• Skip to main content
  • Skip to primary sidebar
  • Skip to footer

Website of Steve Neff

  • BLOG
  • SHOP
  • MY ACCOUNT
  • RAVES
  • CONTACT

Search Neffmusic

You are here: Home / Reviews / Mouthpiece Reviews / Alto Mouthpiece Reviews / Alto High Baffle Reviews / Drake Vintage Resin Contemporary Alto Saxophone Mouthpiece

Drake Vintage Resin Contemporary Alto Saxophone Mouthpiece

July 14, 2010 by Steve 13 Comments

I’m starting to get overwhelmed by how many great mouthpieces are out there today.  This morning  I received a box from Aaron Drake at Drake Mouthpieces.   I couldn’t open it fast enough.  Inside were 3 brand new vintage resin alto saxophone mouthpieces for me to try.  I’ve been wanting to try these for months now and I was very excited.  The first one I played was this one.  It is the contemporary model and has a 6 tip opening (.080).  It has a high long baffle in it  that scoops into the chamber sort of like a Berg or RPC mouthpiece would.  There’s no edges on the decline of the baffle into the chamber.  The high baffle gives this mouthpiece a brighter, punchier sound that is great for modern playing…………………..

Drake Contemporary Alto Saxophone Mouthpiece

  • Appearance:

The tip and rails of this mouthpiece are perfect. The tip curve matches my Vandoren Java reeds perfectly. The baffle is high and long as you can see in the pictures and is completely even.  The chamber has a smooth horse shoe shape to it that reminds me of some hard rubber Berg Larsen’s and RPC’s  I have played.  I’m not sure what size the chamber is?  It looks to be the same size as a medium Meyer.  The difference is that the baffle extends into the chamber and then slopes down into it.  The mouthpiece as  a nice copper band around the shank end and the engravings on it are neat and nice to look at.

  • Tone:

You can make your own decision from listening to the clip,  but I would place this mouthpieces tone in the brighter end of the spectrum.  It’s not as bright as some other alto mouthpieces I have tried but it’s getting close.  I like the fact that you can back off  of it with your air and it mellows out a bit.  This has a great tone for that modern Sanborn type sound that so many alto players love.  I play a few jazz lines on it also and it sounds great with those also…….just a little brighter to me.  When listening to the clip try to imagine a little bit of reverb and effects on the sound.  I recorded it with no effects to taint the sound but if I were playing this live on a gig I would be sure to have the soundman put some nice effects on this to sweeten it up even more.

  • Intonation:

Intonation was great with this mouthpiece and within normal limits.  My Selmer Reference alto saxophone has a tendency to go sharper on middle D,Eb and E when I play high baffled mouthpieces and it was sharper on those notes.  That’s not a big deal though as I am used to bringing those notes down in pitch anyways.

  • Control:

This was a very easy mouthpiece to play and control. It is very even sounding up and down the horn.  The altissimo notes were much easier on this mouthpiece because of the higher baffle.

  • Volume:

Powerful!  I could feel it when I blew in it. Even at  a medium air flow it was LOUD!  When I pushed it, it was even louder!  I could push as much air as I wanted through this piece.  I actually had to take a step back from the microphone because it was recording so “hot”.

Great job Aaron Drake!  If you are curious about trying Aaron’s mouthpiece you can visit his website at www.DrakeMouthpieces.com for more information.

https://www.neffmusic.com/images/mp3/Drake%20Contemporary.mp3

Filed Under: Alto High Baffle Reviews, Alto Mouthpiece Reviews Tagged With: aaron drake, alto mouthpiece, Alto Saxophone, contemporary, Drake Mouthpieces, vintage resin

Steve

About Steve

Steve Neff has been playing and teaching saxophone and jazz improvisation around the New England area for over 30 years. He is the author of many best selling jazz improvisation methods as well as founding the popular jazz video lesson site Neffmusic.com.

Reader Interactions

Comments

  1. AvatarDerrick says

    August 29, 2010 at 7:22 pm

    Hey you sound great on this mpc! I was wondering do normal alto ligatures fit that piece? Would the FL Ultimate ligature fit on that?

    Reply
    • stevesteve says

      August 29, 2010 at 11:30 pm

      I Don’t have it here anymore. I think I used a Vandoren Optimum on it but I can’t remember 100%. I don’t think it was small. You might want to email Aaron Drake and ask him.

      Reply
  2. AvatarJoaquin says

    February 3, 2012 at 10:01 am

    Hi Steve,
    Congrats on the blog, it’s really interesting and useful!
    Do you know how does this mouthpiece compare to a Vandoren Jumbo Java?
    Which is “brighter”, “harsher”, “huskier”, “edgier” -whatever?
    Thanks a lot, best regards.

    Reply
    • stevesteve says

      February 4, 2012 at 11:24 pm

      I’m not sure. I haven’t played a Jumbo Java in like 14+ years I think. I don’t remember anything about it. Sorry I couldn’t help more.

      Reply
  3. AvatarJoaquin says

    November 4, 2012 at 6:30 am

    Just to contribute something: I finally could compare a Drake Contemporary 7 with a Jumbo Java A45, both around 0.085″. The Contemporary has a more open, more agressive, buzzier and brighter sound, with tons of harsh power. But it’s also easier to control, and responds better, “as it should be”, in every register. It roars like a wild tiger and obeys like a well trained dog. The Jumbo Java is a bit darker, rounder -keeping in mind that both are very bright mouthpieces. Also, there’s a big difference regarding beak design: the Contemporary has a lower profile, thinner beak. If you prefer the traditional, thicker design, go for the Jumbo Java. Thanks again for all the useful info, best regards.

    Reply
  4. AvatarAlex says

    March 12, 2014 at 7:13 am

    Steve I just bought the alto contemporary piece. And the altissimo is really hard on this piece. I currently use Beechler bellite and diamond sometimes and the altissimo is a breeze on those. What do you think?

    Reply
    • SteveSteve says

      March 12, 2014 at 4:53 pm

      Alex, Not sure. I don’t remember having any particular issues with the Drake piece when I tried it. I believe the Beechler is a smaller chamber so maybe you are really used to that smaller chamber. Sometimes going to a larger chamber is a bit of adjustment. Sorry I couldn’t help more. How do you like the tone of the Drake compared to the Beechler in general?

      Reply
  5. AvatarRoberto Jimenez says

    November 25, 2014 at 2:52 pm

    I m actually playing a 7 tip opening Drake Contemporary alto sax piece. I love it! my set up with it is a fibracell #4 reed and I can play it at any volume and register at ease. What a great Mouthpiece!

    Reply
  6. AvatarAndrej says

    March 20, 2015 at 5:32 am

    Hi Steve,

    As always you sound great. I am considering buying this piece from Aaron but am a bit cautious on the tip size. You are playing 6 here while Aaron is recommending 7 to me. I am new to the alto world, but on tenor I usually play pieces between 6* and 7* with 3 soft reeds (either Hemke’s or Rico JS). Do you think it would be hard to play size 7 with, for example, Rigotti 2.5 on alto? The only alto mouthpiece I own is Phil Tone’s solstice 0.76 tip with which I use RJZ 3S reeds. Just bought my alto few months ago, but have been playing tenor for ~11 years. Not a pro, just an engineer who enjoys playing… Thanks!

    Reply
    • SteveSteve says

      March 24, 2015 at 9:58 am

      This Drake Contemporary mouthpiece has a pretty high baffle so I think a 7 is a safe bet for this one. The high baffle balances out the bigger tip opening so it doesn’t seem as big usually. Steve

      Reply
  7. AvatarAndrej says

    March 24, 2015 at 11:37 am

    Thanks Steve! 7 is on the way….

    Reply
    • AvatarVern says

      September 18, 2024 at 4:29 pm

      How did you end up liking it?

      Reply
      • SteveSteve says

        October 28, 2024 at 6:12 am

        It’s a great mouthpiece choice for a modern alto sax sound. All of Aaron Drake’s mouthpieces are excellent!

        Reply

Leave a Reply to Steve Cancel reply

Your email address will not be published. Required fields are marked *

Primary Sidebar

Steve Neff

Cart

Subscribe to the Neffmusic Newsletter for the latest reviews and best deals delivered straight to your inbox every month. Join now and you will also receive my 40 Ultimate Michael Brecker Licks free!

Select list(s) to subscribe to


Thanks for joining!


NEFFMUSIC PRINTED BOOKS

Testimonials

I must say again how much I appreciate all your material. Including the video tutorials. It help keep me focused and knowing what to aim for. And your laid back teaching style appeals to me too. 

Thanks

P

P

After reading your story I will never feel quite right about complaining about any of my MINOR health issues!!    God bless Steve and I really hope that your health doesn’t stop you from fulfilling your calling.    These books have been such a help to open up my jazz vocabulary…   Thanks so much for sharing your story and for providing these great teaching tools…   John Leclerc   Saxophonist / composer/ EWI player and professional working musician of 35 years….

John Leclerc
Hey Steve, I’m a 22-year-old from Australia. I thought it would be worth saying. You’re an absolute legend. I can’t thank you enough. You have helped me rekindle my love for the saxophone and music as a whole. All the best for the future, your work doesn’t go unnoticed. PS. I am loving your devastating minor lines pdf.
Sapph
I just wanted to write a thank you note to you for this website. I play and teach saxophone, but I have always been intimidated by the gear aspect. Your website has helped me become a lot more knowledgable. Your knowledge is staggering! I’m telling all my students about your website. Pierre
Pierre

Never really had lessons before just kinda worked things out on my own. Was in a rut but your lessons are really helpful in opening melodic possibilities. Ur an awesome resource to the saxophone community. Thanks for sharing. 

Anthony
Your major diatonic patterns book is great. I”m studying the first twenty patterns (first twenty pages) each day with different articulation each day and slowly increasing the tempo each week or so.  There is a noticeable improvement in finger coordination across all keys and its amazing how much more secure I feel on the difficult keys when attempting to play pieces with 5+ flats/sharps. I’m able to sort out the fingerings for these pieces now much more quickly than before, often in one or two … Read more
Geoff
Hey Steve! I hope you and your family are well.  I’m just writing to say thank you so much for all the resources you have made available to the saxophone community. I have been using your material for many years and I always come back to it… in fact I just took a break from practicing to write this…( reviewing “CreatingModern II-V-I Lines with simple pentatonics”.) I am, and continue to be, one of your raving fans! Blessings to you and your family this holiday season! Wishing… Read more
Gerry Aylward
For anyone living in remote areas away from live jazz sax teachers, Neff is the way to go. In fact this is a great resource for anyone seriously interested in mastering the sax. I’ve never been disappointed in a lesson.
Oliver

I want to thank you again, because, not only are you an inspiration to listen to, you are a fine teacher!

I have been teaching sax and other winds for over 20 years, and you give me that “push” to give my students more!

Mark Peotter

Mark Peotter
I want to say something about Steve Neff’s series of lessons, Beginner Jazz Improvisation. For a couple of years I tried many beginner lessons and my problem was that there was a gap between lessons that were fairly simple and ones that I was not quite ready for and my progress stalled out. That problem was solved with the series Beginner Jazz Improvisation. He guides you step by step along the way and builds a foundation for learning jazz and blues. He leaves no question about what to practice … Read more
Pete
I have been a member of Neffmusic for more than a year now and have enjoyed every minute of it! I have not only been going thru the Dominant Bebop Scale lessons and book (OUTSTANDING!) but the mouthpiece reviews, solo clips and transcriptions are very interesting. Steve approach to beginning and intermediate improv have given me many new pathways to teach my high school jazz ensemble students. Congratulations Steve, great product!
Craig
Thank you so much for the great job you are doing to help further our jazz studies. Though I make my living as a repairer of musical instruments I am a student of jazz and have been fortunate enough to be involved with a big band and a combo for the last several years. As my children began to leave “the nest” I had decided to dedicate the next half of my life to a more serious study of the sax but I didn’t know exactly how I would go about doing this until a friend of mine turned me onto your si… Read more
Jon
I just started looking at my lessons and I have to say, dude you are awesome.  I ABSOLUTELY will learn from you!  I started the tenor about 1 ½ yrs ago and have since picked up an alto, and more recently a soprano.  I spend most of the time on the tenor, followed by soprano, and have only gotten to the alto a few times.  I think I’ll be sticking with tenor.  I’m having a great time and hope one day to play well enough to get regular gigs.  I’ve been playing keys for about 35 years (… Read more
Wil

Thank You Steve. I think that I will be busy for years. Thank You for your great contribution to jazz music. Your books, more than teaching “how to play jazz”, actually teach “how to speak jazz”. I wish I found your methods years ago.  

Jean-Eric
Just a brief note to compliment you on your teaching skills and in particular for the honesty of your lessons.  I am a returning alto sax player in my 50’s and I was looking for a no nonsense, straight to the point kind of guidance. I had intended to email you with a few questions regarding the use of the bis key but then I noticed that there was a lesson on that specific topic and after viewing it,  all my questions were answered. I once took a group lesson with a well known professional sax … Read more
Patrick
Hi Steve, I live in a gorgeous but rural area of Oregon-no music store within 80 miles. Your lessons are my lifeline!  Truly the best there are anywhere online. Love your playing. Love your teaching.  Thanks again. Ed
Ed Woodmansee
Thank you for all the educational information you provide.  I am a classically trained musician.  Professionally, I am a 4th and 5th grade band teacher.  I have played piano and sax for many years, but now I am starting to gig out more. I have always improvised by ear in the past. I have gotten by with my strong sense of pitch, rhythm and melodic contour. However, I want to go deeper. I want to play with a greater variety of melodic and rhythmic ideas to pull from.  I have studied to gain a … Read more
Ray
I am a music book junkie and I have to say that your books are the most clear, user friendly, and helpful books I own.  They are my absolute favorites and I only wish I had them years ago.  I wouldn’t change a thing about the experience I had in acquiring my degree at Berklee, but my playing has perhaps grown more in the time I’ve spent buried in your books and lessons.  Keep up the great work!!! Thanks, John
John

Steve, just a note to say thanks.

I’ve been playing a long time, but your material, laid out in such a thoughtful way, helps me to understand concepts in a new and deeper way.

You are a true gift to the jazz community.

60 lessons and going strong,

Kevin Ledbetter

Kevin Ledbetter

Hi Steve,

First, I want to thank you for all of your great lessons. They are like a “For Dummies” version of all the books on my shelf. The lessons break things down into manageable pieces, and give me the confidence that I’m practicing the right pieces. I’m starting to make progress.   Thank You,   Kim

Kim
I just joined Neff Music last month. I can’t tell you how excited I’ve been to be able to pick back up on lessons. I’ve been in a rut and you got me out! I’ve especially appreciated the Lesson Path section. It was so clear I knew exactly where to jump in and start. Many many thanks!
Karin

Your material is great! I got your New Altissimo Lesson 6 months ago and I have learned more from that than in all my 44 years of playing! I appreciate your down to earth teaching method and I really appreciate the heart that you teach with. I have been a subscriber to your lessons for the past 6 months and I have learned a great deal. Over that period of time I have had some questions and you have never failed to respond. Thanks! I have already recommended your lessons to a number of players in… Read more

Michael Byington

Hello Steve,

I have not received my alto yet but have already gone through 14 lessons. I love your approach, style, knowledge and competence. I now regret so much to have stayed away from playing the sax for the past 45-50 years…(I am 65).  But It is never too late to get back to your first love. After 23 years in compuer sciences and 22 years in finances…I am now back to music for the rest of my life.

Doing some research on the net, I found this:

http://forum.saxontheweb.net/showthread.php?1… Read more

Claude

Steve,  Just want to say thanks for all you are doing for all of us. I’ve learned more from you than anyone else in my 40 years of playing.

If you can give some tips on One Note Samba, Ceora, and Wave… that would be cool.  I really like learning how you apply your concepts to actual songs!

Have a great year,

Kevin Ledbetter

I've learned more from you than anyone else in my 40 years of playing.

Featured Video Lessons

  • Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book) Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book)
    Rated 5.00 out of 5
    $19.99 Original price was: $19.99.$14.99Current price is: $14.99.
  • The Secret to Modern Outside Jazz Lines Lesson-Minor The Secret to Modern Outside Jazz Lines Lesson-Minor $9.99
  • Creating Modern II-V-I Lines with Simple Pentatonics Lesson Creating Modern II-V-I Lines with Simple Pentatonics Lesson
    Rated 5.00 out of 5
    $9.99
  • The Best Embouchure for Tone, Intonation and Endurance Lesson The Best Embouchure for Tone, Intonation and Endurance Lesson
    Rated 4.91 out of 5
    $9.99
  • The Secret to Altissimo (no one has ever told you about before) Lesson The Secret to Altissimo (no one has ever told you about before) Lesson
    Rated 4.75 out of 5
    $9.99

Now over 600 video and audio lessons to choose from!

Free Lessons

  • Free Lesson on The New Ultimate II-V-I Primer-Major Keys
  • Free Video Lesson on Mastering Altered Pentatonics
  • Free Video Lesson on Mastering the Blues Scale Volume 1 & 2
  • Free Video Lesson on Mastering the Dominant Bebop Scale and Language Book 1 & 2
  • Free Video Lesson on Approach Note Velocity Book

Recent reviews

  • Practicing Double-Time Licks Lesson Practicing Double-Time Licks Lesson
    Rated 5 out of 5
    by Az Samad
  • Bebop Scale-Altered Scale II-V-I Practice Lesson Bebop Scale-Altered Scale II-V-I Practice Lesson by Noah
  • Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book) Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book) by Andy
  • Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book) Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book)
    Rated 5 out of 5
    by Russ
  • Creating Modern II-V-I Lines with Simple Pentatonics Lesson Creating Modern II-V-I Lines with Simple Pentatonics Lesson
    Rated 5 out of 5
    by Timothy

Footer

Recent Comments

  • Bart on Theo Wanne Brahma Gold Tenor Saxophone Mouthpiece Review
  • Ron S Golec on Theo Wanne Slant 2 Tenor Saxophone Mouthpiece Review
  • Dominique on Sakshama Branford Marsalis Model Delrin Tenor Saxophone Mouthpiece Review
  • Alejandro on Theo Wanne Durga 5 Gold Tenor Saxophone Mouthpiece Review
  • Pablo on Theo Wanne Brahma Gold Tenor Saxophone Mouthpiece Review

Top rated products

  • Mastering the Major Bebop Scale & Sound (Digital PDF Book) Mastering the Major Bebop Scale & Sound (Digital PDF Book)
    Rated 5.00 out of 5
    $14.99
  • Tune of the Week-Softly as a Morning Sunrise Lesson Tune of the Week-Softly as a Morning Sunrise Lesson
    Rated 5.00 out of 5
    $9.99
  • The Style of Dexter Gordon-Lady Bird Lesson 1 The Style of Dexter Gordon-Lady Bird Lesson 1
    Rated 5.00 out of 5
    $9.99
  • Tune of the Week-Days of Wine and Roses Lesson Tune of the Week-Days of Wine and Roses Lesson
    Rated 5.00 out of 5
    $9.99
  • Tune of the Week-Invitation Tune of the Week-Invitation
    Rated 5.00 out of 5
    $9.99

Product tags

alto sax alto saxophone approach notes audio lesson bebop scale beginner beginner saxophone blues blues licks blues patterns blues scale blues scales diminished scale dominant chords ear training fundamentals II-V-I improvisation jazz improvisation jazz lines jazz patterns jazz sax jazz saxophone jazz standard jazz standards licks Mastering the Blues Scale Michael Brecker modern improv modern improvisation online lesson patterns playing outside practice habits reading music sax basics sax lessons saxophone scales smooth jazz steve neff tenor sax tenor saxophone video lesson video lessons
  • Instagram
  • Facebook
  • Twitter
  • SUPPORT

Neffmusic © 2005–2025