• Skip to main content
  • Skip to primary sidebar
  • Skip to footer

Website of Steve Neff

  • BLOG
  • SHOP
  • MY ACCOUNT
  • RAVES
  • CONTACT

Search Neffmusic

You are here: Home / Reviews / Mouthpiece Reviews / Tenor Mouthpiece Reviews / Tenor High Baffle Reviews / Jon Van Wie STM Link 8 Tenor Mouthpiece

Jon Van Wie STM Link 8 Tenor Mouthpiece

August 13, 2009 by Steve 12 Comments

I won this mouthpiece on ebay a few weeks ago.  The seller had it listed as a link that Phil Barone had worked on but Phil contacted him and said it wasn’t his work.  I bid on it because it looked a lot like other Jon Van Wie  links I’ve owned in the past.  It has the same baffle type in it and what looks to be the same epoxy that Jon Van Wie  use to use.  This piece is very powerful and focused.  It cuts right through on loud R&B gigs.  Although I don’t prefer it’s recorded sound as much as some others I have to admit this piece is the easiest for me to play.  I felt like the piece just let me be free with what I wanted to play.

I can’t prove this is aJon Van Wie but it sure plays like the ones I’ve had before. Just to make it more mysterious I’ll add that the link box it came in has the initials “DG” on it.  I’ve never seen a Guardala refaced link so I’ll just assume it’s Jon Van Wie’s work.  Although, the initials made me wonder.  This clip is of me playing some diminished exercises I’ve been working on for a new book.
listen………..

Diminished Clip
https://www.neffmusic.com/images/mp3/JVW%20Metal%20STM%20Link%208%20Diminished.mp3

Here’s another clip with a more bluesy feel to it. This piece is great for this. I’m not sure if the recording will do it justice. You can lay off the piece a bit and play some standards easy enough

Bluesy Clip
https://www.neffmusic.com/images/mp3/JVW%20Metal%20STM%20Link8%20Bluesy.mp3

Filed Under: Tenor High Baffle Reviews, Tenor Mouthpiece Reviews Tagged With: Jon Van Wie, tenor mouthpiece

Steve

About Steve

Steve Neff has been playing and teaching saxophone and jazz improvisation around the New England area for over 30 years. He is the author of many best selling jazz improvisation methods as well as founding the popular jazz video lesson site Neffmusic.com.

Reader Interactions

Comments

  1. AvatarMike says

    May 5, 2010 at 10:53 pm

    Can’t believe there aren’t a bunch of comments here. Probably my favorite piece. Gets bright up top but not ridiculously bright, and stay fat, focused, and powerful.

    If you don’t mind me asking (and don’t feel obliged to tell me please) how much did this piece cost? You mention getting it on ebay, and considering how monster this piece is, I’m just curious

    Reply
    • stevesteve says

      May 5, 2010 at 10:56 pm

      So weird, I just played this piece for a couple of hours today. This is my go to gig piece when I have to do everything………

      Reply
  2. AvatarJustin says

    June 4, 2010 at 10:19 am

    I really love the sound you make with this mouthpiece Steve. How would I go about getting something that plays /responds like this piece?

    Reply
    • stevesteve says

      June 4, 2010 at 10:38 am

      You got me. I’ve been looking for one that plays like it for the past 6 years. Can’t find anything so far. There is something unique about it with the baffle and facing curve I think.

      Reply
  3. AvatarJustin says

    June 6, 2010 at 4:22 am

    I emailed Morgan Fry who said he could make something similar. Is there anything else you can tell me about this piece that might help him?

    Reply
  4. AvatarJustin says

    June 8, 2010 at 6:08 am

    How would you compare this piece to a Guardala Studio Steve? What reeds did you use on this? Did you ever resolve the Java 21/2 to soft and 3 to hard issue you had? Have you played on La Voz medium? which I find between the Two. I have really enjoyed the mouthpiece reviews by the way, thanks.

    Reply
    • stevesteve says

      June 8, 2010 at 9:26 am

      Thanks Justin. I’m glad you like the reviews. This piece is a little more linkish than a Guardala. It has a little more fatness to the sound I think. A Java 2 1/2 is perfect on this piece because it’s a .110 tip but also I think the facing curve is suited for that size reed. It has a little more resistance than a Guardala so it’s easier for me to shape the sound and play expressively. steve

      Reply
  5. Avatarandy says

    December 15, 2010 at 3:27 am

    Hi Steve was wondering what lig you’re using on this mouthpiece – the standard link lig or another? Thanks, Andy

    Reply
    • stevesteve says

      December 15, 2010 at 10:52 pm

      I’ve always used a silver Selmer 2 scerw lig on my links. I forgot the model number.

      Reply
  6. AvatarPaco Jiménez (Spain) says

    April 10, 2012 at 6:40 pm

    Hi Steve!
    My congratulations for your work, your website, for all that we bring to the saxophonists, and in this case for this tip and make it sound like your saxophone. I know jon van wie die and I can not enjoy his mouthpiece for my tenor, but could you tell me that I’d leave nozzle or mouthpiece to get the sound right STM Link 8 Tenor Mouthpiece, I think you call it a dave save it refacing, I am very interested in this tip and better sound or sound that your bags will. . .
    Pardon my language but google translation.
    best regards from Spain.
    Paco Jim.

    Reply
    • stevesteve says

      April 20, 2012 at 10:51 pm

      I’v never played another piece like the JVW link I have. It’s not the baffle but the facing that makes it play great for me. It’s a shorter facing than my other mouthpieces. I had Erik Greiffehagen copy the facing and baffle on to an EB link and that is the closest I’ve come to it.

      Reply
  7. AvatarPavel says

    October 8, 2019 at 3:24 pm

    Hello Steve, I am relly impressed by your sound on this mounthpiece. I would say this is my tenor dream sound 🙂 Do you have any feedback from Justin. Did he succeeded with Morgan Fry. Thank for answer! Regards Pavel

    Reply

Leave a Reply Cancel reply

Your email address will not be published. Required fields are marked *

Primary Sidebar

Steve Neff

Cart

Subscribe to the Neffmusic Newsletter for the latest reviews and best deals delivered straight to your inbox every month. Join now and you will also receive my 40 Ultimate Michael Brecker Licks free!

Select list(s) to subscribe to


Thanks for joining!


NEFFMUSIC PRINTED BOOKS

Testimonials

Steve,

I have played for many years and have enjoyed going “back to the basics” in some of your lessons!  You have such a gift for explaining concepts.  As I have gotten older, some of the basic things have gotten muddled because I just play, not knowing why.  As I refresh myself with “why”, it increases my confidence and expands my playing.  Thank you so much for using your gift!  You are a blessing!

Julia

Your material is great! I got your New Altissimo Lesson 6 months ago and I have learned more from that than in all my 44 years of playing! I appreciate your down to earth teaching method and I really appreciate the heart that you teach with. I have been a subscriber to your lessons for the past 6 months and I have learned a great deal. Over that period of time I have had some questions and you have never failed to respond. Thanks! I have already recommended your lessons to a number of players in… Read more

Michael Byington

Hello Steve, I’m getting so much out of your lessons and books, amazing how much one may think one knows, there is always a new frontier or new way to view something you think you had somewhat down. You have taken it all to a new level and am so grateful. Your lessons are so down to earth and understandable and clear!  Thanks so much Steve! Cheers, Eddie

Eddie Parente
Hi Steve, I live in a gorgeous but rural area of Oregon-no music store within 80 miles. Your lessons are my lifeline!  Truly the best there are anywhere online. Love your playing. Love your teaching.  Thanks again. Ed
Ed Woodmansee
Your lessons on playing the blues is so clear . I have been through many books on blues playing and not one of them explains as clear as your lessons . Most of them say “Play the same blues scale over all three chords of a 12 bar blues ” Its very misleading .     Thanks
Martin
Thank you so much for the great job you are doing to help further our jazz studies. Though I make my living as a repairer of musical instruments I am a student of jazz and have been fortunate enough to be involved with a big band and a combo for the last several years. As my children began to leave “the nest” I had decided to dedicate the next half of my life to a more serious study of the sax but I didn’t know exactly how I would go about doing this until a friend of mine turned me onto your si… Read more
Jon

Never really had lessons before just kinda worked things out on my own. Was in a rut but your lessons are really helpful in opening melodic possibilities. Ur an awesome resource to the saxophone community. Thanks for sharing. 

Anthony
Hi Steve, I have been shedding your materials for quite a while now and I love them! They are extremely well organized and presented and there are tons of ’em! I really appreciate your methodical approach and find myself referring students to your resources often.  Thanks so much!  
Kenyon Carter
Just a brief note to compliment you on your teaching skills and in particular for the honesty of your lessons.  I am a returning alto sax player in my 50’s and I was looking for a no nonsense, straight to the point kind of guidance. I had intended to email you with a few questions regarding the use of the bis key but then I noticed that there was a lesson on that specific topic and after viewing it,  all my questions were answered. I once took a group lesson with a well known professional sax … Read more
Patrick
I would like to say that in the last year my sax playing has progressed loads from your lessons. I have had a sax for about 20 years and dabbled with lessons from a few teachers and have learnt very little from them. As you have said in your lessons many teachers tell you to use the blues scale and leave it there, not even showing you the resolution points!!. I am now believing I can in time become a good improviser.
Thanks again,
Shane
Shane

Hello Steve,

I have not received my alto yet but have already gone through 14 lessons. I love your approach, style, knowledge and competence. I now regret so much to have stayed away from playing the sax for the past 45-50 years…(I am 65).  But It is never too late to get back to your first love. After 23 years in compuer sciences and 22 years in finances…I am now back to music for the rest of my life.

Doing some research on the net, I found this:

http://forum.saxontheweb.net/showthread.php?1… Read more

Claude
I like so many other subscribers feel so encouraged by Steve’s learning techniques; you will enjoy reading the comments of praise others have left as you too will feel that you share a common view and path. I feel very lucky to have come across Neffmusic and that feeling will remain with you as you search through a treasure trove of learning materials on offer, you will quickly find the lessons that you are suited to. You will instantly recognize the unparalleled quality of Steve’s teaching … Read more
Stephen
I am a music book junkie and I have to say that your books are the most clear, user friendly, and helpful books I own.  They are my absolute favorites and I only wish I had them years ago.  I wouldn’t change a thing about the experience I had in acquiring my degree at Berklee, but my playing has perhaps grown more in the time I’ve spent buried in your books and lessons.  Keep up the great work!!! Thanks, John
John
Hey Steve, I’m a 22-year-old from Australia. I thought it would be worth saying. You’re an absolute legend. I can’t thank you enough. You have helped me rekindle my love for the saxophone and music as a whole. All the best for the future, your work doesn’t go unnoticed. PS. I am loving your devastating minor lines pdf.
Sapph
I’ve been downloading your lessons for 4 months now (20 lesson) and I have noticed tremendous growth in my playing thus far! I’m so happy that I stumbled upon your site!
Bob
Steve’s monthly lessons are entirely valuable. Without brow beating, he tells you all the stuff you deep down know you really should be working on, instead of just relying on the same old patterns. In spite of the fact that you’re taking a video lesson, Steve’s presentation is comfortable and “real”. In a little more than a year, he’s developed a library of lessons that seem to offer any player a lifetime’s worth of practice material. I’m just glad I stumbled upon it.… Read more
Grant
I want to let you know that your instructional material is transforming my playing.  It is an immense pleasure to learn and play now, and I can’t tell you how grateful I am. The instructional material I got from you is by far the best of any I own (and I have over 100 books, DVDs, and what not). I literally can’t thank you enough! Deric
Deric
Steve- I joined your site this month and have downloaded 4 lessons and also purchased your new book and video on diatonic patterns. I just want to say I am very pleased with your approach and teaching techniques. I am getting back into playing after laying off for some time. The information you offer on your site is of great value and I am enjoying being a member. Thank you for what you are doing for the saxophone community.
Tony

Hi Steve,

First, I want to thank you for all of your great lessons. They are like a “For Dummies” version of all the books on my shelf. The lessons break things down into manageable pieces, and give me the confidence that I’m practicing the right pieces. I’m starting to make progress.   Thank You,   Kim

Kim
Your major diatonic patterns book is great. I”m studying the first twenty patterns (first twenty pages) each day with different articulation each day and slowly increasing the tempo each week or so.  There is a noticeable improvement in finger coordination across all keys and its amazing how much more secure I feel on the difficult keys when attempting to play pieces with 5+ flats/sharps. I’m able to sort out the fingerings for these pieces now much more quickly than before, often in one or two … Read more
Geoff
I have NEVER seen material like yours.  Amazing!!
Jerry

I must say again how much I appreciate all your material. Including the video tutorials. It help keep me focused and knowing what to aim for. And your laid back teaching style appeals to me too. 

Thanks

P

P
I’ve been having ‘ online’  lessons with Steve for a few months now. Being a teacher myself I had had some reservations with the idea at first and the practicalities of it .  Let me just say that my playing has taken a huge leaps forward while studying with Steve and continues to do so.Steve studied with some renowned player/teachers such as Bergonzi and Garzone– this in itself is invaluable but Steve teaches from his own books, which cover a a vast amount of  jazz language. Steve h… Read more
David
I am enjoying your style of teaching, and you’ve done a great job with the videos….good sound quality and well constructed lessons.  Balances the more guitaristic material found on the majority of guitar based programs.  Jazz vocab is what I’m all about at this point in the journey.   I especially dig the fact that you’ve studied with Bergonzi…helps me see his voluminous output in a more  bite sized way.
Milton

Featured Video Lessons

  • Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book) Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book)
    Rated 5.00 out of 5
    $19.99 Original price was: $19.99.$14.99Current price is: $14.99.
  • The Secret to Modern Outside Jazz Lines Lesson-Minor The Secret to Modern Outside Jazz Lines Lesson-Minor $9.99
  • Creating Modern II-V-I Lines with Simple Pentatonics Lesson Creating Modern II-V-I Lines with Simple Pentatonics Lesson
    Rated 5.00 out of 5
    $9.99
  • The Best Embouchure for Tone, Intonation and Endurance Lesson The Best Embouchure for Tone, Intonation and Endurance Lesson
    Rated 4.91 out of 5
    $9.99
  • The Secret to Altissimo (no one has ever told you about before) Lesson The Secret to Altissimo (no one has ever told you about before) Lesson
    Rated 4.75 out of 5
    $9.99

Now over 600 video and audio lessons to choose from!

Free Lessons

  • Free Lesson on The New Ultimate II-V-I Primer-Major Keys
  • Free Video Lesson on Mastering Altered Pentatonics
  • Free Video Lesson on Mastering the Blues Scale Volume 1 & 2
  • Free Video Lesson on Mastering the Dominant Bebop Scale and Language Book 1 & 2
  • Free Video Lesson on Approach Note Velocity Book

Recent reviews

  • Practicing Double-Time Licks Lesson Practicing Double-Time Licks Lesson
    Rated 5 out of 5
    by Az Samad
  • Bebop Scale-Altered Scale II-V-I Practice Lesson Bebop Scale-Altered Scale II-V-I Practice Lesson by Noah
  • Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book) Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book) by Andy
  • Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book) Mastering the Dominant Pentatonic Sound over a Blues (Digital PDF Book)
    Rated 5 out of 5
    by Russ
  • Creating Modern II-V-I Lines with Simple Pentatonics Lesson Creating Modern II-V-I Lines with Simple Pentatonics Lesson
    Rated 5 out of 5
    by Timothy

Footer

Recent Comments

  • Marc on Theo Wanne Brahma Gold Tenor Saxophone Mouthpiece Review
  • Giuseppe C. on Gottsu Sepia Tone Jazz Metal Tenor Saxophone Mouthpiece Review
  • Darin on Phil-Tone Rift Tenor Saxophone Mouthpiece Review
  • Darin on Revisiting a Lamberson J7 Tenor Saxophone Mouthpiece Review
  • Steve on Revisiting a Lamberson J7 Tenor Saxophone Mouthpiece Review

Top rated products

  • Mastering the Major Bebop Scale & Sound (Digital PDF Book) Mastering the Major Bebop Scale & Sound (Digital PDF Book)
    Rated 5.00 out of 5
    $14.99
  • Tune of the Week-Softly as a Morning Sunrise Lesson Tune of the Week-Softly as a Morning Sunrise Lesson
    Rated 5.00 out of 5
    $9.99
  • The Style of Dexter Gordon-Lady Bird Lesson 1 The Style of Dexter Gordon-Lady Bird Lesson 1
    Rated 5.00 out of 5
    $9.99
  • Tune of the Week-Days of Wine and Roses Lesson Tune of the Week-Days of Wine and Roses Lesson
    Rated 5.00 out of 5
    $9.99
  • Tune of the Week-Invitation Tune of the Week-Invitation
    Rated 5.00 out of 5
    $9.99

Product tags

alto sax alto saxophone approach notes audio lesson bebop scale beginner beginner saxophone blues blues licks blues patterns blues scale blues scales diminished scale dominant chords ear training fundamentals II-V-I improvisation jazz improvisation jazz lines jazz patterns jazz sax jazz saxophone jazz standard jazz standards licks Mastering the Blues Scale Michael Brecker modern improv modern improvisation online lesson patterns playing outside practice habits reading music sax basics sax lessons saxophone scales smooth jazz steve neff tenor sax tenor saxophone video lesson video lessons
  • Instagram
  • Facebook
  • Twitter
  • SUPPORT

Neffmusic © 2005–2026