woodstone 7* Hard Rubber Tenor Sax Mouthpiece

Ishimori Woodstone 7* Hard Rubber Tenor Sax Mouthpiece

August 15, 2011 by Steve 21 Comments

I have an Ishimori Woodstone hard rubber tenor sax mouthpiece to review and play for you today. This is a 7* tip opening (.105) hard rubber mouthpiece. I have been eagerly wanting to play one of these Ishimori mouthpieces for quite a while.  I reviewed an 8 tip last week and wanted to try a 7* to see how it compared.

Ishimori Woodstone 7* Hard Rubber Tenor Mouthpiece

Over the past few months, I have heard of Ishimori Woodstone mouthpieces from a number of players on the web. They were all raving about how good these mouthpieces were which really peaked my curiosity. I had a problem though, when I searched around for these mouthpieces I couldn’t find them anywhere except for the Ishimori site in Japan and the whole site was in Japanese. (I am not fluent in Japanese) I gave up after that but then a month later I heard another player raving about them again. This time I decided to try contacting Ishimori directly through their website. I sent them an email asking about their mouthpieces and a few days later received a courteous response from Norikiyo Yaguchi who handles Overseas transactions for Mr. Ishimori. He was nice enough to send me 5 mouthpieces to review- 2 alto, 2 tenor and one soprano mouthpiece.

This tenor sax mouthpiece is beautiful. It has a perfect looking facing curve and tip. The baffle is medium low and slopes down to a medium to large sized chamber. The shape of the baffle is similar to the classic Otto Link Slant Signature mouthpieces that play so great. The baffle slides smoothly and evenly down into the chamber and there’s not an edge or blemish anywhere. Absolutely perfect looking.

 The sound of this Ishimori 7* is dark and rich sounding to my ears. The tone seems to be more compact and thicker than the 8 I tried last week.   It has a sweetness to the sound that I really liked.  The subtone was beautiful sounding and was very easy to attain.  To me it has that dark rich sound that is a classic tenor sound. (Think Hank Mobley)  Compared to the .110 tip Ishimori I reviewed last week I felt like this .105 and a tighter more compact sound to it.  I also felt like it was a bit darker than the .110.  Now when I go back and listen to that clip I feel like the .110 has more of a spread and hollow sound compared to this .105.  Listen to both clips and I think you can hear what I’m talking about.

Ishimori Woodstone 7* Hard Rubber Tenor Mouthpiece

I used a Woodstone #2 1/2 reed on it which was perfect for this mouthpiece. As you listen to the clip below, I think you can hear the rich thick sound this piece has. This would be a perfect mouthpiece for those of you who like that “slant” link type sound and want to sound great on a jazz set.  It’s on the darker side of things but at the same time it is very rich sounding which I really loved.

The intonation was also great on this mouthpiece as it has been on every Ishimori mouthpiece I have tried so far.

Every mouthpiece and reed that I have received from the Ishimori company has been perfect. They pay attention to the smallest details and it is obvious when you see and play their products. Believe it or not, I have played about 40 of their Woodstone reeds and haven’t found a bad one yet. They all played great right out of the box!

Let me know what you think in the comments below. Thanks, Steve

Ishimori Woodstone 7* Hard Rubber Tenor Saxophone Mouthpiece

https://public.neffmusic.com/Ishimori7.mp3

Filed Under: Tenor Low Baffle Reviews, Tenor Mouthpiece Reviews Tagged With: hard rubber, Ishimori, saxophone mouthpiece, tenor sax, Woodstone

Steve

About Steve

Steve Neff has been playing and teaching saxophone and jazz improvisation around the New England area for over 30 years. He is the author of many best selling jazz improvisation methods as well as founding the popular jazz video lesson site Neffmusic.com.

Reader Interactions

Comments

  1. Avatarjlima says

    August 15, 2011 at 5:37 pm

    Steve, you sound really great on this piece, it’s one of your very best tenor clips.

    Reply
  2. AvatarTom Heurich says

    September 17, 2011 at 7:30 am

    Hi Steve
    I love your Mouthpiece Reviews !
    What I would like to know…the Ishimori Tenor Chamber is smaller than
    the typical large Link chamber more Medium ??
    Because I look for more centered/focused Sound on the Tenor.

    Thanks Tom

    Reply
    • stevesteve says

      September 17, 2011 at 4:35 pm

      I don’t have the Ishimori with me anymore and I didn’t compare to a typical link mouthpiece so I am not sure. Sorry. I would consider it close to a great slant link type sound though.

      Reply
  3. AvatarTed Maciag says

    June 19, 2012 at 11:54 am

    Hello Steve,
    Where can I buy Ishimori products?

    Ted

    Reply
    • stevesteve says

      June 19, 2012 at 1:19 pm

      Did you try Sax-ccesories listed in the review? They are the only place I know of in the US. Steve

      Reply
  4. AvatarTed Maciag says

    June 19, 2012 at 3:08 pm

    Thanks, got it.

    -Ted

    Reply
  5. Avatarphilipe says

    June 15, 2017 at 9:33 am

    where is the 8 tip review

    Reply
    • SteveSteve says

      June 15, 2017 at 10:48 am

      On the top right of the site is a search box. If you type in “Ishimori Woodstone Tenor” it will come up in the results. Steve

      Reply
  6. Avatarphilipe says

    June 15, 2017 at 11:03 am

    Lol I saw it, wrote too fast, great MPs, I have a 7 was considering an 8* any advice, also considering Ambika

    Reply
    • SteveSteve says

      June 15, 2017 at 11:05 am

      No advice to give. They are great mouthpieces. Some people love the more open tip openings. I prefer a 7*. Anything over 8 usually feels too spread and hollow to me depending on the baffle. I like a nice core to the sound and feel like I lose that when I go past an 8. Everyone’s different though……. Steve

      Reply
  7. Avatarphilipe says

    June 15, 2017 at 11:13 am

    the only reason for the 8* was a deal, typically i like a .098, how do you compare the darkness with Ambika,

    Reply
  8. AvatarFinn says

    June 22, 2018 at 10:24 pm

    Hi Steve, I’m juggling up between this mp and the Theo Wanne Slant Sig 2, just wondering which one you found more comfortable as I recall you saying the Slant Sig had a low beak profile? Also I love Stan Getz’s sound, and could probably attain something similar more easily on the Slant Sig 2, just wondering your opinion about this as well.

    Thanks,
    Finn

    Reply
    • SteveSteve says

      June 23, 2018 at 10:14 am

      Finn, I found these two mouthpieces to be very similar in sound. I like the lower beak profile of the TW Slant so I felt more comfortable on that but that is mostly because I am a metal mouthpiece player on tenor for the most part…….

      Reply
  9. AvatarPhilip says

    June 23, 2018 at 8:43 pm

    i have a 7, and it is sweet, dark and clear, well made good on the low notes

    Reply
  10. AvatarPeter says

    December 17, 2023 at 8:12 am

    How does this mpc compare to the Alexander superial Jazz tenor 1.
    They seem to have very similar features.
    Which one has the darker tone?
    Would be nice if you could say something about these two. I own an ishimori but it’s a bit too bright for me and I think it only has a medium chamber.

    Reply
    • SteveSteve says

      December 18, 2023 at 9:28 am

      Hi Peter, Unfortunately, I reviewed the Ishimori Woodstone 7* hard rubber tenor sax mouthpiece 12 years ago and don’t remember anything about how it played or sounded. You will have to compare the sound clips to each other and see if you can hear which one might be brighter or darker in comparison to each other. That being said, I still have my Alexander Superial 7* mouthpiece that I reviewed and think it is a beautiful sounding mouthpiece like I write in the review. Steve

      Reply
      • AvatarPeter says

        December 18, 2023 at 1:48 pm

        Thanks for the reply Steve. Guess I’ll just have to try them out because on recordings it’s quite difficult to get the right feel.

        It’s a good sign you still have yours 🙂

        Reply
  11. AvatarGiuseppe C. says

    December 18, 2023 at 6:47 pm

    Very masculine sound, if this impression makes sense, but also delicate and gentle…
    A bit like the story of Lord Byron’s dear dog, Boatswain; the story, the magnificent story.
    I Iikes: this story, the Boatswain dog, Lord Byron; and the sound of this mouthpiece: however strange all this, this impression of mine, may seem.

    If lawful, I quote from Wikipedia:
    https://en.wikipedia.org/wiki/Epitaph_to_a_Dog

    From:

    Epitaph to a dog.

    “… Near this Spot
    the Remains of one are deposited
    who possessed Beauty without Vanity,
    Strength without Insolence,
    Courage without Ferosity,
    and all the virtues of Man without his Vices of him…”.

    Epitaph to a Dog,

    From Wikipedia, the free encyclopedia:

    Boatswain’s Monument at Newstead Abbey

    A Landseer dog, the breed Byron eulogized, painted by Edwin Henry Landseer, 1802–1873
    “Epitaph to a Dog” (also sometimes referred to as “Inscription on the Monument to a Newfoundland Dog”) is a poem by the British poet Lord Byron. It was written in 1808 in honour of his Landseer dog, Boatswain, who had just died of rabies. When Boatswain contracted the disease, Byron reportedly nursed him without any fear of becoming bitten and infected. … The poem is inscribed on Boatswain’s tomb, which is larger than Byron’s, at Newstead Abbey, Byron’s estate. …

    The poem as inscribed on Boatswain’s monument
    The sections above the poem form a memorial eulogy to Boatswain, and introduce the poem. Though often assumed to form part of the poem, they were written not by Byron but by his friend John Hobhouse. … A letter of 1830 by Hobhouse suggests that Byron had planned to use the last two lines of his poem by way of an introductory inscription, but found he preferred Hobhouse’s comparison of the attributes of dogs and people. …

    Near this Spot
    are deposited the Remains of one
    who possessed Beauty without Vanity,
    Strength without Insolence,
    Courage without Ferosity,
    and all the virtues of Man without his Vices.
    This praise, which would be unmeaning Flattery
    if inscribed over human Ashes,
    is but a just tribute to the Memory of
    Boatswain, a Dog
    who was born in Newfoundland May 1803
    and died at Newstead November 18th 1808. …

    When some proud Son of Man returns to Earth,
    Unknown to Glory but upheld by Birth,
    The sculptor’s art exhausts the pomp of woe,
    And storied urns record who rests below.
    When all is done, upon the Tomb is seen
    Not what he was, but what he should have been.
    But the poor Dog, in life the firmest friend,
    The first to welcome, foremost to defend,
    Whose honest heart is still his Masters own,
    Who labours, fights, lives, breathes for him alone,
    Unhonour’d falls, unnotic’d all his worth,
    Deny’d in heaven the Soul he held on earth.
    While man, vain insect! hopes to be forgiven,
    And claims himself a sole exclusive heaven.

    Oh man! thou feeble tenant of an hour,
    Debas’d by slavery, or corrupt by power,
    Who knows thee well, must quit thee with disgust,
    Degraded mass of animated dust!
    Thy love is lust, thy friendship all a cheat,
    Thy tongue hypocrisy, thy heart deceit,
    By nature vile, ennobled but by name,
    Each kindred brute might bid thee blush for shame.
    Ye! who behold perchance this simple urn,
    Pass on, it honours none you wish to mourn.
    To mark a friend’s remains these stones arise;
    I never knew but one — and here he lies. …

    Reply
    • SteveSteve says

      December 20, 2023 at 7:08 pm

      Giuseppe,
      I wasn’t going to post this comment because I didn’t understand the relation to the mouthpiece sound BUT it is such a beautiful poem and I did lose the best dog ever this year. This made me emotional……Thanks!

      Reply
      • AvatarGiuseppe C. says

        December 21, 2023 at 7:05 am

        I had imagined that my singular exposition of the impression of the sound of this mouthpiece which, truly, seems to me to seem contrasting, virile and, at the same time, gentle, could be misunderstood or, in any case, out of post. I therefore understood the perplexity of posting it and I rewrote it in a simpler way than the one that, immediately, for some reason, had brought to mind the true story of Boatswain…
        Oddities of mental synapses… My respect and love for animals… I don’t know.
        I thank you, therefore, for having understood and published everything; strange, and sorry, that this coincided, which I couldn’t have known, with the loss you suffered this year for your beloved dog. From personal experience I know that it is true mourning, and true pain, when unfortunately it happens, it is.
        I therefore give you my solidarity in sharing your pain and, in doing so, I too am moved… as well as amazed by the coincidences which, starting from the sound of a mouthpiece, have led to sharing something greater.
        Thanks for the important sharing,
        Giuseppe.

        Reply
  12. AvatarGiuseppe C. says

    December 20, 2023 at 6:30 am

    I really like the sound of this mouthpiece and, also, its aesthetics.
    Very masculine sound, if this impression makes sense, but also delicate and gentle sound…
    Giuseppe.
    ​

    Reply

Leave a Reply to Ted Maciag Cancel reply

Your email address will not be published. Required fields are marked *

Primary Sidebar

Cart

Subscribe to the Neffmusic Newsletter for the latest reviews and best deals delivered straight to your inbox every month. Join now and you will also receive my 40 Ultimate Michael Brecker Licks free!

Select list(s) to subscribe to


Thanks for joining!


NEFFMUSIC PRINTED BOOKS

Testimonials

Thank you for all the educational information you provide.  I am a classically trained musician.  Professionally, I am a 4th and 5th grade band teacher.  I have played piano and sax for many years, but now I am starting to gig out more. I have always improvised by ear in the past. I have gotten by with my strong sense of pitch, rhythm and melodic contour. However, I want to go deeper. I want to play with a greater variety of melodic and rhythmic ideas to pull from.  I have studied to gain a … Read more
Ray

Hi Steve,

First, I want to thank you for all of your great lessons. They are like a “For Dummies” version of all the books on my shelf. The lessons break things down into manageable pieces, and give me the confidence that I’m practicing the right pieces. I’m starting to make progress.   Thank You,   Kim

Kim
Hey Steve, I’m a 22-year-old from Australia. I thought it would be worth saying. You’re an absolute legend. I can’t thank you enough. You have helped me rekindle my love for the saxophone and music as a whole. All the best for the future, your work doesn’t go unnoticed. PS. I am loving your devastating minor lines pdf.
Sapph
I can see from your instructional videos that you are a fantastic teacher – one that can truly relate to all ages – humble yet very positive in approach – never coming across as superior and yet so totally capable of demonstrating the principles and techniques that you seek to impart to the students. I have gained so much confidence in my playing from “pouring over” time and again these invaluable lessons. Invaluable not only in musical content, but also in human interaction content. I am absolu… Read more
Ron
Hi Steve, I live in a gorgeous but rural area of Oregon-no music store within 80 miles. Your lessons are my lifeline!  Truly the best there are anywhere online. Love your playing. Love your teaching.  Thanks again. Ed
Ed Woodmansee
Hi Steve, I can’t express just how much I appreciate your teaching. My playing has improved so much over the past year since I have been studying and practicing with your lessons. It is possible to teach an old dog new tricks, these lessons are proof! Thanks, Michael Byington
Michael Byington
First, I’m really excited about your materials! This site is a vast resource for any aspiring (and maybe already inspired) jazz musicians. I’m not a sax player, I play mandolin and fiddle, but have been learning jazz and playing weekly with a quintet for the past 6 months and have been struggling with all of the issues you get into in your lessons. I bought several books and lessons and plan to continue with some others as soon as I organize my practice routine. Thanks again for a great site … Read more
Tony Galfano
I have been a member of Neffmusic for more than a year now and have enjoyed every minute of it! I have not only been going thru the Dominant Bebop Scale lessons and book (OUTSTANDING!) but the mouthpiece reviews, solo clips and transcriptions are very interesting. Steve approach to beginning and intermediate improv have given me many new pathways to teach my high school jazz ensemble students. Congratulations Steve, great product!
Craig
I want to say something about Steve Neff’s series of lessons, Beginner Jazz Improvisation. For a couple of years I tried many beginner lessons and my problem was that there was a gap between lessons that were fairly simple and ones that I was not quite ready for and my progress stalled out. That problem was solved with the series Beginner Jazz Improvisation. He guides you step by step along the way and builds a foundation for learning jazz and blues. He leaves no question about what to practice … Read more
Pete
Two years later I began a search for a sax teacher and happened to come across Steve Neff when I was searching YouTube for sax teachers.  I went to neffmusic.com and was very impressed with the lessons Steve Neff was offering.  The concept of selecting lessons was an approach that I thought was unique and purchased a few lessons.  I liked the lessons so much that I signed-up for a 6 month package. I was very happy with all the lessons I selected.  I also purchased Steve’s book Mastering the B… Read more
Michael

Hello Steve,

I have not received my alto yet but have already gone through 14 lessons. I love your approach, style, knowledge and competence. I now regret so much to have stayed away from playing the sax for the past 45-50 years…(I am 65).  But It is never too late to get back to your first love. After 23 years in compuer sciences and 22 years in finances…I am now back to music for the rest of my life.

Doing some research on the net, I found this:

http://forum.saxontheweb.net/showthread.php?1… Read more

Claude
I have found your videos and publications inspiring and your contribution to the world of saxophone playing is immense. Paul
Paul

Thank You Steve. I think that I will be busy for years. Thank You for your great contribution to jazz music. Your books, more than teaching “how to play jazz”, actually teach “how to speak jazz”. I wish I found your methods years ago.  

Jean-Eric
Thank you for the wealth of helpful lessons you’ve provided over the years.  I truly feel as though it has improved my playing more than the 4 years I spent at Berklee… and that’s not a slight on the school as I loved my experience there.
John
John

Never really had lessons before just kinda worked things out on my own. Was in a rut but your lessons are really helpful in opening melodic possibilities. Ur an awesome resource to the saxophone community. Thanks for sharing. 

Anthony

Love your lessons!  I have been using your lesson packages for many months now, and am learning a lot.  It is so perfect for me with a very busy adult schedule and difficulty in taking jazz/improv music lessons from reputable instructors who live and hour or more away from me.

Lenore
Absolutely the best learning experience in my 40 years of playing.These books are awesome!!
Alfred LaBella
I can’t say enough about my membership at Neff Music. Steve has taken the mystery out of playing the saxophone well and improvising both jazz and rock music. Like most struggling players I have a load of all sorts of books on my shelf just gathering dust. Books that I didn’t understand or know how to put to use…or just have the time to go threw them. Steve’s lessons really simplify things and he puts it in a way that I can understand. They inspire me to keep pushing and having him as my guide or… Read more
Ken
Your major diatonic patterns book is great. I”m studying the first twenty patterns (first twenty pages) each day with different articulation each day and slowly increasing the tempo each week or so.  There is a noticeable improvement in finger coordination across all keys and its amazing how much more secure I feel on the difficult keys when attempting to play pieces with 5+ flats/sharps. I’m able to sort out the fingerings for these pieces now much more quickly than before, often in one or two … Read more
Geoff
I’ve been having ‘ online’  lessons with Steve for a few months now. Being a teacher myself I had had some reservations with the idea at first and the practicalities of it .  Let me just say that my playing has taken a huge leaps forward while studying with Steve and continues to do so.Steve studied with some renowned player/teachers such as Bergonzi and Garzone– this in itself is invaluable but Steve teaches from his own books, which cover a a vast amount of  jazz language. Steve h… Read more
David
I just wanted to write a thank you note to you for this website. I play and teach saxophone, but I have always been intimidated by the gear aspect. Your website has helped me become a lot more knowledgable. Your knowledge is staggering! I’m telling all my students about your website. Pierre
Pierre
I am enjoying your style of teaching, and you’ve done a great job with the videos….good sound quality and well constructed lessons.  Balances the more guitaristic material found on the majority of guitar based programs.  Jazz vocab is what I’m all about at this point in the journey.   I especially dig the fact that you’ve studied with Bergonzi…helps me see his voluminous output in a more  bite sized way.
Milton
I would like to say that in the last year my sax playing has progressed loads from your lessons. I have had a sax for about 20 years and dabbled with lessons from a few teachers and have learnt very little from them. As you have said in your lessons many teachers tell you to use the blues scale and leave it there, not even showing you the resolution points!!. I am now believing I can in time become a good improviser.
Thanks again,
Shane
Shane

I want to thank you again, because, not only are you an inspiration to listen to, you are a fine teacher!

I have been teaching sax and other winds for over 20 years, and you give me that “push” to give my students more!

Mark Peotter

Mark Peotter

Featured Video Lessons

  • Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book) Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book)
    Rated 5.00 out of 5
    $19.99 Original price was: $19.99.$14.99Current price is: $14.99.
  • The Secret to Modern Outside Jazz Lines Lesson-Minor The Secret to Modern Outside Jazz Lines Lesson-Minor $9.99
  • Creating Modern II-V-I Lines with Simple Pentatonics Lesson Creating Modern II-V-I Lines with Simple Pentatonics Lesson
    Rated 5.00 out of 5
    $9.99
  • The Best Embouchure for Tone, Intonation and Endurance Lesson The Best Embouchure for Tone, Intonation and Endurance Lesson
    Rated 4.91 out of 5
    $9.99
  • The Secret to Altissimo (no one has ever told you about before) Lesson The Secret to Altissimo (no one has ever told you about before) Lesson
    Rated 4.75 out of 5
    $9.99

Now over 600 video and audio lessons to choose from!

Free Lessons

  • Free Lesson on The New Ultimate II-V-I Primer-Major Keys
  • Free Video Lesson on Mastering Altered Pentatonics
  • Free Video Lesson on Mastering the Blues Scale Volume 1 & 2
  • Free Video Lesson on Mastering the Dominant Bebop Scale and Language Book 1 & 2
  • Free Video Lesson on Approach Note Velocity Book

Recent reviews

  • Bebop Scale-Altered Scale II-V-I Practice Lesson Bebop Scale-Altered Scale II-V-I Practice Lesson by Noah
  • Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book) Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book) by Andy
  • Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book) Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book)
    Rated 5 out of 5
    by Russ
  • Creating Modern II-V-I Lines with Simple Pentatonics Lesson Creating Modern II-V-I Lines with Simple Pentatonics Lesson
    Rated 5 out of 5
    by Timothy
  • The Best Embouchure for Tone, Intonation and Endurance Lesson The Best Embouchure for Tone, Intonation and Endurance Lesson
    Rated 5 out of 5
    by Ray Holland

Footer

Recent Comments

  • Dominique on Otto Link Super Tone Master Florida V Tenor Saxophone Mouthpiece Review
  • Felipe on Drake Jerry Bergonzi Master Series Power Resonance 7* Tenor Saxophone Mouthpiece Review
  • Steve on Ted Klum Focustone Standard Model Tenor Saxophone Mouthpiece
  • Jeremy on Ted Klum Focustone Standard Model Tenor Saxophone Mouthpiece
  • Steve on Les Becs d’Autan Florida Tenor Saxophone Mouthpiece Review

Top rated products

  • Mastering the Major Bebop Scale & Sound (Digital PDF Book) Mastering the Major Bebop Scale & Sound (Digital PDF Book)
    Rated 5.00 out of 5
    $14.99
  • Tune of the Week-Softly as a Morning Sunrise Lesson Tune of the Week-Softly as a Morning Sunrise Lesson
    Rated 5.00 out of 5
    $9.99
  • The Style of Dexter Gordon-Lady Bird Lesson 1 The Style of Dexter Gordon-Lady Bird Lesson 1
    Rated 5.00 out of 5
    $9.99
  • Tune of the Week-Days of Wine and Roses Lesson Tune of the Week-Days of Wine and Roses Lesson
    Rated 5.00 out of 5
    $9.99
  • Tune of the Week-Invitation Tune of the Week-Invitation
    Rated 5.00 out of 5
    $9.99

Product tags

alto sax alto saxophone approach notes audio lesson bebop scale beginner beginner saxophone blues blues licks blues patterns blues scale blues scales diminished scale dominant chords ear training fundamentals II-V-I improvisation jazz improvisation jazz lines jazz patterns jazz sax jazz saxophone jazz standard jazz standards licks Mastering the Blues Scale Michael Brecker modern improv modern improvisation online lesson patterns playing outside practice habits reading music sax basics sax lessons saxophone scales smooth jazz steve neff tenor sax tenor saxophone video lesson video lessons
  • Instagram
  • Facebook
  • Twitter
  • SUPPORT

Neffmusic © 2005–2025