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You are here: Home / Jazz Videos / Rich Perry playing the blues……..

Rich Perry playing the blues……..

January 10, 2011 by Steve 4 Comments

Here’s a great video of Rich Perry playing a blues all by himself. Rich is one of my favorite players. I remember when I first heard him years ago, I really wasn’t that into him. Back then I was into Michael Brecker, Bob Berg and guys like that. I heard musicians talking about Rich Perry and I thought “I have to check this guy out, he must be burnin”. I was a bit dissapointed when I first heard him. He was too laid back and relaxed. I wanted to hear this burnin’ rippin tenor solo and Rich just was hangin out playing this solo that he wanted to play. I didn’t get the impression that he was trying to impress anyone or even that he felt any need or inclination to meet anyones expectations. He was just playing and it was all about the music and the moment. I was a bit intrigued by this approach to playing.

As the years have gone by, I have collected many of the albums he has played on. I would say that without a doubt I probably listen to him the most. He has a style and sound that is all his own and you won’t find him playing many of the standard jazz licks everyone else is playing over and over (although he plays many of the standard jazz tunes) As a matter of fact, I very rarely hear him play what I consider a lick or pattern. It seems to me to be more about playing a concept or idea more than licks and patterns. That’s why I love listening to him so much. As you get older and have listened to recording after recording you tend to get a preconceived idea of where a solo is going or what the soloist will do next. If I anticipate where they are going too many times I find myself getting bored with what I’m listening to. I don’t find that happening with Rich’s playing. He’s always playing rhythms and notes that I didn’t see coming. This is what I like the most about his playing. Unlike many other artists out there that just play outside to be unique or original and totally lose the melody, I find Rich’s playing always melodic. He’s always thinking about the melody and the melodic statement to my ears.

The other thing that is unique to Mr. Perry’s playing is his use of rhythm. He plays around with odd rhythms while improvising over common standards. At first it caught me off guard because I wasn’t used to it but as I listened o him more and more I developed a better feeling and understanding of how he was playing with the rhythms as he improvised. As you listen to his solos you will notice a certain rhythmic freedom as well as harmonic freedom that many young improvisers lack.

In this video he is playing over a blues progression all by his lonesome. Just him and a big auditorium. The first thing I noticed is how great his sound is. It just fills the room up but it isn’t loud and obnoxious. It’s subtle and textured. Each note has a voice and sound of it’s own and each note sounds like it’s being shaped just for that moment to me.

Also listen to his ideas and lines. They are so unique and original that at the end he asks the room full of students what he was playing over and they don’t know. I’m surprised they didn’t know that but anyways………. listen to how melodic he is? The lines he is playing are beautiful and memorable in my opinion. They flow from one to another effortlessly. He’s not trying to Wow or impress the crowd for the sake of ego. He’s trying to create and play something special. To me, that is highest achievement for a jazz artist.

One of my favorite times to listen to Rich’s music is when I go to bed. I know it might sound weird but usually I stay up late and when I go to bed my mind is full of stuff. I’m thinking about this project or that project. This bill or that appointment. I can just lie there and toss and turn thinking. I love to put on some Rich Perry on my ipod,put on my ear phones and just be taken away from all that thinking. Usually, a short time later I have taken out my ear phones and then fall asleep easily. Why does that happen? Well for me, I think it’s a mix of the improvisation being interesting enough to distract me from my thoughts yet mellow and beautiful enough to relax me. I love that. Enough of all this……………I’m going to put on some Rich Perry and go to bed. See you tomorrow.

Filed Under: Jazz Videos Tagged With: blues sax, Rich Perry, tenor saxophone

Steve

About Steve

Steve Neff has been playing and teaching saxophone and jazz improvisation around the New England area for over 30 years. He is the author of many best selling jazz improvisation methods as well as founding the popular jazz video lesson site Neffmusic.com.

Reader Interactions

Comments

  1. Avatarjlima says

    January 13, 2011 at 8:14 pm

    Wow, Steve, I loved this post about Rich Perry, it’s so reflective and inspirational!

    Reply
  2. AvatarPaul Harper says

    January 14, 2011 at 3:26 pm

    Steve,
    Great thoughts regarding Rich’s playing. I’ve been a huge fan of Rich for 20 or so years. Heard him long ago at the Vanguard and met him and kind of got to know him. I took a couple of lessons with him and was so impressed with his musicality, and his humbleness. Your comments are all right on. What really jumped out to me was your comment about listening to Rich so much. I’m quite certain that I’ve spent more time listening to him than any other player. I’ll get into someone else for a while, but I always go back to Mr Perry. No cliches, a beautiful sound, and an overall musical voice that is, to my thinking, utterly unique. He’s a great inspiration.

    Reply
  3. AvatarDayton Eckerson says

    January 15, 2011 at 12:32 pm

    Steve:
    Thanks for another great post. You’re right, Rich Perry’s sound is really great. I’ll have to get more of his recordings to check out. Regarding your comment about players with interesting rhythmic approaches, I wanted to suggest you listen to one of our local legends down here in D.C.: Jeff Antoniuk. Jeff is a UNT graduate with advanced degrees in saxophone performance and West African Ethnomusicology. His interest in African rhythms began during his childhood, part of which he spent Africa. Jeff can play the changes with the best of them, but what really sets him apart in my book is his use of rhythm. Many times during his solos his rhythmic ideas are so complex that I totally lose track of the form, yet he always lands on his feet. Check him out when you get a chance: http://www.jeffantoniuk.com. Another player whose rhythm slays me is the piano player Bill Dobbins, a professor at the Eastman School. He plays these long polyrhythmic pattens over 4/4 time which sound absolutely amazing.

    Reply
  4. AvatarSamer says

    January 26, 2011 at 8:34 pm

    Coool, nice minor harmonics, and very well inspired by Sonny Rollins !!!

    Reply

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I have been a member of Neffmusic for more than a year now and have enjoyed every minute of it! I have not only been going thru the Dominant Bebop Scale lessons and book (OUTSTANDING!) but the mouthpiece reviews, solo clips and transcriptions are very interesting. Steve approach to beginning and intermediate improv have given me many new pathways to teach my high school jazz ensemble students. Congratulations Steve, great product!
Craig

Steve,

I have played for many years and have enjoyed going “back to the basics” in some of your lessons!  You have such a gift for explaining concepts.  As I have gotten older, some of the basic things have gotten muddled because I just play, not knowing why.  As I refresh myself with “why”, it increases my confidence and expands my playing.  Thank you so much for using your gift!  You are a blessing!

Julia
By the way, BIG COMPLIMENTS to you, Steve! Not only are you a great player, you are also a great teacher! I, too, am a woodwinds player/teacher. I have new inspiration to play and teach because of you. The concepts and “thinking” is similar to what I already learned in College, but hearing you explain and PLAY the concepts REALLY MAKES THE DIFFERENCE! Also, your written patterns are more interesting than other books I have seen! Keep up the good work. I will be recommending your sit… Read more
I will be recommending your site to others!

Steve,  Just want to say thanks for all you are doing for all of us. I’ve learned more from you than anyone else in my 40 years of playing.

If you can give some tips on One Note Samba, Ceora, and Wave… that would be cool.  I really like learning how you apply your concepts to actual songs!

Have a great year,

Kevin Ledbetter

I've learned more from you than anyone else in my 40 years of playing.
Thank you for the wealth of helpful lessons you’ve provided over the years.  I truly feel as though it has improved my playing more than the 4 years I spent at Berklee… and that’s not a slight on the school as I loved my experience there.
John
John
Hi Steve, I live in a gorgeous but rural area of Oregon-no music store within 80 miles. Your lessons are my lifeline!  Truly the best there are anywhere online. Love your playing. Love your teaching.  Thanks again. Ed
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Steve- I joined your site this month and have downloaded 4 lessons and also purchased your new book and video on diatonic patterns. I just want to say I am very pleased with your approach and teaching techniques. I am getting back into playing after laying off for some time. The information you offer on your site is of great value and I am enjoying being a member. Thank you for what you are doing for the saxophone community.
Tony
I’ve been downloading your lessons for 4 months now (20 lesson) and I have noticed tremendous growth in my playing thus far! I’m so happy that I stumbled upon your site!
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Hello Steve, I’m getting so much out of your lessons and books, amazing how much one may think one knows, there is always a new frontier or new way to view something you think you had somewhat down. You have taken it all to a new level and am so grateful. Your lessons are so down to earth and understandable and clear!  Thanks so much Steve! Cheers, Eddie

Eddie Parente
I can see from your instructional videos that you are a fantastic teacher – one that can truly relate to all ages – humble yet very positive in approach – never coming across as superior and yet so totally capable of demonstrating the principles and techniques that you seek to impart to the students. I have gained so much confidence in my playing from “pouring over” time and again these invaluable lessons. Invaluable not only in musical content, but also in human interaction content. I am absolu… Read more
Ron
Hey Steve! I hope you and your family are well.  I’m just writing to say thank you so much for all the resources you have made available to the saxophone community. I have been using your material for many years and I always come back to it… in fact I just took a break from practicing to write this…( reviewing “CreatingModern II-V-I Lines with simple pentatonics”.) I am, and continue to be, one of your raving fans! Blessings to you and your family this holiday season! Wishing… Read more
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After reading your story I will never feel quite right about complaining about any of my MINOR health issues!!    God bless Steve and I really hope that your health doesn’t stop you from fulfilling your calling.    These books have been such a help to open up my jazz vocabulary…   Thanks so much for sharing your story and for providing these great teaching tools…   John Leclerc   Saxophonist / composer/ EWI player and professional working musician of 35 years….

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Jon
I would like to say that in the last year my sax playing has progressed loads from your lessons. I have had a sax for about 20 years and dabbled with lessons from a few teachers and have learnt very little from them. As you have said in your lessons many teachers tell you to use the blues scale and leave it there, not even showing you the resolution points!!. I am now believing I can in time become a good improviser.
Thanks again,
Shane
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Hello Steve,

I have not received my alto yet but have already gone through 14 lessons. I love your approach, style, knowledge and competence. I now regret so much to have stayed away from playing the sax for the past 45-50 years…(I am 65).  But It is never too late to get back to your first love. After 23 years in compuer sciences and 22 years in finances…I am now back to music for the rest of my life.

Doing some research on the net, I found this:

http://forum.saxontheweb.net/showthread.php?1… Read more

Claude

I want to thank you again, because, not only are you an inspiration to listen to, you are a fine teacher!

I have been teaching sax and other winds for over 20 years, and you give me that “push” to give my students more!

Mark Peotter

Mark Peotter

Never really had lessons before just kinda worked things out on my own. Was in a rut but your lessons are really helpful in opening melodic possibilities. Ur an awesome resource to the saxophone community. Thanks for sharing. 

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I must say again how much I appreciate all your material. Including the video tutorials. It help keep me focused and knowing what to aim for. And your laid back teaching style appeals to me too. 

Thanks

P

P
I bought Steve’s dominant bebop book and took a couple of online lesson from him. I really appreciated Steve’s careful listening of what I wanted to get done in a lesson and his clear, concise ideas on next steps to improve my playing and musical interpretation.  His mastering  the Dominant Bebop Scale has lots of exercises to use a scale that addresses the largest percentage of chords I come across in pop/blues music. The dominant V7.  Needless say it has improved my playing.  I teach and a… Read more
Keith

I am enjoying your style of teaching, and you’ve done a great job with the videos….good sound quality and well constructed lessons.  Balances the more guitaristic material found on the majority of guitar based programs.  Jazz vocab is what I’m all about at this point in the journey.  I especially dig the fact that you’ve studied with Bergonzi…helps me see his voluminous output in a more bite sized way.

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Thank you for all the educational information you provide.  I am a classically trained musician.  Professionally, I am a 4th and 5th grade band teacher.  I have played piano and sax for many years, but now I am starting to gig out more. I have always improvised by ear in the past. I have gotten by with my strong sense of pitch, rhythm and melodic contour. However, I want to go deeper. I want to play with a greater variety of melodic and rhythmic ideas to pull from.  I have studied to gain a … Read more
Ray
I am enjoying your style of teaching, and you’ve done a great job with the videos….good sound quality and well constructed lessons.  Balances the more guitaristic material found on the majority of guitar based programs.  Jazz vocab is what I’m all about at this point in the journey.   I especially dig the fact that you’ve studied with Bergonzi…helps me see his voluminous output in a more  bite sized way.
Milton
First, I’m really excited about your materials! This site is a vast resource for any aspiring (and maybe already inspired) jazz musicians. I’m not a sax player, I play mandolin and fiddle, but have been learning jazz and playing weekly with a quintet for the past 6 months and have been struggling with all of the issues you get into in your lessons. I bought several books and lessons and plan to continue with some others as soon as I organize my practice routine. Thanks again for a great site … Read more
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